Newsletter - February 2013 - Caravelas
Transcrição
Newsletter - February 2013 - Caravelas
Study Group for the History of Luso-Brazilian Music Caravelas Network News ISSN: 2182-7621 CESEM, FCSH, UNL 15 February 2013 Year 5, nº. 3 Editor: Alberto Pacheco Editorial: In this edition it is our pleasure to publicise a number of books that have come out recently and that are the result of work done directly by various Caravelas colleagues. These publications demonstrate the high level of research carried out by members of this Group and they will certainly establish themselves as important reference works for Luso-Brazilian musicology. It is a great joy to be able to help in making them known and our congratulations go to all of the authors and publishers involved. We would also like to thank our colleague, the musicologist Luísa Cymbron, for this quarter’s interview, and all those who have contributed to this Newsletter, by sending information for publication. Earlier issues of the English edition can be consulted at: http://www.caravelas.com.pt/Newsletter_Engli sh.html www.caravelas.com.pt Page 2 Study Group for the History of Luso-Brazilian Music http://www.caravelas.com.pt/dicionario_biografi co_caravelas.html NEW MEMBERS We are pleased to announce four new members: ARTICLES PUBLISHED Edite Rocha (Universidade de Aveiro) Edward Abreu (Universidade Nova de Lisboa) Iskrena Yordanova (Universidade de Évora) Zuelma Chaves (Universidade Nova de Lisboa) Alberto Pacheco. “Hino para a Aclamação de D. João VI: edição e contextualização (with unpublished score)”. Opus, vol. 18, n. 1, June 2012. CONFERENCE “M USIC IN THE LUSOBRAZILIAN WORLD: A HISTORICAL PERSPECTIVE” Cristina Fernandes. “Patronos da arte dos sons: a actividade musical na Patriarcal e na Capela Real de Lisboa entre 1750 e 1807”. In Invenire – Revista dos Bens Culturais da Igreja nº 5, JulyDec. 2012, pp. 16-23. From 7 to 9 November 2013, the Conference “Music in the Luso-Brazilian world: a historical perspective”, is taking place in Lisbon, organised by Caravelas in partnership with the CESEM Research Group “Luso-Brazilian Studies” and the Research Group "Interdisciplinary Studies in Musicology", based at the Federal University of Pelotas (UFPel). The call for papers is already available on the Caravelas website. The deadline for paper proposals is 31 March. Martha Herr; Juliana Starling. “As Junturas de palavras no Português Brasileiro Cantado: estudos para uma aplicação”. Revista Música Hodie, Vol 12, nº 2, July-Dec. 2012. BOOKS PUBLISHED BY CESEM CARAVELAS BIOGRAPHICAL DICTIONARY It is our pleasure to inform you that our Biographical Dictionary now has an ISBN, and has gained nine more entries: Alberto José Gomes da Silva (Mário Marques Trilha) D. Pedro I do Brasil, IV de Portugal (Alberto Pacheco) Fr. Boaventura de São José (Elisa Lessa) Fr. Francisco da Cruz (Elisa Lessa) Fr. Francisco do Nascimento (Elisa Lessa) Fr. Francisco Xavier Feijó (Elisa Lessa) Fr. Manuel da Cruz (Elisa Lessa) José Maurício Nunes Garcia (Carlos Alberto Figueiredo) Manuel Rodrigues Coelho (Edite Rocha) The texts nay be consulted at: David Cranmer (ed.). Marcos Portugal: uma reavaliação. Lisboa: Edições Colibri/CESEM, 2012. With prefaces by Mário Vieira de Carvalho and André Cardoso, 22 of its 26 chapters were written by members of Caravelas: Alberto Pacheco, António Jorge Marques, Cristina Fernandes, David Cranmer, Diósnio Machado Neto, Lino de Almeida Cardoso, Luiz Alves da www.caravelas.com.pt Page 3 Study Group for the History of Luso-Brazilian Music Silva, Manuela Morilleau de Oliveira, Maria Catarina Nunes, Mário Trilha and Ricardo Bernardes. With texts by António Jorge Marques, David Cranmer and, in facsimile, Manuel de Araújo Porto-alegre, Mário de Sampaio Ribeiro and Manuel Ivo Cruz. MARCOS PORTUGAL SPOT The section “Resources” of the Marcos Portugal Spot on our site now has the text incipits of the composer’s operas, compiled and edited by David Cranmer. See the information at: http://www.caravelas.com.pt/Marcos_Portugal_S pot_resources.html CALL FOR ARTICLES Luísa Cymbron. Olhares sobre a música em Portugal no século XIX: Ópera, virtuosismo e música doméstica. Lisboa, Edições Colibri/ CESEM, 2012. The Caravelas Biographical Dictionary is open to receiving proposed articles, following the specifications published on its electronic page: http://www.caravelas.com.pt/dicionario_biografi co_caravelas.html It is worth remembering that publication is dependent on peer assessment, which guarantees its academic level. The thrice-yearly periodical Glosas, dedicated to the musical heritage of Portuguesespeaking culture, is open to proposals for scientific articles. Full information at: https://sites.google.com/a/mpmp.pt/mpmp/glosas The periodical Musicological Explorations of the University of Victoria is open to receiving proposed articles for its forthcoming