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Corvi-Mora 1a kempsford road london se11 4nu LIAM GILLICK Born in Aylesbury, 1964. Lives in London and New York. 1983-84 Hertfordshire College of Art 1984-87 Goldsmiths College, University of London, B.A. (Hons.) Solo Exhibitions 2005 May Corvi-Mora, London 2004 February “Construccion de Uno”, Galeria Javier Lopez, Madrid 2003 November Corvi-Mora, London (with Sean Dack) “Projects 79 Liam Gillick: Literally” The Museum of Modern Art, New York “Communes, Bars and Greenrooms”, The Power Plant Contemporary Art Gallery, Toronto May “Exterior Days”, Casey Kaplan, New York April “Por Favor Gracias de Nada, Kurimanzutto, Mexico City (with Gabriel Kuri) January “Version C”, Mamco, Geneva “Hills and Trays and...”, Schipper & Krome, Berlin “...Punctuated Everydays”, Galerie Max Hetzler, Berlin 2002 July Rüdiger Schöttle, Munich June “Light Technique” Galerie Meyer Kainer, Wien May “The Wood Way”, The Whitechapel Gallery, London (cat) January Center for Contemporary Art, Cincinnati 2001 September “Annlee You Proposes”, Tate Britain, London April Corvi-Mora, London February Javier Lopez, Madrid January “Firststepcousinbarprize”, Hauser & Wirth & Presenhuber, Zürich 2000 November Casey Kaplan, New York October “Renovation Filter: Recent Past and Near Future”, Arnolfini, Bristol September “Literally No Place”, Air de Paris, Paris June “Woody”, CCA Kitakyushu, Japan April “Schmerz in Einem Gebäude”, Fig-1, London March “Consultation Filter”,Westfälischer Kunstverein, Münster Schipper & Krome, Berlin February Turnaround Project, Hayward Gallery, London Galleri Charlotte Lund, Stockholm 1999 September “David”, Frankfurter Kunstverein, Frankfurt July Rüdiger Schöttle, Munich June Kunsthaus Glarus, Glarus (CH) 1998 November Atle Gerhardsen, Oslo “The Trial of Pol Pot”, a project co-ordinated by Liam Gillick & Philippe Parreno, Le Magasin, Grenoble October “When do we need more tractors?”, Schipper & Krome, Berlin July “Révision”, Villa Arson, Nice June Robert Prime, London May “Big Conference Centre”, Orchard Gallery, Derry (cat) April “When Purity Was Paramount”, British Council Gallery, Prague tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu “Up on the Twenty Second Floor”, Air de Paris, Paris February Kunstverein, Hamburg 1997 November “Reclutamento!”, Emi Fontana, Milano July “McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios”, Le Consortium, Dijon May “Another Shop in Tottenham Court Road”, Transmission Gallery, Glasgow March “A House in Long Island”, FORDE Espace d’art Contemporain, Geneva February “Discussion Island - A What If? Scenario Report”, Kunstverein Ludwigsburg January “Discussion Island”, Basilico Fine Arts, New York 1996 June “Documents” (with Henry Bond), Schipper & Krome, Köln April “The What If? Scenario”, Robert Prime, London Raum Aktueller Kunst, Wien March “Erasmus is Late versus The What If? Scenario”, Schipper & Krome, Berlin 1995 December “Documents”, (with Henry Bond), Kunstverein Elsterpark, Leipzig November “Part Three”, Basilico Fine Arts, New York September “Ibuka!”, Emi Fontana, Milano May “Ibuka! (Part 2)”, Kunstlerhaus, Stuttgart “Ibuka! (Part 1)”, Air de Paris, Paris 1994 November Interim Art, London September “Documents”, (with Henry Bond), Ars Futura, Zürich June “McNamara”, Schipper & Krome, Köln 1993 November “An Old Song and a New Drink”, (with Angela Bulloch), Air de Paris / Café Beaubourg, Paris June “Documents”, (with Henry Bond), CCA, Glasgow 1992 August “McNamara, Hog Bikes and GRSSPR”, Air de Paris, Nice 1991 December “Documents”, (with Henry Bond), Gio’ Marconi, Milano March “Documents”, (with Henry Bond), A.P.A.C., Nevers January “Documents”, (with Henry Bond), Karsten Schubert Ltd, London 1989 December “84 Diagrams”, Karsten Schubert Ltd, London Collaborative Projects 2003 September “Telling Histories”, Kunstverein München, Munich 2002 March “Dark Spring”, Stiftung Ursula Blickle, Kraichta (with Nicolaus Schafhausen & Markus Weisbeck) 2001 October “Dedallic Convention”, MAK, Wien (with Annette Kosack) September “Dedallic Convention/ Du und Ich”, Salzburger Kunstverein, Salzburg (with Annette Kosack & Gary Webb) 2000 July “itsapoorsortofmemorythatonlyrunsbackwards”, Goldsmiths Colege, Creative Curating, London 1999 January “Oldnewtown”, Casey Kaplan, New York 1995 July “Stoppage”, Villa Arson, Nice June “Stoppage”, CCC, Tours May “Faction”, Royal Danish Academy of Arts, Copenhagen 1992 December “Instructions”, Gio’ Marconi, Milano September “The Speaker Project”, ICA, London tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu Public Projects 2004 Tiscali Headquarters, Sardinia 2003 The Home Office, London “headache/phone card/soda/donuts/stereo”, Great Portland Street Underground Station, London Regents Place, British Land, London Ft. Lauderdale/Hollywood International Airport, Los Angeles 2002 Olnick Corporation, New Jersey Mercat, Alicante Kirchdorf School Alcobendas, Madrid Dekabank, Frankfurt 1999 BIC Technologiezentrum, Leipzig Selected Group Exhibitions 2004 October “Constructing the Impossible”, Kunsthaus Lempertz, Cologne September “Underground (Fragments of Future Histories)”, Galerie Micheline Szwajcer, Antwerp “Trailer”, Man in the Holocene, London June “emotion eins”, Frankfurter Kunstverein, Frankfurt “Artists’ Favourites”, ICA Galleries, London April “Tonight”, Studio Voltaire, London February “Une Politique de Multiples”, Galerie Michel Rein, Paris 2003 November “Bad Behaviour: Works from the Arts Council Collection”, Yorkshire Sculpture Park, Yorkshire “Everything Can Be Different”, Maryland Institute College of Art, Baltimore “A Nova Geometria”, Galeria Fortes Vilaça, Sao Paulo October “Adorno 100”, Frankfurter Kunstverein, Frankfurt “Open 2003”, Space, The Triangle, London “Wittgenstein: Family Likenesses”, Institute of Visual Culture, Cambridge September “How to learn to love the bomb and stop worrying about it”, National Chamber of Art Industries, Mexico City August “Abstraction Now”, Künstlerhaus Wien, Wien July “Honey, I rearranged the collection”, 1a Kempsford Road, London June “Utopia Station”, 50th Biennale Internazionale, Venezia “25th International Biennial of Graphic Arts, Ljubljana “Social Facades and Others”, Lenbachhaus, Munich “3D”, Friedrich Petzel, New York May “typeofgravy”, Cell Project Space (curated by Richard Priestley) “Form Specific”, Moderna Galerija, Ljubljana “Cool Luster”, Collection Lambert, Avignon April “I Moderni, The Moderns”, Castello Di Rivoli, Torino “20th Anniversary Show”, Monika Sprüth - Philomene Magers, Köln “Imperfect Marriages”, Galleria Emi Fontana, Milano “Glamour”, British Council, Prague “JRP Editions”, Galería Javier Lopez, Madrid March “Architecture Schmarchitecture”, Kerlin Gallery, Dublin “The Air is Blue”, Barragan House, Mexico City February “This Was Tomorrow”, New Art Centre Sculpture Park & Gallery, Salisbury “Breathing the Water”, Galerie Hauser & Wirth & Presenhuber, Zürich “Animations”, Kunstwerk, Berlin January “Ill Communication”, Dundee Contemporary Arts, Dundee “No Ghost, Just a Shell”, Van Abbemuseum, Eindhoven “Perfect Timeless Repetition”, Atle Gerhardsen, Berlin “JRP Editions” Galerie Edward Mitterand, Geneva tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu “Re-Produktion 2”, Georg Kargl, Wien 2002 December “No Ghost, Just a Shell”, Museum of Modern Art, San