Music and Gesture Program 21 July

 Music a nd G est ure : 2nd I nter nat io na l M us ica l Itineraries For um
Lisb o n, Ce ntro C ult ura l d e B el ém , 28, 29, 30 Octo be r 2011
Friday, 28 October
8:30: Reg istrat io n
9:00: We lco me
9:30-11:00 Session 1A
[Inte rf ace s d a nce , music a nd tec hno lo gy]
Antoine Bonnet (Univ. Rennes 2) “Zeitung de Anne Teresa de Keersmaeker et Alain Franco: une
(non-) rencontre de la danse et de la musique”
Philippe Guisgand: (Univ. Lille 3; CEACL) “Rendre visible”
Luísa Roubaud (FMH/Univ. Técnica de Lisboa, INET-MD) “As conexões movimento-música na
construção da contemporaneidade na dança teatral actual”
11:00-11:15
Coffee break
11:15-12:45: Session 1B
Claire Buisson (Univ. Nice, Univ. Lille 3) “About sound, gesture and digital technologies within
choreography: from an enhanced to a global body”
Isabel Valverde (IHSIS) “Kinesthetic permeations as transdisciplinary gestures: movement-soundimage interfacings in somatic-based dance-technology”
Josephine Amber Kao (Univ. of Michigan) “The intrinsic duality of movement and sound: Investigating
the intersections of dance and music through Bach”
12:45-14:15
Break
14:15-16:15: Session 3A
[So und, ge stur e, ne w t ec hnol og ie s]
Steve Gibson, Justin Love (Northumbria Univ.) “Advanced media control through drawing: using a
graphics tablet to control complex audio and video data in a live context”
Bertran Merlier (Univ. Lyon 2) “Three-dimensional gestural controller based on eyecon motion capture
system”
Koray Tahiroglu (Aalto University) “Gesture and body in enacting sonic interaction”
Philippe Le Guern (Univ. Avignon; EHESS-CNRS-UAPV) “Nouvelles technologies, nouveaux usages du
corps du musicien? Pour une soma-esthétique de la pratique musiciale en régime numérique”
16:15-16:30
Coffee break
16:30-18:30 Session 3B
António Salgado (Univ. Aveiro; CESEM) “Kinesics analysis in the investigation of expressive gesture in
music performance”
Mark Bokowiec (Univ. Huddersfield) “Kinaesonics and the interaction of four forms of expressivity with
particular reference to the Bodycoder System”
Nancy Lee Harper (Univ. Aveiro; CESEM), Facchini F., Pereira A., Souto Miranda, L., Direito I. (Univ.
Aveiro) “VITALGesture: Electrocardiogram measurement and gesture in music performance”
Ruth Piquer (Univ. Cambridge) “The performance of the air piano: technology between dance and
musical gesture”
Sat urd a y, 29 Octob er
9:00-10:30: Session 4A
[Dramat urg y, v is ua lit y, spac e a nd ge stur e i n op era practice]
Aurélien Poidevin (Haute École de Musique de Genève ; Univ. Paris 8) “Le geste scénique des chanteurs
d’opéra autour de 1900 à travers l’exemple d’un projet de restitution des Maîtres chanteurs de
Nuremberg de Richard Wagner (Palais Garnier, 1897)”
Paula Gomes Ribeiro (CESEM, FCSH/ Univ. Nova de Lisboa) “Expressions de Brecht et de Barthes dans la
musique théâtrale de Berio: gestus, montage e intertexte, dans le processus de désaliénation de la
représentation”
Hervé Lacombe (Univ. Rennes 2) "Écriture musicale et espace scénique dans l'opéra-comique"
10:30-10:45
Coffee break
10:45-11:45: Session 4B
Nuno Fidalgo (Univ. Nova de Lisboa) “’Reviewing the good communication’: the relationship with the
spectator in Mozart’s Le Nozze di Figaro, in the staging of Maria Emilia Correia (Teatro da Trindade,
Lisbon, 2006).”
