tamandua the opera

Transcrição

tamandua the opera

by
João MacDowell
The Anteater
Tropical Brainstorm - A Pagan Ceremony
www.tamanduatheopera.com
TAMANDUÁ
(The Anteater)
A Brazilian Opera
Music and Libretto
by
João MacDowell
Tropical Brainstorm
A Pagan Ceremony
Full Score
(Selections)
joaomacdowell.com
tamanduatheopera.com
©2009ComeTogetherMusic
Tamanduá (The Anteater) – A Brazilian Opera
4 Main Solo Roles:
Carol: Soprano
Aruanan : Baritone
Julia: Mezzo-Soprano
Pedro: Tenor
Comprimarios
Chorus
Orchestration:
2 Flutes (piccolo)
1 Oboe
1 Clarinet
1 Bassoon
4 Horns
2 Trumpets
2 Trombones
1 Tuba
Timpanist
3 Percussionists (separate list)
Violins I and II
Violas
Violoncellos
Contrabasses
Tamanduá - Percussion list
Timpani – 4 Kettles
Percussion 1:
Snare drum
3 Toms
Hihat
Cymbals (Suspended - Ride, Crash)
Bow (for Cymbals)
Zabumba Drum
Pandeiro
Jembe
Tubular Bells
Berimbau (Viola - Alto)
Caxixis (2 pairs)
shakers
rattles
Ganza
Percussion 2:
Full Marimba (4 Octaves)
Thunder sheet
Car Break Drum
handbell on string (for spinning)
Jembe
Triangle (large)
Berimbau (Gunga - baritone)
Caxixis (2 pairs)
Cowbell (large)
shakers
rattles
Ocean drum
Whistles (metal/police, birds, train)
Wind Hose
Slapstick
Pau de Chuva (Rainstick)
Percussion 3:
Bass Drum
Surdo Drum
Brazilian tamborim
Cuica
shakers
rattles
Ocean drum
Wind Hose
Pau de Chuva (Rainstick)
Caxixis (2 pairs)
Whistles (metal/police, birds, train )
Wood Blocks
!
ACT I
Dream
Initiation
Desire and Impulse
A Prelude to Tamanduá
RV10F
(Mist)
A
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($
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39
Fl.
Ob.
f
" '$
Cl.
Bsn.
f
($
Tba.
Perc.
Mar.
Vln. I
"
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)(
,++ $$
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8
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Tempo primo
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44
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Indiara - Full Score
RV20F
Indiara
Tamanduá - Act I scene 1
Iniciation Ritual, Prophecies.
Tempo de mar
2 Flutes
!
!
# "
Oboe
Clarinet in Bb
Bassoon
1,3 Horns in F
"
2 Trumpets in Bb
Tuba
Percussion 1
"
Percussion 3
Female Choir
$*
$*
$*
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% !
# %"
(like ocean waves - air only)
& !
"
$
$
$
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$
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"
% !
# %"
& !
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!
(
(
Percussion 2
$*
& !
"
2 Trombones
$
!
# "
! % !
# "
2,4 Horns in F
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a2.
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$
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%
' Ocean drum
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%
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$
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%
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$
Berimbau Gunga (whawha) Plus Caxixi
%
$%*
%
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(like ocean waves)
(like ocean waves)
Aruanan and
basses /baritones
%
$%*
+*
p
%
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%
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%
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%
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p
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%%
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# "!
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shiiiishuuuushiii...
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$
(like ocean waves)
& !
"
!
# "!
$
$
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.
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) "!
Paralel Harmonics, changing partials
gl
"seagull effect"*
iss
.
[Sul E]
$
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,
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#
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gl
iss
.
pp
gl
iss
.
pp
"seagull effect"
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[Sul A]
,
.
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//.
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,
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*check technique at: www.lunanova.org/CelloET/harmonics.html
.
