docAn Inward Flow - Edgar Barroso
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An Inward Flow - Edgar Barroso
ZV Edgar Barroso An Inward Flow (2012) For Saxophone, Soprano and Live Electronics 50699315 Technical Diagram RESONANCE SPACE Position of the instruments An Inward Flow For Saxophone Tenor and Mezzosoprano WALL Untitled Sax Mic 1 Mic 2 A U D I E N CE Mezzo Soprano A N I N W A R D FLOW For Tenor Saxophone, Mezzo-Soprano and Live Electronics Has visto a Magali? Ya estoy aquí, soy Araceli. soy Bertha, estoy buscando a Magali y Araceli. A ver si llegan a tiempo. Soy Araceli, Soy Bertha. Soy Araceli. I'm Bertha, Ich bin Araceli, soy Bertha, somos las dos, Araceli, Bertha, Soy Bertha, Soy Araceli. A q = 80 Dynamic tempo "ad libitum" - No sync expected 40' Tempo variation. Very Free, accuracy is not important, intention is more relevant. q = 40 Mezzo Edgar Barroso Cambridge, MA 02138 October - 2011 p mf p 2 mf 5:4 p4 3 Wo Wo Ber tha Spoken ist Ich bin A ra ce li Yo Soy 5:4 Singed ser Don de 6:4 ga li po (Spoken) 7:4 tiem Ma Ber Random Extreme variations pp q = 80 A 1 Electronics fff Tempo variation. Very Free, accuracy is not important, intention is more relevant. q = 40 Sax - - Random Extreme variations pp mf 2 p fff 5:4 7:4 f 5:4 2 A tempo in sync q = 60 7 8 don de es tas tu tha Soy Random Extreme variations 7:4 11 12 f 5:4 fff ff 13 mf hast du ge macht Was has du ge macht! ha mp mf 4 ff Loudly inhale and hold your breath 5:4 go na da f mp sí! (ahh) mf f 3:2 ff Loudly inhale and hold your breath mf 5:4 ff (ahh) 5 Whisper 14 mf si Clapping bis du? In sync q = 60 f mp f mp spoken voice mp 3:2 ja f Ord f 16 talk to me I'm Whisper guil f mp mp 6 f 17 18 ty 3:2 3 mp 15 mp mf Wo mp hier tha 5:4 Su che Ber tú 5:4 3:2 6:4 Random Extreme variations Clapping f 9 10 Ma ga li ra ce No te veo Was A li 3:2 f Solo Electronics 3 q = 80 q = 40 Random Extreme variations 20 ID-2 -Soprano Sax - pp fff q = 80 Hold the multiphonic until she sings the Eb, that is your signal to go to bar 23. 7 ff f mf ff 6:4 5:4 26 we would not be here! ca ra jo! Ma ga li Ma ga li 27 q = 40 3:2 5:4 ff Sax - Ord. Ich vers te he nichts! fff mich 3:2 hel dir 5:4 Random Extreme variations - fff 10 fen nein bi tte 5:4 Ich mp mp komm singed voice vers te ven 3:2 here Spoken nichts 9 Whispers Spoken mf he 6:4 Ma ga li Ma ga li 29 ven mf singed voice 6:4 A ra ce li Ber tha No sync expected Whispering 28 25 mf ff Random Extreme variations No sync expected 5:4 q = 40 5:4 Lass pp - mf Spoken may be if you wouldn't be"per fect" we would not be q = 80 mf wrong 8 pp q = 80 ff 24 q = 80 ppp Whispering In sync q = 40 Whispering q = 80 In sync 6:4 5:4 mp 23 22 lo ol vi da ba tú no al ways right no tu no hac ces na da tú no tú ha ces na da 21 19 A tempo 11 4 extreme crescendos mp sfz fp 30 At fp least I extreme crescendos sfz sfz p fp extreme crescendos 31 am al extreme crescendos fp fp sfz ways here q = 100 37 a cción Ber tha sí 38 q = 40 tú! pp 13 ff pp Ord. 36 nicht? Wa rum I can't be here 7:4 You know 35 Multiphonic pp mf q = 40 ff mf 7:4 pp ppp 14 5:4 39 mf Ber tha bin. q = 60 40 41 cuan do te vas cuan do te vas co rro ven go trai go co rro ven go trai go corro ven go trai mp Yo ya me Play as fast as possible undefine glissando pitches, follow the line of the drawing 16 5:4 Ad libitum, use rhythm notation ff for proportion purposes it is ea sier mf q = 60 ppp 15 fpp 5:4 A tempo Weil ich I know, Ad libitum, use rhythm notation for proportion purposes ff 34 Snap your fingers A tempo 33 q = 80 undefined pitch sfz q = 100 gliss. q = 80 q = 40 q = 40 12 re 32 Ad libitum, use rhythm notation for proportion purposes ff 5:4 A tempo 42 p ff mf 7:4 43 voy i mmer hen flie p 7:4 f i p 5:4 44 f 5:4 you mmer du ppp 45 7:4 you arealwaysright tú I am a tra pado Play as fast as possible undefine glissando pitches, follow the line of the