Introdução ao canto bizantino

Colóquios 2009
Música em Contexto
Introdução ao canto bizantino
Alexander Lingas (St. Peter’s College, University of Oxford)
Christian Troelsgard (University of Copenhagen)
Terça-feira, 15 de Dezembro | 18h00
Edifício ID – 1º andar | Sala 106
Faculdade de Ciências Sociais e Humanas - UNL
Av. de Berna, 26. Lisboa.
Alexander Lingas. Founder and Artistic Director of the vocal ensemble Cappella Romana and a Fellow of the University of Oxford’s
European Humanities Research Centre. His present work embraces historical study, ethnography, and performance. Formerly Assistant
Professor of Music History at Arizona State University’s School of Music, he received his Ph.D. in Historical Musicology from the
University of British Columbia. His academic awards include Fulbright and Onassis grants for musical studies with cantor Lycourgos
Angelopoulos, a Canadian postdoctoral fellowship for study under Metropolitan Kallistos (Ware) of Diokleia, and a British Academy
Postdoctoral Research Fellowship held at St. Peter’s College, Oxford. His publications include articles for the Oxford Companion to
Music, The New Grove Dictionary of Music and Musicians, and the Oxford Handbook of Byzantine Studies. He is currently working on a
study of Sunday Matins in the Rite of Hagia Sophia for Ashgate and a historical introduction to Byzantine Chant for Yale University Press.
Christian Troelsgard. Born 1958. Studies in classiccal languages from 1977 and in musicology from 1982 at the University of
Copenhagen. Cand. Mag. (MA+BA) 1987. Assistant professor (ancient culture/Latin) in Danish highschool (Gymnasium) 1987-89-. Ph.D.
1993. Senior researcher at the University of Copenhagen 1993-96, assistant professor same place 1996-1999, associate professor same
place 2000-. Member of the International Musicological Society and Dansk selkslab for oldtids- ogmiddelalderforskining, secretary of
Monumenta Musicae Byzantinae (1995-) and co-ordinator of the Medieval Centre in Copenhagen (1996-). Attached to the Evergetis
Project (at Queens University of Belfast) as consultant in Byzantine music (1996-) and co-ordinator of a European research project on
Byzantine/Slavic melismatic chant (in the framework of INTAS, research teams in St. Petersburg, Moscow, Oxford and Copenhagen)
1999-.
Organização: CESEM | INET-MD
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