section 2 stage works operas ballets teil 2

Transcrição

SECTION 2
STAGE WORKS
OPERAS
BALLETS
TEIL 2
BÜHNENWERKE
BALLETTE
267
268
Bergh
d’Albert, Eugen (1864–1932)
Amram, David (b. 1930)
Mister Wu
The Final Ingredient
Oper in drei Akten. Text von M. Karlev nach dem gleichnamigen Drama
von Harry M. Vernon und Harald Owen. (Deutsch)
Opera in Three Acts. Text by M. Karlev based on the play of the same
name by Harry M. Vernon and Harald Owen. (German)
Voices—3.3(III=Ca).2(II=ClEb).B-cl(Cl).3—4.3.3.1—Timp—Perc—
Hp/Cel—Str—Off-stage: 1.0.Ca.0.1—0.0.0.0—Perc(Tamb)—2Gtr—Vc /
150'
Opera in One Act, adapted from the play by Reginald Rose. Libretto by
Arnold Weinstein. (English)
12 Solo Voices—SATB Chorus—2.2.2.2—4.2.3.0—Timp—2Perc—Str /
57'
Heinrichshofen
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C F Peters Corporation
Twelfth Night
Opera. Text adapted from Shakespeare’s play by Joseph Papp. (English)
13 Solo Voices—SATB Chorus—1.1.1.1—2.1.1.0—Timp—2Perc—Str
C F Peters Corporation [Vocal Score/Klavierauszug EP 6691]
Alberga, Eleanor (b. 1949)
Roald Dahl’s Snow White and the Seven Dwarfs
Text by Roald Dahl (English)
Narrator(s)—2(II=Picc).2.2(II=B-cl).1.Cbsn—4.2.2.B-tbn.1—5Perc—
Hp—Pf—Str / 37'
Peters Edition/Hinrichsen [Score/Partitur EP 7566]
— Chamber Version
Narrator(s)—1(Picc).1.2(II=B-cl).1.Cbsn—2.1.1.0—2Perc—Pf—Str /
35'
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Becker, John (1886–1961)
A Marriage with Space (Stagework No. 3)
A Drama in colour, light and sound for solo and mass dramatisation,
solo and dance group and orchestra. Text from the poem by Mark
Turbyfill. (English)
Dancer & Dance Group—3.3.2.4—4.4.3.1—Timp—4Perc—2Hp—2Pf—
Str / 50'
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Privilege and Privation (Stagework No. 5c)
A Playful Affair with Music. Text from the play by Alfred Kreymborg.
Albright, William (1944–1998)
Flights of Fancy
(English)
2 Male Soloists—TTBB Chorus—2.1.1.1—1.1.0.0—Timp—3Perc—Pf—
Str (5.4.3.3.2) / 35'
Ballet for Band
3(Picc).3(Ca).6(ClEb,2B-cl).A-sax.T-sax.Bar-sax.3(Cbsn)—4.4.3.
Euphonium.1—Timp—4Perc—Pf/Cel/Synth—Db / c. 16'
Beethoven, Ludwig van (1770–1827)
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Fidelio op. 72 (Leonore)
Aldridge, Robert (b. 1954)
Elmer Gantry
Opera in Two Acts for eight Principals, large SATB Chorus and
Orchestra, based on the 1927 novel by Sinclair Lewis.
Libretto by Herschel Garfein. (English)
Lulu Banes/Lyric Soprano, Mrs. Banes/Contralto, Eddie Fislinger/Lyric
Tenor, Reverend Banes/Bass Baritone, Sharon Falconer/Mezzo
Soprano, Frank Shallard/Heroic Tenor, Elmer Gantry/Lyric Baritone,
TJ Rigg/Bass
S.Mez.Ca.2T.Bar.Bass-Bar.Bass Soli—Large SATB Chorus—
2(II=Picc).2(II=Ca).2(II=B-cl).2—2.2(in C).1.B-tbn.1—Timp—2Perc—
Pf(on stage)—Hp—Str / 45'
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Oper in zwei Akten, Text nach J. N. Bouilly, von Joseph Sonnleithner
und Friedrich Treitschke. (Deutsch)
Opera in Two Acts, based on texts by J. N. Bouilly, Joseph Sonnleithner
and Friedrich Treitschke. (German)
Don Fernando/Bass, Don Pizarro/Baritone, Florestan/Tenor,
Leonore/Soprano, Rocco/Bass, Marcelline/Soprano, Jaquino/Tenor
2S.2T.Bar.2B Soli—SATB Chorus—2.Picc.2.2.2.Cbsn—4.2.2.0—
Timp—Str—Off-stage: Tpt
3 Bühnenbilder
abendfüllend / full length work
Edition Peters [Score/Partitur EP 1002; Study Score/Studienpartitur EP 851;
Vocal Score/Klavierauszug EP 44]
— Textfassung von Martin Mosebach
New German spoken text by Martin Mosebach
ab 2008, in Vorbereitung / in Preparation (available in 2008)
C F Peters Musikverlag
d’Altann, Guilia
Ein Künstler war er, aber auch ein Mensch
Konversationshefte
He was an Artist, but also a Man
Dokumente aus dem Leben von Beethoven in drei Akten (Deutsch)
Documentary on the Life of Beethoven in Three Acts (German)
Ludwig van Beethoven, Johann Felix Schindler, Johann van Beethoven,
Karl Holz, Joseph Karl Bernhard, Joseph Peters, Joseph Blöchlinger,
Karl van Beethoven, Gerhard von Breuning, Carl Czerny, Franz
Grillparzer, Charles Neate, Josph Stieler, Dr. Baptist Bach, Ferdinand
Wolanek, Dr. Braunhofer, Dr. Waweuch, Bettina Brentano, Sandra,
Fanny Gianatasio, Henriette Sontag, Caroline Unger, Housekeepers,
Biographer
aufgeschlagen von Julia und Hans Ludwig Hirsch sowie von Albert
Kunzelmann (Deutsch)
A Stage Play by Julia and Hans Ludwig Hirsch and Albert Kunzelmann
Edition Kunzelmann GmbH
Manden som ikke ville være død
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The man who would not be dead / L’homme qui ne voulait pas être
mort
Text by Mogens Wentzel Andreasen (Danish/Dänisch, French/Französisch)
S.A.T Soli—0.0.2.A-sax.1—0.0.0.0—2Perc—Pf—Str (1.0.1.1.0) / 50'
(German)
Ludwig van Beethoven, Karl van Beethoven, Herr X, Frau X
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Bergh, Ilja (b. 1927)
Edition Samfundet
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269
Berlioz
Berlioz, Hector (1803–1869)
Beatrice und Benedict
Béatrice et Benedict
Komische Oper in zwei Akten nach Shakespeares “Viel Lärm um
Nichts” . Bearbeitung von Josef Stransky und Wilhelm Kleefeld.
Text vom Komponisten. Deutsch von Richard Pohl. (Französisch/Deutsch)
Comic Opera in Two Acts based on Shakespeare’s “Much Ado About
Nothing”. Arranged by Josef Stransky and Wilhelm Kleefeld. Text by the
composer. German translation by Richard Pohl. (French/German)
2S.A.2T.Bar.3B Soli—SATB Chorus—Ballet—2.Picc.2(II=Ca).2.2—
4.3.3.0—Timp—Perc—2Hp—Gtr—Str—Off-stage: 0.2.0.2—0.2.0.0
Robert Lienau Musikverlag
Les Pêcheurs de perles
The Pearl Fishers
Reduced Orchestration / Reduzierte Fassung
Opera in Three Acts. Libretto by Michel Carré and Eugène Cormon.
Edited by Brad Cohen. Reduced version orchestrated by Brad Cohen.
English translation by David Parry. (French/English)
Oper in drei Akten. Libretto von Michel Carré und Eugène Cormon.
Herausgegeben von Brad Cohen. Bearbeitung für kleineres Orchester
von Brad Cohen. Englische Übersetzung von David Parry.
(Französisch/Englisch)
S.T.Bar.B Soli Soli—Chorus—2I(=Picc).2(II=Ca).2.2—2.2CntPist.1.0—
Timp—Hp—Str (Stage instruments: 2Picc—Perc—Hp)
Peters Edition/Hinrichsen
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Bertoni, Ferdinando (1725–1813)
Boccherini, Luigi (1743–1805)
Orpheo
La Clementina GV 540
Oper in drei Akten (Italienisch) / Opera in Three Acts (Italian)
Orfeo/Alto, Euridice/Soprano, Imeneo/Tenor
S.A.T Soli—SATB Chorus—Ballet—2.2.2.2—0.2.0.0—Hp—Str
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Zarzuela in Two Acts. Libretto by Angelo Savelli da Ramòn de la Cruz
(Italian/Spanish). Transcribed and revised by Herbert Handt.
Clementina/Soprano, Narcisa/Soprano, Damiana/Soprano,
Cristeta/Soprano, Don Urbano/Tenor, Don Lazaro/Bass Buffo, Don
Clemente/Attore, Marchese de la Balestra, Attore
4S.T.Bass Buffo Soli—2.2.0.1—2.0.0.0—Str—Cemb—Str
Bizet, Georges (1838–1875)
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L’Arlesienne
Boesmans, Philippe (b. 1936)
Schauspiel in drei Akten. Musik von George Bizet. Für die deutsche
Bühne bearbeitet von J. u. E. Mamelok. (Deutsch)
A Play in Three Acts with music by Bizet. Arranged for German Stage
productions by J. u. E. Mamelok. (German).
Also see Daudet, Alphonse “L’Arlesienne”
Carmen
Yvonne, Princesse de Bourgogne
Yvonne, Princess of Burgundy
Oper nach Witold Gombrowitsch (Französisch)
Opera based on the play by Witold Gombrowitsch (French)
Opéra-Comique in Four Acts with a libretto by H. Meilhac and L. Halévy
based on a novel by Prosper Mérimée. Urtext edition by Richard
Langham Smith. English translation by David Parry. (French/English)
Opéra-Comique in vier Akten. Libretto von H. Meilhac und L. Halévy
nach Prosper Mérimée. Urtext-Edition von Richard Langham Smith.
Englische Übersetzung von David Parry. (Französisch/Englisch)
Don José/Tenor, Escamillo/Baritone, Remendada/Tenor,
Dancairo/Tenor, Zuniga/Bass, Moralès/Baritone, Carmen/Mezzo
Soprano, Micaëla/Soprano, Frasquita/Soprano, Mercédès/Soprano
3S.Mez.3T.2Bar.B Soli—SATB Chorus—2(I&II=Picc).2(II=Ca).2.2—
4.2.3.0—Timp—Perc—1/2Hp—Str—Off-stage: 2Tpt—3Tbn
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Peters Edition/Hinrichsen [Vocal Score/Klavierauszug EP 7548]
Hans im Glück op. 40
— English Translation by Rory Bremner also available [EP 7650]
Englische Übersetzung von Rory Bremner ebenfalls erhältlich
Les Pêcheurs de perles
The Pearl Fishers
Opera in Three Acts. Libretto by Michel Carré and Eugène Cormon.
Edited by Brad Cohen. Full orchestration reconstructed by Brad Cohen.
English translation by David Parry. (French/English)
Oper in drei Akten. Libretto von Michel Carré und Eugène Cormon.
Herausgegeben von Brad Cohen. Original-Orchestrierung rekonstruiert
von Brad Cohen. Englische Übersetzung von David Parry.
(Französisch/Englisch)
Nadir/Tenor (A fisherman), Zurga/Baritone (The head fisherman),
Leila/Soprano (a priestess of Brahma), Nourabad/Bass (high priest of
Brahma), Fisherman, Indians, Brahmins/Chorus
S.T.Bar.B Soli—Chorus—2(I=Picc).2(II=Ca).2.2—4.2CntPist.3.0—
Timp—Perc—Hp—Str (Stage instruments: 2Picc—Perc—Hp)
Børresen, Hakon (1876–1954)
Kaddara
Scenes de la vie en Groenland
Edition Samfundet
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Borris, Siegfried (1906–1987)
Funkoper (Deutsch) / Radio Opera (German)
S.Bar Soli—Narrator—SATB Chorus—1.1.1.1—0.0.0.0—Str / 28'
Heinrichshofen
Das letzte Spiel op. 75
Ballet in fünf Bildern von Alice Zickler (Deutsch)
Ballet in Five Scenes by Alice Zickler (German)
6 Solo Voices—2.2.2.2—2.2.3.0—Timp—3Perc—Str / 35'
Heinrichshofen
Die Rübe op. 60
The Turnip op. 60
Eine heitere Märchenoper nach Grimm (Deutsch)
A Fairy Tale Opera based on a tale by Grimm (German)
Speaking Chorus—SATB Chorus—1.1.1.1—1.0.0.0—Str / 60'
Heinrichshofen
Ruf des Lebens op. 72
Szenische Kantate (Deutsch) / Scenic Cantata (German)
S.A.Bar Soli—Narrator—Speaking Chorus—SATB Chorus—Children’s
Chorus—Dance Group ad lib—2.2.2.2—2.3.3.0—Timp—Perc—Str / 70'
Heinrichshofen
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270
Chemin-Petit
Borboudakis, Minas (b. 1974)
Brüll, Ignaz (1846–1907)
“liebe.nur liebe”
Schach dem König!
Musiktheater in 8 Bildern. Libretto von Frank M. Reifenberg.
Music theatre in 8 Scenes. Libretto by Frank M. Reifenberg.
1 Actor—8 Singers—1.1.1.1—0.0.0.0—Timp—Perc—Str (2.1.1.1.1)—
Pf/Sampler—Tape / 70'
Komische Oper in drei Akten nach Schauffert. Text von Victor Léon.
Schach dem König!
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Bredemeyer, Reiner (1929–1995)
Candide
Oper nach Voltaire, Libretto von Gerhard Müller (Deutsch)
Opera based on Voltaire with libretto by Gerhard Müller (German)
Countess von Thunder ten tronckh/Alto, Franz/Tenor,
Kunigunde/Soprano, Candide/Tenor, Pangloß /Baritone, King Friedrich
Erzengel/Bass, Vanderduren/Bass, Kunigunde’s Maid Servant/Alto,
Vanderduren’s Servant Captain/Baritone, Officer/Tenor, Gardener/Bass,
further Soldiers, Officers, Policemen and Slaves
S.2A.3T.2Bar.3B Soli—SATB Chorus—4.3.3.3—4.3.3.1—Timp—
4Perc—Hp—Pf—Gtr—Str
5 Bühnenbilder
Die Galoschenoper
von H. Kahlau nach der Beggar’s Opera von J. Gay und unter
Verwendung von Versen von F. Villon (deutsche Nachdichtung von
K. L. Ammer) und L. Labé (deutsche Nachdichtung von P. Zech), für
singende Schauspieler (Deutsch)
Opera in Nine Scenes by H. Kahlau based on “The Beggar’s Opera” by
John Gay (German)
Soloists—1.0.1.1—0.Bar-hn.0.0.0—Pf—Gtr—Db—Tape
9 Bühnenbider
C F Peters Musikverlag [Vocal Score/Klavierauszug (Kahlau) EP 9220]
(Deutsch)
Comic Opera in Three Acts based on Schauffert’s comedy. Text by
Victor Léon. (German)
Jakob I./Bass, Armstrong/Baritone. Duke Lennox/Bass, Count
Montgomery/Bass, Lord Chandos/Tenor, Duchess Lennox/Alto,
Countess Montgomery/Soprano, Lady Chandos/Soprano, Lord
Rich/Tenor, I. Cope/Soprano, Charles/Alto, G. Calvert/Baritone,
J.Thomson/Bassbuffo, Harriet/Mezzo- Soprano
3S.Mez.2A.2T.2Bar.3B.Bass Buffo Soli—SATB Chorus—2.Picc.2.2.2—
4.3.3.0—Timp—Perc—2Hp—Gtr—Cemb—Str / 150'
Zimmermann Musikverlag
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Cage, John (1912–1992)
Europeras 1/2
Scenario and Libretto by John Cage
Soloists—3.3.3.2—2.2.3.1—Timp—1Perc—Str (1.1.1.1.1)—Tape(Org) /
135'
C F Peters Corporation [Score/Partitur EP 67100a]
Europeras 3/4 / 135'
Europera 3: 6 Singers—2Pf—6 Gramophone Operators—Lighting—
Tape
Europera 4: 2 Singers—2—Record Player—Lighting
Europera 3: für 6 Sänger, 2 Klaviere, 6 Grammophon-Bediener, Licht
und Tonband
Europera 4: für 2 Sänger, Klavier, Schallplattenspieler und Licht
Europera 5
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2 Singers—Pf—Tape Machine Operator—Lighting Technician / 60'
Bresgen, Cesar (1913–1988)
The Seasons
Das verlorene Gewissen
The Lost Conscience
Ballett-Pantomime in acht Bildern nach Saltykow
Ballet-Pantomime in eight scenes based on Saltykov
3.3.3.3—4.3.3.1—Timp—Perc—Hp—Str / 50'
Ballet in One Act
2(II=Picc).2(II=Ca).2(I=ClEb,II=B-cl).2—2.2.2.0—Timp—
Perc(Glock/Xyl/Cym/Tam-t/BD)—Hp—Pf/Cel—Str (8.6.4.3.2) / 15'
Theatre Piece
Visiones amantis
Parts are provided for 1-8 performers (musicians/dancers/singers etc.)
to be used, in whole or in part, in any combination / indet. duration
für 1–8 Mitwirkende (Musiker, Tänzer, Sänger usw.). Das Werk kann
ganz oder teilweise in beliebigen Kombinationen aufgeführt warden
Der Wolkensteiner
Opera. Ludus tragicus nach den Dichtungen und Weisen des Oswald
von Wolkenstein (Deutsch)
Opera. Ludus tragicus based on poems and melodies by Oswald von
Wolkenstein (German)
Der Wolkenstein/Baritone, Pfeiffauf/Tenor, Melusine/Alto,
Margarit/Soprano, Fionn/Soprano, Maredlin/Soprano
3S.A.T.Bar Soli—Narrator—SATB Chorus—2.2.0.1—0.1.1.0—Timp—
Perc—Hp—Pf—Cemb—Str
9 Bühnenbilder
C F Peters Musikverlag [Vocal Score/Klavierauszug EP 4827]
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C F Peters Corporation [Parts/Stimmen EP 6759a-h]
Variations V
37 Remarks re: an Audio-Visual Performance
37 Anweisungen für eine audiovisuelle Aufführung mit Tänzern und
Live-Elektronik
C F Peters Corporation [Score/Partitur EP 6799]
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Chemin-Petit, Hans (1902–1981)
Der gefangene Vogel
The Captured Bird
Lyrisches Spiel für Menschen oder Marionetten von Karla Höcker
Lyric Play for people or puppets by Karla Höcker (Deutsch/German)
S.T.B Soli—Narrator—1.1.1.1—1.0.0.0—Timp—Perc—Hp—Str / 35'
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271
Chihara
Chihara, Paul (b. 1938)
Cornelius, Peter (1824–1874)
Mistletoe Bride
Der Barbier von Bagdad
Ballet
2.2.2.2—4.2.3.1—Timp—2Perc—Hp—Pf/Cel—Str—Tape / 31'
The Barber of Baghdad
Oper in zwei Akten, nach der Originalpartitur bearbeitet von Felix Mottl.