issue. Full information at: http://journals.uvic.ca/index.php/me António Jorge Marques (ed.). Marcos Portugal (1762-1830): 250 anos do nascimento. Lisboa: Biblioteca Nacional de Portugal/CESEM, 2012. The Revista Comunicação & Cultura is open to receiving proposed articles for its 16th issue, with the theme “Pré-Guerras” (Pre-Wars). The deadline is 30 April next. Full information at: [email protected] www.caravelas.com.pt Page 4 Study Group for the History of Luso-Brazilian Music TALKS AND COURSES INTERVIEW Mário Trilha Enrolments are open for the Specialisation Course in the Management and Treatment of Musical Collections, being offered by the Instituto de Ciência da Informação of the Federal University of Bahia (UFBA), during the months from May 2013 to February 2014. The course was conceived and proposed by our colleague Pablo Sotuyo Blanco. Full information may be obtained at the site: http://www.acervosdemusica.ici.ufba.br/ On 15 October 2012 our member Martha Herr gave a workshop/master class on Brazilian Portuguese in singing and on Brazilian song at Indiana University, Bloomington, USA. Our interview guest for this issue is Luísa Cymbron, who has a doctorate in Musicology from the Universidade Nova de Lisboa, where she teaches. Her research is centred on 19thcentury Portuguese music, on the reception of Italian and French music in Portugal in the 19th century and on musical relations between Portugal and Brazil during the same period. She is author, with Manuel Carlos de Brito, of História da Música em Portugal (1992) and organised the exhibition Verdi em Portugal 1843-2001 at the Biblioteca Nacional de Portugal. David Cranmer gave a talk entitled Marcos Portugal: Mestre de música de Suas Altezas Reais at the Sala Alberto Nepomuceno of the Instituto Villa-Lobos, UNIRIO, on 12 December last. Between 28 and 31 January last, Alberto Pacheco gave a workshop on singing and Brazilian song, at the event ‘Rythmes brésiliens’, organised by the Observatoire Musical Français (OMF) at Paris-Sorbonne. Full programme at: http://www.omf.paris-sorbonne.fr/Calendrier887 Last December an illustrated lecture was given at the Universidade Federal Fluminense (UFF). The speakers were André Cardoso – A música que D. João VI ouvia, David Cranmer – Marcos Portugal: o mito e a realidade. Among the musicians invited was our colleague Kristina Augustin – viola da gamba. Luísa Cymbron Between 1998 and 2001 she took part in the European Science Foundation’s research project The Opera Orchestra in 18th- and 19thCentury Europe (Musical Institutions and the Circulation of Music and Musicians in Europe 1600-1900). Since 2007 she has been a member of CESEM (Centro de Estudos de Sociologia e Estética Musical – FCSH, UNL) and was one of the researchers in the project: “The Teatro de S. Carlos: Performing Arts in Portugal” (2007-10), financed by the Fundação para a Ciência e a Tecnologia. She is currently a member of the research teams of the projects “Theater of Laughter: Musical www.caravelas.com.pt Page 5 Study Group for the History of Luso-Brazilian Music Comedy in Portuguese-speaking Theaters (1849-1900)” (CESEM-FCT, 2010-2013), and “La Recepción de la Ópera Italiana y Francesa en España (1790-1870)” (HAR201021498), at Salamanca University, coordinated by José Máximo Leza Cruz. She has just published the volume of essays Olhares sobre a música em Portugal no século XIX. Ópera, virtuosismo e música doméstica. Caravelas Newsletter: You have just published the book “Olhares sobre a música em Portugal no século XIX: ópera, virtuosismo e música doméstica”. Is there anything you would like to point out about it? Luísa Cymbron: It is a collection of articles that I have published in the last twelve years. Some of them came out in foreign publications, others in periodicals with only limited dissemination and, for this reason, they were difficult for the Portuguese-speaking public to gain access to. It seemed to me to be a good idea therefore to bring them together in a volume, with the texts revised, or in some cases, rewritten. In terms of their theme, these articles cast an eye over music in Portugal in the 19th century taken from different angles, but maintaining as a central element, and to a certain extent as a unifying factor, the theatre. This is because originally my interest was centred on Portuguese composers who had written operas and only later extended to virtuoso practices and domestic music. The rediscovery of the works of these composers has to a large extent determined the way my academic output has come about and explains why this volume includes so many monographic studies on operas. However, the need to comprehend and contextualise – to understand how, on the basis of what models, for what kinds of performance practices, patrons and publics they were written – led me to discover and and work on