,
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gl
gl
iss
.
pp
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gl
iss
pp
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gl
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$
%
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pp
Violin II
$
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$
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$
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(like ocean waves)
$*
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Tempo de mar
Violin I
$
$*
$*
waves)
! (like ocean
$*
$
# "
!
# "
"
$*
$*
$*
$
Pedro
and Tenors
%
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Julia
$*
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'
%
%
! $*
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" %$*
% Berimbau Viola (whawha) Plus Caxixi
!
!
# "
Carol
$*
joão macdowell
,
&
$
V.S.
2
!
$
Fl.
,,
+
+
+
+
%
%
%
++
$
%
%
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%
%
'
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%
%
%
%
%
(
%
%
%
%
%
%
! '
$
%
%
%
%
%
%
Cl.
Hn.
Adagio q=60
%
Ob.
Bsn.
A
%
11
"
,,
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+
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pfp
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#
&
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#
pfp
Hn.
Timp.
Perc 2
"
('
!(
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%
(E, A, C)
Vln. I
!
$
Vln. II
Vla.
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/
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p
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,
Caxixi (2)
mf
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#
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#
Andante q=110
Fl.
B
19
!
!"
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%
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& !"
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%
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%
%
! & !"
$ #
%
%
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#
%
%
Ob.
Cl.
Bsn.
Hn.
Hn.
Timp.
Perc 1
Perc 2
Mar.
Crl
"
"
!' !" (F, Ab ,+C)
# *
"
p
!
(
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# .
"(
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mp
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.
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+
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+
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/
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Djembe (3/4 feels like 12/4)
$ !"
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/
Jul
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ha
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.
.
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+
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Caxixi
.p
+
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,-
,-
. . . . . . . . . . . . . . . .
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+
+
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+
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,-
%
mf with punched air
.
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.-
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.- -
he
ha
he ha
he...
.-
.
- . .
.-
mf with punched air
,-
,-
* *
*-
%
,-
mf with punched air, molto staccato
Aru+.
3
* *
*
*
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*
*
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*
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ha
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.
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%
Vln. II
!"
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%
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%
%
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#
%
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%
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.
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.-
%
Cb.
*
+
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*
.-
B
!
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$ #
Vln. I
* *
*-
mf with punched air
,.-
+
,-
. . . . . .
2-
*-
1
+
2-
*-
1
+
2-
*-
1
+
2-
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1
+
mf
mf
V.S.
4
!
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"
'(
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mp
!
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mp
#
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"
'(
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$
"
21
Fl.
Ob.
Cl.
Bsn.
Hn.
"
Tbn.
Tba.
Timp.
Perc 1
Perc 2
"
Choir
Aru+.
Vln. I
'(
,
#
!#
"
'(
'(
'(
.+ *++
+
+
$
"
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+
+
+
+
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/ / / / / /
(
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*+
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+ +
*+
+ ++
+ +
mf with punched
( (air ( (
(
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/
he
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(
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Cb.
++
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29
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35
Fl.
Ob.
"
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Cl.
Bsn.
Hn.
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Perc 1
Perc 2
Choir
Jul
Pdr+
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Vln. I
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21
!
!
69
Fl.
!
Ob.
Hn.
"
Tpt.
Tbn.
Timp.
Perc 1
Perc 2
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# %)
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$ # %)
Hn.
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Tempo de mar
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pizz.
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.
.)
.)
Packing - Full Score
RV23C
Packing Escher
(Carol wants to leave New York)
joão macdowell
Vivo Ma Non Troppo (q=140)
Timpani
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#
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A
9
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Ob.
Cl.
Timp.
Perc.
Mar.
Vln. I
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%
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13
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f
a2
Tpt.
Timp.
Perc.
Mar.
Vln. I
Vln. II
Vla.
Vc.
Cb.
,
,
,
,
,
f
#
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17
Picc.
!
Fl.
!
Ob.
Hn.
Timp.
Perc.
Mar.
Vln. I
Vln. II
Vla.
Vc.
Cb.
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# - - - - - - - - - - - - 46
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Crl
F
54
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G
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74
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Mar.
