masterclasses 2015 - Mattheiser Sommer

2015
Mattheiser
Sommer-Akademie
Bad Sobernheim
International Masterclassesand Concertfestival
M astercl asses
7 - 23 August 2015
w w w. m a t t h e i s e r. d e
1
Welcome in the holiday area
Bad Sobernheim an der Nahe
In the holiday area Bad Sobernheim the River Nahe and the
Soonwald shape the unique and diverse cultural landscape
which offers much space for activity holiday and relaxation.
Bad Sobernheim, the only Felke health spa was founded by
the legendary pastor and naturopath Emanuel Felke (18561926). The natural healing method which bears his name
focusses on the four elements light, air, water and clay (medicinal clay) in combination with a nutrition rich in vital substances as well as body exercises. Three private kurhauses:
Romantikhotel Bollant’s im Park, Menschels Vitalresort and
Hotel Maasberg Therme combine the four Felke elements
with medical wellness, therapies from the far east and holistic enjoy treatments.
A whale of a time is the visit of the first Barefootpath in Germany. Off we go! barefeet over a 3.5 km circular path through
clay, grass, sand, stones, bark shred and over a dexterity course.
Picnic spots alongside the route invite to pause. In the Open
Air Museum of Rhineland-Palatinate four museum villages
demonstrate how people have lived and worked over the last
500 years in different regions of Rhineland-Palatinate county.
The remains of the monastery Disibodenberg in Odernheim
bear witness of a life behind chilly monastery walls going
back to the 7th century. St. Hildegard of Bingen spent the
longest part of her life in the Benedictine monastery on the
Disibodenberg. Whether hiking, cycling, draisine or canoeing,
gliding or golfing, multifarious possibilities for leisure time
offer the perfect disposition for an activity holiday. Rustic
strausswirtschafts and wine taverns invite to taste the Nahe
wine in its diversity of flavour and enjoy regional delicacies.
Kur- und Touristinformation
Bahnhofstr. 4 Tel.: +49 (0) 6751 - 81 241
[email protected]
2
55566 Bad Sobernheim
Fax: +49 (0) 6751 - 81 24 0
The 14th Mattheiser Sommer-Akademie Bad Sobernheim is
part of the Kultursommer Rhineland-Palatinate and will focus on the theme “Heroes and Legends” in the concerts and
11 masterclasses for 8 instruments and voice. Founded in
1988 on the occasion of the 250th anniversary of the JohannMichael-Stumm-Organ in the Matthias Church, the academy
has established itself as festival of high international reputation and worldwide acclaim. Many former participants have
found their future as members of wellknown orchestras and
soloists in the big concert halls of Europe and beyond. Until
now about 1200 participants from more than 20 countries
have come to Bad Sobernheim to study and to enjoy music
performance on highest level.
This brochure shall introduce the artists of the 14th Mattheiser
Sommer-Akademie. With the famous Andreas Schmidt (baritone) we will continue our tradition of voice masterclasses
on top level. In addition the new course with Jakob Lindberg
(Lute/Theorbe/Baroque Guitar) will enrich the studies in
Baroque Music together with the keyboard masterclass for
organ/harpsichord with Edoardo Bellotti. As masterclasses
are planned for the same time frame we wish to achieve a
certain concentration for studies and also provide the possibility to play chambermusic. The hospitation in other classes
and some joined teaching of the professors shall give great
benefit and inspiration to our students.
Many participants may enjoy the hospitality of host families in
town and the villages around. Especially for foreign guests, it
shall create a chance to embrace the local and German culture
from a closer view and find personal contacts and better care.
The town of Bad Sobernheim and the organization team bid
a warm welcome to all students and guests and wish the expected success for all the studies in the masterclasses.
Udo Schneberger Artistic Director
Michael Greiner
Major
3
Adressen
MSA-Office Akademiesekretariat MSA
Bahnhofstraße 4
D-55566 Bad Sobernheim/Nahe Germany
Tel.: +49 (0) 6751 - 81 125
Fax: +49 (0) 6751 - 81 120
[email protected] www.mattheiser.de
studentinformation and press contact
arcano Künstlersekretariat
Susanne Geer
Andernacher Str.8
50968 Köln
Telefon +49 (0) 221-344763
Fax +49 (0) 221-9345196
[email protected]
Patronage Malu Dreyer - Prime Minister of Rhineland-Palatinate
Artistic Director Udo Schneberger - Osaka/Japan
Executive DirectorBirgit Auweiler
Board of TrusteesThe Artistic Director
The Executive Director
The Town Mayor of Bad Sobernheim
The District Mayor of Bad Sobernheim
The President of Bad Kreuznach County
The Chairman of the MSA Förderkreis
The Chairman of the town’s Culture Committee
Further Members Prof. Dr. Jürgen Hardeck - Rhineland-Palatinate State
Ministery for Education, Science, Youth and Culture
Prof. Günter Ludwig - representant of the professors
Prof. Ralph Manno - Musikhochschule Cologne
Gerhard Wöllstein - Peter-Cornelius-Conservatory Mainz
Hendrik Ritter - Protestant Church Bad Sobernheim
Pfr. Günter Hardt - Catholic Church Bad Sobernheim
Dieter Albrecht- Rhein-Zeitung Koblenz
Herrmann Feisst - Allgemeine Zeitung Bad Kreuznach
Fritz Andres - Privatbrauerei Kirn
Dr. Rainer Lauf - contact person for sponsoring
Jochen Lorenz - Musikschule Kirn-Meisenheim-Bad Sobernheim
Cultural The MATTHEISER SOMMER-AKADEMIE is part of the
commitment “Culture Summer Rhineland-Palatinate” and
needs receives special support by Rhineland Palatinate State
partners Ministry for Education, Science, Youth and Culture.