a set of other phenomena that range from the system of production to the forms of circulation of the repertoire and to its reception, taking in the relations between the prime movers of Portuguese musical and operatic circles and the political, intellectual and social circles within which they existed. However, given that the book is a jigsaw of texts, I think that it is up to each reader to chart their own path of discovery among the themes approached. C. N.: What role did your native Azores play in this work? L. C.: In actual fact, there are two articles on music on the island of São Miguel (Azores), but they arose purely by chance. Although I have a deep emotional link with my birthplace and am interested in its history, I have never felt that this in any way tied my academic work. However, it gave me particular pleasure to write these texts, because they led me to come to an understanding of how phenomena in the musical life of a small island in the middle of the Atlantic, easily reduced to no more than a petite histoire, actually formed part of and were connected with central issues concerning music in Portugal and Europe. C. N.: The preface to the book leads us to expect publication of your research concerning Brazil. Have you already begun this project? Could research into the musical interconnections between Brazil and Portugal constitute a field for study? L. C.: For many years I have felt that the history of music in Portugal in the 19th century cannot really be separated from that in Brazil. As well as ties coming from the colonial period, the shared language, the intense migratory flows and the continuous circulation of artists and intellectuals throughout the century created a reality that has to be seen together, though with differing degrees of intensity, bearing in mind the phenomena being examined and regional differences. My research on Brazil related to the violinist and composer Francisco de Sá Noronha (1820-1881), who I began to work on many years ago, and who spent his entire life circulating between the two shores of the Atlantic. My work on him has been intermittent, but I am currently writing on his late operettas, first performed in Rio de Janeiro in 1880, in collaboration with Artur Azevedo. One of my www.caravelas.com.pt Page 6 Study Group for the History of Luso-Brazilian Music projects, in the not too distant future, should be to publish a work on this composer, who even if not a leading figure, nevertheless encapsulates many of the central questions concerning musical relations between Portugal and Brazil in the 19th century. C. N.: What differences do you note between working conditions (institutional and academic) between historical musicology in Portugal and in Brazil? L. C.: It is difficult for me to reply because I don’t know the situation in Brazil very well (and indeed it must be very variable, given the size of the country). Anyway, from what I gathered in 2011 – the only opportunity I have had to visit – and following what goes on through some who are abroad, I would say that one can sense considerable dynamism and the existence of a policy of investment in research which will naturally create better working conditions. In Portugal, after a period of considerable expansion over the past fifteen years, in which finally we have had proper conditions, we are now at a particularly difficult moment. We will have to make the most of the resources and critical mass that we have created. In any case, in an era of globalisation and with the existence of an ever greater number of documents available digitally, the difficulties of access to information and the academic isolation that a generation like mine knew, will never be the same. And we can feel this from day to day, when we sit down at the computer to work and we come across more and more new sources, new literature, etc. C. N.: Do you think that Luso-Brazilian musicology has a future? L. C.: I believe that everything has a future so long as people are prepared to make it happen. And, in the case of Luso-Brazilian musicology, it seems obvious to me that not only is it an area with great potential, but we all have an interest in making dialogue ever more fruitful. What is necessary is to continue to work methodically, without losing sight of what others are doing, and I have no doubt that positive results will ensue. The Caravelas Study Group has been doing excellent work. CONCERTS The ACORDA: Encontro de Violões paid tribute to our colleague Ricardo Tacuchian with a lecture and concert dedicated to his works for guitar. The event took place last November a the Centro Cultural da Justiça Federal, Rio de Janeiro. Further information: http://www.mancheteonline.com.br/acordaencontro-de-violoes-no-ccjf/ The Alemmares Ensemble, under the direction of our colleague Rodrigo Teodoro, presented a concert of