Crl
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Vln. I
Vln. II
Vla.
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Cb.
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79
Cl.
Timp.
Perc.
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Cl.
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f
11
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89
Picc.
Fl.
Ob.
Cl.
Bsn.
Hn.
"
Perc.
Mar.
Crl
Cb.
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Airport to Aeroporto
A Dance of Travelers
Ballet
A
Andante q=80
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11
Fl.
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Vln. I
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solo
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Ob.
Tba.
Vln. I
#"$ &'
& #"$& &
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Cl.
Bsn.
" & #"$ & &
&'
37
Fl.
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Cheiro de Mulher
Orchestra Score
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joão macdowell
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2
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28
Timp.
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(D, G, Bb, D)
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3
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.
%
/ .
/
.
%
(Rap)
. - /1 / / / / / / / - /1 / / / / /
O chei_rodo mi_ jo nochão.
-
,, ,,
O cheiro do a_ mor,
,,
-
,,
%
,,
%
-
,,
-
.
.
.
.
%
su jo,
na es_qui_ nada so
/ .
/
%
. / / 3/ / / / / // / / / /
li dão.
/////
cheiro dosuor.
-
,, ,,
.
,,
-
,,
%
,,
-
,,
%
%
. / / / /4 / / / / / / / .
Cheiro do pó quemo ve_ essa ci da de.
-
,, ,,
- "!
%
!
"
%
!
"
!
"
%
%
!
"
V.S.
Orchestra Score
Cheiro de Mulher
4
Aria
(Pedro and Aruanan check the ladies and the nightlife)
Picc.
Fl.
Hn.
Forró q = 96
58
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Perc.1
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Perc.3
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%
0* 0
Jul.
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Orchestra Score
5
! ""
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70
Picc.
#
#
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+
) )
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+
p
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Fl.
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Hn.
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"
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Tpt.
"
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Tbn.
$"
""
Tba.
$"
" ""
Perc.1
Perc.2
Perc.3
Jul.
Aru.
!
(())
)
())
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Vln. II
Vla.
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()
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Vln. I
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/
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( ( ()
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/
#
ff
())
())
/
V.S.
Orchestra Score
6
Hn.
Hn.
Tba.
A
80
! "" ') * +
! " '(
)
''( * +
''((
(
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!
Perc.2
%
)* +
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#
Perc.3
"%
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+
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p
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Na
p
Aru.
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#
#
Pdr.
'((
'(
#
)* +
'
Choir
'' '' ''(
#
%
Perc.1
''(((
#
(
'' '' '
'
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na
na
p
( ( ( ( ( ( ( (
/' '' '
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''
(
''((
'(
na
(
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'
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na
na
()
'' * +
'
não.
+
0
Nãoé o foledasanfona não
(
$ " '1 * +
" ""
eh
#
'((
Na
p
#
Na
'
'
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na
na
na
na
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1 * +
#
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não.
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'
-
'
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ah
hum
( ( ( ( ( ( ( ( ( ( ( (
* '' ' ''
'' ' 0
' ''''
0
Não o baquedazabumbanão
' ' '(
()
'' * +
'
,
É ocheirodemu lé oquea gi tamais
' ' '(
'((
' ' '(
na
na
na
na
na
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1 * +
não.
,
'((
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ah
hum
A
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#
#
#
#
#
#
#
#
#
#
Vln. II
" )
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#
#
#
#
#
#
#
#
#
#
Vla.
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(
#
#
#
#
#
#
#
#
#
#
Vc.
$ " )* +
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#
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#
Vln. I
Cb.
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p
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)
'( * +
#
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)
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)
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#
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)
'( * +
,
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p
Orchestra Score
7
Hn.
91
(
! "" &' & &
! " &' & & && &&' ) *
'
'
+
B
(
&&'' && && & &'' && && & && ) *
&' &'
&' '
'
(
&& ) *
'
(
&& )
'
*
(
&& ) *
'
(
&& )
'
*
Hn.