Sparkasse Rhein-Nahe
Landesbausparkasse Rheinland-Pfalz
Verbandsgemeinde Bad Sobernheim
Landkreis Bad Kreuznach
Dr.-Wolfgang-und-Anita-Bürkle-Stiftung ,Kirn
Möbel-Martin, Meisenheim
Bauunternehmung Hans Schneider, Merxheim
Volksbank Rhein-Nahe-Hunsrück eG
Steinway & Sons, Hamburg
Yamaha Europa GmbH, Rellingen,
in Cooperation with: Musik-Mathias Idar-Oberstein
4
Masterclasses
7th to 23rd of August 2015
Kurs
01+02
Günter Ludwig
Piano / Cologne Kurs
03+04
Alfredo Perl
Piano / Detmold 01) 7 - 15 August
02) 16 - 23 August
03) 7 - 15 August
04) 16 - 23 August
Kurs
Nachum Erlich
Kurs
William Coleman
Kurs
Konstantin Heidrich
Kurs
Ralph Manno
05
06
07
08
Kurs
Violin / Karlsruhe
Viola / Detmold Cello / Berlin
Clarinet / Cologne
Esko Laine
09
Double Bass / Berlin
10
Organ / Milan 11
Lute / London Kurs
Kurs
Kurs
Edoardo Bellotti
Jakob Lindberg
Andreas Schmidt
7 - 23 August
10 - 23 August
11 - 23 August
7 - 23 August
13 - 22 August
18 - 23 August
13 - 23 August
12
Vocals / München
13
Observance in all classes 7
Kurs
7 - 23 August
Passive Attendance
- 23 August
Application and General Conditions see pages 19-24.
Artistic Director:
Udo Schneberger / Osaka
www.mattheiser.de
5
Günter Ludwig
Piano
01) 7 to 15 August
02) 16 to 23 August
01
02
Alfredo Perl
Piano
03 ) 7 to 15 August
04 ) 16 to 23 August
s u b j e c t:
s u b j e c t:
»
»
»
Study of the technical and interpretatorical demands and challenges
of piano literature of the last three
centuries (free choice of repertory)
technical basics
notions of sound and inner
preparation
from score to interpretation
l anguage:
l anguage:
German / English / Spanish
German / English / Korean
Günter Ludwig is one of the outstanding pianists of his
generation.
After a basic and guiding musical education at the Fine Arts
Secondary School Frankfurt/Main, he indirectly found his way
into his profession. Private piano studies under the guidance
of A. Leopolder with music of the 18th and 19th centuries as
well as the acquantainces with composers of his generation
formed his development as an artist. In concerts with orchestra Günter Ludwig played under the direction of I. Kertesz, G.
Solti, H. Stein and G. Wand among others. By his special passion for chamber music he met and performed with many
world-famous artists. Among his many recordings are all piano trios of Mozart and Beethoven , duo sonatas of Beethoven,
Brahms and Busoni and piano solo works of Schubert and
Schumann. Though being in great demand as a concert player,
Günter Ludwig is also giving each year masterclasses in Europe and abroad.
As jury member of international piano competitions he is
considered as an eminent pedagogue among European piano
teachers.
fees
application fee: 90 Euro
course fee: 210 Euro one single class (classes 1 and 2: 390 Euro)
6
03
04
Alfredo Perl has established himself as one of today’s leading
pianists. Chilean by birth, he studied with C. Botto in Santiago,
G. Ludwig in Cologne and M. Curcio in London. Since his first
public performance at the age of nine, he has given numerous
concerts throughout the world and has been a prize-winner at
major competitions. In 1996/97 Perl peformed the complete
Beethoven Sonata Cycle in London, Santiago and Moscow
to huge public critical acclaim to continue in 2002 with all
Beethoven Piano Concertos in Munich.
The completion of the London Wigmore Hall series convinced
with the release of his Beethoven Sonata cycle. Perl has been
said to play Beethoven with “sparkling freshness, extraordinary tenderness and unaffected brilliance. He demonstrates
that, even in these prosaic times, the great tradition of
Beethoven playing lives on” ( J. Kaiser). A remarkably versatile performer, Perl has performed worldwide at major venues
such as Barbican Centre London, Concertgebouw Amsterdam, Vienna Musikverein, Hamarikyu Asahi Hall Tokio, Sydney Town Hall and has played with orchestras including the
London Symphony Orchestra. In 1997 he made his BBC Prom
debut at the Royal Albert Hall playing Mozart with the BBC.
