SFO Stern Grove Program - 2012.indd
Transcrição
SFO Stern Grove Program - 2012.indd
Presents David Gockley General Director Nicola Luisotti Music Director Featuring LEAH CROCETTO and MICHAEL FABIANO with Nadine Sierra, Laura Krumm, Renée Rapier, Joo Won Kang, and Ryan Kuster and The San Francisco Opera Orchestra Kay Stern, Concertmaster Conducted by GIUSEPPE FINZI Sunday, August 19, 2012 at 2 p.m. Sigmund Stern Grove, San Francisco LE NOZZE DI FIGARO, Wolfgang Amadeus Mozart Overture..........................................................................................................................................................................................Orchestra ZAIDE, Wolfgang Amadeus Mozart “Ruhe sanft”.............................................................................................................................................................................Nadine Sierra Finding Gomatz asleep under a tree, Zaide admires his handsome looks. She leaves him her portrait and a letter asking him to meet her later in that same spot. She then bids him “peaceful rest” until he awakes. LE NOZZE DI FIGARO, Wolfgang Amadeus Mozart “Non so più” ...........................................................................................................................................................................Laura Krumm A cheeky teenager who has just discovered girls, the love-struck page Cherubino describes his turbulent emotions: every woman he sees makes him tremble with inexplicable desires. DON GIOVANNI, Wolfgang Amadeus Mozart “Crudele . . . Non mi dir”........................................................................................................................................................Leah Crocetto Donna Anna insists on postponing her wedding to Don Ottavio because of her father’s death. “Do not say that I am cruel,” she pleads, “for you know how much I love you... and one day heaven will be kind to me.” “Là ci darem la mano”.......................................................................................................................................Nadine Sierra, Ryan Kuster The relentless womanizer Giovanni suavely woos the peasant girl Zerlina (on her wedding day!), promising to marry her himself. At first reluctant, she gradually yields to his charms. IL CORSARO, Giuseppe Verdi “Tutto parea sorridere . . . Si, de’Corsari il fulmine”.........................................................................................................Michael Fabiano The pirate Corrado reflects sadly on his life of exile and crime, and he laments his lost innocence. But when a dispatch arrives with news of his enemies, he rallies his troops and prepares to sail off into battle. MAOMETTO II, Gioachino Rossini “Si, ferite! . . . Madre, a te”.....................................................................................................................................................Leah Crocetto A Venetian colony is under siege by Maometto’s soldiers. Anna, daughter of the colony’s governor, defiantly dares them to strike her down, as a better reward awaits her in heaven. Turning to the tomb of her mother, Anna prays that she may soon join her in paradise. LUCIA DI LAMMERMOOR, Gaetano Donizetti “Sulla tomba . . .Verranno a te sull’aure”...................................................................................................Leah Crocetto, Michael Fabiano Edgardo is leaving Scotland for France to try to restore his fortunes. He and Lucia, who are secret lovers, bid farewell. She urges him to put aside his hatred for her brother, his sworn enemy. The two lovers pledge to be faithful while parted, saying “My ardent sighs will come to you on the breeze.” - INTERMISSION ROMÉO ET JULIETTE, Charles Gounod “Que fais-tu?”...........................................................................................................................................................................Renée Rapier Romeo’s friend Stephano baits the leaders of Juliet’s family with this mocking serenade about the white dove of the Capulets (symbolic of Juliet), who, despite their best efforts to guard her, will go free one day—into the arms of Romeo. HÉRODIADE, Jules Massenet “Vision fugitive”.....................................................................................................................................................................Joo Won Kang Infatuated with Salomé (and unaware