Francisco “No Ghost, Just a Shell”, Institute of Visual Culture, Cambridge “Gleitsicht”, Krypta 182, Berg. Gladbach November “It’s Unfair”, Museum De Paviljoens, Almere, Holland “Lap Dissolve”, Casey Kaplan, New York October “The Unique Phenomenon of a Distance”, Magnani, London “Turner Prize 2002”, Tate Britain, London “Relational Aesthetics from the 1990’s”, San Francisco Art Institute, San Francisco “This Play 31”, La Coleccion Jumex, Mexico “L’Image Habitable - versions B,C,D,E”, Mamco, Geneva September “Société Perpendiculaire: La Tapisserie”, FRAC Provence-Alpes- Côte d’Azur “Collections”, ZKM, Karlsruhe “Strike”, Wolverhampton Art Gallery, Wolverhampton “The Galleries Show: Contemporary Art in London”, The Royal Academy of Arts, London August “No Ghost, Just a Shell”, Kunsthalle, Zürich July “Multiples X”, London Print Studio, London June “The Object Sculpture”, Henry Moore Institute, Leeds (cat) Galerie Martin Janda, Wien “Without Consent”, CAN, Neuchatel “The Movement Began With A Scandal”, Lenbachhaus, Munich “JRP Editions”, RAK, Wien “Collected Contemporaries”, Moderna Museet, Stockholm “Summer Cinema”, Casey Kaplan, New York May “The Ink Jetty”, Neon Gallery, London “Inframince”, Cabinet, London (curated by David Bussel) “Happy Outsiders from Scotland and London”, Zachetal, Warsaw/Katowice, City Gallery April “Startkapital”, K21, Dusseldorf “Parallel Structures”, Gertrude Contemporary Art Spaces, Fitzroy, Victoria “Private Views”, Printed Space, London gallery@londonprintstudio, London March “Void”, CCA Kitakyushu, Japan “Autres expositions temporaires”, Mamco, Geneva “Everything Can Be Different”, University of Memphis, Tennesee “Annlee You Proposes”, Mamco, Geneva February “Do It”, Museo de Arte Carrillo Gil, San Angel, Mexico (curated by Hans Ulrich Obrist) “J’en ai pris des coups mais j’en ai donnés aussi”, Galerie hez Valentin, Paris “Art & Economy”, Deichtorhallen, Hamburg January “Urgent Painting”, ARC, Musée d’Art Moderne de la Ville de Paris, Paris “Nothing”, Mead Gallery, Warwick “PASSENGER -The Viewer as Participant”, Asatrup Fearnley Museum, Oslo “Minimal Maximal”, National Museum of Contemporary Art, Korea 2001 November “Rumour City”, TN Probe, Japan “I Love Dijon. nouvelles scenes”, Le Consortium, Centre D’Art Contemporain, Dijon “En/Of”, Schneiderei, Köln “Ingenting”, Rooseum, Malmö 9th Biennial of Moving Image, Saint-Gervais, Geneva “...if a double-decker bus crashes...”, Air de Paris, Paris October “Open Plan P3 - The Marathon”, Alphadelta Gallery, Athens (cat) “Rumor City”, Raffinerie, Brussels “Animations”, P.S.1 Contemporary Art Center, Musuem of Modern Art affiliate, New York (cat) “Parallel Structures”, South Bank Corporation, Brisbane September “Demonsrtation Room: Ideal House”, NICC, Antwerp “Yokohama 2001”, Yokohama Triennale, Yokohama “Everything Can Be Different”, Jean Paul Slusser Gallery, University of Michigan School of Art; Ann Arbor/University of Memphis, Memphis; Maryland Institute College of tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu Art, Baltimore July “Dévoler”, Institut d’art contemporain, Lyon “Connivence”, Biennale de Lyon, Lyon “Geometry and Gesture”, Thaddeaus Ropac, Salzburg “A Timely Place, Or, Getting Back to Somewhere”, London Print Studio Gallery, London “Strategies Against Architecture”, Fondazione Teseco, Pisa “Stephane Dafflon/Liam Gillick/Xavier Yeilhan”, Le Spot, Centre D’Art Contemporain, Le Havre “The Communications Department”, Anthony Wilkinson Gallery, London “Ambiance Magasin”, Meymac Centre D’Art Contemporain, Le Havre “Beautiful Productions: Parkett”, Whitechapel Gallery, London May “International Language”, Grassy Knoll Productions, various sites, Belfast “A New Domestic Landscape”, Javier Lopez, Madrid April “Minimal-Maximal”, City Museum of Art, Chiba; National Museum of Art, Kyoto; City Museum of Art, Fukuoka, Japan (cat) “Nothing”, Northern Gallery for Contemporary Art, Sunderland “Contemporary Utopia”, Museum of Modern Art, Riga “Berlin Biennale”, Kunst Werk, Berlin “Collaborations with Parkett: 1984 to now”, Museum of Modern Art, New York March “Histoire de coeur”, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls “There’s gonna be some trouble, a whole house will need rebuilding” Rooseum, Malmö “Stop and go”, FRAC, Nord-Pas de Calais, Dunkerque “Future Perfect”, Orchard Gallery, Derry February “Demonstration Room: Ideal House”, Apex Art, New York January “Century City”, Tate Modern, London 2000 November “Que saurions-nous construire d’autre? (What else could we build?)”, La Villa Noailles “Casa Ideal”, Museo Alejandro Otero, Caracas “More Shows About Buildings and Food”, Lisbon “Perfidy”, Kettles Yard, Cambridge “How do you change an apartment that has been painted brown? Certainly not by painting it white”, Institute of Visual Culture, Cambridge “Ausstellung der Jahresgaben”, Westfälischer Kunstverein, Münster Corvi-Mora, London “Future Perfect”, Cornerhouse, Manchester October “e-mona”, The Museum of New Art, Detroit “Aussendienst”, Kunstverein, Hamburg September “Wilder Bild Gegen Wart. Positions to a political discourse”, Nieuw Internationaal Kultureel Centrum, Antwerp “Perfidy”, La Tourette, l’Arbresle, France “Protest & Survive”, Whitechapel Art Gallery, London July “Intelligence”, Tate Britain, London “Future Perfect”, Centre for Visual Arts, Cardiff “Haut de Forme et Bas Fonds”, FRAC Poitou-Charentes, Angoulême “Vicinato 2”, Fig-1, London “Vicinato 2”, Neuggerreimschneider, Berlin “Werkleitz”, Tornitz June “Interplay”, The National Museum of Contemporary Art, Oslo Paula Cooper Gallery, New York May “Dire Aids, Art in the Age of Aids”, Promotrice delle Belle Arti, Torino “Working Title”, Stanley Picker Gallery, Kingston University, Kingston-UponThames “Prefiguration of the Museum of Contemporary Art, Tucson (AZ). Collection JRP”, Kunsthalle, Fribourg “What If?” Moderna Museet, Stockholm April “Viva Maria III”, Galeri Admiralitätsraße, Hamburg “The British Art Show”, Arts Council Touring Exhibition March Casey Kaplan, New York “Wilder Bild Gegen Wart. Positions to a political discourse”, ARK, Wien tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu “14 + 1”, Feitchtner & Mizrahi, Wien “Decompressing History”, Galeri Enkehuset, Stockholm (curated by Lars Bang Larson) February “Continuum 001”, CCA, Glasgow “Media City 2000”, Seoul “Etat des Lieux No 1”, Fri-Art, Fribourg January “29th International Film Festival”, Rotterdam “Stortorget i Kalmar”, Statens Konstråds Galleri, Kalmar 1999 November “Space”, Schipper & Krome, Berlin October “New York/London”, Taché-Levy, Brussels “Get Together/Art As Teamwork”, Kunsthalle, Wien “1999 East Wing Collection”, Courtald Institute of Art, London Casey Kaplan, New York (part of Jonathan Monk exhibition) “705 Wings of Freedom”, Berlin (curated by Uwe Wiesner) “Officina Europa”, Bologna “Une histoire parmi d’autres, collection Michel Poitevin”, FRAC Nord-Pas de Calais September “Objecthood 00”, Rethymnon Centre for Contemporary Art, Rethymnon, Greece “Tent”, Rotterdam “dConstructivism: Life into Art”, Brisbane “Shopping”, FAT, London “Fantasy Heckler”, Liverpool Biennial of Contemporary Art, Liverpool “ArtLovers”, Liverpool Biennial of Contemporary Art, Liverpool “Transmute”, MCA, Chicago (curated by Joshua Decter) August “The Space is Everywhere”, villa Merkel, Esslingen July “Essential Things”, Robert