Alfredo Perl is professor at the Hochschule für Musik in Detmold (Germany).
fees
application fee: 90 Euro
course fee: 210 Euro one single class (classes 1 and 2: 390 Euro)
7
Nachum Erlich
Violin
7 - 23 August
05
Viola
10 - 23 August
s u b j e c t:
s u b j e c t:
l anguage:
l anguage:
compositions of different
composers of own choice
German / English / Hebrew /
Russian / Finnish
Nachum Erlich was educated first by his father Moshe Erlich
and Y. Kless (Rubin Conversatory Jerusalem) to become
student of famous Max Rostal in Bern. Materclasses of N.
Milstein, H. Szeryng, S. Staryk had further strong impact on
the artist’s development. After teaching as professor of the
Sibelius Academy Helsinki, he was called to become professor at the Hochschule für Musik Karlsruhe. Within an extensive international career as soloist he performed with famous
conductors, such as M. Atzmon, E. Salonen, R. Baumgartner,
O. Kamu and S. Comissiona. By his special passion for chamber
music he met and performed with eminent artists, such as A.
Kontarsky, S. Mauser, R. Meister, J. Berger and M. Ostertag and
is a demanded guest player in international music festivals.
Nachum Erlich’s art of violin playing has been frequently recorded for radio, TV and CD. He has given masterclasses in
Germany, Finland, Italy, Poland, Korea, Brazil, Japan and the US.
His particular interest is the discovery and performance of
rarely played compositions and especially the works of Max
Reger. He dedicates a central part of his activities to conducting of chamber orchestra. With his rich experience as member and concertmaster of numerous international orchestras,
such as Festival Stings Lucerne, Camerata Bern and Chamber
Orchestra Basel, he is such a wonderful teacher and leader of
chamber and youth orchestras in Germany and abroad.
fees
application fee: 90 Euro + course fee: 420 Euro
8
William Coleman
06
compositions of different
composers of own choice
German / English / Swedish
William Coleman has made many appearances as a chamber
musician and soloist, and as the violist of the acclaimed Berlinbased Kuss Quartet. His concert schedule has included concerts at the Salzburg and Edinburgh Festivals, as well as at the
Berlin Philharmonie, Vienna Konzerthaus, Wigmore Hall, Theatre du Chatelet Paris, Washington Library of Congress and
Carnegie Hall. William studied at the University “Mozarteum”
in Salzburg with Thomas Riebl and Veronika Hagen, and at
Boston’s New England Conservatory with Kim Kashkashian.
During this time he also received coaching from the Hungarian pianist Ferenc Rados.
He has performed with some of the world’s finest musicians,
including Pierre-Laurent Aimard, Christian Tetzlaff, Yuri Bashmet, Miklos Perenyi, Kim Kashkashian, Boris Pergamenschikov
and Leif Ove Andsnes. In 2002, William joined the Kuss Quartet.
Since then, the quartet has been a recipient of numerous
prizes. They took on the role of cultural ambassador for the
President of Germany, traveling with him on the muchdiscussed first visit to Israel. The Kuss Quartet has recorded
numerous CDs for Sony/BMG and ECM. They have also been
recorded worldwide for radio and television. Most recently
the quartet broadcasted for the BBC, live from the Frick
Collection in New York.
fees
application fee: 90 Euro + course fee: 400 Euro
9
Konstantin Heidrich
Ralph Manno
11 - 23 August
7 - 23 August
Cello
07
s u b j e c t:
compositions of different
composers of own choice
l anguage:
German / English
Clarinet
08
s u b j e c t:
Orchestra audition training /
competition preparation,
chamber music with strings /
New performance technics, general
clarinet repertory
l anguage:
German / English
Konstantin Heidrich was born in Hamburg, Germany. His musical studies brought him to work with Martin Ostertag and
Frans Helmerson. Masterclasses with Young Chang Cho and
David Geringas added to his development.
Cellistically and musically essential to him were the lessons
with Steven Isserlis, Misha Katz and Anna Galvez.
Konstantin Heidrich is the cellist of the Faure Quartett and
holds a professorship for cello at Universität der Künste Berlin
in Germany.
Concerts as soloist brought him to work with renown orchestras and conductors such as Andrea Marcon or Kristjan Järvi.
He worked as principle cellist in Rundfunksinfonie-Orchester
Berlin and Kammerakademie Potsdam. His students are international prize winners. Konstantin Heidrich gives master
classes in Germany, Norway, Singapur, Italy and Brazil.