drawing 5:4 6:4 Wo? 7:4 5:4 Hier fp fp mf no es miculpa Atleast I am always here 5 p f ff fp ff Random dynamic variations Ord. 46 ff Spoken Voice a gain? No! so much! i 6:4 6:4 3:2 6:4 47 48 fp mmer! mí ramemírame míramemí ramemí ramemí ra memíra me A quí f f fp jetzt hier Wann? Wie? mf mp 18 fff so Ob? tú! fp SIMILE 5:4 ff 49 fp 6:4 7:4 Spoken Ord. Ord. Legato ff Wo? Spoken Spoken Ord. No! pp 17 Ord. Spoken Voice 7:4 ff fff 6 f p 50 o sal to fp llo f whisper 55 co fen buy llo Spoken de f o ff p mp Ord. chen leave f need chen hö su co mf 22 f Spoken to fp hurt ff gen pp mf 57 extreme crescendos fp At least I'm 7:4 Key Clicks pp ff mf fp 7:4 ff extreme crescendos mp sfz 5:4 f Ord. Ord. fen su chen zei gen Ord. hö ren kau 21 56 whisper subito pp 54 ff hurt leave need 20 Ord. go fp p mp hide ask buy run f p subito 53 19 52 ro f pp 51 co mo rí f p pp ff extreme crescendos extreme crescendos sfz sfz p fp fp 23 sfz RALLENTANDO 58 fp 59 here fp we talk? fp 61 Are f pp - pp p - 68 Multiphonic 24 Ord. p 69 - - pp Ord. 5:4 Random Extreme variations q = 40 fff pp p mf 70 5:4 pp fff f p Random Extreme variations fff 67 Random Extreme variations pp Feel to improvise and bring your own ideas as long as there is no pitch involved. fff 66 63 hands) clap your (If you can't simply Snap your fingers pp Random Extreme variations Snap your fingers (If you can't simply clap your hands) p RALLENTANDO q = 40 what? here? 65 62 about Talk you Locate yourself as close as possible to the microphone. Cover it with both hands and produce random fast noisy sounds. Use a lot of fricative consonants, mouth noises and inhaling and exhaling variation noises 64 f p mf fp 60 Can fp fp 7 Whisper Spoken Ord. fff p fff mf Co mo lle ga mos a 6:4 p mf Produce fast-random-noisy sounds. No pitch. Use a lot of key clicks mouth sounds, air sounds. Feel to improvise and bring your own ideas as long as there is no pitch involved. 25 6:4 8 71 q = 60 72 73 26 ff Ord. fp Ord. Was machst du?hide me Wo! ca llo im mer tried it 81 Inhale Ord. f ff mf Whispers Ord. Spoken Ord. Whispers 28 pp tú! Was? Soy 5:4 pp ff Spoken 7:4 me per do na rí as? f ff mf 29 f mp Key Spoken Clicks + noises pp ff mf Ge gliss. f pp 82 Spoken nug! f p Ord. ff Ord. Inhale Exhale ff tha Whispers 80 ff 6:4 pp Whispers f Exhale pp ff 78 77 ff mf Whispers Ord. Spoken 5:4 fp 76 ff pp Ber fp 79 Clapping Hands 27 pp 7:4 p du? kommst q = 60 75 Wann quí? 74 fp p mf 6:4 83 I'm fine Nie! A 84 pp ff e quí! Ord. mp p 30 mp Air Sound + Key clicks mp f f gliss. nough q = 80 pp q = 40 85 5:4 Wo Es tut mir pp 5:4 89 fff 86 7:4 tiem po Ber tha Ma 31 - Ber 5:4 - 3:2 Su che Ber tha tú 7:4 6:4 5:4 A tempo in sync q = 60 extreme mp extreme crescendos crescendos mf 5:4 3:2 mp sfz fp fp 90 91 92 93 Ma ga li A ra ce li Wo hier y quie res que par ta? Clapping Du bist fff q = 60 In sync 32 ff mp extreme extreme crescendos crescendos mf dig i mmer schul Random Extreme variations 7:4 có mo te a yu do? pp Cuan do? bin ich 6:4 fff Soy 6:4 Singed Spoken 5:4 87 88 ga li Ma ga li Wie (Spoken) tha tú Random Extreme variations q = 40 7:4 leid q = 80 - 9 Random Extreme variations sfz sfz p fp fp fp 33 sfz sfz 10 94 gliss. you undefined pitch mp ff mp ff ff 7:4 5:4 mp It is not ea sy for me! No! 98 So ter! Why? Sis ff 96 Spoken 97 Subito 95 Spoken Ord. q = 40 5:4 mp am I fach ist das nicht! ein Subito 7:4 No! Why? 100 99 so rry mp Spoken ff ff mp 34 102 mf Whispers 103 p Random variations - f Do you 104 ff p subito love me? es 105 3:2 tut mir leid Static Multiphonic pp 3:2 mp ppp 107 es tut mir leid pp pp ppp 37 Airsound Whispering Snap your fingers 36 106 ppp ff pp 35 Locate yourself as close as possible to the microphone. Cover it with both hands and produce random fast noisy sounds. Use a lot of fricative consonants, mouth noises and inhaling and exhaling variation noises 101 mp q = 40 9'21.6"
