Image Portfolio 2. - Open Book Publishers

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Image Portfolio 2.
Identifying with God and the Cosmos (“ Gott in Mir,”
“Das Aufgehen im All”)
(Most of the book illustrations are from books in Princeton University Library)
Betender Knabe. 300 B.C. Altes Museum, Berlin.
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2. Caspar David Friedrich. Der Wanderer über dem Nebelmeer. 1818.
Kunsthalle, Hamburg.
Caspar David Friedrich. “Der Wanderer über dem Nebelmeer.” 1818. Kunsthalle, Hamburg.
(Wikimedia Commons).
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Ferdinand Hodler. “Zwiegespräch mit der Natur.” 1884. Kunstmuseum Bern. Depositum der
Gottfried Keller-Stiftung. © Gottfried Keller-Stiftung, Winterthur. By kind permission of the
museum direction.
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Ferdinand Hodler. “Aufgehen im All.” 1892. (Inv. Nr. 859) Oil on canvas, 159 x 97 cm..
Kunstmuseum Basel. By kind permission of the museum direction.
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Ferdinand Hodler. “Pâtre Suisse aux
bras levés.” 1895. Musée d’art et
d’histoire, Neuchâtel. By kind permission
of the museum direction.
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Max Klinger, “Und doch.” 1898. Etching and aquatint.
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Ferdinand Hodler. “Der Tag.” 1900. Oil on canvas. 160x340. Kunstmuseum Bern. "The
work of art depicted in this image and the reproduction thereof are in the public domain
worldwide. The reproduction is part of a collection of reproductions compiled by The
Yorck Project is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU
Free Documentation License.”
Koloman Moser. “Das Licht.” 1913/14. Oil on canvas. Private collection.
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“Fidus” (Hugo Höppener).
Upper left: “Lichtgebet. Zu Gott.” 1892.
Upper right: “Lichtgebet. Betender
Knabe.” 1905.
Lower right: “Lichtgebet.” 1913. Sold as
postcard at German Youth Gathering
on Hoher Meissner, 1913.
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Fidus.
Upper left: “Lichtgebet.” 1922.
Upper right: Vignette from Karl Henckell, Gedichte, 1898, p. 82.
Lower left: Vignette from Julius Hart, Triumph des Lebens, 1898, p. 54.
Lower right: Cover of magazine Körperkultur, IV, June, 1909.
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Fidus, “Anbetende,” in Alwine von Keller, Bereitung.
Achtundzwanzig Gedichte. (Leipzig: Brandstetter, 1912).
“Ganymede,” illustration in homosexual
journal Der Eigene, April 1903, p. 265.
Fidus. Illustration in journal Simplicissimus,
no. 31, p. 8. 1896.
Paul Maienfisch. Design for stained
glass. Deutsche Kunst und Dekoration,
VII, May,1903, p.439.
Fidus. Header in magazine Pan, vol. 2, 1896, p. 89.
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Paul Bürck. “Empor.” 1900. Watercolor. 51 x 35
cm. Kulturhistorisches Museum Magdeburg
Franz Stassen. Illustration for Goethe’s “Ganymed,”
in his anthology, Die Insel der Glücklichen, Berlin,
n.d. [1919], p. 24.
Franz Stassen. Cover for Grabowsky,
Sehnsucht, 1900
Franz Stassen. “The New Day.” Cover page
of May Day Publication, 1904.
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C.V. Cizzarz. Illustration in Helene VoigtDiederichs, Unterstrom. Gedichte, 1901, p. 76
Karl Hofer, Illustration in Hans Reinhart, Der
Tag. Zurich. 1903.
Ludwig Fahrenkrog: “Sonne, Geist des Alls” in his
Baldur, 1908, p. 104.
Sascha Schneider. Illustration in Karl May, Im
Reich des Silbernen Löwen, vol. 4, 1902.
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Sascha Schneider, “O, Ihr Höheren”
in Deutsche Kunst und Dekoration,
vol. XV, 1904, p. 57.
Ludwig Fahrenkrog, “Die Heilige Stunde.” 1905 (?). Published in Kurt Engelbrecht, Ludwig
Fahrenkrog: Seine Schöpfungen und ihre Bedeutung für unser Volk (Dresden: Verlag der
Schönheit, n.d. [1922]). A version sold at auction on 14 Feb. 1992 (Christie’s, London, lot 63) was
dated 1911; a painting (75 x 48 cm) in the. Hessische Hausstiftung Kronberg, Schlossmuseum
Darmstadt, is dated 1918, as are many reproductions of this popular image.
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Ludwig Habich, Figure on memorial to
Gottfried Schwab. 1905. Darmstadt.
Ludwig Habich, “Adorant.” 1912.
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Cover of journal Der Lichtfreund,
October, 1908.
Alois Kolb. “An die Schönheit.” Dekorative
Kunst, IX (1905)
Bernhard Hoetger, “Schreitender Jüngling.” 1910.
(Also kown as “Der Tag.”) Stiftung Roselius
Museum, Bremen. Photo by Jürgen Howaldt.
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Photograph in magazine Ideale Nacktheit, 1914.
Photograph in Hans Suren, Der Mensch
und die Sonne, 1925, p. 11.
Georg Gelbke, illustration in Lebensreime des Malers
Oskar Zwintscher , selected by Ferdinand Grigori, privately
published, 1916, p. 3. (Copy in Firestone Library)
Ludwig Habich, “Empor.” 1933. (Also
known as “Der deutsche Gruss.)
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Illustration from Richard-Walther
Darré, Neuordnumg unseres
Denkens, Goslar, n.d. [1940]
Arno Breker. “Fackelträger” or “Die
Partei.” 1939. Formerly in
courtyard of Albert Speer’s Reich
Chancellery, Berlin.