that she is his stepdaughter), Hérode tries to satisfy his longing by taking a potion to conjure up a “fleeting vision” of her, and sings to her of his passionate desire. ROMÉO ET JULIETTE, Charles Gounod “Ah, je veux vivre”..................................................................................................................................................................Nadine Sierra Juliet, who has not yet met Romeo, girlishly exults in the ecstasy of her carefree youth, which she knows must be enjoyed before love comes to bring its pains. She exclaims that she would like to live this captivating dream forever. MANON, Jules Massenet “Je suis seul . . . Ah! fuyez, douce image”..........................................................................................................................Michael Fabiano Though she loves Des Grieux, the pleasure-seeking Manon has abandoned him for a life of luxury, and he has entered a seminary in a vain attempt to forget her. Preparing to take his holy orders, Des Grieux fervently prays to God to remove her “sweet image” from his heart. “Toi! Vous! . . . N’est-ce plus ma main?”...................................................................................................Leah Crocetto, Michael Fabiano As Des Grieux is about to take his priestly vows, Manon suddenly appears and implores him to forgive her faithlessness. Furiously he attempts to reject her, but when she recalls memories of their past—the touch of her hand, the sound of her voice—his resistance is overcome, and they join in an impassioned avowal of love. THAÏS, Jules Massenet “Méditation”....................................................................................................................................Orchestra and Kay Stern, violin soloist The voluptuous courtesan Thaïs has been urged by the monk Athanaël to abandon her sinful ways and convert to a godly life. She is at first defiant, but during the music of the famous Méditation, she carefully ponders his words and resolves to change. LE VILLI, Giacomo Puccini “Torna ai felici dì”...............................................................................................................................................................Michael Fabiano Under the spell of an enchantress, Roberto has forgotten his fiancée Anna, and she has died of grief. Now penniless and tormented by remorse, Roberto returns home hoping to find Anna alive. Recalling their love, he laments the day he went away and curses the seductress who led him astray. MADAMA BUTTERFLY, Giacomo Puccini “Un bel dì”..............................................................................................................................................................................Leah Crocetto Though three years have passed, Butterfly is certain that her husband Pinkerton will return to her “one fine day.” She imagines the joy that she will feel when she finally catches sight of him coming up the hill. Meanwhile, she resolutely exclaims, “I wait for him!” Today’s performance by San Francisco Opera is presented by the Stern Grove Festival Association. In addition to the artistic fee paid by the Stern Grove Festival Association, additional funds to support this performance have been provided directly to San Francisco Opera by the Patricia Yakutis Endowment Fund. LEAH CROCETTO made her San Francisco Opera debut as Sister Dolcina (Suor Angelica) in the 2009 production of Puccini’s Il Trittico. She also performed Liù (Turandot) and roles in Aida and Cyrano de Bergerac. A former Adler Fellow and Merola Opera Program alumna, Crocetto recently appeared as the Female Chorus (The Rape of Lucrezia) with Houston Grand Opera, Anna (Maometto II) with the Santa Fe Opera, Leonora (Il Trovatore) with Bordeaux Opera and North Carolina Opera, and concerts with the Berlin Philharmonic, Los Angeles Philharmonic, and Toronto Symphony. A winner of the 2010 Metropolitan Opera National Council Auditions, the soprano’s other awards include First Place, People’s Choice, and the Spanish Prize in the 2009 José Iturbi International Music Competition. She also represented the United States in 2011’s BBC Cardiff Singer of the World competition, where she was a finalist in the Song competition. Upcoming engagements include Desdemona (Otello) at Venice’s La Fenice (also on tour with that company in Japan) and Frankfurt Opera, the title role of Luisa Miller with the Israel Opera, and concerts at the