Prime, London (curated by Guy Mannes Abbott) “Laboratorium”, Antwerpen Open, Antwerp “In The Midst of Things”, Bournville, Birmingham (cat) Schipper & Krome, Berlin “Le Capitale”,Centre régional d’art contemporain, Sète (curated by Nicolas Bourriaud) May “Tang”, Turner and Runyon, Dallas “Plug-ins”, Salon 3, London “Etcetera”, Spacex Gallery, Exeter “Out of Sight - A cross-reference exhibition”, Büro Friedrich, Berlin April “Minimal-Maximal”Centro Galego de Arte Contemporanea, Santiago de Compostela “Air de Paris: works by AND/OR informations about”, Grazer Kunstverein, Grazer “May Day”, Photographer’s Gallery, London March “Nur Wasser”, Neumühlen, Hamburg “12 Artists, 12 Rooms”, Galerie Thaddeaus Ropac, Salzburg January “Minimal-Maximal”, Statlische Kunsthalle Baden-Baden; “Konstructionszeichnungen”, Kunst-Werke, Berlin “Pl@ytimes”, Ecole supérieure d’art de Grenoble, Grenoble “xn99”, Maison de la culture, Chalon-sur-Saône “Continued Investigation of the Relevance of Abstraction”, Andrea Rosen Gallery, New York 1998 December “The Project of the 2nd December”, Salon 3, London “Projections”, de Appel, Amsterdam “1+3=4x1”, Galerie für Zietgenössische Kunst, Leipzig November “Dijon/Le Consortium.coll”, Centre Georges Pompidou, Paris “Cluster Bomb”, Morrison Judd, London October “Minimal-Maximal”, Neues Museum Weserburg, Bremen “Ghosts”, Le Consortium, Dijon September “Places to Stay 4 P(rinted) M(atter)”, Buro Friedrich, Berlin “Weather Everything”, Galerie für Zeitgenönissische Kunst Leipzig “Odradek”, Bard College, New York, (curated by Thomas Mulcaire) “Starter”, Frankfurter Kunstverein, Frankfurt “Mise en Scéne”, Grazer Kunstverein, Graz tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu August “Entropy at Home”, Suermondt Ludwig Museum, Aachen, Germany July “Videostore”, Brick and Kicks, Wien (organised by Nicolas Tremblay & Stephanie Moisdon) “UK Maximum Diversity”, Galerie Krinzinger at the Benger Fabrik, Bregenz “The Erotic Sublime”, Galerie Thaddeaus Ropac, Salzburg June “Inglenook”, Feigen Contemporary, New York “In-significants”, Stockholm “Kamikaze”, Marstall Schloßplatz, Berlin “London Calling”, The British School at Rome, Roma “Fuori Uso ‘98”, Mercati Ortofrutticoli, Pescara May “Construction Drawings”, PS1, New York (curated by Klaus Biesenback) “Arena - Sport und Kunst Austellung, Galerie im Rathaus, Munich April “A to Z”, The Approach, London (curated by Matthew Higgs) March “Interactive, An Exhibition of Contemporary British Sculpture”, Amerada Hess, London February “Liam Gillick, John Miller, Joe Scanlan”, RAK, Wien “Fast Forward”, Kunstverein in Hamburg “Artist/Author: Contemporary Artists’ Books”, American Federation of Arts touring show Weatherspoon Art Gallery, Greensboro/The Emerson Gallery, Clinton/The Museum of Contemporary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University Art Gallery, Amhert 1997 December “Other Men’s Flowers”, The British School at Rome, Roma “Maxwell’s Demon”, Margo Leavin, Los Angeles “Work in Progress and or Finished”, Ubermain, Los Angeles Air de Paris,Paris; Schipper & Krome, Berlin November “Hospital”, Max Hetzler, Berlin “Kunst...Arbeit”, SudWest LB, Stuttgart October “Heaven - a Private View”, PS1, Long Island, NY September Robert Prime, London “Ireland and Europe”, Sculptors Society of Ireland, Dublin Vaknin Schwartz, Atlanta July “Enterprise”, ICA, Boston June “504”, Kunsthalle Braunschweig (curated by John Armleder) “documenta X”, Kassel May “Space Oddities”, Canary Wharf, London “Moment Ginza”, Le Magasin, Grenoble (curated by Dominique Gonzalez- Foerster) “I Met A Man Who Wasn’t There”, Basilico Fine Arts, New York April “Ajar”, Galleri F15, Jeloy, Oslo “Enter: Audience, Artist, Institution”, Kunstmuseum Luzern March “Temps de Pose, Temps de Paroles”, Musée de l’Echevinage, Saintes “Des Livres d’Artistes”, L’école d’art de Grenoble, Grenoble January “Life/Live”, Centro Cultural de Belém, Lisbon 1996 December “Supastore de Luxe”, Up & Co., New York “Limited Edition Artist’s Books since 1990”, Brooke Alexander, New York November “Itinerant Texts”, Camden Arts Centre, London “Lost For Words”, Coins Coffee Store, London “All in One”, Schipper & Krome, Köln “A Scattering Matrix”, Richard Heller Gallery, Los Angeles “Found Footage”, Tanja Grunert & Klemens Gasser, Köln “Glass Shelf Show”, ICA, London October “Life/Live”, Musée d’Art Moderne de la Ville de Paris, Paris “Such is Life”, Serpentine Bookshop, London August “Escape Attempts”, Globe, Copenhagen July “How Will We Behave?”, Robert Prime, London June “Some Drawings from London”, Princelet Street, London “Nach Weimar”, Landesmuseum Weimar (curated by Nicolas Schaffhausen & Klaus Biesenbach) May “Dinner”, Cubitt Gallery, London (organised by Giorgio Sadotti) April “Departure Lounge”, The Clocktower, New York tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu “Everyday Holiday”, La Rue, Le Magasin, Grenoble “Der Umbau Raum”, Kunstlerhaus, Stuttgart March “Marche à l’ombre”, Air de Paris, Paris February “Kiss This”, Focalpoint Gallery Southend (curated by Jeremy Deller) January “Co-operators”, Southampton City Art Gallery, Southampton “Traffic”, CAPC, Bordeaux (curated by Nicolas Bourriaud), 1995 November “Trailer”, Mediapark, Köln (curated by Barbara Steiner) October “New British Art”, Museum Sztuki, Lodz, Poland “Brilliant”, Walker Art Centre, Minneapolis September “Reserve-Lager-Storage”, Oh!, Brussels “Filmcuts”, Neugerriemschneider, Berlin July “Summer Fling”, Basilico Fine Arts, New York “Stoppage”, Villa Arson, Nice “Karaoke”, South London Art Gallery, London (curated by Georg Herold) “Ideal Standard Summertime”, Lisson Gallery, London June “The Moral Maze”, Le Consortium, Dijon “Stoppage”, CCC, Tours “Collection fin XXéme”, FRAC Poitou Charentes, Angoulême May “Faction”, Royal Danish Academy of Arts, Copenhagen February “In Search of the Miraculous”, Starkmann Library Services, London January “Möbius Strip”, Basilico Fine Arts, New York “Bad Times”, CCA, Glasgow (curated by Jonathan Monk) 1994 December “The Institute of Cultural Anxiety”, ICA, London (curated by Jeremy Millar) October “Das Archiv”, Camera Austria/Forum Stadtpark Graz, Graz “Lost Paradise”, Kunstraum, Wien (curated by Barbara Steiner) “Surface de Réparations 2”, FRAC, Dijon September “Miniatures”, The Agency, London June “WM Karaoke”, Portikus, Frankfurt (curated by Georg Herold) “Other Men’s Flowers”, Hoxton Square, London (curated by Joshua Compston) May “Grand Prix”, Monaco (curated by Axel Huber) “Rue des Marins”, Air de Paris, Nice “Mechanical Reproduction”, Galerie van Gelder, Amsterdam (curated by Jack Jaeger) March “Public Domain”, Centro Santa Monica, Barcelona February “Backstage”, Kunstmuseum Luzern, Switzerland “Surface de Réparations”, FRAC, Dijon (curated by Eric Troncy) “Cocktail I”, Kunstverein in Hamburg January “Don’t Look Now”, Thread Waxing Space, New York (curated by Joshua Decter) 1993 November “Dokumentation über arbeiten von”, Esther Schipper, Cologne “Unplugged”, Cologne (curated by Nicolas Bourriaud) October “Two Out of Four Dimensions”, Centre 181, London September “Manifesto”, Hohenthal und Bergen, Munich (curated by Benjamin Weil) “Backstage”, Kunstverein in Hamburg, Hamburg (curated by Stephan Schmidt-Wulffen & Barbara Steiner) July “Wonderful Life”, Lisson Gallery, London Esther Schipper, Cologne “The London Photo