"
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() *
&&'' && && & &&
&
'
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+
( ) *
&&'' && && & &&'' && && & &&
&
&
'
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&&
'
( )
&&
'
*
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&&
'
( )
&&
'
*
Tba.
#"
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() *
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+
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( ) *
&'
( )
&'
*
( ) *
&'
( )
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*
!
,
() *
&
+
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&
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+
&
'(
*
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+
'
' '(
! " '
! " " &&' && && && && ) *
&' & & & &
+
$
&' & &
Perc.2
$
&
Perc.3
"$
Perc.1
Choir
he
Pdr.
Aru.
Cb.
&
ah
hum eh
,
( ) *
&
+
, )
-
*
, ) *
-
, )
-
*
&
(
*
& )
(
*
& )
(
& )
*
(
*
& )
(
& )
*
'(
*
, ,. , , , . , , ,. , , , . , , )
(
,
(
, )
*
(
*
, )
(
, )
*
'
' '
' '(
&&&'' &&& &&& && &&&'' &&& &&& && &&& ) *
'
& '
&
+
%
%
Eh
'' ' ' ' ' '
) && & & & & '
&&
"
!" " /
#
&
&
&
ah hum
'
' ' '
&&& /
&&
&' & &
&
he
&
&
ah
ah
%
hum eh
0
/
%
' '' ' '
' ' ' ' '
' ' ' ' '
' ' '
' '' ' '
& & & && & & & & & & & & & & & & & & & & & & & & & & & & & & & &
&
&
&
&
&
&
E sevocêvemdi zer queveioaquipradançar , euvouterqueresponder , euvimaquime_agarrar , euqueromesmo_éte ver,
&'' & & &' &'' & & &' &'
- ) *
Eh
) *
hum eh
É ocheirodasme ni na_oque levantamais
'
' '
# " &' & & & &- ) *
" ""
he
Vc.
&
,
ah hum
he
ah
hum eh
*
*
%
%
%
!# "
(
" " &'' & & &' &' ) *
+
(
&'' & & &' &'' & & &' &' ) *
1
(
& ) *
1'
(
& )
1'
*
(
& ) *
1'
(
& )
1'
*
(
#"
" " " &'' & & &' &' ) *
+
(
&'' & & &' &'' & & &' &' ) *
1
(
& ) *
1'
(
& )
1'
*
(
& ) *
1'
(
& )
1'
*
B
V.S.
Orchestra Score
8
! ""
! "
#
#
#
""
"! "
#
#
#
101
Picc.
Fl.
Hn.
Hn.
Tba.
(()) (( (( ( ()) (( (( (
() ()
()
)
"
!" " + ' ,
((
)
(()) (( (( ( (()) (( (( (
() )
()
)
!
#
#
#
#
(
+
,
. '
+
,
. .0. . . 0. . .0. . . 0. . '
#
#
)
) )
) )+
(()) (( (( (( (()) (( (( (( (( ' ,
() ( ( ( () ( ( ( (
#
Perc.3
"%
Eh
(
(
(
ah hum
) ) ))
"
)
!" " ( ( ( ( (
((( *
#
euvimaquiprapegar .
() ( (
(
he
(
(
ah
hum eh
'
() () () () () ()
( ()
) () () ( *
() (
*
#
-
(()) (( (( ( (()) (( (( (
() )
()
)
()) ( ( () ()) ( ( ()
#
(
+ ,
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)+
,
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#
. .0. . . 0. . .0. .. 0.
#
)
) )
)
(()) (( (( (( (()) (( (( ((
() ( ( ( () ( ( (
(
(
.
#
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()
)
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(
(
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(
(
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)
) )
) )+
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Eh
ah hum
he
ah
hum eh
() ( (
Eh
) ) ) ) ) ) )
' (( ( (( )
( ((
*
É ocheirodamulheroquea gi tamais
()) ( ( () ()) ( ( () ()
/' ,
*
.