The Faure Quartett is the main topic in Konstantin Heidrich’s
musical life. With the same and founding personnel since almost 14 years this piano quartet is ”the leading piano quartet
of today“ (Frankfurter Allgemeine Zeitung). The Faure Quartett
performs in Europe, Asia, North-America and Latin America
and won several international prizes. They played in all the important German venues and on all renown festivals. The group
is ”Ensemble in Residence“ at the Musikhochschule Karlsruhe. The members are Artistic Directors of a festival on the
Northeast German island of Rügen. Deutsche Grammophon
Gesellschaft released several recordings with Mozart, Brahms,
Mendelssohn and a Popsongs album. The quartet´s recordings
have won twice the prestigious ECHO-Klassik.
fees
application fee: 90 Euro + course fee: 370 Euro
10
“Phenomenal intensity” (Neue Züricher Zeitung) and “Highlights of classic” (New York Times) are headlines which have
celebrated the art of Ralph Manno’s clarinet performance, who
is considered a leading clarinetist of his generation. During his
studies in Cologne and Berlin he received national and international scholarships (Deutsche Studienstiftung and Karajan
Academy). Already at the age of 23 years he became solo clarinetist of the WDR Orchestra Cologne before S. Celibidache invited him to join the Munich Philharmonic Orchestra.
As demanded player on international concert stages and festivals around throughout the world and besides his numerous
performances as soloist with many famous orchestras and
conductors Ralph Manno dedicates a central part of his activities to chamber music.
He is co-founder of the „ensemble incanto“ with concert tours
throughout the world and a demanded partner for chamber
music projects. Many CDs are counted as reference recordings.
With only being 29 years he became professor at the Hochschule für Musik Cologne. He is giving masterclasses in the US,
Japan, South America, Australia and Europe.
fees
application fee: 90 Euro + course fee: 420 Euro
11
Esko Laine
Double Bass
13 - 22 August
09
Edoardo Bellotti
Organ / Cembalo
18 - 23 August
s u b j e c t:
subject:
l anguage:
language:
compositions of different
composers of own choice
German / English
Esko Laine was born in 1961 in Helsinki and studied at
Hyvinkää Conservatory. When he was eighteen years old, he
obtained a post at the Finland National Opera Orchestra, and
he left it to study with Günter Klaus and Franco Petracchi. He
won several international prizes such as Isle of Man, Marktneukirchen and Munich ARD Competition. In 1986 he joined
at Berlin Philharmonic Orchestra and became the first Finnish musician to obtain a post there. His way of playing has
inspired many composers to write double bass works. Esko
Laine is a professor at Hans Eisler Musikhochschule Berlin. He
was a professor in several European youth orchestras and he
usually gives master classes. In chamber music, he is guest at
many festivals and a member of ensembles Alia Musica from
Berlin and Kerberos from Finland. Esko Laine plays a double
bass made by Giuseppe Rocca in 1839.
10
compositions of different
composers of own choice
German / English
Edoardo Bellotti has extensive teaching experience, having
been Professor of Organ, Harpsichord and Improvisation in
several musical institutions and universities including the
Conservatory of Trossingen and the University of Bremen in
Germany, the University of Udine and the Conservatory of
Trento in Italy.
A virtuoso organist and renowned improviser, Bellotti performs at leading festivals and concert venues throughout the
world. He is currently collaborating in a project of new organ
music and visual art in Milan, in conjunction with the art installation of the American minimalist Dan Flavin. He has performed the complete works of Cesar Franck, and has worked
with orchestras in Italy and abroad, performing a wide spectrum of repertoire, including the Italian premiere ofSatyagraha by Philip Glass. He is also considered a leading expert in
the performance of renaissance and baroque keyboard music.
He combines his international performing career with musicological research and teaching, publishing articles as well as
new critical editions of music of the 17th and 18th centuries.
He is a frequent guest lecturer at international conferences.
He has made several critically acclaimed recordings on historical instruments, including Promenade (Loft Recordings), a
recording of organ repertoire and original improvisations on
the Eastman School of Music’s Italian baroque organ at the
Memorial Art Gallery in Rochester.
fees
application fee: 90 Euro + course fee: 310 Euro
12
fees
application fee: 90 Euro + course fee: 250 Euro
13
Jakob Lindberg
Lute/ Theorbe /
Baroque Guitar
13 - 23 August
11
Andreas Schmidt
Vocals
7 - 23 August
s u b j e c t:
s u b j e c t:
compositions of different
composers of own choice
compositions of different
composers of own choice
l anguage:
l anguage:
German / English
Jakob Lindberg teaches at the Royal College of Music in London
where he succeeded Diana Poulton as professor of lute in 1979.
From the age of fourteen he studied with Jörgen Rörby who
also gave him his first tuition on the lute. After reading music at
Stockholm University he went to London to study at the Royal
College of Music, where he further developed his knowledge of
the lute repertoire under the guidance of Diana Poulton, and
decided towards the end of his studies to concentrate on renaissance and baroque music; he is now one of the most prolific performers in this field.