Race”, Friesenwall 120, Cologne “Futura Book”, Air de Paris, Nice “Points de Vue”, Galerie Pierre Nouvion, Monaco February “Travelogue”, Höchschule fur Angewandte Kunst, Wien (curated by Jackie McAllister) Los Angeles International, Esther Schipper/Christopher Grimes, Los Angeles January “Territorio Italiano”, Milano (curated by Giacinto di Pietrantonio) Gesellschaft für Aktuelle Kunst, Bremen (curated by Tom Eccles) 1992 December “Instructions”, Gio’ Marconi, Milano “ON”, Interim Art, London tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu November Esther Schipper, Cologne September “The Speaker Project”, ICA, London “12 British Artists”, Barbara Gladstone, SteinGladstone, New York June “Manifesto”, Daniel Büchholz, Köln; Castello di Rivara, Torino; Wacoal Arts Centre, Tokyo; Urbi et Orbi, Paris, (curated by Benjamin Weil) “Etats Spécifiques”, Musée d’art moderne, Le Havre May “Molteplici Culture”, Roma, (selected by Giorgio Verzotti) “Lying On Top Of A Building...”, Monika Sprüth, Cologne; Esther Schipper, Cologne; Le Case d’Arte, Milano April “Tattoo”, Air de Paris-Urbi et Orbi, Paris; Daniel Büchholz, Cologne; Andrea Rosen, New York 1991 December The Multiple Projects Room, Air de Paris, Nice September Air de Paris à Paris, Paris July “No Man’s Time”, CNAC, Villa Arson, Nice 1990 December The Multiple Projects Room, Air de Paris, Nice Recorded Works 2002 “Ekkehard Ehlers & Joseph Suchy/Liam Gillick, En/Off, Frankfurt “Wood (part of void)”, CCA, Kitakyushu 2001 “Liam Gillick meets Scott Olson in Japan”, Whatness, Frankfurt 1995 “Stoppage”, CCC Tours/Villa Arson, Nice Books 2004 February “Construccion De Uno”, Galeria Javier Lopez, Madrid 2002 May “Literally No Place”, Book Works, London 1999 October “5 or 6”, Lukas and Sternberg, New York 1997 November “Big Conference Centre”, Kunstverein Ludwigsburg and Orchard Gallery, Derry 1995 June “Ibuka!”, Kunstlerhaus, Stuttgart “Erasmus is Late”, Book Works, London 1991 March “Technique Anglaise”, Thames & Hudson/One-Off Press, London Publications 2002 September “Art Since 1960”, Michael Archer, Thames & Hudson world of art “Daily News”, Gavin Brown, Cornelia Grassi, New York/London “Conceptual Art”, Phaidon, London June “The Big Show”, NICC, Antwerp “Private Views”, London Print Studio, London May “The Producers: Contemporary Curators in Conversation (4)”, Gateshead, Baltic “Happy Outsiders from Scotland and London”, Warsaw/Katowice City Gallery, Zachetal “The Wood Way”, Whitechapel Art Gallery, London April “Parallel Structures”, Gertrude Contemporary Art Spaces, Victoria, Australia “Magazin 6”, Salzburger Kunstverein, Salzburg “100 Reviews (3)”, Alberta Press, London January “Metronome 8b”, The Queel, London 2001 November “9e Biennale de l’image en Mouvement”, Genève, Centre pour l’image Contemporaine, SaintGervais “Yokohama 2001”, Yokohama Triennale, Japan October “Animations”, P.S.1 Contemporary Art Center/MoMA, New York “Neue Kunstkritik”, Lukas & Sternberg, New York “Art Crazy Nation”, 21, London “The Stunt”, Metronome, London September “Annlee You Proposes”, Tate Britain, London “What Do You Expect From an Art Institution in the 21st Century”, Palais de Tokyo, Paris “Everything Can Be Different”, ICI, New York May “Liam Gillick, Sarah Morris, Bridget Riley, Matthew Ritchie”, Parkett, Switzerland, Issue 61 “Metronome 7”, Metronome, London tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu April “After Work”, 4 Biennale Tornitz Werkleitz Bildende Kunst “Berlin Biennale”, Berlin March “More Works About Buildings and Food”, Oeiras, Hangar K7 “Histoire de Coeur”, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls “Nothing”, August Publisher, London “Parkett: Collaborations & Editions Since 1984”, Museum of Modern Art, New York February “Museen Ohne Zukunft”, Wien MAK, Wien “Mutations”, Bordeaux, Arc en reve, Centre d’Architecture January “Century City”, Tate Modern, London 2000 December “Den Stora Skalan”, Statens Konstråd, Kalmar November “Cream 2”, Phaidon, London October “Renovation Filter, Recent Past and Near Future”, Arnolfini, Bristol September “Protest and Survive”, Whitechapel Gallery, London “Media City”, Seoul July “Intelligence-New British Art 2000”, catalogue, Tate Publishing, London “Moving Targets 2”, Louisa Buck, Tate, London June “The Book of the 3rd of June”, CCA Kitakyushu, Japan May “Dire Aids, Arts in the Age of Aids”, Promotrice delle Belle Arti, Torino “What If?”, Moderna Museet, Stockholm April “The British Art Show 5”, catalogue, SBC, National Touring Exhibitions “Aussendienst”, Kunstverein in Hamburg, Hamburg March “Liam Gillick”, Oktagon, Herausgeber Editions, Köln January 29th International Film Festival, Rotterdam 1999 November “Rewriting Conceptual Art” (ed. M Newman & J Bird), Reaktion Books, London “Minimal-Maximal”, Neues Museum Weserburg Bremen; Statlische Kunsthalle Baden-Baden; Centro Galego de Arte Contemporanea, Santiago de Compostela “Between London and New York”, Taché-Lévy Gallery, Brussels August “The Space is Everywhere”, Villa Merkel, Esslingen “Habitat Art Club”, Habitat, London July “Calender”, Kunsthaus, Glarus “Le Capitale”, Centre régional d’art contemporain, Sète “La Mémoire”, The French Academy in Rome, Roma May “Seven Wonders of the World”, Book Works, London “Design for a four storey building”, Open City, New York “Art at the Turn of the Millenium”, eds. Burkhard Riemschneider and Uta Grosenick, Taschen, Cologne “Esthétique Relationnelle”, Nicolas Bourriaud, Les presses du réel, Dijon March “Weather Everything”, Galerie für Zeitgenössische Kunst Leipzig, Cantz “Independent Spaces”, JRP éditions, Geneva “Servicio Publico”, Ediciones Universidad de Salamanca, Barcelona January “UK Maximum Diversity”, Galerie Krinzinger, Wien “Pl@ytimes”, Ecole du Magasin, Grenoble 1998 December “Ein Rückblick aus dem Jahre 2000 auf 1887”, Edward Bellamy, Galerie für Zeitgenössische Kunst, Leipzig “Zing Magazine”, Volume 2, Fall “øjeblikket”, The Meaning of Site, Copenhagen “Innerscapes” (edited by Maurizio Pellegrin), Contemporanea Trieste November “Dijon/Le Consortium.coll”, Les presses du réel, Dijon; Centre Georges Pompidou, Paris October “Minimal-Maximal”, Neues Museum Weserburg, Bremen “X Mal Documenta X”, Kunsthochschule der Universitat Gesamthochschule, Kassel “Dominique Gonzalez Foerter, Pierre Huyghe, Philippe Parreno”, ARC, Musée d’art moderne de la ville de Paris, Paris “Cream”, Phaidon Press, London “Le colonel Moutarde dans la bibliothèque avec le chandelier” Eric Troncy, Les presses du réel, Dijon “Absurd”, Self Service, Paris tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu September “Mise en Scène”, Grazer Kunstverein, Graz July “L’île de discussion/le grand centre de conférence”, Villa Arson, Nice; Les presses du réel, Dijon March “Interactive, An Exhibition of Contemporary British Sculpture, Amerada Hess, London “Art from Britain”, Sammlung Goetz, Hamburg January “Artist/Author: Contemporary Artist’s Book” (ed. Cornelia Lauf/Clive Phillpot), American Federation of Arts, New York 1997 November “Moving Targets”, Louisa Buck, Tate Gallery, London “Hospital”, Galerie Max Hetzler, Berlin “Kunst...Arbeit”, Sudwest LB/Cantz, Stuttgart October “Andreas Schulze”, Kustverein Ludwigsburg, Cantz “Armleder”, Fondazione Antonio Ratti, Milan September “Ireland and Europe”, Sculptors Society of Ireland, Dublin July “Erasmus est en