() ( (
) ) ) ) ) ) ) )) )
)
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+
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() ()
() )
)
#
%
Pdr.
#
+' ,
(
Perc.2
! "
!" "
*
.
.
/
Choir
() () () () () ()
) () () ( *
( () () (
+' ,
()) ( ( () ()) ( ( () ()
%
Perc.1
*
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$"
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()
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ah hum
)
) ) )
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he
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ah
()) ( ( () ()) ( ( () ()
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#
#
#
#
#
#
Vln. II
"
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#
+
()) ( ( () ()) ( ( () () ' ,
-
#
#
#
#
#
#
Vla.
& """
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Orchestra Score
9
D
112
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Orchestra Score
10
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Orchestra Score
11
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Orchestra Score
12
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3
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3
Orchestra Score
13
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Orchestra Score
14
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15
Picc.
Fl.
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Orchestra Score
16
Tba.
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188
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Orchestra Score
17
Picc.
Fl.
Ob.
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18
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RV 14C
Tamanduá
Anonymous Death - Anthropophagic Ceremony
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A
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27
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4
Fl.
Bsn.
Timp.
Cxx.
B. D.
Choir
Pdr
C
39
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Picc.
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Momentum
Conflict, Intoxication
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RV15D
Na Manhã Clara
On a Clear Morning
Na Manhã - Full Score
Tamanduá - Act II scene 1
(Carol and Aruanan spend their first morning together, he takes her around to show his city)
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10
G Più mosso q=120
154
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41
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cresc. with air.
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Vln. I ! "
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Aru.
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11
! "
Picc. ! " "
166
Fl.
#
#
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(
#)
Perc 3.
"(
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Perc 1.
Choir
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Jul.
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12
179
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Picc. ! " " "
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Crl.
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14
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225
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Perc 3.
Choir
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e vil touch a bout
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12
Meno mosso
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C Più mosso
167
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174
Tbn.
Tba.
Perc 1.
Mar.
DD. 1
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V.S.
14
Hn.
Hn.
Tbn.
D Adagio, colla voce
183
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#
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Mar.
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p
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G %Vivace
198
!! " %
Tbn.
" ""
Tba.
Perc 1.
Pedr.
Vc.
Cb.
" '&
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q=180
(
)
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)
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f
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right
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(
Tempestade - Full Score
RV15A
A Tempestade
The Tempest
(Aruanan sees a storm coming from the sea and foresees his death)
joão macdowell
Moderato q.=68
Timpani
G, Bb, C, F
!# !
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,
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+ +
"+ + +
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ff
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f
(+ + + + + $
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+
& !" 0
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ff
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Djembe
Percussion 3
,
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1
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6
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2
Fl.
Ob.
Cl.
Bsn.
Hn.
Hn.
Timp.
Mar.
Vln. I
Vln. II
Vla.
Vc.
Cb.
18
a2
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Timp.
"
30
Aru.
B A tempo
#
Vln. II
#
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pés
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"
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senza sord.
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Vla.
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Vc.
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"
40
Timp.
Perc 1
Perc. 3
Chor.
!#
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Djembe
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+$
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+ + +
+ ++++
Chorus - Deities:
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ta de.
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C
48
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Perc 1
!
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p
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Vln. I
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4
! ""
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55
Fl.
Ob.
Cl.
Bsn.
Hn.
"
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#
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#
$ " '$
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mf
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f
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$ ""
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#
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Tba.
$"
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Timp.
"
Perc 1
Perc. 3
Mar.
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Vla.
Vc.
Cb.
,
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,$
,$
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mf
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ff
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22 2 22 2
2 2 222
2
)( $
+ ++ ++ ++ ,++ ++
,+ , ,
,
+ ++ ++ ++ ++ ++
,+ , ,
Caxixis/leg shakers
)( $
Ah
f
#
++
+ + + ++ ++ $
+++- . . /$
%
((%$$
#
#
#
#
Yemanjá (Júlia):
$
#
#
$
)))((( $$
"
! " )( $
#
+
+$
- . . /$
#
Jul.
