Provisional programme - Gesellschaft für Fantastikforschung

PROVISIONAL PROGRAMME:
EUROFAN: NEW DIRECTIONS OF THE EUROPEAN FANTASTIC AFTER THE COLD WAR
SECOND ANNUAL CONFERENCE OF THE GESELLSCHAFT FÜR FANTASTIKFORSCHUNG (GFF) WITHIN THE
FRAMEWORK OF SALZBURG ANNUAL CONFERENCES IN ENGLISH LITERATURE AND CULTURE
SALZBURG, 29 SEPTEMBER – 1 OCTOBER 2011
THURSDAY 29 September 2011
08.3016.00
09.0012.30
13.0013.30
REGISTRATION (Churfürststraße 1; "Toskana-Trakt")
WORKSHOP FOR TEACHERS:
"Fantastic Stories: Castles, Ghosts, and Secrets from the
Past"
CONFERENCE OPENING
10.0012.00
TRACK 4:
Young Researchers' Forum
Alexandra Neagu (Romania):
Night's monsters emersion into daylight in Euripide’s The
Bacchae
Attila Mócza (Hungary):
The Gothic Effect in Peake's Presumption, or, the Fate of
Frankenstein and Byron's Manfred
Bridget Kies (Valparaiso):
“Life as an Angel Condom”: Human Bodies as Vessels for
Angels and Demons in the CW’s Supernatural
Katharina Rein (Germany):
The Proletarian Ghost – Freddy Krueger as Other
13.3014.30
14.3015.30
15.3016.00
16.0017.00
17.0018.00
19.00
KEYNOTE: ROGER LUCKHURST: "The Weird Rewired"
KEYNOTE: MARK BOULD: "Spectres Are Haunting Europe"
TEA BREAK
KEYNOTE: EDWARD JAMES: "The New Space Opera, 1991-2011: the European contribution"
KEYNOTE: FRANS MÄYRÄ: "The Global and Local in Fantastic New Media: The Case of Finland"
RECEPTION
FRIDAY 30 September 2011
TIME
+
SLOT
S1
09.0010.30
10.3011.00
TRACK 1:
TRACK 2:
Shifts in Post-Cold-War Films and New Media
Europe
TRACK 3:
Open Track
TRACK 4:
Young Researchers' Forum
Laura Muth (Gießen):
Begeistert oder im Labyrinth? –
Die Nutzung fantastischer
Elemente zur Darstellung von
Traumverarbeitungs-prozessen bei
Gewaltanwendung in Guillermo
Del Toros Filmen The Devil’s
Backbone und Pans Labyrinth
Pascal Klenke (Gießen):
Gut und Böse nach dem
"Klassenfeind": Das Aufbrechen
der klassischen Gut-Böse
Opposition in der zeitgenössischen
Phantastik
Sarah Jenischewski (Germany):
Gender in the “House of Night”series
Kathryn Rountree
(Auckland):
The Role of the Fantastic in
Contemporary European
Paganisms
Frauke Bode (Wuppertal):
Trauma und Fantastik: El laberinto
del fauno (2006) und La batalla del
calentamiento (2006)
Eva Mehrbrey (Regensburg):
Die Sagenwelt mittelalterlicher
Weltchroniken und ihre Rezeption
en der phantastischen
Literatur des 20. und 21.
Jahrhunderts
Johanna Hoessl (Austria):
Vampires
Agnieszka Jedrzejczyk
(Middlesex):
The New (Old) Warrior Hero:
The Witcher by Andrzej
Sapkowski
Benjamin Moldenhauer
(Bremen):
Der uncoole Schmerz: Versuch,
Philip Ridleys Heartless zu
verstehen
Peter Podrez (Erlangen):
Unheimlich Lebendig: Haunted
Houses im Film
Malgorzata Drewniok (United
Kingdom):
The Witch, the Tabby Cat and the
Undead: the Language of the
D’Artigo Sisters from Yasmine
Galenorn’s Sisters of the Moon
series.
Hanna Abdullah
(London):
Post-1989 Leipzig Painting
Imagining an eastern
collective consciousness
TEA BREAK
Simone Broders (Germany):
The Heartbeat of Outsiders –
Vampiric Otherness as Female
Empowerment in P.C. and Kristen
Cast's House of Night
FRIDAY 30 September 2011
TIME
+
SLOT
S2
11.0012.30
12.3013.30
TRACK 1:
TRACK 2:
Shifts in Post-Cold-War Films and New Media
Europe
TRACK 3:
Open Track
TRACK 4:
Young Researchers' Forum
Ludmilla Kostova (Veliko
Turnovo):
Vampires, Despots and Secret
Policemen: Mapping the
Parameters of the PoliticalFantastic in post-1989 USAmerican Gothic Narratives
about South Eastern Europe
Lars Schmeink (Hamburg):
Dawn of the Posthuman Mythopoesis, Mad Science and the
End of the Human
Friedhelm Schneidewind:
Live-Rollenspiel (LARP): Krieg,
Kampf – und doch ein Weg zur
Toleranz?