retard”, (translated by P Parreno), Les Presses du Réel, Dijon “McNamara Papers, Erasmus and Ibuka! Realisations, “The What If? Scenarios”, Le Consortium, Dijon; Kunstqtverein Hamburg “Enterprise”, ICA, Boston June “Unbuilt Worlds: Unrealised Artis’s Projects”, Cantz, Munster “Documenta X, Politics and Poetics”, Cantz, Kassel “Short Guide”, Kassel - documenta, Cantz, Kassel “Schipper und Krome”, Schipper & Krome, Berlin May “Blimey!”, London, 21 April “Ajar”, Galleri F15, Grenoble “Enter: Audience, Artist, Institution”, Kunstmuseum Luzern March “Des livres d’artistes”, L’école d’art, Grenoble January “Life/Live”, Centro Cultural de Belém, Lisbon 1996 December “Echoes - Contemporary Art in the Age of Endless Conclusions”, (ed. Francesco Bonami), Monacelli Press, New York November “Book Works - A partial history and source book”, Book Works, London “Lost for Words”, Toby Mott, London “Found Footage”, Tanya Grunert and Klemens Gasser, Cologne “A Scattering Matrix”, Richard Heller Gallery, Los Angeles October “Life/Live”, Musée d’Art Moderne de la ville de Paris, Paris September “Escape Attempts”, Globe, Copenhagen July “Herausgeber”, Kunstraum Wien, Wien June “Nach Weimar”, Landesmuseum and Schlossmuseum, Weimar March “Everyday Holiday”, Le Magasin, Grenoble February “Do It”, Kjarvalsstadir, Reykyavik January “Co-operators”, Southampton City Art Gallery, Southampton “Traffic”, CAPC, Bordeaux 1995 October “New Art From Britain”, Museum Stzuki, Lodz, Poland “Surface de Réparations”, FRAC Bourgogne, Dijon “Brilliant”, Walker Art Centre, Minneapolis September “Camera Austria”, Forum Stadtpark, Graz July “Grim”, (project with Douglas Gordon), Parkett “Collection fin XXème”, FRAC Poitou Charentes, Angoulême “We Are Medi(eval)”, (with Angela Bulloch), Portikus, Frankfurt June “Lost Paradise”, ed. Barbara Steiner, Oktagon, Wien/Stuttgart “Stoppage” (CD), CCC/Villa Arson, Nice, Tours and London May “Faction”, Royal Danish Academy of Arts, Copenhagen January “Möbius Strip”, Basilico Fine Arts, New York “Prime Time #1”, Le Consortium, Dijon 1994 December “The Institute of Cultural Anxiety”, ICA, London November “Like Sure, Or Not”, project for Paletten, Stockholm tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu “Sunshine”, Jahresring, Cologne October “McNamara”, project for Nummer, Cologne “McNamara”, project for New Observations, New York “Liam Gets a Serial Killer Annoyed”, project for Art & Text, Sydney June “Other Men’s Flowers”, FN/Booth-Clibborn, London May “Mechanical Reproduction”, Galerie Van Gelder, Amsterdam March “Public Domain”, Centro Santa Monica, Barcelona February “Backstage”, Kunstmuseum, Luzern January “Don’t Look Now”, Thread Waxing Space, New York 1993 September “Backstage”, Kunstverein in Hamburg “Ideal Place”, ed. Eric Troncy, Nevers July “Love is no Four Letter Word”, Lothar Hempel, Esther Schipper, Cologne June “Fotofeis”, International Photography Festival, Glasgow January “Documentario 2”, Milano Gesellschaft fur Aktuelle Kunst, Bremen “Travelogue”, Hochschule fur Angewandte Kunst, Wien 1992 December “Instructions”, Gio’ Marconi, Milano “ON”, Interim Art, London November “240 Minuten”, Georg Graw & Lothar Hempel, Cologne September Barbara Gladstone/Stein/Gladstone, New York June “Etats Spécifiques”, Le Havre May “Molteplici Culture”, Roma 1991 December “Gazette”, Galerie Esther Schipper, Cologne July “No Man’s Time”, Villa Arson, Nice March “Documents”, One-Off Press and A.P.A.C, London and Nevers Selected Reviews 2004 Alicia Miller, “Materialized Expression. The Sculpture of Liam Gillick”, Sculpture, January/February, pp.4247 2003 Jörn Ebner, “Ruine auf Außenposten”, Frankfurter Allgemeine Zeitung, December 13 Martin Herbert, “Liam Gillick, Sean Dack”, Time Out, December 3-10, p.54 Jan Verwoert, “Waarom Alleen Schilderkunst”, Metropolis M, No. 5 Birgit Sonna, “Alles, was der Fall war”, Suddeutsche Zeitung, October 13 Rose Aiden, “Brush with Fame”, The Observer, October 12 Alex Farquharson, “Curator and Artist”, Art Monthly, October, pp.13-16 Peter Macleod, “Modern Art”, Azure, September/October, cover, pp.80-83 Alex Farquharson, “I curate, You curate, We curate”, Art Monthly, September Sarah Milroy, “A Mighty Brain Stretch”, Globe and Mail, Toronto, September 25 Margaret Sundell, “Exterior Days”, Time Out New York,June 19-26 Birgit Sonna, “Die Farb-Forscher”, Sud Deutsche Zeitung, June 12 David Barrett, Typeofgravy”. Art Monthly, June pp.26-27 April Elizabeth Lamm, “ Liam Gillick”, Tema Celeste, May/June, Issue 97, pp.74-75 Joël de Rosnay, “L’entretien”, L’express, May 15 Andrew Renton, “How London took a Big Bite...”, Evening Standard, May 13 Tony Godfrey, “This was tomorrow”, Burlington Magazine, May F. Samaniego, “25 artistas internacionales formarán el mayor proyecto de escultura pública”, El Pais, April 26 Alison Green, “Utopias & Universals”, Art Monthly, April, pp.7-10 Robert Brown, “The Shape Shifter, Art Review, April Maria Louisa Lopez, “Diálogo plástico entre México e Inglaterra”, Milenio, April 4 Edgar Alejandro Hernández, “Sostien diálogo creativo”, Reforma, April 3 Vincent Pécoil, “Brand Art”, Art Monthly, April Martin Herbert, “Days Like These”, Art Monthly, April tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu Gillian Lamb, “Private Viewing”, Self Service, Spring/Summer Niru Ratnam, “Hang It All”, The Observer, March 9 Liam Gillick, “No Laughing Matter”, Art Monthly, March, pp.40-41 “Factor 35. Ja en nee, kunstmarkt en design”, Metropolis M, February/March, pp.24-26 Amber Cowan, “Amber Cowan’s Choice”, Play , The Times, February 22-28 Adrian Searle, “This is a stick up”, The Guardian, February 25 Brigitte Werneberg, “ Der Meister der Korrektiven Geste”, Taz, February 22 Corinna Daniels, “Zeitlose Wiederholungen bei Atle Gerhardsen”, Die Welt, February 21 Corinna Daniels, “Liam Gillick”, Die Welt, February 21 Sebastian Preuss, “Design mit Inhalt”, Berliner Zeitung, February 19 Elizabeth Bard, “The Road To Digital Heaven”, Contemporary, Issue 47/48, pp.44-45, cover Amber Cowan, “Ill Communication”, Play, The Times, January 31, p.22 John Calcutt, “Ill Communication”, The Guardian, January 29 Duncan MacMillan, “Pop goes the Visual”, The Scotsman, January 28 Andrew Hunt, “The Unique Phenomenon of a Distance”, Frieze, January/February, p.103 Laura Grant, “Communication...”, Press and Journal, January 25 Edgar Schmitz, “Interview with Liam Gillick”, Kunstforum, January Knut Ebeling, “Bauen, Wohen, Denken”, Der Tagesspiegel, January 18 “Ill Communication”, Big Issue Scotland, January 16 Philip Nobel, “Sign of the Times”, Artforum, January 2002 Mark Sladen, “Artworker of the Week #7”, Kultureflash, No.25, November 27 Charlie Gates, “Turner Prize artist to work on Marsham Street”, Building Design, November 22, p.3 Mark Wilsher, “Turner Prize”, What’s On, November 13-20, p.24 Jamie Gili, “Liam Gillick, Atelier Van Lieshout y la negociación con la moral capitalista”, Lapiz, Issue 184, pp.4855 Caoimhin Mac Giolla Leith, “Liam Gillick”, Artforum, October Literally No Place, Tema Celeste, September/October Edgar Schmitz, Hintergrund ist Überall, Texte zur Kunst, September Beaty Coleman, “Hot Florida Style”, InCircle Entrée, Fall Duncan McLaren, “The Artist as Builder”, Contemporary, September, pp.46-49 Alex Farquharson, “Near Favorite”, Artforum, September Béatrice Loyer, “Parallel scenarios”, Techniques & Architecture, August/September, pp.7477 Mike Dawson, “Liam Gillick”, FLUX, August/September, pp.62-65 Melanie Klier, “Lesen im Meer der Liebe”, Münchner Merkur, August 6 Alex Farquharson, “Applied Art”, Untitled, Summer, pp.20-25 Adam Scrivener, “Liam Gillick”, Untitled, Summer, p.67 Liam Gillick, “Literally No Place”, Tank, Vol 3, No. 2 Sarah Kent, “Dumb and Dumber”, Time Out London, June 5 Mark Harris, “Liam Gillick/ Hélio Oiticica”, Art Monthly, June Jan Estep, “Negotiating the Built World”, New Art Examiner, May/June “Liam Gillick/ Hélio Oiticica”, Teme Celeste, May/June Rachel Campbell-Johnston, “Liam Gillick and Hélio Oiticica”, The Times, May 18, p.23 Martin Gayford, “I’m sorry, I haven’t got a clue”, The Daily Telegraph, May 15 Adrian Searle, “Road to Nowhere”, G2 The Guardian, May 14, pp.12-13 Nick Hackworth, “Will yoga and a little Plexiglas add up to a Turner?”, Evening Standard, May 9 John Russell Taylor, “Wrapped up in celluloid”, The Times, May 8 Fisun Güner, “If you go down to the woods today”, Metro, May 7 Sean O’Hagan, “This is not an art gallery”, The Observer, May 4 Martin Herbert, “Liam Gillick”, Art Review, May Andrew Renton, “How to behave in a gallery”, Evening Standard, April 30, p.43 Petra Mostbach, “Nichts ist Unmöglich”, Lift, April 4 Claudia Ihlefeld, “Der trügerische Glanz von Gewalt im Alltag”, Heilbronner Stimme, April 4 “Dunkler Frühling”, Stuttgarter Zeitung, April 3 Reto Kreuger, “In Kraichtal stört Lee Karls Ruhe”, Badische Neueste Nachrichten, April 3 “Skulptur als Diskursraum”, Der Kurier, March 27 tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu “Dark Spring”, Der Standart, March 22 Cornelia Gockel, “Frühling lässt sein schwarzes Tuch”, Süddeutsche Zeitung, March 19 Sue Arnold, “Tusa Raises my Highbrows”, The Observer, March 10 Richard Leydier, “Urgent Painting”, Art Press, March Elizabeth Mahoney, “Sea of Dreams”, The Guardian, February 22 Roberta Smith, “The Armory Show, Grown Up and in Love with Color”, New York Times, February 22 Angela Vettese, “Oltre lo steccato della pittura si o pittura no”, Il Sole, February 3 Edgar Schmitz, “Liam Gillick: Annlee You Proposes”, Kunstforum, January/March “Annlee et ses vies”, Kunst-Bulletin, No. 4 Philippe Dagen, “L’Urgent Painting, avec précipitation”, Le Monde, January 25 “Strategies Against Architecture”, Collezioni Edge, Winter/Spring Kristine Drakeer, “Kunst som merkevare”, Dagens Naeringsliv, January 7 2001 Arve Rød, “Samvittighetens Mellomrom”, Billedkunst, No.6, December Karin Pernegger, “ Dedalic Convention”, Camera Austria, No.76 Jonas Ekeberg, “Farvel Utsmykking”, Dagens Naeringsliv, December 31 Rob Wilson, “The Communications Department”, Untitled, Autumn/Winter, pp.38-39 “A Question. Answers From”, Frieze, November/December Lena Lindgren, “Skriften på veggen”, Dagens Naeringsliv, November 23 “Auf Schrägem Boden”, Neue Kronen Zeitung, November 23 Jonas Ekeberg, “Bokstavelig talt superkult”, Dagens Naeringsliv, November 3 “Raumgefühl”, Salzburger Natchrichten, November Ernst P. Strobl, “Es Grünt so grün under der Sonne”, Salzburger Volkszeitung, October 18 Johanna Hofleitner, “Diskursorientiert”, Die Presse, October 5 Doris Krump, “Freejazz in der Grauzone”, Der Standard, September 26 “Netzwek als Schräges Kunstwerk”, Kurier, September 18 Fisun Güner, “Building Concepts”, Whats On, September 5-12 Dave Beech, “The Communications Department”, Art Monthly, Issue 249, September Stephen Bury, “A Timely Place”, Art Monthly, issue 249, September Annie Fletcher, “Verwarring als Primaire Conditie”, Metropolis M, August/September Jan Wilhelm Poels, “Art Works”, Frame, July/August Dominic Eichler, “Berlin Biennale 2”, Frieze, issue 61, July Sassa Trülzsch, “Der Gerissene Faden: Rhizom”, Kunstforum, June/July Anjana Ahuja, “Try to answer that, mate”, The Times, June 4 Matin Durrani, “Belfast Confused by Mystery Questions”, Physics World, June Louisa Buck, “London”, The Art Newspaper, May David Bussel, “Inbetweener”, i-D, May, p.186 “Musdienu Utopija”, Studija, April/May Aeneas Bonner, “Quantum murals on Ormeau Road”, Irish News, April 28 Andrea Carrasco, “Exhibition in a Box”, April 25 Adrian Searle, “Empty Promises”, The Guardian, April 24 Paul Clark, “Liam Gillick”, Evening Standard, April 17 Janis Borgs, “Kede gulaszupa”, Diena, April 17 Maira Admine, “46 dienas Riga figures musdienu utopija”, Dienar Bizaess, April 5 Ieva Kalnina, “Ieraudzit musdienu utopiju”, Jauna Anuze, April 5 Christophe Domino,”Liam Gillick”, France Culture, April Elizabeth Kley, “Liam Gillick”, Art News, April Dan Fox, “Fig 1”, Frieze, April Ieva Rupenheite, “Latvijas robeza ar Zabriski”, Diuc, March 31 “Liam Gillick”, Arte y Parte, March, No. 31 Anda Busevica, “Divi no trisdesmit diviem”, Diuc, March 23 Javier Hontoria, “Liam Gillick”, El Mundo-El Cultural, March 14 Michael Archer, “Liam Gillick”, Artforum”, March, p.156 “Liam Gillick”, Galeria Antiquaria, March Jose Luis Loarce, “Liam Gllick”, Lapiz, March, No 171 “Color Ordenado”, El Periodico del Arte, February “Spekulative Architektur- Liam Gillick”, Neue Zürchner Zeitung, January 31 tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu Andris Grinbergs, “Musdienu Utopia”, Sestdiena, January 6 Roy Exley, “Liam Gillick”, Art Press, issue 264, January, pp.72-73 Maria Bonacossa, “Liam Gillick”, Tema Celeste, January 2000 Max Andrews, “Liam Gillick”, Contemporary Visual Arts, issue 32, p.73 Tony Godfrey, “Liam Gillick”, Exhibition Reviews, Burlington Magazine, December, No.1173, pp.788-789 Ken Johnson, “Liam Gillick”, New York Times, December 8 “Liam Gillick, Voice Choices”, Village Voice, December 1 Michael Wilson, “Liam Gillick, Arnolfini, Bristol”, Untitled, No.23, December, p.36 Nigel Prince, “Future Perfect, Centre for Visual Arts, Cardiff”, Untitled, No.23, December, p. 29 Neil Mulholland & David Musgrave, “Intelligence”, Untitled, No 23, December Daniel Birnbaum, review, Artforum, December, p.143 Jennifer Higgie, “Future Perfect”, Frieze, Issue 55 Dean Inkster, “Défense de la Lecture, Le Procés de Pol Pot”, Art Press, Spécial No 21 Jörn Ebner, “Die Elixiere des Freistaats Atelier-van-Lieshout-Ville”, Frankfurter Allgemeine Zeitung, November 11 “Liam Gillick”, Tatler, November John Tremblay, “Top Ten”, Artforum, November Amelia Bate, “Liam Gillick”, Epigram, November David Musgrave, “Liam Gillick”, Art Monthly, No 241, November Andrew Mead, “Called into Question”, The Architects Journal, November 8 Rachel Campbell Johnston, “Five Best Exhibition Nationwide”, The Times, November 4 “Liam Gillick”, AN Magazine, November “Liam Gillick”, Artclub Magazine, Autumn “Liam Gillick”, Flux, October/November “Liam Gillick”, Wallpaper, October “Liam Gillick”, Vogue (British), October Ina Blom, “What If?”, Frieze, No.54 Amber Cowan, “Liam Gillick”, The Times, October 7 Michael Wilson, “New British Art: Intelligence”, Art Monthly, No.239, September Alison Green, “Future Perfect”, Art Monthly, No.239, September Rachel Withers, “Preview”, Artforum, September “Liam Gillick”, Architect Builder Contractor and Developer, September Gordon Burn, “Art imitating Death”, The Guardian, September 17 Duncan McLaren, “Better than chocolate”, The Independent on Sunday, September 5 Johan Schloemann, “Bau Mir einen Schuhladen”, Frankfurter Allgemeine, July 24 Adrian Searle, “Thick and Thin”, The Guardian, July 8 Ronald Berg, “Demokratie aus dem Computer”, Zitty Magazine, July