An active continuo player on the theorbe and arch lute, Jakob
has worked with many well known English ensembles including The English Concert, Taverner Choir, The Purcell Quartet,
Monteverdi Choir, Chiaroscuro, The Orchestra of the Age of Enlightenment and The Academy of Ancient Music. He is also in
demand as an accompanist and has given recitals with Emma
Kirkby, Anne Sofie von Otter, Nigel Rogers and Ian Partridge.
Jakob Lindberg has made numerous recordings for BIS, many
of which are pioneering in that they present a wide range of
music on CD for the first time.
12
German / English
He was a professor in ordinary at Hochschule für Musik “Carl
Maria von Weber” in Dresden. Since 2010 he is a professor at
Musikhochschule Munich.
First he studied piano, organ and conducting in addition vocals
by Ingeborg Reichelt in Düsseldorf. He continued his studies
with Dietrich Fischer-Dieskau in Berlin.
He made his operatic debut as Malatesta in “Don Pasquale“
at Deutsche Oper Berlin in 1984. He has sung many roles in this
House including Guglielemo (Cosi fan tutte), Count Almaviva
(Le Nozze di Figaro), Wolfram (Tannhauser), Posa (Don Carlo)
and Marcello (La Boheme). He has made appearances as a
guest in Opera Houses from Hamburg to New York, from
Munich, Vienna and Milan to Covent Garden in London, from
Amsterdam to Paris and Madrid. Leading American orchestras have meanwhile contracted the artist for concerts and
disk-recordings, i.a. New York, Philharmonic/ Masur, Chicago
Symphony Orchestra/ Barenboim, Cincinnati Symphony Orchestra/Lopez-Cobos, Cleveland Orchestra Lyon Dohnanyi,
Orchestra of St. Luke‘s/ Norrington.
It is particularly through his worldwide live solo performances
that he has become known as one of the finest lutenists in the
world today.
In Europe he appeared with nearly all important orchestras,
performing under famous conductors. Beside his engagements
as an opera- and concert singer the baritone Andreas Schmidt
became one of the outstanding recitalists of his generation.
Since 1996 he is a guest of Bayreuther Festspiele where he appeared under the direction of Daniel Barenboim and Christian
Thielemann in “Die Meistersinger von Nürnberg” in the role
of “Beckmesser” and under the direction of Christoph Eschenbach and Christian Thielemann as “Amfortas” (Parsifal).
Numerous broadcasting- and TV-recordings are documents of
the high artistic standard of Andreas Schmidt.
fees
application fee 90 Euro + course fee 340 Euro
fees
application fee 90 Euro + course fee 420 Euro
He is the first lutenist to have recorded the complete solo lute
music by John Dowland and his recording of Bach’s music for
solo lute is considered to be one of the most important readings of these works.
14
15
Passive
Attendance
13
for all masterclasses
7 - 23 August
The Johann Michael Stumm Organ
in the Matthias-Church
(1739)
stop specification:
Besides active participation, there is also the
opportunity to listen to the teaching of the masterclasses. To join as a listener, no special qualifications are necessary.
Observers are welcome to all lessons and teaching of every masterclass. Furthermore, admission
to all concerts of the festival is included.
Applications and General Regulations on
pages 19 - 24.
GROSSWERCK CD-c3
Principal 8’
Getact 16’*
Getact 8’*
Viol di Gamb 8’
Octav 4’*
Flöth 4’*
Solicinal 4’*
Quint 3’*
Superoctav 2’*
Tertz 1 3/5’
Cornet 4’ 4fach D*
Mixtur 1’ 4fach*
Trompet 8’B*
Trompet 8’ D*
16
Pedal CD-g
Subbas 16’
Principalbass 8’
Posaunbass 16’
(with* indicated stops are originals)
manual shift coupler
coupler Grosswerck/Pedal
fees
application fee: 90 Euro + course fee: 130 Euro
Rückpositiv CD-c 3
Principal 4’
Getact 8’*
Solicinal 8’D
Rohrflöth 4’*
Octav 2’*
Quint 1 1/2’ rep. 3’
Mixtur 1’ 3fach
Cromhorn/Trompet 8’*
Vox humana 8’
pitch a=470
temperament: Valotti
restauration:
Rainer Müller Orgelbau, Merxheim (2003-2005)
17
The Mattheiser Sommerakademie
in recent years
impressions
General
Regulations
MSA 2015
The Mattheiser Sommer-Akademie Bad Sobernheim offers
masterclasses for professional musicians with either finished
studies, still studying at a Music University or of similar high
level of musical education. Passive participation does not
require any special qualifications.
The application can be made either with the enclosed application sheet or directly on the festival’s homepage. The application will be accepted and processed only if the following
documents are included and complete:
• application sheet
• 2 ID photos
• list of prepared repertory for the masterclass
• musical career (knowing the participant’s
biography the masterclass professor decides about a possible active participation)
Application deadline is June 15th, 2015
After the deadline the concerning masterclass professor
decides an order of acceptance for active participation whereafter the students receive a letter of confirmation. This
confirmation will become valid by payment of application and
course fee due until the written payment deadline.
In case the fees have not been paid in time and completely,
the acceptance for active participation becomes void and
the next participant receives the place. The decision of the
masterclass professor cannot be contested.
