Corel Ventura - INICIO.CHP

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Corel Ventura - INICIO.CHP
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DADOS INTERNACIONAIS DE CATALOGAÇÃO NA PUBLICAÇÃO (CIP)
(CÂMARA BRASILEIRA DO LIVRO, SP, BRASIL)
História e arte : imagem e memória / Maria Bernardete Ramos Flores, Patricia
Peterle, (organizadoras). – Campinas, SP : Mercado de Letras, 2012.
Apoios institucionais: Capes e CNPq
Vários autores.
ISBN 978-85-7591-231-7
1. Arte 2. Arte e literatura 3. Arte – História 4. Arte – Linguagem 5. Artes
visuais 6. Estética 7. Imagem (Filosofia) 8. Imagem (Filosofia) – História I.
Flores, Maria Bernardete Ramos. II. Peterle, Patricia.
12-09938
CDD-709
Índices para catálogo sistemático:
1. Imagem : História e arte 709
Conselho Científico:
Maria de Fátima Costa – UFMT
Tânia Regina de Luca – Unesp/Assis
Esta obra é resultado do IV Colóquio de História e Arte: Imagem e Memória,
realizado pelo Programa de Pós-Graduação em História da Universidade
Federal de Santa Catarina, entre os dias 27 e 29 de setembro de 2011.
Contou com o apoio da CAPES e do CNPq.
capa: Vande Rotta Gomide
imagem da capa: Porteña en el templo.
Raymond Auguste Quinsac Monvoisin. 1842.
Óleo sobre tela, 156 cm x 142 cm.
Coleção particular.
preparação dos originais: Editora Mercado de Letras
DIREITOS RESERVADOS PARA A LÍNGUA PORTUGUESA:
© MERCADO DE LETRAS EDIÇÕES E LIVRARIA LTDA.
Rua João da Cruz e Souza, 53
Telefax: (19) 3241-7514 – CEP 13070-116
Campinas SP Brasil
www.mercado-de-letras.com.br
[email protected]
1a edição
OUTUBRO/2012
Conforme as novas normas ortográficas do
Decreto Legislativo no 54 de 18 de abril de 1995
IMPRESSÃO DIGITAL
– IMPRESSO NO BRASIL –
Esta obra está protegida pela Lei 9610/98.
É proibida sua reprodução parcial ou total
sem a autorização prévia do Editor. O infrator
estará sujeito às penalidades previstas na Lei.
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[...] a imagem tem frequentemente mais memória e mais futuro
que aquele que a olha.
Didi-Huberman, Devant le temps. Historie de l’art et anachronisme des images, 2000.
O que devemos fazer com nossas imaginações? Amá-las, acreditar nelas a tal ponto de as devermos destruir, falsificar [...]
Giorgio Agamben, Profanações, 2007
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A esse respeito é interessante lembrar o Atlas da memória (1924), os
famosos painéis de Warburg que permitem por meio da montagem, do jogo,
estabelecer associações e articular de forma inovadora uma série de
elementos, antes não considerados.
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Maiores informações sobre o IV Colóquio de História e Arte, assim como
os eventos anteriores, estão disponíveis no site www.labharte.ufsc.br.
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