Text vom Komponisten. (Französisch/Deutsch)
Opera in Two Acts arranged from the original score by Felix Mottl.
Text by the composer. (French/German)
The Calif/Baritone, Baba Mustapha/Tenor, Margiana/Soprano,
Bostana/Mezzo Soprano, Nureddin/Tenor, Abu Hassan Ali Ebe
Becar/Bass
S.Mez.2T.Bar.B Soli—SATB Chorus—3.2.2.2—4.2.2.1—Timp—Perc—
Hp—Str
2 Bühnenbilder
Shinju (Lovers’ Suicide)
Ballet in One Act
2(Picc).2.0.1.Cbsn—3.3.3.0—Timp—3Perc—Hp—Pf—Str—Tape / 40'
The Tempest
Ballet
2.2.2.2—4.2.3.1—Timp—3Perc—Hp—Pf/Cel—Str—Tape / 120'
— Suite (Divertimento)
2.2.2.2—4.2.3.1—Timp—3Perc—Hp—Pf/Cel—Str—Tape / c. 50'
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Christensen, Bernhard (1906–2004)
Rondo Finale – Carnival
Last Sequence from the Ballet “The Eternal Trio”
3.3.3.3—4.3.3.1—Timp—4Perc—Str (8.7.6.5.4)
Edition Samfundet
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Cimarosa, Domenico (1749–1801)
Die Generalprobe
Il Maestro di cappella / The Dress Rehearsal
Musikalischer Scherz in einem Aufzug. Deutsch von Max Heinrich
Fischer, Neufassung von C. Malberto und Max Heinrich Fischer.
(Deutsch)
Musical Comedy in One Act. German version by Max Heinrich Fischer.
New version by C. Malberto and Max Heinrich Fischer. (German)
Chamber Singer/Bass/Baritone, Announcer/Speaking Role,
Servants/Silent
Bar/B Solo—Narrator—1.2.2.1—2.0.0.0—Timp—Str—Off-stage:
1.0.0.1—2.0.0.0—Timp / 21'
1 Bühnenbild
Gli Orazi ed I Curiazi
Opera seria. Libretto by Antonio Sografi. (Italian/Italienisch)
2S.Mez.2T.2B Soli—SATB Chorus—1.2.2.2—2.2.0.0—Str
Opera Rara
C F Kahnt
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Czernik, Willy (1904–1996)
Frauen machen Geschichte
Women Make History
Operette in drei Akten. Libretto von Ernst Nebhut. (Deutsch)
Operetta in Three Acts. Libretto by Ernst Nebhut. (German)
2 Female Voices—Mez.T/Bar.3Bar.B Soli—2.1.2.2—3.2.3.0—Timp—
Perc—Hp—Pf(Cel)—Gtr—Str
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Danielsen, Morten (b. 1967)
Absence
Face to Face
Text by Morten Danielsen
S.Mez.Bar Soli—0.1.1.0—0.0.0.0—Perc—Pf——Tape—Video—Live
electronics—Str (0.0.0.1.0) / 55'
Edition Samfundet
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Daudet, Alphonse (1840–1897)
L’Arlesienne
Schauspiel in drei Akten. Musik von George Bizet. Für die deutsche
Bühne bearbeitet von J. u. E. Mamelok. (Deutsch)
A Play in Three Acts with music by Bizet. Arranged for German Stage
productions by J. u. E. Mamelok. (German)
Frandet Mamai, Rose, Frédéric, Janet, Balthasar, Captain Marc, Mitifio,
Mother Renaude, Vivette, servant, maid, servants and maids, wedding
guests.
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Die heimliche Ehe
The Secret Marriage
Komische Oper in zwei Akten von Giovanni Bertati. Freie Bearbeitung
von Hans Stüwe. (Deutsch)
Comic Opera in Two Acts by Giovanni Bertati. Freely arranged by Hans
Stüwe. (German)
2S.A.2T.Bar.2B Soli—2.2.2.2—2.2.0.0—Timp—Str
Debussy, Claude (1862–1918)
La Boîte à Joujoux (Urtext/R. Zimmermann)
Die Spielzeugschachtel
Ballet für Kinder in vier Bildern, Libretto von André Hellé.
Ballet for Children in Four Scenes with libretto by André Hellé.
Orchestrated by André Caplet
2.3.2.2—2.2.0.0—Timp—Perc—Hp—Cel—Pf—Str / 50'
I due supposti conti
Komische Oper in zwei Akten (Italienisch)
Comic Opera in Two Acts (Italian)
Beatrice/Soprano, Fidalma/Coloratura Soprano, Lauretta/Soprano,
Pantaleo/Tenor, Laramella/Baritone, Pipetto/Tenor, Marcotondo/BassBaritone
2S.Cs.2T.Bar.B-Bar Soli—SATB Chorus—2.2.2.2—0.0.0.0—Cemb—Str
Dillon, James (b. 1950)
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Philomela
Opera in Five Acts. Libretto by the Composer. (English)
S.Mez.B-Bar Soli—1(Picc,A-fl,B-fl).1(Ca).1(B-cl).A-sax.1(Cbsn)—
1.1.1.1—Pf(Cel)—Acdn—1Perc—Hp—Str (1.1.1.1.1) / 95'
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272
Donizetti
Dittrich, Paul-Heinz (b. 1930)
Spiel
nach dem gleichnamigen dramatischen Werk von Samuel Beckett.
Deutsche Übersetzung von E. Tophoven. (Deutsch)
Opera based on the drama of the same name by Samuel Beckett.
German translation by E. Tophoven. (German)
S.Mez.T Soli—2 Female Speakers—Male Speaker—0.3.0.0—0.0.0.0—
Perc(Tam-t)—Cel—Pf—Vib/Xyl—Str (0.0.0.3.0)—Live Electronics
Elvida
Melodramma in One Act. Libretto by Giovanni Schmidt. (Italian/Italienisch)
S.2Mez.2T.Bar Soli—SATB Chorus—2.2.2.2—4.2.3.0—Timp—Perc—
Str
Opera Rara recording: ORC29
Opera Rara
Emilia di Liverpool
Dramma semiseria in Two Acts. Libretto by Giuseppe Ceccherini.
Die Verwandlung
2S.Mez.T.2B.Buffo Soli—SATB Chorus—2.2.2.2—2.2.3.0—Str
(Italian/Italienisch)
The Transformation
nach Franz Kafka, Textmontage Frank Schneider. (Deutsch)
Pantomime based on the story by Franz Kafka. Text arranged by Frank
Schneider. (German)
Speaker—S.Mez.T.2B Soli—B-cl—Vln—Vc / 50'
Opera Rara
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S.Mez.T.2Bar Soli—SATB Chorus—2.Picc.2.2.2—2.2.3.0.Cimbasso—
Timp—Str
Donizetti, Gaëtano Domenico (1797–1848)
Opera Rara
L'ajo nell'imbarazzo
The Tutor in a Jam
Melodramma giocoso in Two Acts. Libretto by Jacopo Ferretti.
S.Mez.2T.Bar.B.Buffo Soli—SATB Chorus—2.2.2.2—2.2.3.0—Str
Francesca di Foix
Melodramma giocoso in One Act. Libretto by Domenico Gilardoni.
Gabriella di Vergy
Opera seria in Two Acts. Libretto by Andrea Tottola. (Italian/Italienisch)
2S.T.Bar.2B Soli—SATB Chorus—2.Picc.2.2.2—4.2.3.1—Timp—Str
Opera Rara
Opera Rara
L'assedio di Calais
Imelda de’ Lambertazzi
The Siege of Calais
Dramma lirico in Three Acts. Libretto by Salvatore Cammarano.
2S.Mez.3T.4Bar.B Soli—SATB Chorus—2.Picc.2.2.2—4.2.3.1—Timp—
Perc—Str—Banda(Picc.2.2.4.2—4.4.3.0—Perc)
Opera Rara
Il castello di Kenilworth
The Castle of Kenilworth
Melodramma serio in Three Acts. Libretto by Andrea Leone Tottola.
2S.Mez.T.Bar.B Soli—SATB Chorus—2.Picc.2.2—4.2.3.1—Timp—
Perc—Str
Opera Rara
Il diluvio universale
The Universal Flood
Azione tragico-sacra in Three Acts. Libretto by Domenico Gilardoni.
1834 revised version
3S.Mez.4T.2B Soli—SATB Chorus—2.Picc,2.2.2—4.2.3.0.Cimbasso—
Timp—Perc—Str
Melodramma Tragico di Andrea Leone Tottola. Bearbeitung der
autographen Partitur durch Ellen Taller und Marc Andreae. (Italienisch)
Melodramma Tragico in Two Acts. Libretto by Andrea Leone Tottola.
Arranged from the manuscript score by Ellen Taller und Marc Andreae.
(Italian)
Orlando Lambertazzi/Tenor, Imelda/Soprano, Lamberto/Baritone,
Boniacio Geremei/Baritone, Ubaldo/Bass
S.T.2Bar.B Soli—SATB Chorus—2.2.2.2—4.2.2.1—Timp—Perc—Str—
Off-stage: 14 Wind Instruments / 123'
Imelda de’ Lambertazzi
Melodramma Tragico in Two Acts. Libretto by Andrea Leone Tottola.
Orlando Lambertazzi/Tenor, Imelda/Soprano, Lamberto/Baritone,
Boniacio Geremei/Baritone, Ubaldo/Bass
S.T.2Bar.B Soli—SATB Chorus—2(Picc).2.2.2—4.2.3.0.Cimbasso—
Timp—Perc—Str—Banda: 2.2.0.0—2.3.3.0—Perc / 123'
Opera Rara
Maria Padilla
Melodramma in Three Acts. Libretto by Gaetano Rossi. (Italian/Italienisch)
2S.Mez.2T.Bar.2B Soli—SATB Chorus—2.2.2.2—4.2.3.0.Ophicleide—
Timp—Perc—Str
Opera Rara
Opera Rara
Don Pasquale
Maria de Rudenz
Komische Oper in drei Akten nach Angelo Anelli. Text vom
Komponisten. Bearbeitungen von Otto Julius Bierbaum und Wilhelm
Kleefeld (1903), Alfred Jerger (1942) and Götz Friedrich (1962).
(Deutsch)
Comic Opera in Three Acts by Angelo Anelli. Text by the composer.
Versions by Otto Julius Bierbaum and Wilhelm Kleefeld (1903), Alfred
Jerger (1942), Götz Friedrich (1962). (German)
S.T.Bar.2B Soli—SATB Chorus—2(II=Picc).2(II=Ca).2.2—4.2.3.0—
Timp—Perc—Hp/Mand—2Gtr—Str
Dramma tragico in tre parti. Libretto by Salvadore Cammarano.
2S.2T.Bar.B Soli—SATB Chorus—2.2.2.2—4.2.3.1—Timp—Perc—
Hp—Str—Banda (1.Picc.2.2.2—4.2.3.0—Perc)
Opera Rara
Maria Stuarda
Tragedia lirica in Three Acts. Libretto by Giuseppe Bardari.
S.2Mez.T.2B Soli—SATB Chorus—Picc.2.2.2.2—4.2.3.0.Cimbasso—
Timp—Perc—Str
Opera Rara
273
Donizetti
Die Nachtglocke
Ugo, conte di Parigi
Il Campanello
Komische Oper in einem Aufzug, Text vom Komponisten. Deutsch von
Max Heinrich Fischer, in neuer Fassung von Peter Ebert. (Deutsch)
Comic Opera in One Act. Text by the composer. German translation by
Max Heinrich Fischer in a new version by Peter Elbert. (German)
Don Hannibal Pistacchio/Bass, Seraphina/Soprano, Enrico/Baritone.
Madame Rose/Speaker, Guest/Speaker
2 Speakers—S.Bar.B Soli—SATB Chorus—2.2.2.2—2.2.3.0—Timp—
Perc—Str / 60'
1 Bühnenbild
Hugo, Count of Paris
Lyric Tragedy in Two Acts and Four Parts. Libretto by Felice Romani.
Der Neffe der Marchesa (arr. Heinz Schreiter)
Ballett in 9 Bildern / Ballet in 9 Scenes
Libretto von Marcel Varaigne (Deutsch)
Libretto by Marcel Varaigne (German)
9 Solo Voices—3.3(III=Ca).2.2—4.3.3.1—Timp—Perc—Hp—Str / 45'
2S.Mez.A.T.B Soli—SATB Chorus—2.Picc.2.2.2—4.2.3.1—Timp—
Perc—Hp—Str
Opera Rara
Zoraida di Granata
Melodramma eroico in Two Acts. Libretto by Bartolomeo Merelli.
1822 and selections from 1824 versions
S.Mez.2T.2B Soli—SATB Chorus—2.2.2.2—2.2.2.0—Timp—Hp—Str
Opera Rara
_________________________________________________________
Heinrichshofen
Die Regimentstochter
La fille du régiment
Komische Oper in zwei Akten, Text von J. H. Vernoy de Saint-Georges
und J. F. A. Bayard. Deutsche Textfassung von Kurt Honolka. (Deutsch)
Comic Opera in Two Acts. Text by J. H. Vernoy de Saint-Georges and
J. F. A. Bayard. German translation by Kurt Honolka. (German)
Marie/Soprano, The Duchess /Soprano, The Marchioness/Soprano,
Tonio/Tenor, Sulpiz/Bass, Hortensio/Bass, Notary/Speaker,
Corporal/Baritone
3S.Bar.T.2B Soli—SATB Chorus—1.Picc.2.2.2—4.2.3.0—Timp—
Perc—Str
2 Bühnenbilder
Edition Peters [Vocal Score/Klavierauszug EP 1813a]
Rita
Deux hommes et une femme
Komische Oper in einem Akt, Text von G. Vaez. Deutsch von Max
Heinrich Fischer, in neuer Fassung von Max Heinrich Fischer und
C. Malberto. (Deutsch)
Comic Opera in One Act. Text by G. Vaez. German translation by Max
Heinrich Fischer. New version by Max Heinrich Fischer and
C. Malberto. (German)
Rita/Soprano, Beppe/Tenor, Gàsparo/Baritone
S.T.Bar Soli—4-6 Dancers—2.2.2.2—2.2.3.0—Timp—Perc—Str / 60'
1 Bühnenbild
La romanzesca e l'uomo nero
The Romanticist and the Black Man
Farsa in One Act. Libretto by Domenico Gilardoni. (Italian/Italienisch)
S.Mez.2T.2Bar Soli—2.2.2.2—4.2.3.0—Timp—Str
Dove, Jonathan (b. 1959)
The Adventures of Pinocchio
Opera. Libretto by Alasdair Middleton. (English) / 120'
2S.Mez.A.Ct-T.2T.Bar.B Soli—SATB Chorus (including small solo
parts)—Dancers—2(II=Picc).2(II=Ca).2(I=Sax.II=B-cl).2(II=Cbsn)—
4.3.3.1—Timp—3Perc—Pf(Cel/Kybd)—2Acdn—Mand—Hp—Str
(10.8.5.4.3)
In preparation
L'altra Euridice
The Other Euridice
Opera in One Act. Libretto by the composer after Italo Calvino.
English singing translation by Adam Pollock. (Italian/English)
Bar Solo—0.1.0.S-sax—Theorbo—Hpd—Str (1.1.0.2.1) / 30'
An Old Way to Pay New Debts
Un vecchio modo di pagare i nuovi debiti
Libretto adapted from Chaucer by Alasdair Middleton.
Italian translation by Adam Pollock. (English/Italian)
Mez.Bar Soli—0.1.0.S-sax.0—0.0.0.0—Hpd—Theorbo—Perc—Str
(2.0.1.2.1) / 27'
L’Augellino Belverde
The Little Green Swallow
Opera in Three Acts. Libretto adapted from Carlo Gozzi.
3Boy Treb.2S.3Mez.Ct.2T.2Bar.B Soli—0.Picc.1.0.0—2.1.0.0—Perc—
Hp—Pf—Cel—Str (1.0.0.1.1) / 130'
Peters Edition/Hinrichsen [Score/Partitur EP 7763;
Vocal Score/Klavierauszug EP 7763a]
Opera Rara
La dama ed il pulitore di Damasco
Rosmonda d'Inghilterra
Melodramma in Two Acts. Libretto by Felice Romani. (Italian/Italienisch)
2S.Mez.T.B Soli—SATB Chorus
Vocal and Chorus Scores only
The Lady and the Sweep from Damascus
Opera in One Act. A Story from the Arabian Nights.
Mez.T Soli—0.1.0.0—0.0.0.0—Theorbo—Perc—Str (0.0.1.2.1) / 20'
Opera Rara
The Enchanted Pig
Torquato Tasso
Melodramma semiseria in Three Acts. Libretto by Jacopo Ferretti.
S.Mez.2T.Bar.B Soli—SATB Chorus—2.2.2.2—4.2.3.0—Str
A Musical Tale. Libretto by Alasdair Middleton. (English)
2S.Mez.Alto.2T.Bar.Bass-Bar Soli—Tbn—Hp—Acdn—Perc—Vc—Db /
120'
Opera Rara
274
Dove
Flight
On Spital Fields
Opera in Three Acts. Libretto by April de Angelis.