$
#
#
"""
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f
#
#
! "" *( $$
)*(( $
Chor. !
"
*( $
#
)$
++ . . / $
-
fp
Inhansã (Carol):
$
+
- . . /$
1
+ ++ + ++ ++
+ +
p
++ ++ ++ ++ ++
-
fp
! ""
!
#
$
#
. +%%$
2
$
#
""""
)*++ ++ ++ ++
++
,+ +
f
""
)*++ ++ ++ ++ " "" ++ ++
,
#
22 22
2
#
#
"""
Crl.
f
#
#
))++ ++ ++ ++ """
/
#
Ah
f
($
)$
+
- . . /$
$1
++ ++ ++ ++ ++ ++ . . / $
-
#
fp
Female chorus (A/S/S):
($
f
#
% "" )(%%$
* ($
, ,+ ,+ + ,+
++ + ++
,+ + ,+ , ,
f
#
$
#
%
)(%$
) ($
Mar.
f
$
#
"
, , , , , ,
))++ ++ ++ ++ "" " ++ ++ ++ ++ ++ ++ ++ ++ ++ ++ ++ ++
, ,
#
22 22
2
""""
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, + ,+ ,+ + ,+
+, + ,+ ,+ + ,+ +
f
/$
1
+ . . /$
#
"&
/$
#
. %+ $
%
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"""
"""
($
($
0
**++ ++ ++ ++ )*++ . . / $
-
Tpt.
Perc. 3
#
! """ / $
!
Hn.
Perc 1
#
#
""" %+ %+
ff
""" + +
%%
ff
+
%
+
%
++ + ++
%% % %%
++ + ++
%% % %%
+
%
+
%
#
++ +
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++ +
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#
$
#
$
#
$
#
#
#
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pizz.
pizz.
p
pizz.
$
+p$
$
+$
$
+$
p
#
pizz.
#
pizz.
p
p
$
+$
$
+$
/$
/$
/$
/$
/$
3$
+$
+$
+$
+$
/$
/$
/$
/$
+$
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+$
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/$
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9
! """"
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#
F Tempo I q.=68
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%
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1
) )
107
Hn.
Hn.
Tpt.
Molto Rit.
ff
)) * ")) $$
ff
#
#
#
#
cresc.
f
Tbn.
Timp.
Perc 1
"
$ """
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"
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#
#
#
ff
2
+$
$
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#
#
f
)
caxixi/berimbau
#
%1
1
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1
) )
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1
)% ) ) )
%1
1
)% ) ) )
cresc.
%1
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1
) )
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33 3 333 33 3 3 33 33 3 333 33 3 333 33 3 3 33
!
%1
)% )
1
) )
%1
)% )
1
)
33 3
3 33
33 3 33 3
33 3 3 33
33 3 333 33 3 3 33 33 3 333 33 3 333 33 3 3 33
ff
33 3
3 33
33 3 33 3
33 3 3 33
333
3
333
3
3 33
3 3333
3 3333 3 3 3 3333
3 3333 3 3 3 3333
3
3 333 3 3 3
33 3
3 333 3
3
3 3333 3 3
)) $$ )) $$
)) $$ )) $$ )) )) ))
ff
f
Perc.2
&
Perc. 3
"&
#
2%
&%$
Djembe
!
ff cresc.
f
""
!"
Mar.
Caxixis/leg shakers
#
#
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$ """
#
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#
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++
+
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+$
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+
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"
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#
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Jul.
Aru.
$ """
#
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2
4$
mar.
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Vla.
Vc.
Cb.
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%
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sff
arco
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sff
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"
)) $$ )) $$ )) $$
)) $$ )) $$ )) * )) $$ )) $$ )) $$
cresc.
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sff
+$
cresc.
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arco
Vln. I
*
ff
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"
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sff
cresc.
Chor.
"
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+$
sff
)) $$
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%
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arco
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116
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"
Tpt.