Application and course fee have to be paid in full until the payment deadline as written in the letter of acceptance:
Verbandsgemeindekasse Bad Sobernheim
Account No. 1000 140, Sparkasse Rhein-Nahe
bank sorting code: BLZ 560 501 80
note: MSA
IBAN: DE 62 5605 0180 0001 000140
Swift-BIC: MALADE51KRE
Payment must be made in German currency (Euro) and marked
“free of charge for the recipient”.
18
19
general regulations (page II)
Active participation will be accepted only for the entire masterclass duration or at least half time of the course and is limited in number of participants. Acceptance for a shorter period
is only possible if the masterclass professor and the academy
office agree. Participation for the entire masterclass (14 days)
guarantees 6 lessons (45 minutes) of private tuition at least.
For the classes of a shorter period the number of guaranteed
lessons is calculated proportionately. It is the decision of the
professor how he structures the time frame and schedule.
tion by uncontrollable causes or can prove an important reason for being unable to attend the festival the course fee can
be refunded partially only (until July 17th, 2015 = 70%, until
July 28th, 2015 = 40 % refund). The acceptance of the reason
for the withdrawal lies with the festival organizer and cannot
be contested.
Concerts of professors and masterclasses will be held daily.
The admission for active participants and full time passive
participants is included in the course fee. Admission can only
be granted with a valid students’ ID card of the festival 2015
and is not transferrable.
Practiseroom for active students during the festival is available but limited within the offered possibilities.
Diplomas, signed by the masterclass professor, will be awarded to the respective participants of the masterclass.
Participation rules
The participants are required to follow the instructions of the
festival’s personnel and keep the house rules and rules of usage for all facilities and instruments. They acknowledge that
the festival organizer has the right to exclude each participant
from further participation in case of violation of those rules in
which case partial refund of application and course fees can
not be claimed.
If required the academy office can make the necessary arrangement for accomodation as homestay in private homes.
Single and double rooms are available as well as vacation flats
(18 Euro per day/bed and breakfast). Applicants are asked to
reserve early and tell their wishes as private home accomodation is limited in number. The office will distribute the rooms
in order of mail arrival.
Further information about boarding houses and hotels of various categories can be provided. There is also a printable list
of available lodgings on the internet homepage (www.badsobernheim.de) with possibility for direct re-servation by internet. All necessary inquiries can also be made by phone +49
6751 81241 or fax +49 6751 81240
Hereby it is explicitely expressed that there is no liability of
the organizer or the festival personnel for whatsoever damages to the participants in case they do not follow the instructions, house rules or rules of usage, if not evidence of intention or gross negligence of the organizer or the personnel can
be given or protection by insurances is given.
For piano accompaniment each string or woodwind class has
its own accompanist for rehearsal and masterclass lessons.
The participants are requested to send the list of prepared
repertory together with the application to the academy office.
If necessary the office may request the participant to send the
piano scores for the preparation of the accompanist.
In case of cancellation by a professor or unsufficient number
of masterclass participants (minimal class size: 6 students) the
Academy reserves the right to cancel the masterclass or to replace the professor by an artist of similar rank. If the master
class is cancelled the fees already paid will be refunded by the
Academy.
In case of withdrawal by a participant the application fee
cannot be refunded. If a student is prevented from participa-
20
If a reservation for accomodation in a host family is desired,
the full payment for bed and breakfast shall be sent until
July 29th, 2015 to the account of the Mattheiser SommerAkademie in German currency (Euro) and marked “free of
charge for the recipient”.
The dates of arrival and departure shall be told in advance
and are binding. In case of prior departure a refund can only be
granted in case of forcible cause. The acceptance of the reason
and decision about the amount of an eventual refund lies with
the festival and cannot be contested.
No liability of the festival for any damage, theft, injuries
etc. in the accomodation, masterclass, concerts and practiserooms can be assumed.
In cases at law the German text is binding.
The domicile is Bad Sobernheim.
21
Anmeldung Application / Inscription MSA 2015
Frau / Mrs / Mme
Scholarships
Herr / Mr / M
Name / name / nom
___________________________________________________
Vorname / first name / prénom
FRIENDS of MUSIC among the citizens of
our town and from the vicinity have formed a
team of sponsors for the
___________________________________________________
Nationalität / nationality / nationalité
Förderkreis
Mattheiser Sommer-Akademie
Bad Sobernheim
Geburtsdatum / date of birth / date de naissance
___________________________________________________
Adresse / address / adresse
___________________________________________________
Because of their subscription and donations
MSA participants can be sponsored individually.
They apply by the enclosed application form or
informally until the registration deadline.
___________________________________________________
Detailed informations about the musical career and the personal economic situation must
be given with the application. The decision
whether a student can be sponsored or not will
be made in cooperation with the MSA Board of
Trustees.