German singing translation by Ralf Nürnberger. (English/German)
Refugee/Counter Tenor, Controller/Soprano, Bill/Tenor, Tina/Soprano,
Older Woman/Mezzo Soprano, Steward/Baritone, Stewardess/Mezzo
Soprano, Minskman/Baritone, Minskwoman/Mezzo Soprano,
Immigration Officer/Bass
2S.3Mez.T.Ct.2Bar.B Soli—2(I&II=Picc).2(II=Ca).2(II=B-cl).2
(II=Cbsn)—2.2.2.1—Timp—3Perc(Vib/Glock/Xyl/Mrba/Crotales/Tbells/BD/SD/3Tom-t/2Bongo drums/2 Conga drums/Clash cymbals/
Suspended cymbal/Hi-hat cymbal/Tam-t/Tamb/Maracas/Shaker/
Whip/Ratchet)—Pf(Cel)—Hp—Str (8.6.4.4.3) / 135'
Community Cantata. Libretto researched and compiled by Alasdair
Middleton. (English) / 70'
S.T Soli—Children’s Choirs—Community Choir—Senior Citizen’s
Choir—SATB Choir
Instrumental Ensemble: Cl—Timp—Perc—Pf—Acdn—Hp—
Vln.Vla.Vc.Db
Off-stage instruments: Brass Quintet (2Tpt.Hn.T-tbn.Tba)—2Perc—
4Picc
Peters Edition/Hinrichsen [Vocal Score/Klavierauszug EP 7511; Libretto EP 7796]
Greed
A Deadly Sin in Six Minutes. Libretto by April de Angelis. (English)
S.Mez.T.B Soli—Pf—Str (1.1.1.1.0) / 6'
The Hackney Chronicles
Opera in Four Acts for Children, Soloists, Chorus and Piano.
Libretto by Alasdair Middleton. (English)
Voices—Pf / 50'
Hear our Voice
A Dramatic Cantata for Soprano, Young People’s Voices and Chamber
Orchestra.
Music by Jonathan Dove and Matthew King written with young
people as part of the Hear our Voice project.
Arranged and Orchestrated by Matthew King.
Libretto by Tertia Sefton-Green compiled from writings by children of the
Holocaust. (English/German/Czech)
S Solo—Young people’s choirs—1.1.1.1—1.1.1.1—Perc—Acdn—Pf—
Hp—Str / c. 70'
The Palace in the Sky
Community Opera in Two Acts. Libretto by Nick Dear. (English)
Actor—S.Mez.T.Bar.B-Bar Soli—Chorus—Orchestra / 110'
Continuo Group: Fl, Hn, Perc, Hp, Pf, Vln, Vc, Db)
Extra Continuo: 3Fl, String Quartet
Jazz Orchestra: 5-6Tpt, 5Sax(2A.2T.Bar), 3Tbn, ElecGtr, Kybd, Kit, Db
Brass Band: 2Cnt (I=Eb) Flg-hn, 3HnEb, 2 Bar, 3Tbn, Euph, 2 Eb-Tba,
2Bb-Tba, Perc
Saz Ensemble: 15 players
African Drums: 3-5 drummers on stage
Steel Pans: 10+ players
Percussion Ensemble: 12-15 players
Pig
Short Opera in One Act. Libretto by April de Angelis. (English)
2S.Bar Soli—1.0.1.0—0.0.0.0—Pf—Hp—Str (1.0.0.1.1) / 15'
Le porte di Bagdad
Ballet chanté. Libretto by Italo Calvino. (Italian)
Mez.Bar Soli—6 Solo Dancers, Guards & Courtiers—0.1.0.S-sax.0—
0.0.0.0—Hpd—Theorbo—Perc—Str (2.0.1.2.1) / 35'
Siren Song
His Dark Materials Part I & II
Music for Philip Pullman’s trilogy, adapted by Nicholas Wright
1(Picc).0.0.0—0.1(Cnt).1.0—Timp—Perc—Kybd—Str (0.0.0.1.1)
Opera in One Act. Libretto by Nick Dear based on the book by Gordon
Honeycombe. (English)
S.2T.B Soli—Actor—1(Picc).1.1(B-cl).0—1.0.0.0—Pf(Cel)—Hp—Perc—
Str (1.0.0.1.1) / 70'
Kwasi & Kwame
The Two Hearts of Kwasi Boachi
Opera in Two Acts. Libretto by Arthur Japin after his novel “The Two
Hearts of Kwasi Boachi”. (English)
S.2Mez.3T.3Bar.2B Soli—3 Boys.1 Girl.10 Children—1.1.1.1—1.1.1.0—
Hp—2Perc—Str (1.1.1.1.1) / 120'
Man on the Moon
Opera for Television. Libretto by Nicholas Wright. (English)
Joan Aldrin/Soprano, PR Man/Baritone, Buzz Aldrin/Baritone, Lady
reporter/Mezzo Soprano, TV Host/Tenor, Jeannie Bassett/Mezzo
Soprano, Dean Woodruff/Tenor, Dee O’Hara/Soprano, Mike
Collins/Baritone, Neil Armstrong/Tenor, Eugene Kranz/Baritone,
GUIDO/Tenor, CAPCOM/Baritone, Audrey Moon/Soprano, Media
People/Male Chorus, Mission, 3 Newscasters, PAO (Spoken roles),
Aldrin Children, Bob (Mute roles)
3S.2Mez.4T.5Bar Soli—Male Chorus—Spoken roles—Mute roles—
2(I&II=Picc).2(I=Ca).2.1 (Cbsn)—4.3.3.1—Timp—2Perc—Pf(Cel)—
Kybd—Hp—Str / 48'
Mother Courage and Her Children
Music for the play by Bertolt Brecht in the translation by David Hare
Tales of Hope and Desire
Racconti di speranza e desiderio
Trilogy of Operas written for Musica Nel Chiostro
(see individual entries for details)
— L’altra Euridice / The Other Euridice / 30'
— La dama ed il pulitore di Damasco /
The Lady and the Sweep from Damascus / 20'
— An Old Way to Pay New Debts /
Un vecchio modo di pagare i nuovi debiti / 27'
Tobias and the Angel
Church Opera in One Act. Libretto by David Lan. (English)
Tobit/Baritone, Anna/Mezzo, Tobias/Tenor, Sara/Mezzo, Edan/Soprano,
Raguel/Tenor, Raphael/Countertenor, Ashmodeus/Baritone
S.2Mez.Ct.2T.2Bar Soli—3 to 6 Adult Men—Children's Chorus—Adult
Unison Chorus—Adult SATB Chorus—1(Picc).0.1.0—0.0.0.0—Perc
(3Timp/T-bells/Xyl/Vib/Glock/Tgl/Susp.Cym/Snare Drum/BD/PedalBD/
Tam-t/3 medium-sized drums)—Acdn—Hp—Org—Str (1.0.0.1.1) / 75'
Peters Edition/Hinrichsen [Vocal Score/Klavierauszug EP 7535;
Libretto EP 7535a]
(English)
Solo Voices—0.0.1(A-sax).0—0.1(Flg-hn).1.0—Timp—Perc—
Pf(Kybd)—Str (0.0.0.1.1)
275
Dove
When She Died...
Opera for Television. Libretto by David Harsent. (English)
Homeless Man/Bass Baritone, Doris/Mezzo Soprano, Dennis/Baritone,
Annie/Soprano, Geoff/Baritone, Ryan/Tenor, Jane/Mezzo Soprano,
Faux Diana/Soprano
2S.2Mez.T.2Bar.Bass-Bar Soli—2(I&II=Picc).2.2.1(Cbsn)—2.2.2.1—
Hp—Pf(Cel)—2Perc—Str (2.2.2.2.2) / 49'
— Version for staged production
2S.2Mez.T.2Bar.Bass-Bar Soli—1(Picc).1.1(S-sax).1(Cbsn)—
2.1.1.0—Hp—Pf(Cel)—2Perc—Str (1.1.1.1.1) / 49'
_________________________________________________________
Dünser, Richard (b. 1959)
Radek
Kammeroper in einem Akt (Prolog, 12 Szenen und Epilog).
Libretto von Thomas Höft. Klavierauszug von Christa Haring. (Deutsch)
Chamber Opera in One Act (Prologue, 12 Scenes and Epilogue).
Libretto by Thomas Höft. Vocal Score by Christa Haring. (German)
SMez.C-t.T.Bar.Bass.Bar Soli—1.1.1.A-sax.1—2.1(inC).1.0—Timp—
3Perc—Hp—Pf(Cel)—Str (0.0.4.4.1) / 75'
_________________________________________________________
El-Dabh, Halim (b. 1921)
Clytemnestra
An Epic Dance Drama (Prologue, Two Acts and Epilogue). Text by the
composer.
Intoned Voices: Dramatic Soprano Solo and Dramatic Baritone Solo
with falsetto range.
S.Bar Soli—Dancers—2.2.2.2—2.2.2.0—Perc—Hp—Pf—Str / 110'
Lucifer
Ballet
1(Picc).1(Ca).1.1—1.1.1.1—Timp—Perc—Hp—Pf—Str / 30'
One More Gaudy Night
Ballet
2.2.0.2—2.2.2.0—Perc—Hp—Str / 20'
_________________________________________________________
Erbse, Heimo (1924–2005)
Julietta
Opera semiseria in vier Akten. Text vom Komponisten nach Kleists
“Die Marquise von O…”. (Deutsch)
Opera semi seria in Four Acts. Text by the composer after Kleist’s “Die
Marquise von O...”. (German)
Julietta/Soprano, Mother/Mezzo Soprano, Commander/Bass,
Forester/Tenor, Count/Baritone, Babett/Alto, Doctor/Bass,
Leopardo/Tenor, Alfonso/Baritone
S.A.Mez.2T.2Bar.2B—SATB Chorus—Ballet—3.2.2.2—4.3.3.1—
Timp—Perc—Hp—Pf—Str
4 Bühnenbilder
Evangelisti, Franco (1926–1980)
Die Schachtel
The Box
Pantomime für 5–7 Mimen, Stimmen, Projektor, Tonband und kleines
Orchester. Libretto von Franco Nonnis. (Deutsch)
A Pantomime for 5-7 mime artists, voice, projector, tape and orchestra.
Libretto by Franco Nonnis. (German)
5-7 Mime Artists—Solo Voice—1.1.0.A-sax.1—0.1.0.0—2Perc—Str
(0.0.1.1.1)—Projector—Tape / 32'
_________________________________________________________
Feldman, Morton (1926–1987)
Ixion (Summerspace)
Ballet
3.0.1.0—1.1.1.0—Pf—Str (0.0.0.1.1) / 11'
_________________________________________________________
Felix, Hugo (1866–1934)
Madame Sherry
Operetta in drei Akten von M. Ordenneau. Deutsch von Benno
Jacobsen (Deutsch)
Operetta in Three Acts by M. Ordenneau. German version by Benno
Jacobsen (German)
3S.A.4T.2B Soli—SATB Chorus—2.2.2.2—2.2.2.0—Timp—Perc—Str
_________________________________________________________
Fenigstein, Victor (b. 1924)
Dances des Breloques
Ballett zur freien Choreograhie / Freely Choreographed Ballet
2.Picc.2.2(II=B-cl).3—4.3.2.1—5Perc—Hp—Cel—Pf—Str / 25'
— 6 Tänze / 6 Dances
Clarinet Quintet / 25' [Score & Parts/Partitur & Stimmen GM 946]
Die heilige Johanna der Schlachthöfe
St. Joan of the Abattoir
Ein Singspiel. Text von Brecht. (Deutsch/German)
Johanna Dark, Lieutenant of the Black Straw Hats, Pierpont
Mauler/Alto, Meat King, Cridle/Tenor/Baritone, Graham/Tenor,
Lennox/Bass, Meyers/Baritone, Meat Producer/Tenor, Buyer, Breeder,
Broker, Speculators, Workers, Black Straw Hats, the Poor, Detective,
Newspaper-people, Newspaper-boys, Soldiers, Passers-by
A.2T.T/Bar.Bar.B Soli—1.1.1.A-sax.1—1.1.1—Timp—2Perc—Pf—
Acdn—Bjo—Gtr—Str (1.0.0.0.1)
I Muratori (Etudes Concertantes)
C F Peters Musikverlag [Vocal Score/Klavierauszug (Ronnefeld) EP 4874]
Ballett zur freien Choreographie / Freely Choreographed Ballet
Orchestra I: Vc Solo—2.Picc.2.2.B-cl.0—2.1.2.0—4Perc—Cel—
Cemb—Str;
Orchestra II: Vc Solo—2.2.2.2—1.1.1.0—4Sax(or Cl,Hn,Tpt&Bsn)—
4Perc—Cel—Pf—Str;
Orchestra III: Mez Solo—Vc Solo—2.2.2.2—2.2.2.0—4Perc—Pf—
Cemb—Str / 60'
_________________________________________________________
Die Mutter des Mörders
Ein Singspiel. Text von Erwin Kirsch. (Deutsch)
A Music Drama. Text by Erwin Kirsch. (German)
Bar Solo—0.0.1.1—0.1.1.0—Perc—Vib—Str (1.0.0.0.1)
276
Geißler
Petite Suite “des temps jadis”
Ballett zur freien Choreographie / Freely Choreographed Ballet
2.2.2.2—2.2.0.0—Timp—Perc—Hp—Cemb—Str / 16'
_________________________________________________________
Ferneyhough, Brian (b. 1943)
Frandsen, John (b. 1956)
I-K-O-N™
Text by Sanne Bjerg (Danish)
2S.Mez.2T.2Bar.2BSoli—Mixed Choir—3.3.3.3—4.3.3.1—Timp—
3Perc—Hp—Str / 165'
Edition Samfundet
_________________________________________________________
Shadowtime
Opera in Seven Scenes. Libretto by Charles Bernstein.
Gasparini, Francesco (1661–1727)
— New Angels/Transient Failure (Prologue)
L'ambleto
— Les Froissements d'Ailes de Gabriel (First Barrier)
Hamlet
Opera in Three Acts by Apostolo Zeno & Pietro Pariati. Scenic
adaptation by Franco Enriquez. Transcribed and revised by Herbert
Handt.
Veremonda/Soprano, Gerilda/Soprano, Ildegarda/Soprano,
Amleto/Mezzo Soprano, Valdemaro/Tenor, Fengone/Bass,
Cortigiano/Bass, Siffrido/Actor, Iroldo/Actor
3S.Mez.T.2B Soli—1.2.0.1—0.2.0.0—Timp—Lute—Cemb—Str
(6.4.2.2.2)
— The Doctrine of Similarity
— Opus Contra Naturam
— Pools of Darkness (11 Interrogations)
— Seven Tableaux Vivants Representing the Angel of History as
Melancholia (Second Barrier)
— Stelae for Failed Time
Scenes 2, 3, 4, 6 and 7 may be performed separately (see individual
entries for details).
Opera in Seven Scenes. Libretto by Charles Bernstein.
Solo roles: Male Reciter, Walter Benjamin/Bass
Chorus: SSSAAATTTBBB
Solo roles drawn from chorus: Innkeeper, Henny Gurland, Dora
Kellner/Benjamin, The younger Walter Benjamin, Child 1-4, Doctor,
Gershom Sholem, Hölderlin, Pius XII, Karl Marx., Harpo Marx, Sop1,
Sop2, Mezzo-sop, Alt, Bass1, Bass2, Joan of Arc, Baal Shem Tov,
Adolf Hitler, Border Guard, Golem
Gtr Solo—Pf Solo (speaking part)—Ensemble: Fl (Picc, A-fl), Ob (Ca,
Picc-Ob in Eb), 3Cl (ClEb, 3B-cl, Cb-cl), S-sax—Hn(double horn in
Bflat/F). Tpt(C-Tpt, Picc-Tpt in Bflat, Sop-Tbn).Tbn(B-tbn, B-tpt)—Hp—
Gtr (distinct from Gtr Solo)—Pf (distinct from Pf Solo)—Perc(1 Player)—
Str (1.1.1.1.1) / 120'
Pre-recorded sounds (requirements: Mac G3/800 or G4/800 with audio
card with ASIO driver; six audio outputs, six loudspeakers)
_________________________________________________________
Finney, Ross Lee (1906–1997)
_________________________________________________________
Gazzaniga, Giuseppe (& da Ponte, Lorenzo)
Don Giovanni ossia "Il convitato di pietra"
Opera buffa in Two Acts by Lorenzo da Ponte based on a libretto by
Giovanni Bertati. London Version, 1792, re-arranged and edited by
Herbert Handt
Donn'Anna/Maturina/Soprano, Elvira/Soprano, Donna Ximena/Soprano,
Don Giovanni/Tenor, Duca Ottavio/Tenor, Lanterna/Tenor.