Brazilian sacred music from the late 18th and early 19th centuries, at the Church of São Roque, Lisbon, on 8 December last. PARTICIPATION IN CONFERENCES Cristina Fernandes will be presenting the paper “Cérémonial, liturgie et musique à la cour de Portugal: des traditions ibériques du XVIIe siècle jusqu'à la reforme de modèle romain de la Chapelle Royale et Patriarcale de D. João V” at the international conference Musique de la foi, musique du pouvoir: musiques religieuses d’apparat dans les cours régnantes d’Europe au temps de Louis XIV, to take place at Versailles, France, between 11 and 13 April next. Full information at: http://www.cmbv.fr/Recherche/Activitesscientifiques/Colloques-seminaires/Colloque-1104-2013Musique-de-la-foi-musique-du-pouvoirMusiques-religieuses-d-apparat-dans-les-coursregnantes-d-Europe-au-temps-de-Louis-XIV www.caravelas.com.pt Page 7 Study Group for the History of Luso-Brazilian Music Gerhard Doderer and co-supervised by Tilman Seebass. CONFERENCES AND MEETINGS David Cranmer (speaker), Maria Catarina Nunes, Manuel Carlos de Brito (chair) and António Jorge Marques, during the “Marcos Portugal” panel, at Castelo Branco The II Encontro Nacional de Investigação em Música (ENIM) took place at Castelo Branco from 16 to 18 November last year. There were papers given by various colleagues from the Caravelas Study Group: Ana Maria Liberal, António Jorge Marques, Cristina Cota, Cristina Fernandes, David Cranmer, Francesco Esposito, João Paulo Janeiro, Luísa Cymbron, Luís Miguel Santos, Marcos Magalhães, Maria Catarina Nunes, Paulo de Tarso Salles, Ricardo Bernardes and Rui Magno Pinto. GRANT There is a competition currently open for a research grant within the project Intercâmbios musicais, 1100-1650: A circulação de música antiga na Europa e alémmar em fontes ibéricas ou conexas, being undertaken by CESEM. Applications will be accepted between 5th and 19th of this month. Further information: http://cesem.fcsh.unl.pt/concursos/concursoaberto-bolsa-de-investigacao-bi-1/view THESES Luzia Rocha recently defended her doctoral thesis entitled “O motivo musical na azulejaria portuguesa da primeira metade do século XVIII”. This research, undertaken at the Universidade Nova de Lisboa, was supervised by VOX:IA 2013, the 2nd Encontro Internacional sobre a Expressão Vocal na Performance Musical, is to take place from 04 to 07 June next, at the Instituto de Artes, at UNICAMP, Campinas. The event is being organised by the Post-Graduate programmes at the three universities of the State of São Paulo: UNICAMP, UNESP e USP, and will involve the participation of researchers from Brazil and abroad, including members of Caravelas. Paper proposals may be sent between 15 March and 1 April. Full information at the site: http://www.iar.unicamp.br/voxia2013 or via e-mail: [email protected] Call for papers for the 23rd ANPPOM Conference, to take place in Natal, Rio Grande do Norte, between 19 and 23 August this year. Proposals for papers may be sent up to 25 March. Full information at: http://www.anppom.com.br/congressos.php The conference “Instrumental Music in the Iberian World 1760-1820”, to take place in Lisbon on 14 and 15 June this year, is receiving paper proposals until 1 March. Complete information at: http://estudosmusicainstrumental.wordpress.com /coloquio2013/call-for-papers/ The 3rd Simpósio Nacional de Musicologia and the 5th Encontro de Musicologia Histórica wil be taking place in Pirenópolis, Brazil, from 14 to 17 May 2013. Paper proposals may be sent up to 20th of the present month. Further information at: www.musica.ufg.br or: [email protected] The Third Meeting of the European Platform for Artistic Research in Music “Between www.caravelas.com.pt Page 8 Study Group for the History of Luso-Brazilian Music Madness and Method: the research dimension in creativity and the creative dimension in research” will be taking place in Lyon, between 18 and 20 April this year. Paper proposals may be sent up to 17th of this month. Further information at [email protected] or at: http://www.aecinfo.org/Content.aspx?id=2329 The Centro Studi Opera Omnia Luigi Boccherini and the Palazzetto Bru Zane (Centre de musique romantique française) are organising the internacional conference Recital and Urban Setting in the Nineteenth Century beween 11 and 13 July next, in Lucca, Italy. Paper proposals may be sent up to 15 March. Full information at: http://www.luigiboccherini.org/alkan.html The Federal University of Pará invites all to the 6th VI Fórum Bienal de Pesquisa em Artes, to take place in Belém, from 23 to 26 April 2013. Paper proposals may be sent up to 18th of this month. Full information at: http://www.ica.ufpa.br/images/download/ppgarte s/chamada.pdf Beween 17 and 18 June this year the international conference With Four Hands: Music for Two Pianists is being organised by the IMR and Middlesex