Olga Jerusum, Vincenza Bussetti (Univ. degli Studi di Roma La Sapienza) “The visual aspect in
contemporary operatic mise en scène: the case of Rigoletto”
11:50-12:00
Short break
12:00-13:00: Session 5
[ Voca l dram aturg ie s a nd ge stuality]
Olga Moll (Univ. Paris 8) “La voix du geste”
Maria João Serrão (CESEM, FCSH/Univ. Nova de Lisboa; ESTC) “Geste/Mémoire et performance vocale
dans le théâtre-musique du XXe siècle”
13:00-14:30
Break
14:30-15:15: KEYNOTE
Paulo Ferreira de Castro (CESEM, FCSH, Universidade Nova de Lisboa) "From musical gesture to invisible
theatre, and back - some notes on the Wagnerian project"
15:15-16:45: Session 6A
[Gest ure o nto log ie s a nd pe rf or mative practic es]
Rune Søchting (The Royal Danish Art Academy) “Silent Acts”
Dilmar Miranda (Univ. do Ceará) “Pulso, ruído e gesto”
João Pedro Cachopo (CESEM, FCSH/ Univ. Nova de Lisboa) “Affinités gestuelles entre musique et
litérature”
16:45-17:15
Coffee break
17:15-18:45: Session 6B
[Vis ual a nd for ma l a sp ects in m us ic p erfor ma nce]
Rui Magno Pinto (CESEM, FCSH/Univ. Nova de Lisboa) “Visual aspects on instrumental music practice in
nineteenth century in Portugal”
Aroso N., Baltazar A., Martins L. G., Lourenço S., Ferreira Lopes P. (CITAR/Univ. Católica Portuguesa)
“Gesture narrative in contemporary music for percussion: a preliminary study”
Rui Araújo (CESEM, FCSH/Univ. Nova de Lisboa) “Gestual parody of music performance in Warner Bros.
cartoons: classical music vs. popular music”
Sund a y, 30 Octob er
9:00-10:30: Sessão 7A
[Expre ss io n, s pac e, for m a nd co de s i n mov em e nt a nd so und i nv e ntio n]
Luís Xarez (FMH/ Univ. Técnica de Lisboa) “A notação de movimentos na contemporaneidade”
Daniel Tércio (FMH/Univ. Técnica de Lisboa, INET-MD) e Teresa Simas (Universidade de Évora) “Plans of
intensification in the work of Gilles Jobin”
Carla Fernandes (CLUNL/ Univ. Nova de Lisboa) “Multimodal metaphors, body movements and spaces in
Rui Horta’s contemporary dance creations”
10:30-10:50
Coffee break
10:50-11:50: Session 7B
Robert Davis (Univ. Huddersfield) “Who got the funk? Accounting for the strut, a study of groove”
Ludovic Florin (Univ. Toulouse 2-le Mirail) “L’improvisation formulaire gestuelle de Cecil Taylor”
11:50-12:00
Short break
12:00-13:00: KEYNOTE
Atau Tanaka (Culture Lab, Newcastle University) and Adam Parkinson (Culture Lab, Newcastle University)
13:00-14:30
Break
14:30-16:30: Session 8
[Gest ure a nd f or m in m usic com po sit io n a nd a na lys is ]
Isabel Pires (CESEM, FCSH/ Univ. Nova de Lisboa) “The sound gesture composition in a virtual auditory
space as a structural element on musical works”
Ernesto Donoso (CESEM, FCSH/ Univ. Nova de Lisboa) “O gesto visual como elemento activo e constitutivo
no discurso musical de obras não cénicas”
Pedro Patrício (CITAR/Univ. Católica Portuguesa) “MuDi – Multimedia digital instrument for composing and
performing digital music for films”
Petra Bachratá (Univ. Aveiro; INET-MD) “Gesture based interactive musical models for analysis and
composition of mixed music”
16:30-16:45
Coffee break
16:45-18:15: Session 9,
Closing Session
[Pe rfor ma nce pract ice s a s sym bo lic po we r d isc o ur ses ]
Germán Gan-Quesada (Univ. Autònoma de Barcelona) and Helena Martín-Nieva (Universitat Ramon Llull,
Barcelona) “Ceci n’est pas un concert! Mirror image of gesture, sound and stage setting in Concert per a
Representar (Concert to be performed) (1964), by Joan Brossa and Josep Maria Mestres Quadreny”
João Romão (CESEM, FCSH/Univ. Nova de Lisboa) “A recepção na imprensa lisboeta das práticas de
encenação desenvolvidas no Teatro de São Carlos, nos últimos anos da ditadura em Portugal – de 1970 a
1974”
Matilde Olarte (Univ. Salamanca) “The synergy between popular music and musicians "de concierto": the
reception of the "baile español" in the cultural gatherings of Kurt Schindler”
Mário Vieira de Carvalho (CESEM, FCSH, Univ. Nova de Lisboa) "Gestures of the life-world: the aesthetic
gaze on 'rustic music'"