Pasquariello/Bass, Commendatore/Bass/ Biagio/Bass
3S.3T.3B Soli—0.2.0.1—2.0.0.0—Cemb—Str (6.4.2.2.1)
_________________________________________________________
Geminiani, Francesco Xaverio (1687–1762)
La foresta incantata
Pantomime by Gian Girolamo Servandoni based on "Gerusalemme
liberata" by Torquato Tasso
2.0.0.1—2.0.0.0—Cemb—Str (Concertino: 1.1.1.1.1; Ripieno: 4.4.2.2.1)
_________________________________________________________
Computer Marriage
A Comic Opera in Five Scenes (English)
2S.Mez.A.T.Bar.B Soli—3 Speaking Roles—SATB Chorus—
2(Picc).0.2(B-cl).0—0.2(TptPicc).2.1—Perc—Hp—Pf/Cel—Str / c. 90'
Geißler, Fritz (1921–1984)
Das Chagrinleder
_________________________________________________________
Oper in sieben Bildern. Text von G. Deicke nach dem gleichnamigen
Roman von Balzac. (Deutsch)
Opera in Seven Scenes. Text by G. Deicke based on the novel of the
same name by Balzac. (German)
Dr Maugredi/Bass, Rose/Soprano, Beggar Woman/Soprano,
Odette/Mezzo Soprano, Professor Porriquet/Baritone, Men and Women
of the community
3S.Mez.A.4T.5Bar.4B Soli—SATB Chorus—Ballet—2.2.2.2—4.4.3.1—
Timp—Perc—Hp—Str / abendfüllend / full length work
Fox, Charles (b. 1940)
Die Stadtpfeifer
A Song for Dead Warriors - Ballet
Oper. Text von G. Deicke und F. Geißler. (Deutsch)
Opera. Text by G. Deicke and F. Geißler. (German)
2S.A.T.2Bar.3B Soli—Narrator—1.1.1.1—1.0.0.0—Timp—Perc—
Acdn—Gtr—Str / abendfüllend / full length work
Weep Torn Land
An Opera in Seven Scenes. Libretto by the composer. (English)
18 Soloists—SATB Chorus—Children’s Chorus—Male Dancer—
3(Picc).3(Ca).3(B-cl).3(Cbsn)—4.3.3.1—Timp—2Perc—Hp—Pf/Cel—
Str—Electronic Tape / 120'
2(Picc).2(Ca).2(ClEb&B-cl).2—4.3.3.1—Timp—2Perc—Str / c. 39'
Zorro - Ballet
3(Picc).3(Ca).2.B-cl.2.Cbsn—4.3.3.1—Timp—2Perc—Hp—Pf/Cel—Str /
c. 54'
_________________________________________________________
277
Geißler
Der verrückte Jourdain
Eine Rossiniade in drei Akten nach der Molièreiade von Michail
Bulgakow. Text vom Komponisten nach der Übersetzung aus dem
Russischen von Thomas Reschke. (Deutsch)
Opera. Text by the composer based on the Russian translation by
Thomas Reschke. (German)
Béjart/Baritone, Hubert/Bass, Madame Molière/Soprano, la
Grange/Tenor, Madame de Brie/Alto, la Thorillière/Baritone, Madame
Beauval/Soprano, Covielle/Bass, Herr de Brie/Bass, du
Croisy/Tenor(Baritone), Notarius/Tenor, Don Juan/Baritone,
Statue/Bass
2S.A.3T.3Bar.4B Soli—1.1.1.1—2.2.0.0—Timp—Perc—Hp—Str—
Stage Music: Gtr
Goetze, Walter W. (1883–1961)
Wenn Männer schwindeln
When Men Lie
Eine musikalische Farce in drei Akten von Br. Decker and R. Pohl
(Deutsch)
A Musical Farce in Three Acts by Br. Decker and R. Pohl (German)
SATB Chorus—2.2.2.2—4.2.3.0—Timp—Perc—Hp—Str
_________________________________________________________
Goldmann, Friedrich (b. 1941)
R. Hot bzw. Die Hitze
_________________________________________________________
Opernfantasie nach dem Stück “Der Engländer” von J. M. Lenz.
Libretto von Thomas Körner. (Deutsch)
Fantasy Opera based on “Der Engländer” by J. M. Lenz.
Libretto by Thomas Körner. (German)
Robert Hot/Tenor, Lord Hot/Bass, Lord Hamilton/Bass-Baritone, a
Soldier/Bass, Father/Bass-Baritone, Lover/Soprano ,Surgeon/silent
2S.2T.Bar.B-Bar.2B Soli—1.1.1.1—1.0.0.0—ElecOrg—Db
2. und 5. Akt. Tonbandeinspielung (Kinderchor(SA)—Schlagzeug—Str.)
Additional Parts (Acts 2 & 5): Children’s SA Chorus—Perc—Str—Tape
6 Bühnenbilder. Abendfüllend / full length work
Genzmer, Harald (b. 1909)
Der Zauberspiegel
Ballett von Hans Stadlmair / Ballet by Hans Stadlmair
2.2.2.Sax.2—3.2.2.1—Timp—Perc—Hp—Pf—Str / 45'
— Ballet Suite
2.2.2.2—3.2.2.1—Timp—Perc—Hp—Pf—Str / 18' [Score/Partitur EP 5921
_________________________________________________________
_________________________________________________________
Glanville-Hicks, Peggy (1912–1990)
Grieg, Edvard (1843–1907)
Masque of the Wild Man
Peer Gynt op. 23
Ballet. Chamber Version of “Tapestry”
1.0.0.0—0.0.0.0—Timp—Perc—Hp—Cel—Pf—Str / 18'
_________________________________________________________
Globokar, Vinko (b. 1934)
Plan
für einen Zarb-Spieler und 4 Mitwirkende
Zarb/Persian Drum—B-cl—T-sax—Flg-hn—Tbn / 6-10'
Un jour comme un autre
Szenen für Sopran und Kammerensemble (Französisch)
Scenes for Soprano and Chamber Ensemble (French)
S Solo—Cb-cl—Tba—Perc—BassGtr / 60'
_________________________________________________________
Edvard Grieg Gesamtausgabe, Band 18 (Urtext)
Complete Edition Vol. 18 (Urtext)
Vollständige Bühnenmusik zum Schauspiel (Ibsen) (Norwegisch/Deutsch)
Complete Stage music to Ibsen’s play (Norwegian/German)
Solvejg/Soprano, Peer Gynt/Baritone, 5 minor roles
S.B Soli—5 Solo Voices—SATB Chorus—2.Picc.2.2.2—4.2.3.1—
Timp—Perc—Hp—Org/Pf—Str / abendfüllend / full length work
Edition Peters [Score/Partitur EP 8518a; Study Score/Studienpartitur EP 8518b;
Sigurd Jorsalfar op. 22
Edvard Grieg Gesamtausgabe, Band 19 (Urtext)
Complete Edition Vol. 19 (Urtext)
Vollständige Bühnenmusik zum Schauspiel (Björnson)
(Norwegisch/Deutsch)
Incidental Music to the play by Björnson (Norwegian/German)
T Solo—TB Chorus—2(I&II=Picc).2.2.2—4.2.2.B-tbn.1—Timp—Perc—
Hp—Str / 30'
Gluck, Christoph Willibald (1714–1787)
_________________________________________________________
Iphigenie auf Tauris
Gundry, Inglis (1905–2000)
Oper in vier Akten. Bearbeitung von Müller-Blattau. (Deutsch)
Opera in Four Acts. Edited by Müller-Blattau. (German)
Iphigenie/Soprano, Orest/Baritone, Pylades/Tenor, Thoas/Bass,
Diana/Soprano, three minor roles/Sopranos, three minor roles/Basses
2S.T.Bar.B Soli—SATB Chorus—3.2.2.2—2.2.3.0—Timp—Perc—Str
Avon
An Opera in Three Acts about Elizabethan times (English)
2S.2Mez.2T.2Bar.B-Bar.2B Soli—SATB Chorus—
2(II=Picc).2(II=Ca).2(II=B-cl).2—4.2.3.0—Timp—Perc—Hp—Str
Edition Peters
Orphée et Eurydice
Orpheus und Eurydike
Oper in drei Akten nach der franz. Fassung. Bearbeitung von MüllerBlattau Dörffel/Singer. (Französisch/Deutsch)
Opera in Three Acts based on the French version. Edited by
Dörffel/Singer. (French/German)
Orpheus/Alto, Euridice/Soprano, Amor/Soprano
2S.A Soli—SATB Chorus—2.2.2.2—2.2.4.0—Timp—Str
Off-stage: Ob—Hp—Str
Edition Peters [Vocal Score/Klavierauszug EP 54a]
Naaman, The Leprosy of War
Opera in One Act in the form of a Greek play
S.Ca.Mez.T.Bar.2B-Bar Soli—SATB Chorus—
2(II=Picc).2(II=Ca).2(II=B-cl).2—4.3.2.B-tbn.1—Timp—Perc—Hp—Str
The Partisans
Opera in One Act (Two Scenes)
S.Mez.2T.4Bar Soli—Speaker—Dancers—Chorus—2.2(II=Ca).2.2—
2.2.1.0—Timp—Perc—Hp—Str / 75'
_________________________________________________________
278
Hofmann
The Return of Odysseus
Opera in Three Acts (English)
S.Mez.A.2T.2Bar.3B-Bar Soli—SATB Chorus—
2(II=Picc).2(II=Ca).2(II=B-cl).2—4.2.2.B-tbn.1—Timp—Perc—Hp—Str
_________________________________________________________
Halévy, Jaques Fromental (1799–1862)
Der Blitz
The Lightning
Komische Oper in drei Akten von Planard und St. Georges. Neue
deutsche Textfassung von Paul Esterházy. (Deutsch)
Comic Opera in Three Acts by Planard and St. Georges. New German
translation by Paul Esterházy. (German)
2S.2T Soli—2(II=Picc).2.2.2—2.2.3.0—Timp—Perc—Str
_________________________________________________________
Handel, George Frideric (1685–1759)
Händel, Georg Friedrich (1685–1759)
Julius Caesar HWV 17 (Hagen)
Giulio Cesare HWV 17
Oper in drei Akten / Opera in Three Acts (Ger./Deutsch, Italian./Italienisch)
S.A.T.2Bar.2B Soli—SATB Chorus—Orchestra
Edition Peters [Vocal Scores available only / Nur Klavierauszüge erhältlich: EP 3783]
_________________________________________________________
Haydn, Joseph (1732–1809)
Die Welt auf dem Monde
The World on the Moon / il mondo della luna
Oper in einem Vorspiel und zwei Akten. Bearbeitung von Mark Lothar.
Text frei nach Goldoni von Wilhelm M. Trechlinger. (Deutsch)
Opera in Two Acts with Prelude. Edited by Mark Lothar. Text freely
adapted from Goldoni by Wilhelm M. Treichlinger. (German)
Voices—2.2(II=Ca ad lib).2.2.—2.2.0.0—Timp—Str / 130'
Heinrichshofen
_________________________________________________________
Heider, Werner (b. 1930)
Modelle
für Tänzer, Instrumente, Texte und Bilder
for Dancers, Instruments, Texts and Pictures
1.1.1.Sax.1—1.1.1.0—4Perc—Hp—Pf—Str / 20'
_________________________________________________________
Helweg, Kim (b. 1956)
Stalingrad
The Envy of the Painless
S.Mez.T.3Bar Soli—Actor—0.0.0.0—0.0.0.0—2Pf—Elec Org
(Harmonium)—Str ( 4.0.1.2.1) / 70'
Edition Samfundet
_________________________________________________________
Harrison, Lou (1917–2003)
Hirsch, Hans Ludwig (b. 1937)
Suite from the Marriage at the Eiffel Tower
Spanische Szenen
Ballet Suite in Seven Movements
2.2.2.2—0.2.2.0—Perc—Pf—Str / 22'
_________________________________________________________
Hartmann, J. P. E. (1805–1900)
Liden Kirsten
S.Mez.2A.2T Soli—Choir—Pf
Edition Samfundet
Spanish Scenes
Ballett-Oper in drei Teilen nach Lope de Vega (Deutsche Übertragung
von Erwin Walter Palm) für Tenor, Kammerchor, Kammer-orchester und
Tänzer (Spanisch/Deutsch)
Ballet-Opera in Three Parts based on Lope de Vega. German
translation by Erwin Walter Palm. (Spanish/German)
T Solo—Chamber Chorus—Dancers—1.1.1.1—0.0.0.0—2Perc—
Cemb—Str / 45'
_________________________________________________________
_________________________________________________________
de Hartog, Eduard (1829–1909)
Hänsel und Gretel
Hofmann, Wolfgang (1922–2003)
Der Kreisel
Ballett. Libretto von Kurt Steigerwald (Deutsch)
Ballet. Libretto by Kurt Steigerwald (German)
14 Soloists—2(II=Picc).2(II=Ca).2(II=B-cl).2—4.2.3.0—Timp—3Perc—
Hp—Str / 35'
_________________________________________________________
Heinrichshofen
Hasse, Johann Adolf (1699–1783)
Der Mond
Nach dem Grimm’schen Märschen von Paul Wehrli (Deutsch)
adapted from the Grimm tale by Paul Wehrli (German)
Don Tabarrano
Intermezzo in zwei Teilen. Text von Andrea Belmuro. Deutsche
Übersetzung von Horst Augsbach. (Deutsch/Italienisch)
Intermezzo in Two Parts. Text by Andrea Belmuro. German translation
by Horst Augsbach. (German/Italian)
Scintilla/Soprano, Don Tabarrano/Bass, Lucinda/silent, Corbo/silent
S.B Soli—Silent Roles—2.2.0.1—2.0.0.0—Cemb—Str / 46'
Ballett / Ballet
0.1.1.1—2.1.1.0—Perc—Pf—Str / 16'
— Furioso
0.1.1.1—2.1.1.1—Perc—Pf—Str / 3'
— Intermezzo
0.0.1.0—2.0.1.0—Perc—Pf—Str / 6'
La serva scaltra
— Sinfonia brevis
0.1.0.1—0.1.1.0—Perc—Pf—Str / 7'
Die schlaue Magd
Intermezzo in drei Teilen. Deutsche Übersetzung von Ortrun
Landmann. (Italienisch/Deutsch)
Intermezzo in Three Parts. German translation by Ortrun Landmann.
Phönix
(Italian/German)
Ballett / Ballet
3.2.2.2—4.2.1.1—Perc—Hp—Str / 20'
Dorilla/Soprano, Balanzone/Bass, Farmers/silent
S.B Soli—Silent Roles—0.0.0.2—0.2Hn-dc.0.0.0—Cemb—Str / 46'
_________________________________________________________
_________________________________________________________
279
Højsgaard
Højsgaard, Erik (b. 1954)
Don Juan Returns from the War
Chamber Opera
5S.2Mez.A.B-Bar Soli—1.1.1.1—1.1.1.0—Perc—Hp—Pf—ElecGtr—Str
(1.1.1.1.1) / 100'
Edition Samfundet
_________________________________________________________
Holm, Mogens Winkel (1936–1999)
To Bluebeard
3S.B Soli—3.3.1.1—3.3.2.1—Timp—4Perc—Vib—Hp—Pf—Vln / 30'
Edition Samfundet
Eurydike Tøver
Eurydice Hesitates
Ca&Hpd Soli—2.2.3.2—3.3.3.1—Timp—Hp—Pf—Cel—Str (1.0.0.3.3) /
15'
Edition Samfundet
_________________________________________________________
Holten, Bo (b. 1948)
The Bond
Opera after a short story by Karen Blixen
2 Female Voices—Male voice—Actor Solo—Chamber Choir—1.1.2.1—
4.0.0.0—Str (2.2.2.2.1) / 60'
Edition Samfundet
Gesualdo
S.Mez.Bar.B Soli—6-part Vocal Ensemble—0.1.0.0—0.0.2.0—
Cemb(Org)—Lute(Theorbo)—Str (1.1.1.1.1) / 120'
Edition Samfundet
Spirit of the Avalanche op. 197
Opera in One Act. Libretto by the composer. (English)
S.2Bar Soli—Bar Chorus—1.0.Ca.0.0—0.1.1.0—4Perc—Hp—Str / 35'
The Travellers op. 215
Opera in One Scene. Libretto by the composer. (English)
2A/2Mez.2B Soli—SATB Chorus—3.0.0.0—0.0.0.0—1Perc—Hp / 15'
Wind Drum op. 183
Dance Drama. Libretto by the composer. (English)
Male/Female/Mixed Unison Chorus or Bass Solo or Alto Solo—
Dancer(Solo/Group)—1.0.0.0—0.0.0.0—Timp—2Perc—Hp—Str / 26'
_________________________________________________________
Humperdinck, Engelbert (1854–1921)
Hänsel und Gretel
Urtext (Gurgel).
Märchenspiel in drei Bildern. Text von Adelheid Wette. (Deutsch)
Fairy Tale in Three Scenes. Text by Adelheid Wette. (German)
Peter/Baritone, Gertrude/Mezzo Soprano, Hansel/Mezzo Soprano,
Gretel/Soprano, Witch/Mezzo Soprano or Tenor, Sandman/Soprano,
Taumännchen/Soprano
3S.3Mez.Bar Soli—Children’s SA Chorus—Ballet—3.2.3.2—4.2.3.1—
Timp—Perc—Hp—Str
3 Bühnenbilder
— Abendsegen / Evening Prayer
SMez Soli—2.1.Ca.1.2—2.0.0.0—Hp—Str / 5'
_________________________________________________________
Die sieben Geisslein
Hovhaness, Alan (1911–2000)
Blue Flame op. 172
A Musical Fairy Tale in Four Scenes (English)
S.T.B Soli—SATB Chorus—2.2.2.2—4.2.3.1—Timp—Perc—Hp—Str /
26'
The Burning House op. 185
2Bar Soli—8Bar (or any multiple of 8)—Dancer—Chorus—1.0.0.0—
0.0.0.0—4Perc / 26'
Circe op. 204
Ballet
1.1.1.1—1.1.1.1—Timp—Perc—Hp—Str / 15'
The Seven Little Goats
Märchenspiel für die Kleinen. Text von Adelheid Wette. Englisch
Fassung von Constance Bache. (Deutsch/Englisch)
Fairy Tale. Text by Adelheid Wette. English translation by Constance
Bache. (German/English)
Soprano Chorus—1.1.2.1—2.2.1.0—Timp—Str (4.3.2.2.2) / c. 25'
Heinrichshofen
— Fassung für Schulorchester von H. P. Vauk.
Version for School Orchestra by H. P. Vauk.