Tanglewood Music Festival and with the Calgary Philharmonic. A winner of the 2007 Metropolitan Opera National Council Auditions, MICHAEL FABIANO made his San Francisco Opera debut as Gennaro in 2011’s Lucrezia Borgia, a role he first performed at English National Opera. The tenor’s career highlights include the Duke of Mantua (Rigoletto) at Dresden’s Semperoper, English National Opera, and Florida Grand Opera; Edgardo (Lucia di Lammeroor) with Vancouver Opera and in Bilbao; Rodolfo (La Bohème) with Deutsche Oper Berlin and Limoges Opera; Cassio (Otello) with Paris Opera; Rinuccio (Gianni Schicchi) at Milan’s Teatro alla Scala and Greek National Opera; Raffaele (Stiffelio) with the Metropolitan Opera; Alfredo (La Traviata) at the Teatro San Carlo; and Nemorino (L’Elisir d’Amore) with Fort Worth Opera. Fabiano’s awards include first prize in the 2008 Opera Index Awards, first prize in the 2006 Licia Albanese Puccini Foundation Competition, and the José Carreras Prize for the best tenor in the 2006 Julián Gayarre Competition. Upcoming engagements include Rodolfo with Opera Lyra Ottawa, Dresden Semperoper, and Seattle Opera; Cassio with the Metropolitan Opera; Alfredo (La Traviata) with the Santa Fe Opera; and concerts with the San Francisco Symphony, Oslo Philharmonic, Deutsche Oper Berlin, and in Kansas City and Puerto Rico. A native of Iowa City, Iowa, mezzo-soprano LAURA KRUMM is a first-year Adler Fellow who makes her San Francisco Opera debut in this fall’s Rigoletto. As a master’s student at the University of North Texas, she was awarded the Bill and Margo Winspear Award and was winner of the 2011 Concerto Competition. Her recent repertoire includes Charlotte (Werther), Sesto (La Clemenza di Tito), Cherubino (Le Nozze di Figaro), Prince Orlofsky (Die Fledermaus), and the Second Lady (Die Zauberflöte). As a 2011 participant of the Merola Opera Program she was featured in scenes from I Capuleti e i Montecchi and Rigoletto. She has performed in concerts and operas with La Musica Lirica in Novafeltria, Italy and OperaWorks in Los Angeles, and she was a finalist in the 2011 Dallas Opera Guild Competition. Korean baritone JOO WON KANG is a first-year Adler Fellow who made his San Francisco Opera debut this past summer as the Second Priest in The Magic Flute. A Merola Opera ENTER TO WIN - Two Orchestra Tickets to RIGOLETTO This Fall Enter-to-win forms accepted only on the day of the event. Please write legibly and drop off your completed form at the San Francisco Opera tent. Name: Mr. / Mrs./ Ms. ____________________________________________________ Address: _______________________________________________________________ City: ______________________________________State: ________Zip: ___________ Phone: __________________________Email: ________________________________ I am interested in receiving information about: □ E-Opera, San Francisco Opera’s monthly e-newsletter □ San Francisco Opera Performances □ LGBT Events □ BRAVO! CLUB (opera lovers 21–40) □ Family Events □ Free Performances □ Special Introductory Offers □ Group Ticket Discounts Winners will be contacted by phone or email. No purchase necessary. Program alumnus, he recently earned first prizes from the Gerda Lissner International Competition and the Palm Beach Opera Competition. Recently he sang Count Monterone (Rigoletto) and the Duke of Verona (Roméo et Juliette) as a member of the young artist program with Florida Grand Opera. Kang holds a master’s degree from the Manhattan School of Music and a bachelor’s degree from Yonsei University. Upcoming engagements include appearances in the Company productions of Rigoletto, Lohengrin, Moby-Dick, and Tosca this fall. A second-year Adler Fellow, RYAN KUSTER made his San Francisco Opera debut last fall as a Mandarin (Turandot) and returned as Astolfo (Lucrezia Borgia), Masetto (Don Giovanni), and Escamillo (Carmen for Families). He is a graduate of the 2010 Merola Opera Program, where he performed in the scenes program as Garibaldo (Rodelinda), Bartolo (Il Barbiere di Siviglia), and Cajus (The Merry Wives of Windsor). As a participant in Philadelphia’s Academy of Vocal Arts, he has appeared as Schaunard (La Bohème), Enrico (Anna Bolena), Oroveso (Norma), and as the Governor in the world premiere of Margaret Garwood’s The Scarlet Letter, among other roles. Recent engagements include his debuts with San Antonio Opera as Marullo (Rigoletto) and Annapolis Opera as Angelotti (Tosca). He was also featured as Rambaldo (La Rondine) with