___________________________________________________
___________________________________________________
Telefon / phone / no. de téléphone
E-mail
___________________________________________________
Please send your scholarship application until
June 1st 2015 to
For further information please contact:
Susanne Geer
Telefon +49 (0) 221-344763
Fax +49 (0) 221-9345196
[email protected]
22
ja / yes / oui
nein / no / non
___________________________________________________
Ich möchte mich hiermit zur Mattheiser Sommer-Akademie 2015 anmelden.
I would like to sign up the Mattheiser Sommer-Akademie 2015.
Je désire m’inscrire à la Mattheiser Sommer-Akademie 2015.
#
studentinformation arcano Künstlersekretariat Andernacher Str.8
50968 Köln
Germany
Anreise mit PKW / coming by car / arriver par voiture:
als aktiver Teilnehmer / as activ participant / comme participant actif
_______ ______________________
Kurs-Nr. Instrument ___________________
Professor
als Hörer / as listener / comme auditeur
___________________________________________________
23
Bewerbung um ein Stipendium
APPLICATION FOR A SCHOLARSHIP
Musikalischen Werdegang bitte separat der Bewerbung beifügen.
Anhand dieser Angaben entscheidet der Dozent über die aktive Kursaufnahme.
Please include a record of musical studies separately with the application form.
According to these informations the course professor decides upon active participation.
Hiermit bewerbe ich mich um ein Stipendium zur Mattheiser Sommer-Akademie 2015
Veuillez ajouter s'il vous plaît votre résumé de formation musicale écrit separé avec l'application.
En raison de ces informations le professeur va décider sur la participation active du course.
in Bad Sobernheim. Mir ist bewusst, dass alle Leistungen vom Förderkreis direkt an
Ich bringe einen Pianisten als Klavierbegleitung mit.
Allgemeinen Bedingungen bis zum in der Aufnahmebestätigung genannten Termin zu
das Akademiesekretariat überwiesen werden. Ich erhalte im Begünstigungsfall eine
entsprechende Bestätigung. Bei einem Teilstipendium ist der Restbetrag gemäß den
I come together with my pianist for the accompaniment.
überweisen.
J’amène mon propre accompagniste de piano.
I apply for a scholarship at the Mattheiser Sommer-Akademie 2015 in Bad Sobernheim.
ja / yes / oui I am conscious that all financial support is given directly to the secretariat of the
nein / no /non
academy. In case of patronage I`ll get a confirmation. If only an allowance is granted
I have to pay the balance according to the General Regulations until the date told by
the academy office.
___________________________________________________
PERSÖNLICHE ANGABEN | PERSONAL DETAILS
Unterkunft / Accomodation / Logement
Ich bitte um Unterbringung in einer Gastfamilie (18 Euro pro Tag)
I would like accommodation in a private home (18 Euro for one day)
Je désire un hébergement dans une famille d’hôte (18 Euro par jour)
___________________________________________
Tag der Anreise / date of arrivel / le date d’arrivée
___________________________________________
Tag der Abreise / date of departure / le date de départ
___________________________________________
Ich buche mir eine Unterkunft in einer Pension/einem Hotel und wünsche
Informationen über Möglichkeiten und Preise.
I would prefer to stay in a hotel or pension and receive information.
Je préfère loger dans un hôtel ou une pension et désire obtenir des informations.
___________________________________________________
Familienname | family name
___________________________________________________
Vorname | given name
___________________________________________________
Nationalität / nationality / nationalité
Geburtsdatum | date of birth
___________________________________________________
Staatsangehörigkeit | citizenship
___________________________________________________
Adresse | address
___________________________________________________
Telefonnummer | phone number
___________________________________________________
E-Mail | email
Die Allgemeinen Bedingungen der MSA habe ich zur Kenntnis genommen und erkenne sie mit
meiner Unterschrift an.
ANGABEN ZUM STUDIUM | INFORMATION ON STUDIES
With my signature, I fully acknowledge the General Regulations of the MSA masterclass festival.
Avec ma signature j’accepte toutes les Conditions Générales du festival MSA.
___________________________________________________
Ort und Datum / place and date / lieu et date
#
___________________________________________________
#
Fachbereich | faculty
___________________________________________________
Studiengang | course of studies
___________________________________________________
Semesteranzahl | number of semesters
___________________________________________________
Unterschrift / signature / signature
Bitte als Anlage beifügen: 2 Passfotos, musik. Werdegang und eine Liste der vorbereiteten Werke.
Please include 2 ID-photos, musical studies and the list of your prepared works.
Veuillez ajouter s’il vous plait : deux photos de passport, formation musicale, la liste des
compositions préparées.