Soprano Chorus—1.1.1.1—0.0.0.0—Pf—Str (2.2.1.1.0) / c. 25'
_________________________________________________________
Imbrie, Andrew (b. 1921)
Christmas in Peebles Town
Opera in Four Scenes. Libretto by Richard Wincor. (English)
5 Soloists—SATB Chorus—1.1.2.1—2.1.1.0—Timp—3Perc—Pf—Str /
90'
The Leper King op. 219
_________________________________________________________
Dance Drama. Libretto by the composer. (English)
Bar Solo—Male/Mixed Chorus (8 Voices)—3.0.0.0—0.1.0.0—Timp—
2Perc / 33'
Pilate op. 196
A.B Soli—Male B Chorus—3.0.0.0—0.0.3.0—5Perc / 30'
C F Peters Corporation [Score/Partitur EP 6172a]
A Rose for Miss Emily op. 229 No. 2
Ballet for Orchestra
1(Picc).1.1.1—1.1.1.1—Timp—Perc—Pf—Str / 30'
280
Kagel
Aus Deutschland (From Germany)
Janáček, Leoš (1854–1928)
Lieder Opera in 27 Scenes (German/English)
Some singers may assume several roles in the course of the piece:
Characters: Female & Male Speaker (Invisible),
Organ-Grinder/Baritone, 3 Dogs/Tenor,Baritone,Bass, Poet/Soprano,
The Night/Alto, Seaman/Tenor, Mother/Soprano, Edward/Baritone,
Invisible Soprano and Tenor, Armour/Bass, Goethe/Baritone, 2
Grenadiers/Tenor and Bar, Student/Bass, Black King/Tenor, Young
Girl/Boy Soprano, Death/Bass, Pied Piper/Tenor, Hyperion/Speaker,
Schubert/Tenor (with piano duties), Chamber Singer/B-Baritone,
Organ-Grinder Woman/Alto, Chamber Singer/Mezzo, FortuneTeller/Woman Speaker Soprano, Nightingale/Coloratura Soprano,
The Music/Soprano, Young Man/Girl Soprano, Mignon/CounterTenor, Double/Woman Speaker, SATB Chorus (large forces), Silent
Group of c. 20 people
Orchestra: 2Pf/ElecOrg/Cel/Harm (1 player)
Chamber Ensemble: 0.0.Ca.2.A-sax.0—4.1.1.1—2/3Perc—
2Pf(Harm/ElecOrg)—Str (1.0.1.2.2)—
CD or Tapes available on hire / c. 150'
Das schlaue Füchslein (Zimmermann/Barvik/Lohse)
The Cunning Little Vixen
Oper in drei Akten. Text vom Komponisten nach der gleichnamigen
Novelle von Rudolf Tesnohlidek. (Tschechisch/Deutsch)
Opera in Three Acts. Libretto by the composer based on the story by
Rudolf Tesnohlidek. (Czech/German)
Der Förster/Bass, Seine Frau/Alot, Der Schulmeister/Tenor, Der
Pfarrer/Bass, Haraschta, ein Landstreicher/Bass, Pásek, ein
Gastwirt/Tenor, Pasková, seine Frau/Soprano, Die Füchsin Schlaukopf
(Bystrouschka)/Soprano, Der Fuchs/Soprano, Das junge Füchslein
Schlaukopf (Bystrouschka)/Child Soprano, Frantik & Pepík, zwei
Knaben/Child Sopranos, Lapák ein Hund/Mezzosoprano, Der
Hahn/Soprano, Chocholka, Eine Henne/Soprano, Eine Grille, eine
Heuschrecke, ein kleiner Frosch/Child soprano, Der Specht/Alto, Die
Mücke/Tenor, Der Dachs/Tenor, Die Eule/Soprano, Der Eichelhäher
/Soprano, Libelle, Igel, Eichhörnchen und andere Stimmen der Natur
2S.Child Sopranos.A.T.Bar.2B Soli—SATB Chorus—Children’s
Chorus—4.3.3.3—4.3.3.1—Timp—3Perc—Hp—Str
Tagebuch eines Verschollenen
Le Journal d'un disparu / Diary of One Who Vanished
Fassung für Singstimmen mit Orchester von Gustav Kuhn
Version for Voices with Orchestra by Gustav Kuhn
T Solo—4.0.Ca.1.4—4.4.4.1—Timp—Perc—Cel—2Hp—Str / 38'
Bestiarium
Klangfabeln auf zwei Bühnen
Aktionen mit aufblasbaren – jedoch nicht prall mit Luft gefüllten –
Tieren, basierend auf Redewendungen und Sprichwörtern, die die
Beziehung Mensch/Tier betreffen. Die 4 Darsteller agieren mit
Requisiten auf zwei “Tisch” Bühnen (größere Puppentheater).
CD-Zuspielungen leihweise erhältlich / 41'
C F Peters Musikverlag [Partitur in Vorbereitung]
_________________________________________________________
— Film
Jeffes, Simon (1949–1997)
Produktion: WDR 2000 / 37'
Still Life at the Penguin Café (Ballet)
Bestiarium
Voice—2.3.2.2—4.0.0.0—Gtr—Hp—Pf—Tam-t—Str / 38'
Kagel, Mauricio (b. 1931)
Musical fables on two stages
Actions with inflatable, insufficient blown up animals, based on
idiomatic expressions and proverbs regarding the relationship
between humans and animals. The 4 performers act with the props
on two “table stages” (large puppet theatres). CD available on hire /
41'
Antithese
C F Peters Musikverlag [Score in preparation]
Editions Penguin Café Limited [Piano Arrangement/Ausgabe für Klavier PCO 1]
_________________________________________________________
Spiel für einen (oder zwei) Darsteller mit elektronischen und öffentlichen
Klängen (Deutsch/Englisch/Französisch)
1/2 Darsteller—Tonbandeinspielung leihweise erhältlich
1 Bühnenbild / ca. 11'
C F Peters Musikverlag [Libretto-Partitur EPZ 58]
Antithese
Play for one or two performers with electronic and environmental
sounds (German/English/French)
1/2 Performers—Tape (available on hire) / c. 11'
Blue’s Blue
Eine Musikethnologische Rekonstruktion für 4 Spieler
Klar. und/oder Saxophon(e), “Glas-Trp.” (Nachahmung des
Trompetenklanges durch Gesang im Trinkglas), Git, Vl. od. Kb,
CD-Zuspielungen leihweise erhältlich.
variable Aufführungsdauer: 12'-30'
Blue’s Blue
C F Peters Musikverlag [Libretto Score EPZ 58]
A Musico-ethnological reconstruction for 4 Players
Cl and/or Sax(es)—“Glass Tpt” (Trumpet sound produced by singing
into a drinking glass)—Gtr—Vln/Db—CD playback available on hire /
variable duration: 12'-30'
Aus Deutschland
Eine Liederoper in 27 Bildern (Deutsch/Englisch). Einige Sänger können
im Verlauf des Stückes verschiedene Rollen übernehmen:
Personen: Sprecherin, Sprecher (unsichtbare Stimmen),
Leiermann/Bariton, 3 Hunde/Tenor,Bariton,Bass, Dichterin/Sopran, Die
Nacht/Alt, Schiffer/Tenor, Mutter/Sopran, Edward/Bariton, Unsichtbare
Sänger/Sopran,Tenor, Rüstung/Bass, Goethe/Bariton, 2
Grenadiere/Tenor,Bar, Bursche/Bass, Schwarzer König/Tenor,
Mädchen/Sopran, Knabenstimme/Sopran, Tod/Bass,
Rattenfänger/Tenor, Hyperion/Sprecher, Schubert/Tenor (mit
pianistischer Aufgabe), Kammersänger/B-Baritone, Leiermann-Frau/Alt,
Kammersängerin/Mezzosopran, Kartenlegerin Sprecherin/Sopran,
Nachtigall/Koloratursopran, Die Musik/Sopran, Jüngling/
Mädchenstimme Sopran, Mignon/Contratenor, Double /Sprecherin,
Chor SATB (stark besetzt), Stumme Gruppe, ca. 20 Mitwirkende
Orchester: 2 Klav., elektr. Org., Harmonium, Cel. (1. Spieler)
Kammerensemble: 0.0.EH.2.Altsax.0—4.1.1.1—Schlz. (2-3 Spieler)—2
Klav., Harmonium bzw. Elktr. Org (1 Spieler)—Str (1.0.1.2.2)—
CD-oder Tonbandeinspielungen leihweise erhältlich / ca.150'
Ein Brief
Konzertszene für Mezzosopran und Orchester.
Die Solistin liest zu Beginn aus einem an sie gerichteten Schreiben.
Kurz nach der Anrede (“Meine Liebe”) kann sie verzweifelt die Lektüre
nur wortlos fortsetzen.
Mezzosopr.—0.Altfl.0.Ob-d'amore.2.Basskl.0—4.0.0.0—Pk.—2
Schlz.—2 Klav.—Str / ca. 9'
C F Peters Musikverlag [Studienpartitur EP 8638]
Ein Brief (A Letter)
Concert Scene for Mezzo Soprano and Orchestra
At the beginning the soloist reads out a letter sent to her. Shortly
after the opening (“My Dear”) she is only able to continue wordless
Mez Solo—0.A-fl.0.Ob-d'a.2.B-cl.0—4.0.0.0—Timp—2Perc—2Pf—
Str / c. 9'
C F Peters Musikverlag [Study Score EP 8638]
281
Kagel
Die Erschöpfung der Welt (The Exhaustion of the World)
Eine Brise
Scenic Illusion in One Act (German)
Characters: Cs.S.A.T.Bar.B Soli—Invisible Speaker—6 Performers
(3Male&3Female)—Pantomime Choir—Puppeteers—SATB Singing
Choir (min. 16 voices)—SATB Speaking Choir (min. 16 voices). The
two choirs may be visible or hidden in the orchestra pit
Accompanying Instruments: Cl, ElecOrg, Perc, Pf & Vln Soli—
CD (or live: A.T Soli and SATB Choir (min. 40 voices))
Orchestra: 0.0.2.0—4.2.2Cnt/2Cl.4.1—2Hp—2Pf—Str (14.12.10.8.6)
CD (or tapes) available on hire
Concert Versions are possible / c. 120'
Flüchtige Aktion für 111 Radfahrer.
Musikalisch angereichertes Sportereignis im Freien
1 Bühnenbild / 60'-90'
(Wiederholungen möglich)
C F Peters Musikverlag [Partitur EP 8951]
Eine Brise
Fugitive Action for 111 Cyclists
A musically-enriched outdoor sporting event / 60'-90'
(repeats are possible)
C F Peters Musikverlag [Score EP 8951]
Cäcilia: ausgeplündert
Radiophonische Komposition für 2 Sprecher und Tonband / 41'
Textbuch und CD-Zuspielungen leihweise erhältlich
Cäcilia: ausgeplündert (Cäcilia: plundered)
Radiophonic composition for 2 Speakers & pre-recorded Tape / 41'
Libretto and CD-playback available on hire
Ex-Position
Aktion für Vokalensemble und Tasteninstrumente
(“Chorbuch” und “Die Rhythmusmaschinen”) (Deutsch)
Chor SATB (mind. 40 Stimmen), Klav. u. Harmonium bzw. Elektr. Orgel
(1 Spieler), 10 Gymnasten (bzw. Tänzer); 5 Rhythmusgeneratoren (bzw.
CD-Zuspielungen leihweise erhältlich), 2 Schlz. (umfangreiches
Instrumentarium) / ca. 70'
Ex-Position
Action for vocal ensemble and keyboard instruments consisting of
“Chorbuch” and “Die Rhythmusmaschinen” (German)
SATB Chorus (min. 40 Voices)—Pf(Harm/ElecOrg)—10
Gymnasts/Dancers—5Rhythm-generators/CD available on hire—
2Perc(with large range of instruments) / c. 70'
Con voce
für drei stumme Spieler
beliebige Besetzung / variable Spieldauer: 3'-7'
Con voce
for 3 Silent Performers
Instruments ad lib / variable durations: 3'-7'
Duodramen
für zwei Singstimmen und Orchester (Deutsch)
Die sechs Sätze des Werkes – hier als ineinander greifende
Szenenfolge – dienen zur Begegnung emblematischer Personen der
Geschichte.
Sopr., Bar.—2(1. auch Picc., 2. auch Picc.und
Altfl.).Picc.2.2.Bassklar.2—4.2.3.1—Pk—2Sclz.—Hfe.—Str / 21'
Mare Nostrum
Entdeckung, Befriedung und Konversion des Mittelmeerraumes durch
einen Stamm aus Amazonien (Deutsch/Englisch/Italienisch/Spanisch)
Kontratenor, Sprecher/Bariton—Fl.(auch Picc.)—Ob.(auch Engl.Hr.)—
Schlz.—Git.(auch Mandoline, Laute, Oktavgitarre ab lib.)—Hfe.—Vc. /
ca. 75'
Mare Nostrum
Discovery, pacification and conversion of the Mediterranean by a
Tribe from the Amazon (German/English/Italian/Spanish)
Ct.Bar Soli—Fl(Picc)—Ob(Ca)—Perc—Gtr(Mand,Lute,Octabe Gtr ad
lib)—Hp—Vc / c. 75'
C F Peters Musikverlag [Partitur EP 8930 in Vorbereitung]
Duodramen
for two Voices and Orchestra (German)
The six movements of this work – being interlocked with each other
as a sequence of scenes – serve for the meeting of emblematic
personalities of history.
S.Bar Soli—2(I=Picc.II=Picc/A-fl).Picc.2.2.B-cl.2—4.2.3.1—Timp—
2Perc—Hp—Str / 21'
C F Peters Musikverlag [Score EP 8930 in preparation]
Die Erschöpfung der Welt
Szenische Illusion in einem Aufzug (Deutsch)
Personen: 6 Solosänger (Koloratur-Sopran, Sopr., Alt, Ten., Bar., Bass)
/ 1 Sprecher (unsichtbar) / 6 Darsteller (3 Damen, 3 Herren) /
Pantomime (bzw. Bewegungschor) / Puppenspieler / 2 Chöre (sichtbar
oder im Orchestergraben): Gesangchor SATB (mindestens 16
Stimmen) und Sprechchor SATB (mindestens 16 Stimmen)
Instrumentalbegleitung (solistisch): Klar., Schlz., Klav., elektr. Org., Vl.
CD-Zuspielungen oder live: 2 Solostimmen (Alt, Ten.), Gesangschor
SATB (mindestens 40 Stimmen)
Orchester: 0.0.2.0—4.2.2.2Zinken (ossia 2 Klar.).4.1—2 Hfn.—2 Klav.—
Str (14.12.10.8.6)
CD-oder Tonband-zuspielungen leihweise erhältlich / 11 Bühnenbilder
Konzertante Fassungen sind möglich / ca. 120'
Der mündliche Verrat (La trahison orale)
Ein Musikepos über den Teufel (Deutsch/Englisch/Französisch/Italienisch)
Personen: 1 Darstellerin (Sängerin, belieb. Stimmumfang), 2 Darsteller
(davon 1 Sänger (belieb. Stimmumfang))
Instrumente: Tuba, 3 Schlz., Klavier (elektr. Orgel), Viola (Violine),
Kontrabass, CD-Zuspielungen (leihweise erhältlich)
1 Bühnenbild / ca. 75'-80'
Der mündliche Verrat (The Oral Treason)
A Musical Epic on the Devil (German/English/French/Italian)
1 Female Performer (Singer, any range)—2 Male Performers
(including 1 Male Singer (any range))—Tuba—3Perc—Pf(ElecOrg)—
Vla(Vln)—Db—CD playback (available on hire) / c. 75'-80'
“...nach einer Lektüre von Orwell”
Hörspiel in germanischer Metasprache. 2 Realisationsmöglichkeiten.
— Fassung A
22 (33 oder 44 stumme Mitwirkende; Tonbandeinspielung leihweise
erhältlich). 1 Bühnenbild / variable Spieldauer: 28'-33'
— Fassung B
Szenisches Environment (ohne Darsteller): 2 Videobänder, 11
Fernsehmonitore, 22 (33 oder 44) ausgeleuchtete Stühle; CDZuspielung und Libretto leihweise erhältlich. 1 Bühnenbild / variable
Spieldauer: 28'-33'
282
Kagel
“...nach einer Lektüre von Orwell”
(“...after reading Orwell”)
Radio Play in Germanic meta-language. Two optional modes of
performance.
— Version A
22 (33 or 44) Silent Performers—Tape available on hire / variable
duration: 28'-33'
— Version B
Scenic environment (without performers): 2 Video Tapes—11
Television Monitors—22 (33 or 44) Chairs (each illuminated with a
spotlight)—CD-and libretto available on hire / variable duration: 28'33'
Quodlibet für Frauenstimme und Orchester
nach französischen Chansontexten aus dem XV. Jahrhundert
(Französisch)
Sopran. oder Alt.—2(auch Picc., Altfl.).1.Engl.Hr.2(2. auch EsKlar.).Basskl.1Fag.(Kf.)—2.2.2.1—2Schlz.—Hfe.—Klav. und elektr.
Org—6/8 Vc., 4/6 Kb. / ca. 19'30''
Für die Inszenierung dieses Stückes wird keine bestimmte Handlung
vorgegeben. Die Solistin kann sich im Raum frei bewegen, wie auch an
einem Punkt der Bühne verharren.
Quodlibet for Female Voice and Orchestra
th
based on 15 -century French song texts (French)
S/A Solo—2(Picc.A-fl).1.Ca.2(II=ClEb).B-cl.1(Cbsn—2.2.2.1—
2Perc—Hp—Pf(ElecOrg)—6/8 Vc—4/6 Db) / c. 19'30''
Regarding the stage production there is no specific action given. The
soloist can move freely in the room or remain in one point of the
stage.
Nah und Fern
Radiostück für Glocken und Trompeten im Hintergrund / 41'15''
Nah und Fern
Radio piece for Bells and Trumpets in the background / 41'15''
Playback Play
Neues von der Musikmesse
Ein Radiostück
1 Tonband / 41'10''
Die Rhythmusmaschinen
Aktion für Gymnasten, Rhythmusgeneratoren und Schlagzeug
Personen: 10 Gymnasten (bzw. Tänzer)
Instrumente: 5 Rhythmusgeneratoren (oder CD-Zuspielungenleihweise
erhältlich). 2 Schlz. (umfangreiches Instrumentarium) / ca. 70'
Die Rhythmusmaschinen (The Rhythm Machines)
Action for Gymnasts, Rhythm generators and Percussion
10 Gymnasts/Dancers—2Perc(large range of instruments)—
5Rhythm-generators/CD available on hire / c. 70'
Playback Play
News from the Music Fair
Radio Piece
1 Tape / 41'10''
Présentation
für zwei (Deutsch/Französisch/Holländisch)
1 Sprecher (bzw. Bariton)—1 Pianist—Zuspielungen (leihweise
erhältlich)
Sur Scène
Kammermusikalisches Theaterstück in einem Akt (Deutsch/Englisch)
Personen: 1 Sprecher, 1 Mime, 1 Sänger (Bass), 3 agierende Musiker
Instrumente: 2Klav., Cel., Cemb., Orgelpositiv (Harm.), Glockenspiel,
Schlagzeug, CD-oder Tonband-zuspielungen leihweise erhältlich
C F Peters Musikverlag [Textbuch EPZ 59]
Sur Scène
Chamber Music Theatre Piece in One Act (German/English)
B Solo—Speaker—Mime Artist—3 Acting Musicians—Perc—2Pf—
Cel—Cemb—Glock—Organ-positive/ElecHarm—CD/Tape available
on hire / c. 45'
Présentation
for two performers (German/French/Dutch)
Speaker/Bar Solo—Pf—Playbacks (available on hire) / c. 20'
C F Peters Musikverlag [Libretto EPZ 59]
Probe
Versuch für ein improvisiertes Kollektiv
Die 40 szenisch-akustischen Aufgaben des Stückes werden vom
Publikum (ca. 20 Zuschauer) und einem Leiter allein bestritten. In der
Mitte des Raumes ist ein rundes Podest aufzubauen. Lichtspots,
Mikrophone und Aufnahmegeräte sowie Lautsprecher erforderlich. Die
Dauer der Sitzung ist auf ca. 3 Studen zu beschränken. Eine
vollständige Realisation aller Aufgaben, die nur bedingt anzustreben ist,
erfordert mindestens vier Sitzungen.