Robert Garnett, “Sheep and goats, postcards from Paris”, Art Monthly, May Adrian Searle, “Life through a Lense”, The Guardian, May 4 Gilda Williams, “Because a fire was in my head”, Art Monthly, No.235, May François Hers, “L’aventure des nouveaux commenditaire”, Beaux-Arts, April Continuum 001, review, Art Monthly, No 235, April, p.33 Nicolas Siepen, “Der Kern zerstreut sich”, Frankfurter Allgemeine, April 3 Marcus Lütkemeyer, “Ratespiel aus Kunststoff”, Munster, April Beate Naß, “Pleiglas in der Decke”, Munster, April Jörg Heiser, “Disco/Discontent”, Frieze, issue 51, March/April, p.82-85 Liam Gillick, “Achtung, diese Stadt wird normal”, Frankfureter Allgemeine, March 27 Petra Noppeney, “Mysteriöse Multiplexplatten”, Westfälischer Nachrichten, March 25 Manuel Jennen, “Ein Pferd ist ein Pferd”, Munster Zeitung, March 25 Milou Allerholm, “Form Vavs ihop med politik”, Dagens Nyheter, March 21 Jonathan Jones, “Liam Gillick”, The Guardian, March 7, p.19 Michael Wilson,”Applied Complex Screen”, Art Monthly, March, p.35 Samantha Ellis”Pain in a Building”, The Evening Standard, March 6, p.60 Michael Hauffen, “Liam Gillick: Consultation Filter”, Springerin, Spring Ann Donald, “Real things from a virtual world”, Glasgow Herald, February 28 Sarah Lowndes, “Continuum 001”, Metro, February 25 Elizabeth Mahoney, “Brief encounters with the shape of things to come “, The Scotsman, February 23 tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu Elizabeth Mahoney, “Terribly PC”, Scotland on Sunday, February 20 Alex Hetherington, “Continuum 001”, The List, 17 “2000 A Colourful Century”, Vogue Italia, January 1999 “What is art today?”, Beaux-Arts Magazine, December “Britische Kunst wie fürs Wohnzimmer”, Focus, October 25 Liam Gillick, “Le Procès de Pol Pot”, MAG, October, pp.4-5 “Asprey/Jacques Documentary”, Channel 4 “Liam Gillick”, Sud Deutsche Zeitung Christian Huther, “Raumfantasien rund um Stanley Kubrick Filme”, Frankfurter Morgenpost, September 23 Christian Huther, “Wenn der liebe Gott Glaubt,er sei Kubrick”, Mainz Echo, September 23 Nikolaus Jungwirth, “Erzengel Spielberg, Gott Kubrick und eine blutige Maria”, Frankfurter Allgemeine, September 21 “Kubrick in Himmel”, AZ Mainz, September 18 Gabriel Nicol, “Kubricks London zeigt seine karge Trostlosigkeit”, Offenbach-Post, Sept 17 Duncan McLaren, “Better Than Chocolate”, The Independent on Sunday, September 5 Elisabeth Weterwald, “XN”, Parachute, No.95, July’August/September “In the Midst of Things”, The Big Issue, August 16 Eva Grundl, “Erklärt Kunst die Welt”, Sudkurier, August 12 Daniel Kurjako, “Szenarien zwischen Gestern und Morgen”, August 5 Jonathan Jones, “In the Midst of Things”, The Guardian, August 3 Martin Engler, “Verspätetes Millenium”, Frankfurter Allgemeine, July 21 Liam Gillick, Neue Zürchner Zeitung, July 9 Edith Krebs, “Er ist ein Jongleur”, Zurich Tage Anzeiger, July 9 Claudia Kock Marti, “Viereck und Kosmos”, Die Südostschweiz/Glarner Nachrichten, July 2 Interview with Liam Gillick, Radio DRS2, June 29 Brita Polzer, “Kunst”, Annabelle, June Ronald Jones, “Continued Investigation of the Relevance of Abstraction”, Frieze, issue 47, June/August, p.102103 Andreas Denk, “Nur Wasser Läßt sich Leichter Schneiden”, Kunstform, May/June Andrea K. Scott, “Conceptual Art as Neurobiological Praxis”, Time Out New York, April Sue Spaid, “Conceptual Art as Neurobiological Praxis”, Village Voice, April Catsou Roberts, “Ouverture de Salon 3”, Art Press, No.243, February Roberta Smith, “Continued Investigation of the Relevance of Abstraction”, New York Times, February 12 Holland Cotter, “Changes Aside”, New York Times, February 12 Heinz Schütz, “Steirischer Herbst ‘98”, Kunstforum, No.143, January/February “Salon 3”, Flash Art, January/February 1998 Anders Eiebakke & Bjønnulv Evenrud, “Liam Gillick”, Natt & Dag, December/January Berit Slattum, “Kommuniserende britisk samtidskunst”, Klassekampen, December 9 Kerstin Braun, “Wie bildende Kunst Theater reflektiert”, Neue Zeit, October 9 “Morning Edition”, NPR, New York, October 3 Paul Cassirer, “Kuntspreis”, Berlin Morgenpost, September 30, and various press “London Summer Round-up”, Art Monthly, no.219, September Christophe Blase, “Liam Gillick”, Blitz Review Laura Moffatt, “Liam Gillick”, Art Monthly, July/August Eric Troncy, “Liam Gillick/Villa Arson”, Les Inrockuptibles, Summer Ken Johnson, “Inglenook”, New York Times, July 24 “Inglenook”, Village Voice, July 21 Jorn Ebner, “Dickes Make-up, dünnhäutige Kunst”, Frankfurter Allgemeine, July 11 David Musgrave, “A to Z”, Art Monthly, May Jade Lindgaard, “Le Plexglas Philosophal”, Le Monde/Les Inrockuptibles/Aden, May 6-12 Karl Holmquist, “Hospital”, Flash Art, March/April Susanne Gaensheimer, “In Search of Discussion Island - About the Book Big Conference Centre”, by Liam Gillick, Index, No 22, February 1997 Brigitte Werneburg, “The Good Beuys”, Frankfurter Allgemeine Zeitung, December 20 tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu Christopher Tannert, “Zwischen Hospital und Hotel”, Berliner Zeitung, December 20 Tanja Fielder, “Auf dem Pappbett endet Sehnsucht”, Morgenpost, December 16 “Schwarzwaldklinik”, Ticket, December 11 Eric Troncy, “Were people this dumb before television: Interview with Liam Gillick”, Documents sur l’art, No.11 Marc-Olivier Wahler, “Habiter un lieu d’art”, Kunst-Bulletin, December Ann Doran, “School’s In”, Time Out New York, November 6-13 Nadine Gayet-Descendre, “Nouvelle Vie pour PS1”, L’Oeil, No 490, November Zeigam Azizov, “Liam Gillick and his Parallel Activities”, Omnibus, October “Reviews of documenta X”, The Guardian; The Financial Times; Art Forum; Kunstforum; Art Monthly, October Elizabeth Mangini, “I met a man who wasn’t there”, The Exhibitionist, August/September Jan Avgikos, Artforum, Summer, p.136 Dominique Nahas, “I met a man who wasn’t there”, Review, July/August Douglas Gordon & Liam Gillick, “Sailing Alone Around the World”, Parkett, Summer Gregory Volk, Art in America, June, pp112-113 “Enter - Audience, Artist, Institution” Ausgestellt, Luzern Heute, April 12 “Uberliefertes Aufbrechen”, Neue Luzerner Zeitung, April 12 “Die Zukunft als Kunstlerisch-humanes Spielkonzept”, Luwigsburger Kreiszeitung, Feb 22 Jesse Kornbluth, “Is South Beach Big Enough for Two Hotel Kings?”, New York Times, February 16 Peter de Jonge, “The Rubells in Miami”, Harper’s Bazaar, February 1996 Pierre Restany, Domus Eric Troncy, “Life/Live”, Art Press, December William Furlong, Audio Arts Magazine, Vol.16, No.1 “La crème anglaise s’expose à Paris”, Le Figaro, November 26 Michael Krome, “Liam Gillick”, Kunstzeitung, No.3, November Angela Vettese, “Giovani Inglesi Aspettano Godot”, Il Sole, October 13 Jelka Sutej Adamic, “Liam Gillick”, Delo, October 11 Marie de Brugerolle, :”Renaissance du Magasin”, Art Press, October, No.217 Elisabeth Lebovici, “Grand déballage d’art britannique”, Libération, October 10 Barbara Steiner, “Film as a Method of Thinking and Working”, Paletten, No.224 Carl Freedman, “Some Drawings From London”, Frieze, Issue 30 Jennifer Higgie, “Liam Gillick”, Frieze, Issue 30 Gilda Williams, “Liam Gillick”, Art + Text , 55, October Robert Fleck, “Die Wahren Helden sind die Vater”, Art, September Verena Kuni, “Der Umbau-Raum”, Springer, BandII, Heft 2 Barbara Steiner, “Traffic”, Springer, Band II, Heft 2 Lars Bang Larson, “Traffic”, Flash Art, No.189, Summer Juan