Timp.
Perc 1
2 2 2 2 22
2 2 2 2
2 2
2 2 2 2 22
2 2 2 2 2 2
2 2 2 2 22
2 2 2 2
2 2
2 2 2 2 22
2 2 2 2 2 2
ff
2
22
2 2 2cresc.
2 2
2 2222
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#
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ff
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ff
3
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p
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p
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to Rainstick
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1
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3
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1
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ff
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Aru.
(( + (( *((
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Perc.2
Mar.
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126
Fl.
Ob.
Cl.
Bsn.
Tpt.
Perc 1
Perc. 3
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Aru.
Vla.
Vc.
Cb.
#
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Tpt.
Mar.
#
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Hn.
Perc. 3
#
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) '' '' '' '( '' ''( ) ''(
Cl.
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Ob.
Bsn.
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138
Fl.
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13
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148
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Ob.
Cl.
Bsn.
Hn.
Hn.
Tbn.
Tba.
Timp.
Perc. 3
! "" * $
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Vln. I
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14
! " ('
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159
Fl.
('
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K
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+
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'$
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/
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'$
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/
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Ob.
Hn.
Hn.
Timp.
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*
%/
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Perc.2
%
$
$
Perc. 3
"%
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!" " ' ' ' '
(' ' ' '
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1'
Chor.
tem pest.
Aru.
Vln. I
Vln. II
Vla.
Vc.
Cb.
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,
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22
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2
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ff
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/
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167
! " ''$$
Fl. ! " "
Ob.
Cl.
Bsn.
Hn.
Hn.
Timp.
Perc 1
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15
L
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%%
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fff
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,$
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subito p
.$
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%%
#
.$
&$
%
#
caxixi/berimbau
#
,$
f
%
Perc.2
Perc. 3
Mar.
Chor.
Aru.
"%
#
- - - - - - - - ----
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$ "" ' ' ' ' ' ' ' $
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/.
.
'$
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Vln. II
Vla.
Vc.
Cb.
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caxixi/berimbau
#
f
' - - - - '$
-$
,$
%
&$%
(rain stick/pau de chuva)
%
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p
%
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(rain stick/pau de chuva)
to Berimbau
/
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fff
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p
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)
sp
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p
p
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p
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(
16
* M ,* #A tempo
** ** ** * * #
+
,**
+ -
,**
+
,**
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.
*
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,* #
,*
+ -
,*
+
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Cl.
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.
,*
,*
Bsn.
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178
Ob.
! "
Hn. ! "
Ral.
f
f
f
,* #
.
*
* * *
f
. ,*
$
,
- **
Hn.
"
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$
-
Tpt.
!"
$
# ""
"
$
,* ,* ,* ,*
- / * * * *+ -
#"
" ""
$
-
Tbn.
Tba.
Timp.
Perc 1
Perc.2
Perc. 3
Chor.
Vln. I
Vln. II
Vla.
Vc.
*
,*
f
f
,*
$
f
$
*
,*
'
"'
$
%#$
$
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# "" *
"
#"
Cb.
" "" *
,* ,* ,**
* *
,*
*
,*
-
,** ,*
*
,**
,*
,* ,*
,*
,*
,* ,*
,*
,*
,* ,*
,*
,* ,* ,*
* * *
-
)#
-
$
,*
)#
Asynchronous finger snaps and hand claps to simulate rain:
,**
-
,*
+ -
,*
+
,*
. ,*
.
,*
. ,*
,* ,* ,*
* * *
* * *
,* ,* ,*
,*
, ,
* - ** **
,* ,* ,*
* * *
-
)#
.