Szenario
für Streicher und Tonband
Str (mindestens12.10.10.8.6)—Tonband / ca.14'
In der szenischen Fassung dieses veritablen Concerto Grosso für
Streicher und Hundelaute werden Motive und Situationen des
Stummfilms “Un chien andalou” (1928) von Luis Buñuel and Salvador
Dalí zu Grunde gelegt. Ebsenso dient die Musik dieses Stückes zuerst
als Soundtrack des gleichnamigen Streifens. Die Aktionen können von
Pantomimen wie auch von Tänzern oder Schauspielern aufgeführt
werden. CD-Zuspielungen leihweise erhältlich. / ca.14'
Probe (Rehearsal)
Szenario
Attempt for an improvised collective
The 40 scenic-acoustic assignments in this work are undertaken
solely by the audience (of around 20 people) and a director. A
circular podium is set up in the middle of the room. Spotlights,
microphones, recording equipment and loudspeakers are also
required. The duration of each session (“rehearsal”) should not
exceed 3 hours. Complete implementation of all assignments, which
is not necessarily the goal of the piece, requires at least four
sessions.
for Strings and Tape
Str (min. 12.10.10.8.6)—Tape / c. 14'
The scenic version of this veritable Concerto Grosso for strings and
dog sounds is based on motifs and situations from the silent film “Un
chien andalou” (1928) by Luis Buñuel and Salvador Dalí. The music
of this piece is also used as the soundtrack for the film of the same
name. The actions can be performed by mime artists, dancers or
actors.
CD available on hire / c.14'
283
Kagel
Tantz-Schul
Zählen und Erzählen
Ballet d’action (Italienisch)
2 Solostimmen (Sopr., Ten.)—2.1(auch Engl.Hr.).1.Bassklar.1—
2.1.1.1—3Schlz.—Hfe.—Cel.//Klav.(2 Spieler)—Span. Git.—Str /
ca. 75'
Musiktheater für Unerwachsene. Eine beliebige Anzahl Schauspieler,
Tänzer und Pantomimen setzt die frei erfundene Handlung einer
Kindergruppe in Szene.
Klaviertrio
1 Bühnenbild / variable Speildauer: max. 45'
Tantz-Schul (Dance School)
Ballet d’action (Italian)
ST Soli—2.1(Ca).1.B-cl.1—2.1.1.1—3Perc—Hp—Cel/Pf(2
Players)—Hpd—SpanishGtr—Str / c. 75'
Zählen und Erzählen (Counting and Recounting)
Music-theatre for ‘non-adults’. Any number of actors, dancers and
mime artists act out a story invented by a group of children.
Pf—Vln—Vc / variable duration: max. 45'
La trahison orale
See / Siehe “Der mündliche Verrat”
Der Tribun
für einen politischen Redner, Marschklänge und Lautsprecher
(Deutsch/Englisch/Französisch)
6 Holz und/oder Blechbläser und 2 Schlagzeuger (größere Besetzung
ad lib.)—CD
Musik (“10 Märsche, um den Sieg zu verfehlen”) und Geräuschkulisse
können auch zugespielt werden (CD leihweise erhältlich).
1 Bühnenbild / ca. 50' (auch kürzere Fassungen sind möglich)
Zwei Akte
für zwei Darsteller, Saxophon und Harfe
Die Musik kann live oder von CD eingespielt werden, die
Instrumentalisten bleiben unsichtbar.
1 Schauspielerin, 1 Schauspieler—S-sax(A-sax-Bar-sax)—Harfe
1 Bühnenbild / 29'
Zwei Akte (Two Nudes)
for two Performers, Saxophone and Harp
The music can be performed live or using a CD-playback, the
musicians remain invisible.
2 Actors (1 male, 1 female)—Sop-sax(A-sax,Bar-sax)—Hp / 29'
C F Peters Musikverlag [Textbuch (Deutsch) EP 8458a; Englisch und Französisch
leihweise]
Der Tribun (The Tribune)
for a Political Speaker, Marching Music and Loudspeaker
_________________________________________________________
(German/English/French)
6 Wind/Brass Instruments—2Perc—CD playback (larger scorings ad
lib) / c. 50'
Music (“10 Märsche um den Sieg zu verfehlen”) and background
noises may also be performed using a CD playback (available on
hire) / c. 50' (shorter versions are possible: 25'-40')
Kanding, Ejnar (b. 1965)
C F Peters Musikverlag [Libretto (German) EP 8458a, English and French
versions available on hire]]
Edition Samfundet
Umzug
Stummes Schauspiel für Bühnenarbeiter
8 Darsteller—CD Zuspielungen leihweise erhältlich.
Umzug (Removal)
Operanic
Chamber Opera in One Act (10 Scenes)
S.T.Bar Soli—1.0.1.1—0.1.1.0—Perc—Cel—Tape—Str (1.0.0.1.0) / 31'
_________________________________________________________
Katzer, Georg (b. 1935)
Ein neuer Sommernachtstraum (Bernd Köllinger)
Ballett in 2 Teilen / Ballet in Two Parts
3.2.2.S-sax.2—4.3.3.0—Timp—3Perc—Hp—Cel—Pf—Acdn—Str—
Tape
Silent Play for Stagehands
8 Performers—CD available on hire / c. 15'
Schwarze Vögel
Variété
Concert-Spectacle für Artisten und Musiker
Mindestens 6 Variétékünstler—0.0.1(B-kl.&Altsax.).0—0.1.0.0—Schlz—
Klav./elektr.Org.—Akkordeon—Vc. / variable Spieldauer: 55'-65'
Variété
Concert Spectacle for artists and musicians
Min 6 Variety Performers—0.0.1(B-cl&A-sax).0—0.1.0.0—Perc—
Pf/ElecOrg—Acdn—Vc / variable duration: 55'-65'
Blackbird
Ballett in 12 Bildern, einem Prolog und einem Epilog. Libretto von Bernd
Köllinger.
Ballet in Twelve Scenes with Prologue and Epilogue. Libretto by Bernd
Köllinger.
3.3.3.3—4.3.3.1—Timp—4Perc—Hp—Str
_________________________________________________________
Kelemen, Milko (b. 1924)
Abbandonate
Vorzeitiger Schlussverkauf
Unvollendete Memoiren eines Toningenieurs
Radiostück / 1 Tonband / 53'
Vorzeitiger Schlussverkauf (Fire Sale)
Unfinished Memoirs of an Audio Engineer
Radio piece / 1 Tape / 53'
Ballett mit Gesängen nach Gedichten von A. B. Simic
Ballet with songs based on poems by A. B. Simic
Roles: Il Maschio/Male Dancer, La Seria/Female Dancer, La
Fiera/Female Dancer, L’Affetata/Female Dancer, La
Peccaminosa/Female Dancer, La Lenona/Female Dancer
6 Dancers—3.2.2.0—2.2.2.0—Timp—Perc—Cel—Pf—ElecGtr—Str
(0.0.1.1.1) / 28'
1 Bühnenbild
— Ballet Suite
3.2.2.0—2.2.2.0—Timp—Perc—Cel—Pf—ElecGtr—Str (0.0.1.1.1) /
25'
284
Landi
Der Belagerungszustand
The State of Siege
Oper in zwei Akten nach “Der Belagerungszustand” von Albert Camus.
Deutsche Übersetzung von Guido G. Meister. Texteinrichtung
von Joachim Hess und Milko Kelemen. (Deutsch)
Opera in Two Acts based on “L’État de Siège” by Albert Camus.
German translation by Guido G. Meister. Text edited by Joachim Hess
and Milko Kelemen. (German)
The Plague/Baritone, Secretary/Alto(Mezzo Soprano), Diego/Tenor,
Victoria/Soprano, Nada/Tenor, Judge/Baritone, Judge’s Wife/Mezzo
Soprano, Governor/Bass, 1st Town Councillor/Baritone, 2nd Town
Councillor/Tenor, Fisherman/Bass, Officer/Tenor, Priest/Tenor, Tall
Man/Baritone, Praying Woman/Soprano
2S.Mez.A.5T.3Bar.3B Soli—SATB Chorus—3.3.3.3—4.3.3.1—Timp—
5Perc—Hp—Cel—Pf—Cemb—ElecOrg—Str / 80'
1 Bühnenbild
C F Peters Musikverlag [Libretto EPZ 61]
Der neue Mieter
The New Tenant
Musikalische Szene in einem Akt. Text von Eugène Ionesco. Deutsche
Übertragung von Lore Kornell. (Deutsch)
Musical Scene in One Act. Text by Eugène Ionesco. German translation
by Lore Kornell. (German)
Mez.T.2Bar Soli—4LoudSpeakers—3.0.3.0—3.3.2.1—Timp—4Perc—
Hp—Cel—Pf—Xylorimba—Str (1.0.1.0.1) / 31'
1 Bühnenbild
Köhler, Siegfried (1927–1984)
Der Struwwelpeter op. 31
Heitere und ernste Geschichten zum Singen, Tanzen und Erzählen.
Text: H. Hoffmann. Fassung für Sprecher, Kinder- bzw. Frauenchor und
kleines Orchester. (Deutsch)
Cheerful and serious tales to sing, dance and recite. Text: H. Hoffmann.
Version for Narrator, Childrens/Female Chorus and Chamber Orchestra
(German)
1. Der Stuwwelpeter 2. Pantomime 3. Elegie 4. Marsch 5. Intermezzo
6. Suppen-Kasper 7. Ballade 8. Capriccio
Speaker—Female Chorus—Children’s Chorus—1.1.1.1—0.1.1.0—
Perc—Str (no Vla) / 33'
_________________________________________________________
Kondrup, Eva Noer (b. 1964)
Neja
Text by Rune T. Kidde (Danish/Dänisch)
High Sop.S.Mez.A.T.2Bar.Bass Soli—1.1.1.0—1.0.0.0—2Perc—Hp—
Str (0.0.0.1.0) / 70'
Edition Samfundet
Neja Sange
Text by Rune T. Kidde (Danish/Dänisch)
1 High Sop.2S.Mez.A.T.Bar.B-Bar Soli—1.1.1.0—1.0.0.0—2 Perc—
Hp—Str (0.0.0.1.0) / 25'
Edition Samfundet
_________________________________________________________
Der Spiegel (Le héros et son miroir)
Ballett in einem Akt nach einer Idee von Milko Sparemblek
Ballet in One Act based on an idea by Milko Sparemblek
1.0.0.0—0.3.0.0—Timp—4Perc—Pf—Vib—Str / 23'
1 Bühnenbild
— Ballet Suite
1.0.0.0—0.3.0.0—Timp—4Perc—Pf—Vib—Str / 23'
_________________________________________________________
King, Matthew (b. 1967)
Hear our Voice
A Dramatic Cantata for Soprano, Young People’s Voices and Chamber
Orchestra.
Music by Jonathan Dove and Matthew King written with young
people as part of the Hear our Voice project.
Arranged and Orchestrated by Matthew King.
Libretto by Tertia Sefton-Green compiled from writings by children of the
Holocaust. (English/German/Czech)
S Solo—Young people’s choirs—1.1.1.1—1.1.1.1—Perc—Acdn—Pf—
Hp—Str / c. .70'
_________________________________________________________
Klit, Lars (b. 1965)
Where Many Rivers Meet
A Poetical Opera in Three Scenes
A.T.Bar Soli—Fl—Tbn—Perc—DX7—Vc—Tape / 20'
Edition Samfundet
_________________________________________________________
Korndorf, Nikolai (1947–2001)
MR “Maria und Rainer”
Oper (Deutsch) / Opera (German)
Maria Iwanowa Zwetajewa/Soprano, Rainer Maria Rilke/Bass,
Sapfo/Contralto, Alkeos/Tenor, Otono Jakamoti/Baritone, Otono
Sakanoe/Coloratura Soprano
2S.A.T.Bar.B Soli—3 Mime Artists—1.1.2.1—2.1.1.0—2Perc—Hp—
Pf—Cemb/Cel—ElecGtr—BassGtr—Str / 90'
_________________________________________________________
Kubelik, Raphael (1914–1996)
Cornelia
Oper in sechs Bildern. Text von Dalibor C. Faltis. Deutsche
Übersetzung von Kurt Honolka. (Deutsch)
Opera in Six Scenes. Text by Dalibor C. Faltis. German translation by
Kurt Honolka. (German)
Cornelia/Lyric Soprano, Tizian/Baritone, Rodrigo/Tenor, Aretino/Tenor,
Hortado de Mendoza/Bass, Judge/Bass-Baritone, Inquisitor/Speaker,
Valet/Speaker
S.2T.Bar.B-Bar.B Soli—2 Speakers—Small Chorus—2.2.3.2Sax.2—
4.3.2.1—Timp—3Perc—Hp—Cemb—Mrba—Vib—Xyl—Str
_________________________________________________________
Landi, Stefano (1585–1639)
Il Sant’ Alessio
Oper in drei Akten. Text von Giulio Rospigliosi. Instrumentierung von H.
L. Hirsch. (Italienisch)
Opera in Three Acts. Text by Giulio Rospigliosi. Orchestrated by H. L.
Hirsch. (Italian)
4S.Mez.A.3T.Bar.2B Soli—SATB Chorus—Ballet—2.0.0.0—2.0.4.4—
Timp—Perc—Hp—Cemb—Chittarone—Lute—Regal—Theorbo—
Virginal—Str (with Vdg)
_________________________________________________________
285
Langgaard
Langgaard, Rued (1893–1952)
Antikrist / Fortabelsen
Antichrist / Perdition
Allegoric Opera in Five Scenes. Text by Rued Langgard.
(Danish/Dänisch, German/Deutsch)
3S.T.Bar.B Soli—Mixed Choir—4.3.3.4—4.7.7.1—2Timp—3Perc—
Org—Str / 120'
Edition Samfundet
_________________________________________________________
Lecocq, Alexandre Charles (1832–1918)
Giroflé - Girofla
Operette in drei Akten. Text von Albert Vanloo und Eugen
Leterrier. Deutsche Neufassung von Erich Bormann. (Deutsch)
Operetta in Three Acts. Text by Albert Vanloo and Eugen Leterrier. New
German version by Erich Bormann. (German)
Solo Voices—2.1.2.2—2.2.1.0—2Perc—Str (1.1.1.1.1)
_________________________________________________________
Zingari
Zigeuner
Lyrisches Drama in einem Aufzug nach der gleichnamigen Dichtung
von Alexander Puschkin. Text von E. Cavaccioli und G. Emanuel.
Deutsch von Georg C. Winkler. (Italienisch/Deutsch)
Lyric Drama in One Act based on poems of the same name by
Alexander Pushkin. Text by E. Cavaccioli and G. Emannuel. German
translation by Georg C. Winkler. (Italian/German)
S.2Bar.T Soli—SATB Chorus—Dancers—3.2.2.2—4.3.3.1—Timp—
Perc—Hp—Cel—Str / 60'
2 Bühnenbilder
_________________________________________________________
Letovsky, Stanislav (1890–1965)
Frau Anne (or “Die Dame am Putztisch”) op. 6
Oper in zwei Akten. Text von Walther Ramdohr. (Deutsch)
Opera in Two Acts. Text by Walther Ramdohr. (German)
2S.Mez.2T.Bar.B Soli—SATB Chorus—2.2.3.3—4.2.3.1—
2Timp(Perc)—Hp—Str
_________________________________________________________
Legrenzi, Giovanni (1626–1690)
Eteocle e Polinice
Lhotka-Kalinski, Ivo (b. 1913)
Oper. Text von Tebaldo Fatturani. (Italienisch)
Opera. Text by Tebaldo Fatturani. (Italian)
7S.A.T.B Soli—0.0.0.0—0.0.3.0—Str—Bc
Der Knopf
(Deutsch)
The Button
Musikalische Groteske in einem Aufzug. Deutsch von Theo Tabaka.
Musical Grotesque in One Act. German translation by Theo Tabaka.
Il Giustino
(German)
Oper in drei Akten. Text von Nicola Beregan. (Italienisch)
Opera in Three Acts. Text by Nicola Beregan. (Italian)
Arianna/Soprano, Anastasio/Soprano(or Tenor), Giustino/Soprano(or
Tenor), Eufemia/Soprano, Vitaliano/Alto, Brillo/Bass, Polimante/Bass,
Abra/Bass
2S.2S/2T.A.3B Soli—0.0.0.0—0.1.0.0—Str—Bc
The Man/Tenor, The Woman/Soprano, Silent Father/Tenor, Silent
Mother/Alto, The Maid/Soprano
2S.A.2T Soli—2.1.2.1—2.2.1.0—Timp—Perc—Str / 25'
1 Bühnenbild
Pomet, der Ehestifter
_________________________________________________________
Leoncavallo, Ruggiero (1858–1919)
I Pagliacci
Der Bajazzo
Drama in zwei Akten und einem Prolog. Text vom Komponisten.