Wafa Mezghani (Tunisia):
A woman of the night in Raja‟s
Amari film “Red Satin”Wafa
Mezghani
Maria-Ana Tupan
(Bucharest):
Fantasy from East to West: A
Generic Janus
Joe Grixti (Auckland):
The Intrigue of the Liminal:
Fantastic Explorations of the
Shadow Self
Sonja Klimek (Fribourg):
Phantastische Erzählspiele:
Immersion und Metalepse im
Fantasy-Rollenspiel
David Corpuz (Phillippines):
Visible Invisibility:
The Comfort of the Closet and the
Re-Appropriation of Gay Spaces in
Philippine Independent Cinema
Elena Croitoru (Galaţi):
Fairy Tales in Translation
Beatrix Hesse (Bamberg):
A New Variation on the Alien
Invasion Theme – Neill
Blomkamp’s District 9
Robin Junicke (Bochum):
Geschichte(n) spielen im
Rollenspiel
Aileen Pinkert (Germany):
The "Otherness" in Bekmambetov's
so-called vampire-films "The Night
Watch" and "The Day Watch"
LUNCH
BÜCHERTISCHE
FRIDAY 30 September 2011
TIME
+
SLOT
S3
13.3014.30
TIME
+
SLOT
S4
14.3015.30
TRACK 1:
TRACK 2:
Shifts in Post-Cold-War Films and New Media
Europe
TRACK 3:
Open Track
TRACK 4:
Young Researchers' Forum
Audrey Taylor (Middlesex): Daniel Illger (Berlin):
The Architecture of Past:
Die „Neue Welle“ des
Patricia McKillip’s Ombria in frankophonen Horrorfilms
Shadow as Built History
Uwe Durst (Erlangen):
Deformierte Geschichte
Daniel Sander (USA):
Narcos, Necros, and Homos: On
Queer Geographies and
Phenomenologies in Film
Britta Madeleine Woitschig
(Kiel):
Millenium Studies 101: The
Lisbeth Salander Saga
Helmut W. Pesch (Köln):
Der phantastische Thriller
Die Entstehung des »Mystery«Genres nach dem Ende des Kalten
Krieges
Izmir Rexhepi (Kosovo):
“Gay” friendly environment school
TRACK 3:
Open Track
TRACK 4:
Young Researchers' Forum
Ingo Cornils (Leeds):
The Matrix Preloaded: Rainer
Werner Fassbinders Welt am Draht
TRACK 1:
TRACK 2:
Shifts in Post-Cold-War Films and New Media
Europe
Fani Paraforou (München):
Spielarten des Fantastischen:
Die Legende vom Untier von
Rhodos und ihr
Wiederaufleben im Stadtraum
der Gegenwart
Maria Oikonomou (Wien):
Sexy Beasts. Über Anormales
und Irreales in einer kleinen
Literatur
Christian Knöppler (Mainz):
The Unexploded Bombs of the
Cold War: Global Threats and
Solutions in Warren Ellis’ Global
Frequency and The Authority
Shima Imshir (Turkey):
Reality Hidden Within: The
Representation of Gender and
Politics in Women Writers’ Gothic
Literature
Tim Lanzendörfer (Mainz):
Mark Millar’s Superman: Red Son.
European-American Perspectives of
the Post-Cold War Superhero
Maria Fischhoff (USA):
“I’m Not a Fag, I’m a Werewolf”:
Teen Wolf and 1980s Masculinity
15.3016.00
16.0017.00
TEA BREAK
17.3018.30
KEYNOTE: BRIAN STABLEFORD:
"The Misdiagnosis of Madness in Science and Science Fiction"
HAUS DER NATUR
BREAK
18.3019.30
19.3021.00
LESUNG: MARKUS ORTHS
ATELIER GESPRÄCH MIT MARKUS ORTHS
im Rahmen der Ausstellung "Rollenspiele"
im MUSEUM DER MODERNE
SATURDAY
09.0010.00
10.0011.00
TIME
+
SLOT
S5
11.3013.00
1 October 2011
KEYNOTE: MARLEEN S. BARR: "The Hills Are Alive With Fantastic Cultural Infrastructure: How THE SOUND
OF MUSIC Portrays An Alternative Universe Salzburg and Reflects Post Cold War Trans-national Social Dialogue
between Austria and the United States"
SALZBURG MUSEUM – BEHIND THE SCENES
TRACK 1:
TRACK 2:
Shifts in Post-Cold-War Films and New Media
Europe
TRACK 3:
Open Track
TRACK 4:
Young Researchers' Forum
Seiji Hattori (Gießen):
Zur ‚imaginären Geographie‘
bei Thomas Stangls Der
einzige Ort.