,*
,*
$
%#$
-
,**
,** ,* ,** ,** ,* , ,
*
* ** **
,*
,* ,* ,* ,* ,* , ,*
*
,*
*
,* ,* , ,* ,* ,* ,*
,*
,* ,* ,**
* *
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,* ,* ,* ,* ,* ,*
* * * * * *
,* ,* ,* ,*
,*
*
,* ,*
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,* ,*
,*
*
- * *
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,* ,* ,* ,* ,*
,**
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*
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$
$
$
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+
-
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* * * -
-
,**
+ -
-
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* * **
,* ,* ,*
,* ,* ,
,** ,** ,**
, ,
- ** **
$
%#$
Caxixis / Thunder sheet
/
*
,*
,**
$
3%$#
01 #
,2
fff
$
%#$
B.D.
,21
$
0$#
fff
$
%$#
%#
.
*
* * *
,0 #
$$
$
3%$#
.
*
* * *
,
0#
$$
,
0#
$$
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$
,0 #
$$
,0 #
$$
.
*
* * *
f
,0 #
$$
,0 #
$$
,0 #
$
,0 #
$$
,0 #
$$
.
*
* * *
$$
,0 #
$
0$#
,
$
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,
$$
,0 #
$
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,
f
f
f
* * * *
+
f
$$
,0 #
,0 #
$
$$
#
,0
,0 #
$
$$
,0 #
,$
3%$#
Asynchronous feet bang on wooden stage to simulate Thunder: 3 % #
ff
,0 #
,0 #
$$
$$
$$
,0 #
,*
+
- -
-
.
,*
.
,*
- - -
,* ,* ,*
* * *
,0 #
$
3%$#
$
-
fff
$
$
%#$
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,* ,*
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%&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
$
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$
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,**
+
,*
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* / * * * *
+
+
$
$
-
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,**
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,** ,**
+ /
+ -
$
3%$#
! "
"! " "
( """ )
)#
$
%#$
to B.D.
"
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-
)#
Ocean drum / Caxixis
$
%#$
! "" )
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Morningside Park
Morningside - Full Score
RV6A
joão macdowell
(Pedro and Carol hook up)
Percussion 1
Percussion 2
!
Andante q=100
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Tpt.
Tbn.
Perc.1
Perc.2
Mar.
Pdr
Vc.
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16
Tpt.
Perc.1
Mar.
Crl
Pdr
A
!
"$
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,
,
,
(brushes)
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Vln. I
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24
Perc.1
Mar.
Crl
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31
Perc.1
Perc.2
Mar.
Crl
"$
"" '
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Cb.
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38
Perc.1
Perc.2
Crl
Pdr
Vc.
Cb.
'
!
B
"!
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Crl
Pdr
Vc.
Cb.
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mf
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(lost in her memories, delirious)
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game,
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63
Perc.1
'
(
Racingmy car,
Vc.
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f
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straight tone
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pizz.
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54
Perc.1
'
mmm...
46
Perc.1
' ' ' ' ' ' ' ' ' '
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-
3
I'dlike to ride
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V.S.
4
! $
#$
71
Hn.
Hn.
Tpt.
Perc.1
Mar.
Crl
Pdr
Vc.
Cb.
%
$
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+
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+
+
p
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D
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Perc.2
Mar.
Vln. I
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The Third Bank of the River
Metamorphosis
Rituals - Celebration
Ueremen
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joão macdowell
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RV11A
Ela Deseja Possuir As Nuvens Do Céu
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38
Bsn.
Perc 2
Jul.
Choir
Vln. I
Vln. II
Vla.
Vc.
Cb.
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Fl.
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Vln. II
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60
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9
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Picc. ! " &
68
Fl.
Ob.
Cl.
Bsn.
Hn.
Hn.
Tpt.
Tbn.
Tba.
Perc. 1
Jul.
Choir
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Vln. II
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10
Picc.
Fl.
Ob.
Cl.
Bsn.
Hn.
Hn.
Tpt.
Tbn.
Tba.
Perc. 1
Perc 2
Jul.
+* *
75
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Lavadeiras
The Laundry Women
Lavadeiras - Full Score
RV10A
Finale
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Clarinet in Bb
joão macdowell
Adagio (q=60)
%
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mf
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V.S.
16
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18
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tamandua the opera

Transcrição

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