Urtext. Deutsch Ernst Märzendorfer. (Italienisch/Deutsch)
Drama in Two Acts with a Prologue. Text by the composer. German
translation by Ernst Märzendorfer. (Italian/German)
Carnio/Tenor, Nedda/Soprano, Tonio/Baritone, Peppe/Tenor,
Silvio/Baritone, Two Builders/Tenor and Bass
S.3T.2Bar.B Soli—SATB Chorus—3.3.3.3—4.3.3.1—Timp—Perc—
2Hp—Str—Off-stage: 0.1.0.0—0.1.0.0—Perc—Str (1.0.0.0.0) / 60'
Oedipus Rex
König Ödipus / Edipo Re
Oper in einem Aufzug. Text von Giovacchino Forzano. Deutsch von
Peter Funk. (Italienisch/Deutsch)
Opera in One Act. Text by Giovacchino Forzano. German translation by
Peter Funk. (Italian/German)
Oedipus/Baritone, Jokaste/Soprano, Kreon/Tenor, Teiresias/Bass, A
Corinthian/Baritone, A Shepherd/Tenor
S.2T.2Bar.B Soli—SATB Chorus—2.2.2.2—4.3.3.1—Timp—Perc—
Hp—Str / 60'
1 Bühnenbild
Pomet, the Matchmaker
Komische Oper in drei Akten (Deutsch) / Comic Opera in Three Acts
(German)
3S.A.4T.2Bar.3B Soli—SATB Chorus—Ballet—3.2.2.2—4.3.3.1—
Timp—2Perc—Hp—Str / abendfüllend / full length work
_________________________________________________________
Ligeti, György (1923–2006)
Aventures & Nouvelles Aventures
Musikalisch-dramatische Aktion in 14 Bildern für 3 Sänger und
7 Instrumentalisten; 3 Pantomimen, Tänzer und Statisten ad lib.
Libretto vom Komponisten.
Musical-Dramatic Action in Fourteen Scenes for three singers and
seven instrumentalists. Music and libretto by the composer.
Cs.S.Bar Soli—3 Mime Artists (2Male&1Female)—Dancers
(Males&Females ad lib (at least one dancer has to be male and athletic
for the role of the Olympic Runner))—Extras—1(Picc).0.0.0—1.0.0.0—
Perc—Cemb—Pf—Str (0.0.0.1.1) / 35'-40'
C F Peters Musikverlag [Score/Partitur EP 4838 & EP 5913; Libretto EP 5935]
_________________________________________________________
London, Edwin (b. 1929)
Poebells (A Ritual Action)
Text by Edgar Allan Poe (English)
a) Music for percussion ensemble with narrator and singers;
b) Theatre/dramatic music for percussion ensemble, narrator & singer;
c) Music for two singers, narrator and percussion.
Narrator—Mez.T Soli—10/12Perc / 24'
_________________________________________________________
286
Mayuzumi
Lorentzen, Bent (b. 1935)
Marschner, Heinrich (1795–1861)
Der Steppenwolf
Hans Heiling
Text von Michael Leinert (Deutsch/German)
HighS.S.Mez.A.T.B-Bar.B Soli—Mixed Choir—Small Symphony
Orchestra: 2.1.2.1—2.1.1.0—Timp—2Perc—Pf—Cel—Str / 120'
Romantische Oper in 1 Vorspiel und 3 Akten (Deutsch)
Romantic Opera in Three Acts with Prelude (German)
Queen of the Earth-Spirits/Soprano, Hans Heiling/Baritone,
Anna/Soprano, Getrude/Alto, Konrad/Tenor, Stephan/Bass
2S.A.T.Bar.B Soli—SATB Chorus—2.2.2.2—4.2.3.0—Timp—Str—Offstage: 2.0.2.2—2.1.3.0
7 Bühnenbilder
Edition Samfundet
_________________________________________________________
Lortzing, Albert (1801–1851)
Undine
Romantische Oper in vier Akten (Soldan) (Deutsch)
Romantic Opera in Four Acts, edited by Soldan (German)
Bertalda/Soprano, Ritter Hugo von Ringstetten/Tenor,
Kühleborn/Baritone, Tobias/Bass, Marthe/Alto, Undine/Soprano,
Veit/Tenor, Hans/Bass, Pater Heilmann/Bass
2S.A.2T.Bar.3B Soli—SATB Chorus—2.2.2.2—4.2.3.1—Timp—Perc—
Str
6 Bühnenbilder
Edition Peters [Vocal Score/Klavierauszug EP 2053]
_________________________________________________________
Mascagni, Pietro (1863–1945)
Cavalleria rusticana
Opera in One Act edited by Soldan (Italian/Italienisch)
Santuzza/Soprano, Turiddo/Tenor, Lucia/Alto, Alfio/Baritone, Lola/Mez
S.Mez.A.T.Bar Soli—2Narrators—SATB Chorus—Orchestra
Edition Peters
[Vocal Scores available only / Nur Klavierauszüge erhältlich: EP 4400]
_________________________________________________________
Der Waffenschmied
Komische Oper in drei Akten (Soldan) (Deutsch)
Comic Opera in Three Acts, edited by Soldan (German)
Stadinger/Bass, Marie/Soprano, Liebenau/Baritone, Georg/Tenor,
Adelhof/Bass, Irmentraut/Mezzo Soprano, Brenner/Tenor,
Schmiedegeselle/Bass
S.Mez.2T.Bar.3B Soli—SATB Chorus—2.2.2.2—4.2.3.0—Timp—
Perc—Str
4 Bühnenbilder
Edition Peters [Vocal Score/Klavierauszug (Kruse) EP 2052]
Der Wildschütz
Komische Oper in drei Akten (Soldan) (Deutsch)
Comic Opera in Three Acts, edited by Soldan (German)
Count/Baritone, Countess/Mezzo Soprano, Baron/Tenor,
Baroness/Soprano, Nanette/Mezzo Soprano, Baculus/Bass,
Gretchen/Soprano, Pankratius/Bass
2S.2Mez.T.Bar.2B Soli—2.2.2.2—4.2.3.0—Timp—Perc—Str
3 Bühnenbilder
Mayr, Simon (1763–1845)
Medea in Corinth
Oper in zwei Akten. Bearbeitung von Mölich/Bauer. (Deutsch)
Opera in Two Acts. Edited by Mölich/Bauer. (German)
Creonte/Baritone, Egeo(Aegeus)/Tenor, Giasone(Jason)/Tenor,
Medea/Soprano, Creusa/Soprano, Ismene/Soprano, Evandro/Tenor,
Tideo/Tenor
3S.4T.Bar Soli—2 Children—SATB Chorus—2.2.2.2—
4.2.3.Serpent.0—Timp—Perc—Str / abendfüllend / full length work
— Italian Edition by Opera Rara (Medea in Corinto)
Opera Seria in Two Acts. Libretto by Felice Romani. (Italian/Italienisch)
Creonte/Baritone, Egeo(Aegeus)/Tenor, Giasone(Jason)/Tenor,
Medea/Soprano, Creusa/Soprano, Ismene/Soprano, Evandro/Tenor,
Tideo/Tenor
3S.4T.Bar Soli—2 Children—SATB Chorus—2.2.2.2—
4.2.3.Serpent.0—Timp—Perc—Str / abendfüllend / full length work
Opera Rara recording: ORC11 (& ORR215 highlights)
Opera Rara
_________________________________________________________
Zar und Zimmermann
Mayuzumi, Toshiro (1929–1997)
Komische Oper in drei Akten (Deutsch/Englisch)
Comic Opera in Three Acts (German/English)
Peter Michaelow/Baritone, Peter Ivanov/Tenor, van Bett/Bass,
Marie/Soprano, Witwe Browe/Alto, Marquis/Tenor, Lefort/Bass, Lord
Syndham/Bass
S.A.2T.Bar.3B—2Speaking Roles—SATB Chorus—2.2.2.2—4.2.3.0—
Timp—Perc—Str
3 Bühnenbilder
_________________________________________________________
Luening, Otto (1900–1996)
Evangeline
An Opera in Three Acts. Libretto by the composer. Text based on the
poem by Henry Wadsworth Longfellow. (English)
Oper in drei Akten. Libretto von Komponsiten nach Henry Wadsworth
Longfellow. (Englisch)
Narrator—Speaking Voice Solo—5S.2Mez.A.3T.4Bar.2B Soli—SATB
Chorus—2.2.2.2—2.2.1.0—Timp—Perc—Hp—Str / 180'
_________________________________________________________
Bugaku (Court Dance Music)
Ballet
2.Picc.3.2.B-cl.2.Cbsn—4.3.3.1—Timp—4Perc—Hp—Pf—Str / 26'
Olympics
Ballet in One Act
0.0.0.0—2.2.2.0—2Perc—Pf—Db / 20'
The Temple of the Golden Pavilion
Der Tempelbrand
Opera in Two Acts, based on the novel by Yukio Mishima. Libretto by
Claus H. Henneberg. (English/German)
Oper in zwei Akten nach einem Roman von Yukio Mishima. Libretto von
Claus H. Henneberg. (Englisch/Deutsch)
Mizoguchi/Baritone, Father/Baritone, Mother/Soprano, Young
Man/Tenor, Abt Dosen/Bass, Tsurukawa/Baritone, G./Silent,
Hure/Soprano, Kashiwagi/Tenor, Girl/Soprano, Uiko/Alto, Japanese
Officer/Tenor, 4 Solo Voices behind the scenes
3S.A.2T.3Bar.B Soli—SATB Chorus—3.3.3.3—4.3.3.1—Timp—Perc—
Hp—Cel—Pf—Str
_________________________________________________________
287
McNeff
McNeff, Stephen (b. 1951)
Beatrix Potter’s Jemima Puddle-duck and Her Friends
Musical Play based on Beatrix Potter’s The Tale of Jemima Puddle-duck,
The Tale of Jeremy Fisher, The Tale of Samuel Whiskers and The Tale of
Squirrel Nutkin, adapted by Adrian Mitchell with narrative and lyrics by
Adrian Mitchell and music by Stephen McNeff (English)
7-9 Soloists (various configurations are possible including: Sopranos,
Mezzos, High/Medium Voices & Baritone)—SATB Chorus—Piano—
Violin—Acdn—Gtr—Bjo—Db—Perc (some instruments played by
members of cast)
What I Heard About Iraq
for Speaker and Chamber Ensemble
Text from What I Heard About Iraq by Eliot Weinberger (English)
Speaker (Actor)—Cl(B-cl)—Hn—2Vln—Vla—Vc—Kybd (not piano)—
Perc / c. 20'
_________________________________________________________
Mercadante, Saverio (1795–1870)
Emma d'Antiochia
Tragedia lirica in Three Acts. Libretto by Felice Romani.
Beatrix Potter’s Peter Rabbit and His Friends
Musical Play based on Beatrix Potter’s The Tale of Peter Rabbit, The Tale
of Benjamin Bunny, The Tale of Mrs Tiggywinkle and The Tale of Mrs
Tittlemouse, adapted by Adrian Mitchell with narrative and lyrics by Adrian
Mitchell and music by Stephen McNeff (English)
Soloists—2(II=Picc).2(II=Ca).2.2—2.2.1.0—Timp—2Perc—Hp—Str
3S.2T.Bar Soli—SATB Chorus—2(II=Picc).2.2(B-cl).2—
4.2.2.0.Cimbasso—Timp—Perc—Str—Banda
Opera Rara
Maria Stuarda regina di Scozia
Highlights only. Dramma serio in Two Acts. Libretto by Gaetano Rossi.
Clockwork
Opera for Children, based on the novel by Philip Pullman. Libretto by
David Wood (English)
S.2Mez.2T.2Bar.B Soli—1(Picc). 0.1(B-cl).0—1.0.0.0—Hp—Perc—Str
(1.0.0.1.1) / 90'
S.2Mez.T.B Soli—SATB Chorus—2(II=Picc).2.2.2—2.2.20—Timp—
Perc—Str
Opera Rara recording: ORR241 (highlights)
Opera Rara
Orazi e Curiazi
Lyric Tragedy in Three Acts. Libretto by Salvadore Cammarano.
Gentle Giant
Opera for Children, based on the book Gentle Giant by Michael
Morpurgo. Libretto by Mike Kenny. (English)
S.Mez.T.Bar Soli—Fl(Picc)—Vc—Hp—Perc / 65'
2S.2T.Bar.B Soli—SATB Chorus—2.Picc.2.2.2—4.2.3.0.Ophicleide—
Timp—Perc—Str
Opera Rara
Matins for the Virgin of Guadalupe (English)
Virginia
S Solo—Cl(B-cl)—Vln—Vc—Pf / 60'
In preparation (2008)
Opera Rara
Names of the Dead
Zaira
Libretto compiled by Kate McGrath and Tom Morris
S Solo—String Quartet / c. 56'
Strip Jack Naked
Libretto by Vicki Pepperdine (English)
Mez Solo—1(Picc).0.1(B-cl).0—0.1.0.0—Vln—Vc—Perc(Drum Kit
[Pedal BD, Snare Dr/High tom-t/Low Tom-t/Hi-hat/Large susp.
Cym/Ride (domed) Cym/Splash Cym]/Vib/Glock/Tam-t/Vibraslap,
Tgl/Pea whistle/Temple block/Wood block)—Kybd (played by
conductor) / c. 40'
Tarka the Otter
Libretto by Richard Williams based on the novel by Henry Williamson
(English)
A mixed cast of professional and non-professionals:
Professional: The Officer (Baritone), Old Nog (Mezzo Soprano),
Owl/Poacher’s Mate (BassBar), The Hunt Master/Poacher (Tenor)
Semi-professional: Tarka (Actor/Mover), Graymuzzle (Actor/Mover),
Tarka’s Mother (Soprano)
Non Professional: Deadlock (young man with broken voice),
Whitetip/Halcyon (Young soprano), Tarka’s Father (Speaker)
Other principal parts: 8 Otterhounds (Children’s Chorus), Small Animals
(Children’s Chorus), Lost Fish (No sung), Duck Father (Actor/Singer),
Duck Mother (Actor/Singer), Ducklings Children (Singing), Picnic Man
(No Sung), Picnic Woman (No Sung), The Hunt (Chorus Members),
Chorus: The forest, the River, Nature itself (Mixed chorus of adults and
children
SSAATB (Minimum 6 6 4 4) Soli—Chorus—1(Picc).1(Ca).2(II=B-cl).1—
1.1.1.0—Perc—Hp—Str (1.1.1.1.1) / c. 86'
Highlights only. Melodramma tragico in Two Acts. Libretto by Felice
Romani. (Italian/Italienisch)
2S.2T.Bar.B Soli—SATB Chorus—2.Picc.2.4.2—4.2.3.0—Timp—
Perc—Hp—Str
Opera Rara
_________________________________________________________
Meyerbeer, Giacomo (1791–1864)
Il crociato in Egitto
The Crusade in Egypt
Melodramma eroico in Two Acts. Libretto by Gaetano Rossi.
2S.Mez.T.B Soli—SATB Chorus—2.2.2.2—2.2.3.0—Timp—Perc—Str
Opera Rara
Dinorah
Opera comique in Three Acts. Libretto by Jules Barbier, Michel Carre
and Giacomo Meyerbeer. (French/Französisch, Italian/Italienisch)
2S.Mez.2T.Bar.B Soli—SATB Chorus—2.Picc.2.Ca.2.B-cl.2—5.2.3.0—
Opera Rara
L'esule di Granata
The Exile of Granata
Highlights only
Melodramma in Two Acts. Libretto by Felice Romani. (Italian/Italienisch)
S.Mez.2T.2B Soli—SATB Chorus—2.Picc.2.2.2—4.2.2.0.Serpent—
Timp—Perc—Str—Banda (0.0.6.2—4.6.3.0.Serpent—Perc—Hp)
Opera Rara recording: ORR234 (highlights!)
Opera Rara
288
Mozart, W. A.
Gli Amori di Teolinda
Die Entführung aus dem Serail KV 384
Comic Opera in One Act / Opera buffa in einem Akt (Italian/Italienisch)
Mez Solo (Teolinda)—Cl Solo—2.2.2.2—2.0.0.0—Str
Il Seraglio K384 / The Abduction from the Seraglio K384
Komische Oper in drei Akten. Text von Christoph Friedrich Bretzner.
(Deutsch)
Comic Opera in Three Acts. Text by Christoph Friedrich Bretzner.
Margherita d'Anjou
Melodramma semiseria in Two Acts. Libretto by Felice Romani.
S.Mez.2T.2Bar.2B Soli—SATB Chorus—2(II=Picc).2.2.2—4.2.2.0—
Opera Rara
_________________________________________________________
Miroglio, Francis (1924–2005)
Il faut rêver dit Lénine
Opera. Libretto by Roger Pillaudin. (French)
Oper. Libretto von Roger Pillaudin. (Französisch)
7 Voices—Chorus—1(Picc).1(Ca).1(Sax).0—1.1.1.0—2Perc—Pf(Synth
(Yamaha YC30 if possible))—ElecGtr—Str (1.0.0.0.1) / 100'
_________________________________________________________
Mozart, Wolfgang Amadeus (1756–1791)
Bastien und Bastienne KV 50 (46b) (1768) (R. Kleinmichel)
Bastien and Bastienne K50 (46b)
Singspiel in einem Akt / Singspiel in One Act (Deutsch/German)
La Clemenza di Tito KV 621
Titus KV 621
(Curjel/Paumgartner)
Opera seria in drei Akten. (Italienisch/Deutsch)
Opera seria in Three Acts. (Italian/German)
Titus/Tenor, Vitellia/Soprano, Sevilia/Soprano, Sextus/Soprano,
Annius/Soprano, Publius/Bass
4S.T.B Soli—SATB Chorus—2.2.2.2—2.2.0.0—Timp—Str
6 Bühnenbilder
Cosí fan tutte KV 588
Urtext (Schünemann/Soldan) (Italian/Italienisch, German/Deutsch)
Komische Oper in zwei Akten / Comic Opera in Two Acts
Fiordiligi/Soprano, Dorabella/Mezzo Soprano, Guglielmo/Baritone,
Ferrando/Tenor, Despina/Soprano, Don Alfonso/Bass
2S.Mez.T.Bar.B Soli—SATB Chorus—2.2.2.2—2.2.0.0—Timp—Perc—
Str
4 Bühnenbilder
Abendfüllend / full length work.
Edition Peters [Vocal Score/Klavierauszug EP 4474;
New German version by Peter Brenner/Neufassung des deutschen Textes von
Peter Brenner EP 8703;
New German version by Peter Wittig/Neufassung des deutschen Textes von
Peter Wittig ebenfalls erhältlich]
Don Giovanni KV 527
Urtext (Schünemann/Soldan).
