abstract - Aproged

Transcrição

abstract - Aproged
GEOMETRIAS & GRAPHICA 2015
1, 2 , 3 . Outubro / October . 2015
ASSOCIAÇÃO DOS PROFESSORES DE
DESENHO E GEOMETRIA DESCRITIVA
Escola Artística Soares dos Reis
Rua Major David Magno 139
4000-191 PORTO PORTUGAL
ASSOCIAÇÃO BRASILEIRA
DE EXPRESSÃO GRÁFICA
EGR – CCE – UFSC
Campus Universitário
88.040-970 Florianópolis/SC BRASIL
LIVRO DE RESUMOS / BOOK OF ABSTRACTS
02.10.2015 TARDE / AFTERNOON
SESSÃO PLENÁRIA 6 / PLENARY SESSION 6
(Apresentada em Inglês / Presented in English)
JAVIER BARRALLO
THE GENESIS OF GUERNICA:
PICASSO’S 36 DAYS OF WAR AND PASSION
In 1937, Pablo Picasso was considered the world’s foremost living painter. Due to
his popularity, the Government of the Spanish Republic commissioned Picasso an
enormous mural painting of almost 8 meters width to be shown at Paris International
world’s Fair. Picasso’s mind was blank for several months, but when Nazi air raiders
destroyed the city of Guernica during the Spanish Civil War, his unchained anger led him
to an intense and passionate creative process, which culminated into the most iconic
of 20th century masterpieces. From the 45 sketches that served to prepare the painting
and the ten pictures his partner Dora Maar took during the creation of the painting,
we can deduce the process followed by Picasso during the 36 days of fury in which he
painted Guernica. Although the painting is highly innovative, its geometry is based on
classic Greco-Roman friezes and condenses elements from Spanish classical paintings
with Picasso’s former experiments with surrealism and expressionism. As the most
important inventor of cubism, Picasso followed a parallel path with the mathematicians
and physicists of the beginning of the 20th century. The search for the Fourth Dimension
by Hermann Minkowski, Henri Poincaré’s Algebraic Topology or Albert Einstein’s Theory
of Relativity have remarkable similarities with cubism and other innovative avant-garde
movements. Unknowingly, artists and scientist were working on the same idea: the
search of a new and more adequate way of representing space and time.
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UNIVERSIDADE LUSÍADA DE LISBOA
Rua da Junqueira, 188-198
1349-001 Lisboa PORTUGAL

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