___________________________________________________
Voraussichtlicher Studienabschluss am | estimated completion of studies on (date)
___________________________________________________
Professor/in | professor
ANGABEN ZU KENNTNISSEN UND FÄHIGKEITEN |
INFORMATION ON SKILLS AND COMPETENCES
___________________________________________________
Sprachkenntnisse | knowledge of foreign languages
24
25
Künstlerischer Werdegang | artistic curriculum vitae
Konzerte
MSA
2015
7 - 23 August
_____________________________________________________
_____________________________________________________
_____________________________________________________
Sonstiges | further information
_____________________________________________________
7
SaT
8
SUN
9
Mon
10
Tue
11
Wed
12
8 pm
Kaisersaal
Master Recital 5: Konstantin Heidrich - Cello
thu
13
8 pm
Matthias Church
Master Recital 6: Jakob Lindberg - Lute
FrI
14
Sat
15
Sun
16
3 pm Kaisersaal
MSA - Concert for children
Sun
16
8 pm
Kaisersaal
7. Meisterkonzert: Nachum Erlich - Violin
Mon
17
Tue 18
Wed 19
Thu
20
FrI
21
WIRTSCHAFTLICHE VERHÄLTNISSE | ECONOMIC CONDITIONS
• Zur Verfügung stehende Finanzmittel (monatliche Beträge) |
• financial means at disposal (monthly amounts)
___________________________________________________
Unterstützung durch Familie | support by family
___________________________________________________
Einkommen | income
___________________________________________________
BAföG | financial support by the government
_____________________________________________________
Stipendien | scholarships
_____________________________________________________
Sonstiges (Erziehungshilfen, Waisengeld, etc.)
other (educational aids, orphans’ pension, etc.)
• Monatliche Ausgaben | monthly expenses
_____________________________________________________
Miete | rent
_____________________________________________________
_____________________________________________________
Sonstiges | further information
EIDESSTATTLICHE ERKLÄRUNG | AFFIDAVIT
Hiermit erkläre ich, dass ich keine weiteren öffentlichen Mittel zur Förderung
meines Meisterkurses erhalte und auch nicht beantragt habe.
I hereby declare that I do not receive additional public
#
Krankenversicherung | health insurance
funds to support my masterclass and I have not even applied for.
ANLAGEN | ATTACHMENTS
SaT
Folgende Dokumente liegen bei | Following documents are attached
wenn möglich Empfehlungsschreiben des betreuenden Professors / der betreuenden
Professorin | if possible letter of recommendation of responsible professor
Nachweis über bisher erbrachte Studienleistungen | records of study-results
Immatrikulationsbescheinigung | certificate of matriculate
Nachweise der wirtschaftlichen Verhältnisse (Kontoauszüge; Bescheide etc.) |
8 pm
Matthias Church
Opening Concert: Udo Schneberger – Organ
FRI
Sun
22
23
8 pm
Kaisersaal
Master Recital 1: Alfredo Perl – Piano
8 pm
Kaisersaal
Master Recital 2: Andreas Schmidt - Baritone
8 pm
Kaisersaal
Master Recital 3: Ralph Manno - Clarinet
8 pm
Kaisersaal
Master Recital 4: William Coleman - Viola
8 pm
Kaisersaal
Students Concert I Masterclasses Perl, Ludwig, Erlich
8 pm
Marktplatz
Open-Air-Concert
8 pm
Kaisersaal
Students Concert II Masterclasses Manno, Laine
8 pm
Matthias Church
Master Recital 8: Edoardo Bellotti - Organ
8 pm
Kaisersaal
Master Recital 9: Esko Laine - Double Bass
8 pm
Kaisersaal
Students Concert III Masterclasses Perl, Coleman, Heidrich
8 pm
Matthias Church
GAL A CONCERT artists of the festival 2015
8 pm
Kaisersaal
Students Concert IV Masterclasses Ludwig, Lindberg, Schmidt
8 pm
Kaisersaal
MSA closing concert of all Masterclasses 2015
subject to change
records of economical means (extracts of account etc) _____________________________________________________
Ort, Datum | place, date 26
Unterschrift | signature
27
Masterclasses
Günter Ludwig
Piano / Cologne Alfredo Perl
Piano / Detmold Nachum Erlich
Violin / Karlsruhe
William Coleman
Viola / Detmold Konstantin Heidrich
Cello / Berlin
Ralph Manno
Clarinet / Cologne
Esko Laine
Double Bass / Berlin
Edoardo Bellotti
Organ / Milan Jakob Lindberg
Lute / London Andreas Schmidt
Vocals / München
Passive Attendance
Observance in all classes
01) 7 - 15 August
02) 16 - 23 August
03) 7 - 15 August
04) 16 - 23 August
7 - 23 August
10 - 23 August
11 - 23 August
7 - 23 August
13 - 22 August
18 - 23 August
13 - 23 August
7 - 23 August
7 - 23 August
Studentensekretariat und Pressekontakt
arcano Künstlersekretariat Susanne Geer
Andernacher Str. 8
50968 Köln
Telefon +49 (0) 221-344763 Fax +49 (0) 221-9345196
[email protected]
Akademiesekretariat
Marktplatz 11 D-55566 Bad Sobernheim Germany
Tel. +49 (0)67 51 - 81 125
Fax +49 (0)67 51 - 81 12 0
[email protected]
www.mattheiser.de
28
Design and Layout : KATHARINA BREGENZER www.3timekate.com
7th to 23rd of August 2015