Oberlin Conservatory in Italy; Count Ceprano (Rigoletto) as well as as Betto (Gianni Schicchi), and in Ching’s Buoso’s Ghost with Opera New Jersey. He appears in this fall’s Rigoletto, Lohengrin, and Tosca with San Francisco Opera. Making her San Francisco Opera debut this season in Rigoletto, American mezzo-soprano Renée Rapier is a firstyear Adler Fellow who has performed with the San Francisco Opera Orchestra, the Northern Iowa Symphony Orchestra, the Grinnell Orchestra, the Chautauqua Symphony Orchestra, and with the Tafelmusik Baroque Summer Institute Orchestra. She is a frequent performer with the Boston-based early music ensemble La Donna Musicale, and appeared on their latest CD, Anna Bon: La virtuosa di Venezia, released in 2010. Rapier holds a master’s degree from the University of Northern Iowa, was a studio artist at Chautauqua Opera in 2009, and a participant of the Merola Opera Program in 2010. She returned to Merola Opera Program in 2011 where she sang Rosina in Il Barbiere di Siviglia. She has been the recipient of the Chautauqua Studio Artist Award, a winner in the Schubert Club Scholarship Competition, a national finalist of the Bel Canto Vocal Scholarship Foundation Competition, and was a national semifinalist at the Metropolitan Opera Council Auditions in 2011. She appears with the Company in this fall’s Rigoletto. Second-year Adler Fellow NADINE SIERRA made her San Francisco Opera debut in 2011 creating the roles of Juliet and Barbara in the world premiere of Heart of a Soldier; she also sang Papagena in this summer’s The Magic Flute. She is an alumna of the 2010 Merola Opera Program, where she was heard as Adina in L’Elisir d’Amore. Winner of the 2009 Metropolitan Opera National Council Auditions, Sierra’s other recent awards include first prize of the George London Competition (2010), the Gerda Lissner International Competition (2010), the Loren Zachary Competition (2010) and the Stella Maris Competition (2011), as well as second prize in the Mirjam Helin International Vocal Competition (2009). Sierra recently appeared as Tytania (A Midsummer Night’s Dream) with Boston Lyric Opera, Euridice (Orfeo ed Euridice) with Palm Beach Opera, and Gilda (Rigoletto) with Florida Grand Opera. Her other 2011–12 engagements include Anne Trulove (The Rake’s Progress) with the Cincinnati Chamber Orchestra and her solo recital debut at Carnegie Hall. Violinist KAY STERN has served as concertmaster of the San Francisco Opera Orchestra since 1994. Having performed and presented master classes internationally, she has been a faculty member at the Cleveland Institute of Music, the San Francisco Conservatory of Music, and the University of San Francisco. Stern has been featured on several television and radio programs, including PBS’s Live from Lincoln Center, CNN’s Women Today, and Garrison Keillor’s A Prairie Home Companion. She received her bachelor’s, master’s, and doctoral degrees as a student of Dorothy DeLay at the Julliard School, and her concerto and chamber music recordings can be heard on the Phillips, Nonesuch, Innova, MusicMasters, Koch International, and Gramma Vision labels. San Francisco Opera Resident Conductor GIUSEPPE FINZI made his Company debut in 2008 conducting The Elixir of Love for Families, and he returned for performances of La Bohème, The Abduction from the Seraglio, Faust, La Fanciulla del West, Aida, Turandot, and Carmen as well as the Company’s performances at the 2009 and 2011 Stern Grove Festivals. He is also extensively involved in the San Francisco Opera Center, conducting Carmen for Families and the 2011 Adler Fellows gala concert. A native of Bari, Italy, he studied composition and conducting at Milan’s Giuseppe Verdi Conservatory and Siena’s Accademia Chigiana. Finzi previously served as assistant conductor, coach, and pianist at Milan’s Teatro alla Scala. He made his conducting debut in 2003 with Tosca at the Teatro Rendano in Cosenza and returned in 2004 for La Traviata. Finzi has since led productions of L’Elisir d’Amore, Madama Butterfly, Rigoletto, La Traviata, L’Elisir d’Amore, and Così fan tutte as well as concerts in Italy, Russia, Albania, South Korea, and Japan. Most recently he made his debut in Germany conducting Carmen at Deutsche Oper Berlin. Actively involved in the community, Maestro Finzi led a master class with the San Francisco Conservatory of Music and conducted their spring production of Così fan tutte this past March.
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