Stefan Rabitsch (Klagenfurt):
“Hornblower in space”
Star Trekkin’ the theme of
‘Britannia, rule the waves!’ across
acontinuum of histories and
science fiction texts
Leonard Dworschak (Wien):
Barbaric, Backward, and
Belligerent: residual Eastern
European evil in post-1989 U.S.American and British cinema
Holger Nielen (Bonn):
Metaphysische Problemstellungen
im Werk von Philip K. Dick
Martina Kress (Austria):
"Undead: Yes - Unperson: No" Vampires, werewolves, zombies
and other undead who just want to
have a good life in Terry Pratchett's
Discworld
Sabine Planka (Germany):
Vampires in detective novels for
children
N.N.
Christine Lötscher (Zürich):
Das Buch wird Fleisch: Die
Auferstehung der Buchstaben in der
deutschsprachigen
Gegenwartsfantastik für Jugendliche
Johannes Pause (Trier):
„Zeit ist ein Netz aus feinen
Knoten.“
Strategien und Funktionen
des Phantastischen im Werk
von Helmut Krausser und
Daniel Kehlmann
Stefanie Kreuzer
(Hannover):
Konstellationen einer
Postmodernen Phantastik
Stefanie Giebert (Reutlingen):
Mit dem Rollator ins Raumschiff?
Altersbilder in Science Fiction und
Fantasy
Bea Klüsener (Germany):
Vampires as Criminal Others in the
19th-Century British Novel
Natahsa Sharpe (USA):
Becoming Woman, Becoming
Windigo
13.0014.00
LUNCH
TIME
+
SLOT
TRACK 1:
TRACK 2:
Shifts in Post-Cold-War Films and New Media
Europe
SESSI
ON 6
14.0015.30
BÜCHERTISCHE
TRACK 3:
Open Track
TRACK 4:
Young Researchers' Forum
Katharina Nigl (Austria):
Creatures of the Night - a new
tourist resource?
Julia Gatermann
(Hamburg):
Recalling Identity – Cultural
Heritage in Margaret
Atwood’s Postapocalyptic
Dystopia Oryx and Crake
Inken Frost (Viadrina):
„New Who“ und das 21.
Jahrhundert – der Doktor nach
dem (Kalten) Krieg
Ralph Pordzik:
Writing the Cold War: Crisis and
Conflict in British Utopian and
Science Fiction Poetry of the 1950s
and 60s
Anya Heise von der Lippe
(Berlin):
Re-framing the post-feminist
freak show: Nights at the
Circus reloaded
Henning Kasbohm (Hamburg):
Das Purgatorium vor dem Pub Räume und Medien des
Phantastischen in „Life On Mars“
und „Ashes To Ashes“
Iveta Leitane: The interplay
between Jewish theology, cognitive
sciences, and political reflection in
Jewish science fiction after WWII
René Schallegger (Klagenfurt):
Kostoula Kaloudi
(University of Peloponnese): Flamboyance –The birth of
A filmic ghost place
French Fantasy during the early
1990s
Silke Walther (Karlsruhe):
Re-imagined communities in
contemporary Holocaust exhibitions
Vito Tigiani (Italy):
Furry Angst, Sexy Fangs and a
Ghost Thrown in the Middle:
Exploring the World of Being
Human
Eva-Maria Kubin (Austria):
Creatures of the Mind or from
Another World? Fantastic
Characters between
Otherworldliness and Insanity in
Contemporary British and Irish
Drama
Christa Agnes Tuczay (Austria):
The medieval revenant,
protovampire
Bahadır Sürelli (Turkey):
Strange Creatures in
Ottoman/Turkish Literature
15.3016.00
BREAK
16.0016.30
16.3017.00
17.0019.00
PRÄSENTATION HANS RICHARD BRITTNACHER: Phantastik: Ein interdisziplinäres Handbuch
20.0021.00
GHOST EXPERIENCE
FESTUNG HOHENSALZBURG
BÜCHERTISCHE
WINDING UP OF THE CONFERENCE
MITGLIEDERVERSAMMLUNG DER GFF
BÜCHERTISCHE