Variety Reviews - High-Rise - Film Reviews - L.A. Fest
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Variety Reviews - High-Rise - Film Reviews - L.A. Fest
Variety Reviews - High-Rise - Film Reviews - L.A. Fest - Review by Peter Debruge 07/01/11 10:18 Log In Online Subscription Help Slanguage Dictionary SEARCH Search variety.com Home Latest News FILM Latest Reviews TV LEGIT Features MUSIC 1/7/2011 People News TECH Text size: a - A+ 10:14 A.M. Charts Opinions INTERNATIONAL Subscribe to VARIETY at 73% off the cover price Events Photos Videos VarietyMediaCareers.com Archives Film Reviews Posted: Tue., Jun. 30, 2009, 4:34pm PT Share Print L.A. Fest Get Variety: High-Rise Um lugar ao sol (Documentary -- Brazil) By PETER DEBRUGE -- Advertisement -- A Simio Filmes production in association with Plano 9 Prods. Produced by Gabriel Mascaro. Executive producers, Stella Zimmerman, Rachel Ellis. Directed, written by Gabriel Mascaro. RELATED REVIEWS: All Tomorrow's Parties Branson Bananas!* After the Storm Dear Lemon Lima, Paper Man With as many stories as your typical Brazilian skyscraper, "HighRise" brings auds into the elite penthouses overlooking the upwardly mobile cities of Sao Paulo, Rio de Janeiro and Recife (the latter being helmer Gabriel Mascaro's hometown). Melding the young director's intellectual curiosity with an abstract eye for architecture, Read other reviews about this film this enlightening albeit brief docu serves less as "Cribs"style wealth worship than as a philosophical meditation on economic privilege, exploring how architecture adds a physical dimension to the separation between the country's social classes. Pic seems suited for international television play as is, or eventually paired with another short for arthouse engagements. A humorous -- or at least vaguely absurd -- undercurrent emerges as participants, ranging from a http://www.variety.com/review/VE1117940590?refcatid=31 -- Advertisement -- Página 1 de 2 Variety Reviews - High-Rise - Film Reviews - L.A. Fest - Review by Peter Debruge 07/01/11 10:18 A humorous -- or at least vaguely absurd -- undercurrent emerges as participants, ranging from a gay trust-fund couple to a free-spirited French art collector lured by the quaint primitivism she saw depicted in "Black Orpheus," share their personal reasons for preferring a room at the top. Mascaro and editor Marcelo Pedroso need hardly interfere in order to reveal the cloistered worldview of their privileged subjects, and some opinions come across as oblivious enough to draw hisses from the crowd (sure to be more pronounced when the film screens in Brazil). One wealthy man explains how a penthouse is like a personal island with an added vertical dimension, while his wife describes the nearby slums as "colorful little dollhouses." From their lofty remove, the gunfire between rival gangs looks like fireworks at night, and though Mascaro never reveals that particular view, he does spend a fair amount of time gazing down on ant-sized sunbathers and pedestrians down below. Like a tourist in these seldom-seen inner sanctums, Mascaro seizes the opportunity to record the dramatic vistas these penthouses afford. However, because he agreed not to link his subjects to their actual addresses, there is something vaguely disembodied about the material. As the pic weaves candid interviews together with perspectives collected from the elevators and rooftops of different buildings, the effect is like that of asking people about the joys of driving a sports car, but never actually showing the specific model they operate. In formal terms, "High-Rise" feels loosely constructed, unfolding more according to whim than a rigorous structure befitting the rather academic nature of Mascaro's underlying philosophy. Though not immune to amateurish mistakes (the camera jarringly reframes mid-interview on several occasions), much of the footage is staggering, best reflected in a vertiginous shot in which a crane lifts the camera to the top of a skyscraper under construction. Camera (color, HD), Pedro Sotero; editor, Marcelo Pedroso; sound, Iezu Kaeru, Luiz Pessoa. Reviewed at Los Angeles Film Festival (competing), June 21, 2009. Running time: 97 MIN. Contact Peter Debruge at [email protected] Date in print: Wed., Jul. 1, 2009, Read next review: All Tomorrow's Parties > The 2011 TV Summit February 15, 2011 The Renaissance Hotel, Los Angeles, CA 3rd Annual Film Finance Forum March 8-10, 2011 Hilton Los Angeles - Universal City, CA 2nd Annual 3D Gaming Summit™ April 27-28, 2011 Sheraton Universal Hotel, Universal City, CA © Copyright 2010 , a division of Reed Elsevier Inc. Privacy Policy Terms & Conditions About Us Advertise Media: LA 411 | New York 411 | Variety Contact Us Sitemap Construction: http://www.variety.com/review/VE1117940590?refcatid=31 Help Reed Construction Data Business Directory: HotFrog Página 2 de 2