University, in association with the AHRC - Research Centre for Musical Performance as Creative Practice. Paper proposals may be sent up to 15th February. Further information at: [email protected] The 3rd Encontro Internacional de Teoria e Análise Musical “Dimensão temporal na análise musical” (ETAM 3) is receiving paper proposals up to 20th of this month. The event is taking place at the Escola de Comunicações e Artes (ECA) at the University of São Paulo (USP) between 17 and 19 April next. Further information at : http://www.iar.unicamp.br/soac/index.php/manni s/etam3/ CESEM and the Teatro da Trindade are organising the conference “The Practices of comedy” to take place in Lisbon between 20 and 22 June 2013. Further information via email: [email protected]. The international conference Concílio de Trento, Restaurar ou Inovar, 450 anos de História is taking place in Braga, Portugal, from 6 to 8 November this year. Full information at: http://www.congressotrento2013.net/Ptg/ViewC ontents/1 The Instituto de Artes of the Federal University of Rio Grande do Sul, in collaboration with the Associação Brasileira de Performance Musical (ABRAPEM) and the University of Aveiro, INET-MD, is organising a conference on performance studies, PERFORMA, between 31 May and 2 June 2013, in Porto Alegre. Further information at [email protected]. The 2nd Colóquio Internacional de História e Música, promoted by the Postgraduate programme in History of UNESP, Campus de Franca and by the teachers of the research group History and Music, will be taking place between 15 and 17 May 2013. Full information at: http://www.inscricoes.fmb.unesp.br/principal.asp The international conference Music and ecologies of sound. Theoretical and practical projects for a listening of the world will be taking place at the University of Paris VIII, France, between 27 and 29 May 2013. Further information by e-mail: [email protected] The 3rd conference of the Royal Musical Association Music and Philosophy Study Group will be taking place on 19 and 20 July next. Full information at: http://www.musicandphilosophy.ac.uk/conferenc e-2013/ www.caravelas.com.pt Page 9 Study Group for the History of Luso-Brazilian Music The 2nd International Conference on Historical Keyboard Music “The keyboard and its role in the internationalisation of music 1600—1800” will be taking place between 19 and 21 July next at the University of Edinburgh. Further information at: http://www.ichkm.music.ed.ac.uk/ PRIZE The Sociedade Brasileira de Artes, Cultura e Ensino, in recognition of the work of the Associação Brasileira de Organistas, granted it the award “Mérito Cultural Carlos Gomes”, made official by the Prefeitura Municipal of Campinas and recognised by the Fedral Government. This prize was given after the concert that took place on 13 December 2012, at the Chapel of the Pateo do Collegio, in São Paulo. PUBLICATIONS Volume 18, number 1, of OPUS, Revista da Associação Nacional de Pesquisa e PósGraduação em Música, is now available at: http://www.anppom.com.br/opus/ptbr/issues/18.1 Periodicals: The 9th number of the periodical DAPesquisa, Revista do Centro de Artes da UDESC (University of the State of Santa Catarina), is already available at: www.ceart.udesc.br/dapesquisa Number 24 of the periodical ART of the Escola de Música of the Federal University of Bahia is available at: www.revista-art.com The 5th volume of the Revista do Conservatório de Música da UFPel has now been published. Complete text available at: http://www.ufpel.edu.br/conservatorio/revista/re vista.html www.caravelas.com.pt Page 10 Study Group for the History of Luso-Brazilian Music Books: Vol. 13, nº 1, of Revista Música, of the Postgraduate programme in Music at (University of São Paulo), is now available at: www.usp.br/revistamusica Number 7 of the Revista Glosas has been published. Full information at: http://www.mpmp.pt/#!glosas6/cv95 Teresa Cascudo. A tradição como problema na obra do compositor Fernando Lopes-Graça. Um estudo no contexto português. Lisboa: Editorial Doble J, 2012. Achille Picchi. Sinfonia Plural: ensaios e texturas. São Paulo: Martins Fontes, 2012. www.caravelas.com.pt Page 11 Study Group for the History of Luso-Brazilian Music Proceedings: The proceedings of the 3rd Encontro Internacional para Música de Câmara, which took place at the University of Évora, is now available at: http://paulinyi.blogspot.pt/2012/09/3rdinternational-meeting-for-chamber.html CDs: “Missa Grande” by Marcos Portugal on Outre-Mers, with the Choeur L’Echelle, directed by Bruno Procópio. Paraty, 2013. 18th-century Portuguese Love Songs, with L’Avventura London, under the direction of Zak Ozmo. Hyperion, 2012. The CD involved the collaboration of David Cranmer and Alberto Pacheco. English translation: David Cranmer CONTACTOS http://www.caravelas.com.pt [email protected] www.caravelas.com.pt Page 12