Cruz, “Some Drawings from London”, Art Monthly, no 198, July/August Godfrey Worsdale, “Liam Gillick”, Art Monthly, no.197, June Martin Herbert, “Liam Gillick”, Time Out, May 15-22, No.1343 Liam Gillick, “The Corruption of Time”, Flash Art, No.188, May/June Simon Ford, “Der Mythos vom Young British Artist”, Texte zur Kunst, No.22, May Lynne McRitchie, “Brilliant”, Art in America, May “Liam Gillick”, Der Standard, May 2 Johanna Hofleitner, “Augestellt in Wien”, Die Presse, April 19 Hans Knoll, “Paralellwelten und frottierte Schilde”, Der Standard, April 18 Andreas Speigl, “Traffic”, Art Press, No. 212, April Philippe Parreno, “McNamara, a film by Liam Gillick”, Paletten, No. 223 Barbara Steiner, “If...If...If...a lot of possibilities”, Paletten, No. 223 Brigitte Werneburg, “Das Virus Heißt Political Correctness”, Taz, March 9-10 Georg Schöllhammer, “Kuratiert von...”, Springer, March Matthew Ritchie, “Liam Gillick: Part Three”, Performing Arts Journal John Tozer, “Co-operators”, Art Monthly, March, No.194 Michael Archer, “No Politics Please We’re British”, Art Monthly, March, No.194 Simon Ford, “Myth Making”, Art Monthly, March, No.194 Adrian Dannat, “Brilliant”, Flash Art, January/February Neal Brown, “Ideal Standard Summertime”, Frieze , January/February tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu Rainald Schumacher, “Liam Gillick”, Springer, January Iain Gale/Georgina Starr, “Where does British Art go from Here?”, Independent, January 1 1995 Jeffrey Kastner, “Brilliant?”, Art Monthly, December/January Peter Herbstreuth, “Leipzig: Fotografie im Kunstverein Elsterpark”, Kunst Bulletin, December Matthew Collings, “My Brilliant Repartee”, Modern Painters, Winter Anne Doran, “Part Three”, Time Out New York, December 13-20 Stuart Servetan, “Liam Gillick”, New York Press, December 6-18 Karmel, “Liam Gillick”, New York Times, December 8 Lynn McRitchie, “Brilliant”, Financial Times Martin Maloney, “Grunge Corp”, Artforum, November Christoph Blase, “Ibuka!”, Springer, Issue 4 “Erasmus is Late”, La Repubblica, September 15 Philip Sanderson, “Ideal Standard Summertime”, Art Monthly, September, No.189 Sarah Kent, “Ideal Standard Summertime”, Time Out, July 26 Adrian Searle, “Karaoke”, Time Out, July 26 “Forget about the ball and get on with the game”, (with Rirkrit Tiravanija), Parkett 44, Summer Sabine Krebber, “Romantisch und Verwundbar”, Stuttgarter Nachrichten, July 1 Eric Troncy, “Liam Gillick”, Flash Art International, Summer Liam Gillick, “Kunstlerporträts”, Neue Bildende Kunst, June/August Liam Gillick, “When Are You Leaving?”, Art & Design, May Philippe Parreno, “Une exposition serait-elle un cinéma sans caméra?”, Libération, May 27 Sabine Maida, “Sur un air de Darwin”, Paris Quotidien, May 15 Nicolas Bourriaud, “Pour une esthétique relationnelle”, Documents, No. 7 “Project”, (Jake & Dinos Chapman), Art & Text, May Liam Gillick, “The Insitute of Cultural Anxiety”, Blueprint Arno Gisinger, “Das Archiv”, Eikon, April Zapp Magazine, Möbius Strip, Issue 4 Justin Hoffman, “Das Archiv”, Artis, February/March Michael Hauffen, “Das Archiv”, Kunstforum, January Franz Niegelhell, “Sammeln und Speichern”, PAKT, January 1994 Mark Currah, Time Out, December “Schipper & Krome”, Neue Bildende Kunst, November Wolfgang Zinggl, “Tee Trinken mit Künstlern”, Flater, October 28 “Paradies Verloren”, Die Presse, October 22 Brigitte Borchhardt-Birnbaumer, “Ein Neues Austellungsmodell”, Wiener Zietung, October 14 “Verdoppelt, durchleuchtet”, Kleine Zeitung (Graz), October 12 Simon Grant, “World Cup Football Karaoke”, Art Monthly, September Eric Troncy, “Suface de Réparations”, Omnibus, June Helena Papadopoulos, “Don’t Look Now”, Flash Art International, May/June Christian Besson, “Surface de Réparations”, Flash Art International, May/June Olga Spiegel, “Fotografos de Londres...”, La Vanguardia, March 14 “Arte Guerrero”, El Pais, March 14 Fritz Billeter, “Schnörkel und Schleifchen”, Tages-Anzeiger, February 28 Nicolas Bourriaud, “Surface de Réparations”, Art Press, No. 190 Roland Topor, “Surface de Réparations”, Art & Aktoer, February, No. 5 Nathalie Bouley, “Les Parcours d’illusions...”, Le Bien Public, February 23 Mark James, “Freeze”, BBC 1, Omnibus, February 22 Nicolas Bourriaud, “Au Moment du Penalty”, Globe, February 9-15 Radio Interview, Luzern, February Liam Gillick/Ken Lum, “Global Art”, Flash Art International, January/February Benjamin Weil, “Backstage”, Flash Art International, January/February 1993 Liam Gillick, “A Guide to Video Conferencing Systems and the Role of the Building Worker in Relation to the Contemporary Art Exhibition (Backstage)”, Documents, No.4, October Matthew Collings, “Art Break”, Observer, October 17 tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected] Corvi-Mora 1a kempsford road london se11 4nu James Odling-Smee, “Wonderful Life”, Art Monthly, October Ray McKenzie, “Views from the Edge”, Scottish Photography Bulletin, October David Lillington, “True Brit”, Time Out, July 28 “Henry Bond and Liam Gillick”, The List, July 2-15 Nicolas Bourriaud, “Modelized Politics”, Flash Art, Summer Eric Troncy, “Wall Drawings & Murals”, Flash Art International, May Frederick Ted Castle, “Occurances-NY”, Art Monthly, February “Interview with Liam Gillick”, Flash Art International, January Jutta Schenk-Sorge, “Zwolf Junge Britische Künstler”, Kunstforum, p120 David Lillington, “ON”, Time Out, January 13 Amedeo Martegani, “Liam Gillick”, Flash Art Italia, January 1992 Peter Schjeldhal, “Twelve British Artists”, Frieze, November/December, Issue 7 Francesco Bonami, “Twelve British Artists”, Flash Art International, November Roberto Pinto, “Molteplici Culture”, Flash Art International, October Mark Thomson, “Etats Spécifiques”, Art Monthly, July/August Giorgio Verzotti, “News From Nowhere”, Artforum, July/August Eric Troncy, “London Calling”, Flash Art International, July/August, p165 Henry Bond & Liam Gillick, “Press Kitsch”, Flash Art International, July/August, p165 Elizabeth Lebovici, “L’art piège à l’anglaise”, Libération, July 7 Giacinto di Pietrantonio, “Bond & Gillick, Gio’ Marconi”, Flash Art International, April Giacinto di Pietrantonio,” Bond & Gillick, Studio Marconi”, Flash Art Italia, February/March Maureen Paley interviewed by David Brittain, Creative Camera, January/February, p.313 1991 Michael Archer, “Technique Anglaise”, Artforum, December Eric Troncy, “No Man’s Time”, Flash Art International, December Meyer Raphael Rubinstein, “Technique Anglaise”, Arts, November Andrew Wilson, “Technique Anglaise”, The Art Newspaper, November Michael Archer, “Audio Arts Issues and Debates I”, Audio Arts, November Giorgio Verzotti, “No Man’s Time”, Artforum, November Jean Yves Jouannais, “Villa Arson”, Art Press 162, October “Frontlines: No Man’s Time”, Artscribe, September Tim Hilton, “Composition with Old Hat”, Guardian, August 14 Carolyn Christov-Bakargiev, “Someone Everywhere”, Flash Art International, Summer Liam Gillick, “The Placebo Effect”, Arts, May Clifford Myerson, “Documents & Details”, (correspondence), Art Monthly, April, p 145 Ian Jeffrey, “Bond & Gillick”, Art Monthly, March, p144 Michael Archer, “Documents: Karsten Schubert Ltd”, Artforum, March Rose Jennings, “Documents: Karsten Schubert Ltd”, City Limits, February 7-14 Updated September 2004 tel 020 7840 9111 fax 020 7840 9112 web www.corvi-mora.com email [email protected]