Dramma giocosa in zwei Akten (Italienisch/Deutsch)
Drama Giocosa in Two Acts (Italian/German)
Don Giovanni/Baritone, Leporello/Bass, Commendatore/Bass, Donna
Anna/Soprano, Don Ottavio/Tenor, Donna Elvira/Soprano,
Masetto/Bass, Zerline/Soprano
3S.T.Bar.3B Soli—SATB Chorus—2.2.2.2—2.2.3.0—Mand—Timp—
Str—Stage-band
(German)
Bassa Selim Constanze/Soprano, Blondchen/Soprano, Osmin/Bass,
Belmonte/Tenor, Pedrillo/Tenor
2S.2T.B Soli—SATB Chorus—2.Picc.2.2.Bst-hn.2—2.2.0.0—Timp—
Perc—Str
Edition Peters
Die Gärtnerin aus Liebe KV 196
La finta giardiniera K196 / The Gardener in Love K196
Komische Oper in drei Akten. Text nach Raniero Calzabigi von Ernst
Legal und Hans Henny Jahnn. (Deutsch)
Comic Opera in Three Acts. Text based on Raniero Calzabigi by Ernst
Legal and Hans Henny Jahnn. (German)
Armida/Soprano, Cavaliere Ramiro/Soprano, Serpetta/Soprano,
Marchesa Violante Onesti/Soprano, Don Archise/Tenor, Graf
Belfiore/Tenor, Roberto/Bass
4S.2T.B Soli—SATB Chorus—2.2.2.2—2.2.0.0—Timp—Str
Idomeneo KV 366
Neubearbeitung von Richard Strauss
New edition by Richard Strauss
Oper seria in drei Akten. Neubearbeitung von Richard Strauss und
Lothar Wallenstein. Text nach dem Italienischen des Abbate
Giambattista Varesco. (Deutsch)
Opera in Three Acts. Text by Giambattista Varesco. New Edition by
Richard Strauss and Lothar Wallenstein. Text based on the Italian by
Giambattista Varesco. (German)
3S.T.Bar.2B Soli—SATB Chorus—2.Picc.2.2—4.2.3.0—Timp—Str
(min. 12.12.8.6.6) / 120'
Heinrichshofen
Idomeneo KV 366
Oper seria in drei Akten. Text von Giambattista Varesco.
(Italienisch/Deutsch)
Opera seria in Three Acts. Text by Giambattista Varesco. (Italian/German)
3S.5T.B Soli—SATB Chorus—Orchestra/ 120'
Le nozze di Figaro KV 492
Die Hochzeit des Figaro KV 492 / The Marriage of Figaro K492
(Schünemann/Soldan)
Komische Oper in vier Akten (Italienisch/Deutsch)
Comic Opera in Four Acts (Italian/German)
Count Almaviva/Baritone, Countess/Soprano, Susanna/Soprano,
Figaro/Bass, Don Basilio/Tenor, Dr Bartolo/Bass, Marcellina/Mezzo
Soprano, Cherubino/Soprano, Antonio/Bass, Barbarina/Soprano, Don
Curzio/Tenor, Two Maidens/Soprano and Mezzo Soprano
5S.2Mez.2T.Bar.3B Soli—SATB Chorus—2.2.2.2—2.2.0.0—Timp—Str
4 Bühnenbilder
Edition Peters [Study Score/Studienpartitur EP 899;
Vocal Score/Klavierauszug EP 4472;
New German version by Walter Felsenstein also available/Neufassung des
deutschen Textes von Walter Felsenstein]
Pantalon und Colombine KV 446
Pantalon and Colombine K446
Musik zu einer Pantomime, ergänzt von Franz Beyer. (Deutsch)
Music to a Pantomime, completed by Franz Beyer. (German)
Voices—1.2.0.2—2.2.0.0—Timp—Str / 30'
Edition Kunzelmann GmbH [Score & Parts/Partitur & Stimmen Oct.10113;
Vocal Score/Klavierauszug GM 1755]
Vocal Score/Klavierauszug EP 4473;
New German version by Brenner/Neufassung des deutschen Textes von Peter
Brenner EP 8913]
289
Mozart, W. A.
Der Schauspieldirektor KV 486
The Impresario K486
Komödie mit Musik in einem Akt (Deutsch)
Comedy with Music in One Act (German)
2S.T Soli—Pf
Die Zauberflöte KV 620
The Magic Flute K620
Oper in zwei Aufzügen. Text von Emanuel Schikaneder. (Deutsch)
Opera in Two Acts. Text by Emanuel Schikaneder. (German)
Sarastro/Bass, Tamino/Tenor, Speaker/Bass, 3
Priests/Tenor/Speaker/Speaker, 3 Queen’s Maids/3Sopranos, Queen of
Night/Soprano, Pamina/Soprano, Papageno/Bass, an old woman
(Papagena)/Soprano, Monostatos/Tenor, 3 Boys/3Sopranos, 2 Men in
Armour/Tenor/Bass, 3 Slaves/Speakers
9S.4T.4B Soli—5Speaking Roles—SATB Chorus—2.2.2.2Bst-hn.2—
2.2.3.0—Timp—Glock(Cel)—Str—Off-stage: Fl—Glock
11 Bühnenbilder
Due opere buffe
Lo sposo deluso ossia La rivaltà di tre donne per un solo amante
L'oca del Cairo (Mozart/Ueckert/Bergamo) (Italian/Italienisch)
Original Ausgabe. Neufassung zweier Buffo-Opernfragmente als zwei
einaktige Opern mit Ergänzungen nach Mozartschen Skizzen und
Entwürfen von Anna Bergamo (Libretti) und Hans Ueckert (Musik).
New edition of fragments from 2 single Act Operas completed from
Mozart’s sketches by Anna Bergamo (Libretti) & Hans Ueckert (Music)
2.2.2.2—2.2.0.0—Timp—Cemb—Str
— Lo sposo deluso ossia La rivaltà di tre donne per un solo amant
Opera buffa (Fragment) von W. A. Mozart Textdichter unbekannt, KV
430 (424a) / Fr 1784d, Neue Mozart-Ausgabe II/5/14
Bocconio/primo buffo caricato, basso, Eugenia/prima buffa, soprano,
Bettina/seconda buffa, soprano, Metilde terza buffa, soprano, a
virtuoso singer and dancer Don Asdrubale/ primo buffo mezzo
carattere, tenore, a young man of noble birth Pulcherio/secondo
buffo mezzo carattere, tenore, a friend of Bocconio
Gervasio/secondo buffo caricato, basso, guardian of Eugenia
2.2.2.2—2.2.0.0—Timp—Cemb—Str / 85'
— L’oca del Cairo
Dramma giocosa per musica (Fragment) von W. A. Mozart
Text von Giovanni Battista Varesco, KV 422 / Fr 1784c, Neue
Mozart-Ausgabe II/5/13
L'oca del Cairo Don Pippo/primo buffo caricato, basso, marquis of
Ripasecca, Celidora/prima buffa, soprano, Lavina/seconda buffa,
soprano, Auretta/terza buffa, soprano, Biondello/primo buffo mezzo
carattere, tenore, Calandrino/secondo buffo mezzo carattere, tenore,
Chichibio/secondo buffo caricato, basso
2.2.2.2—2.2.0.0—Timp—Cemb—Str / 65'
_________________________________________________________
Nestroy, Johann (1801–1862)
Der Affe und der Bräutigam
The Monkey and the Bridegroom
Schauspiel in drei Akten aus dem Nachlass von W. Volker (Deutsch)
A Play in Three Acts based on a posthumous work by W. Volker
(German)
Herr von Flachkopf, Bertha, Lisette, Herr von Mondkalb, Kranz (Herr
von Mondkalb’s servant), Magister Geistreich, Buxbaum, Wilhelm von
Föhrental, Immerzorn, Gries und Gram, Blasius, Anton, Tigerzahn,
Mamok, Servants, Guests, Servants Tigerzahn
_________________________________________________________
Neubert, Günter (b. 1936)
Persephone oder Der Ausgleich der Welten
Oper in vier Akten. Libretto von Carl Ceiss nach einer Erzählung von
Werner Heiduczek. (Deutsch)
Opera in Four Acts. Libretto by Carl Ceiss based on a tale by Werner
Heiduczek. (German)
Persephone/Mezzo, Demeter/Alto, Hades/dramatic Baritone,
Zeus/Bass, Hermes/Tenor, Chor (bis zu 12-stimmig) / Choir (up to 12
voices, Tanzpaar oder Ballet / Dancing Couple or Ballet
Mez.A.Bar.T.B Soli—Chorus—3(I=A-fl,III=Picc).2.3(II=ClEb.III=Bcl).3(III=Cbsn)—4.6.4(4=Cimbasso/ContraB-tbn).0—Timp—3Perc—
2Hp—Str (1.1.1.1.1)—elektroakustische Verstärkungen,
Mehrkanalzuspiel / electro-acoustic amplification, multi-band tape (ad
lib.) / 110'
Weihnachtsgans Auguste
The Christmas Goose Auguste
Ein musikalisches Märchen nach einer Erzählung von Friedrich Wolf,
bearbeitet von Kurt Steiniger (Deutsch)
A Musical Tale based on a story by Friedrich Wolf, arranged by Kurt
Steiniger (German)
Children’s Chorus—Bass Buffo—2Narrators—1.0.Ca.0.B-cl.1—
1.0.1.0—Str—Tape / 31'
_________________________________________________________
Nicolai, Otto (1810–1849)
Die lustigen Weiber von Windsor
The Merry Wives of Windsor
Komisch-phantastische Oper in drei Akten (Deutsch)
Comic Fantasy Opera in Three Acts (German)
Falstaff/Bass, Herr Fluth/Baritone, Herr Reich/Bass, Fenton/Tenor,
Junker Spärlich/Tenor, Dr. Cajus/Bass, Frau Fluth/Soprano, Frau
Reich/Mezzo Soprano, Jungfer Anna/Soprano, A Citizen/Tenor
2S.Mez.3T.Bar.3B—Speaking Parts—SATB Chorus—2(II=Picc).2.2.2
—4.2.3.0—Timp—Perc—Hp—Str—Off-stage: Hp—Glock
6 Bühnenbilder
_________________________________________________________
Nielsen, Svend Hvidtfelt (b. 1958)
Uld
Wool
Chamber Opera. Ceremony for 3 Singers and Ensemble.
S.Mez.A Soli—1.0.1.0—0.0.1.0—2Perc—Hp—Str (0.0.1.1.0) / 16'
Edition Samfundet
_________________________________________________________
Nielsen, Tage (1929–2003)
Latter i Mørket
Laughter in the Dark
Chamber Opera in Three Acts. Text by Marianne Rosen after
Nabokov’s novel (Danish/German)
S.Mez.T.2Bar Soli—1.0.1.1—1.1.1.0—Perc—Pf—Str (1.1.1.1.1) / 90'
Edition Samfundet
_________________________________________________________
Nørholm, Ib (b. 1931)
The Garden Wall
Opera for 20 Singers and Chamber Orchestra
S.A.T.Bar.B Soli—1.1.1.1—1.1.1.0—Timp—Perc—Pf—Str (1.1.1.1.1) /
60'
Edition Samfundet
_________________________________________________________
290
Philips
Offenbach, Jaques (1819–1880)
Le chanson de Fortunio
Opéra-comique in One Act. Libretto by Hector Crémieux and Ludovic
Halévy. (French/Französisch)
6S.Mez.T.Buffo.Speaker Soli—Pf
Opera Rara [Vocal Scores available only / Nur Klavierauszüge erhältlich]
_________________________________________________________
Proserpina
Oper in drei Akten für Soli, Chor und Orchester. Bearbeitung und
Revision Herbert Handt. (Italienisch)
Opera in Three Acts by Giuseppe Sansovino da Quinault edited and
revised by Herbert Handt (Italian)
Proserpina/Soprano, Cerere/Soprano, Ciane/Soprano, Plutone/Tenor,
Ascalafo/Tenor, Giove/Bass
3S.2T.B Soli—SSATTB Chorus—2.2.2.2—2.2.1.0—Timp—Perc—Hp—
Str
Olsen, Poul Rovsing (1922–1982)
Usher
La serva padrona
Opera in Three Acts
Voices—2.2.2.2—4.3.2.1—Timp—3Perc—Hp—Pf—Str (6.5.4.3.4) / 50'
Edition Samfundet
_________________________________________________________
Pacini, Giovanni (1796–1867)
Alessandro nell’Indie
Opera (Italian/Italienisch).
S.Mez.2T.B Soli—SATB Chorus—2.2.2.2—4.2.3.0—Timp—Perc—Str
Opera Rara
Carlo di Borgogna
Melodramma romantico in Three Parts. Libretto by Gaetano Rossi.
2S.2T.2Bar Soli—SATB Chorus—2.2Picc.2.2.2—4.2.3.0—Timp—
Perc—Str
Opera Rara
Maria regina d'Inghilterra
Tragedia lirica in Three Acts. Libretto by Leopoldo Tarantini.
2S.Mez.2T.B Soli—SATB Chorus—2(Picc).2.2.2—4.2.3.0—Timp—
Perc—Hp—Str—Banda (2.Picc.2.2.2—4.2.3.0)
Opera Rara
_________________________________________________________
Paër, Ferdinando (1771–1839)
Der Herr Kapellmeister oder Antonius und Kleopatra
Komische Oper in einem Akt. Text vom Komponisten. Deutsche
Neuausgabe von Hans Brennert und Wilhelm Kleefeld. Neufassung von
Horst Georges und Karl Heinz Strasser. (Deutsch)
Comic Opera in One Act. Libretto by the composer. New German
version by H. Brennert and W. Kleefeld. New Version by Horst Georges
and Karl Heinz Strasser. (German)
2S.2T.Bar.B Soli—2(II=Picc).2.2.2—4.2.3.0—Timp—Perc—Str / 60'
Sofonisba
Highlights only. Dramma serio per musica in Two Acts. Libretto by
Domenico Rosetti. (Italian/Italienisch)
2S.Mez.2T.B Soli—SATB Chorus—1.2.2.2—2.1.0.0—Timp—Str
Opera Rara
Opera giocosa in Two Acts by Gennarantonio Federico transcribed and
revised by Herbert Handt (Italian)
Serpina/Soprano, Uberto/Bass, Vespone/Actor
S.B Soli—2.2.2.2—2.0.0.0—Cemb—Str (6.4.2.2.1)
Organico ridotto:1.1.2.1—2.0.0.0
_________________________________________________________
Pelēcis, Georgs (b. 1947)
Roald Dahl’s Jack and the Beanstalk
1-4Narrators—2(II=Picc).2.2(I&II=ClA).S-sax.2A-sax.2T-sax.Barsax.2(II=Cbsn)—4.2(I&II=TptA).2.B-tbn.1—Timp—Perc—Str / 25'-30'
— Chamber Version
1-4Narrators—2(II=Picc).1.2.1—2.1.1.1—2Perc
(Timp/BD/Cym/Glock/Guiro/SlapStick/Tgl/SD/Vib/WoodBlock/Xyl)—
Pf—Str (min. 1.1.1.1.1) / 25'-30'
_________________________________________________________
Pergolesi, Giovanni Battista (1710–1736)
Der getreue Musikmeister
The Faithful Music Master
Kammeroper in zwei Akten nach P. Arletta, neubearbeitet
von Arnold Schering (Deutsch)
Chamber Opera in Two Acts based on P. Arletta. Text and New Stage
Version by Arnold Schering (German)
Lauretta/Soprano, Lamberto/Tenor, Tracelino/Bass,
2 Servants/Speaking Roles
S.T.B Soli—2.1.0.0—0.0.0.0—Cemb—Mand—Str / 46'
1 Bühnenbild
C F Kahnt
_________________________________________________________
Philips, Julian (b. 1969)
Dolffin
Opera for Children. Libretto by Gwyneth Lewis. (English/Welsh)
An ensemble of 5 singers / instrumentalists in total with participation of
primary school children aged 9 –11 years. / 35-40'
Les Liaisons Dangereuses
Ballet / in preparation
_________________________________________________________
Wild Cat
Paisiello, Giovanni (1740–1816)
La Passione di Gesù Cristo Nostro Signore
Azione sacra in 2 parts by Pietro Metastasio transcribed and revised by
Herbert Handt. Oratorio/Stage work
Pietro/Soprano, Maddalena/Soprano, Giovanni/Tenor, Giuseppe
d'Arimatea/Bass
2S.T.B Soli—SSAATTBB Chorus—2.2.2.2—2.2.0.0—Org—Str
(8.6.4.4.2)
Opera for Children. Libretto by Berlie Doherty. (English/Welsh)
An ensemble of 5 singers / instrumentalists in total with participation of
primary school children aged 9 –11 years. / 35-40'
_________________________________________________________
291
Poniatowski
Poniatowski, Jozef (1816–1873)
Au travers du mur
Tosca
Musikdrama in drei Akten. Urtext (Seeger/Gurgel). Text von Giuseppe
Giacosa und Luigi Illica. Deutsche Übersetzung von Horst Seeger.
Through the Wall
Opera comique in One Act. Libretto by Vernoy de Saint-Georges.
English translation by Don White.
English language Vocal Scores available only
(Italienisch/Deutsch)
Opera Rara
Floria Tosca/Soprano, Mario Cavaradossi/Tenor, Baron
Scarpia/Baritone, Cesare Angelotti/Bass, The Verger/Baritone,
Spoletta/Tenor, Sciarrone/Bass, A Gaoler/Bass, A Shepherd/Child Solo
Voice
S.2T.2Bar.3B Soli—Child Solo—SATB Chorus—3.3.3.3—4.3.3.1—
Timp—Perc—Hp—Cel—Str—Off-stage: 1.0.0.0—0/4.0.0/3.0—
Perc(Dr)—Hp—Glock—Org—Vla
_________________________________________________________
Procházka, Rudolph von (1884–1936)
Das Glück
Märchenoper in einem Akt von Dr. Theodor Kirchner. Text vom
Komponisten. (Deutsch)
Fairy Tale in One Act by Dr. Theodor Kirchner. Text by the composer.
(German)
2Mez.A.3Bar Soli—SATB Chorus—2.2.2.2—4.3.3.0—Timp—Perc—
Hp—Str
Music Drama in Three Acts. Urtext (Seeger/Gurgel). Text by Giuseppe
Giacosa and Luigi Illica. German version by Horst Seeger.
(Italian/German)
C F Peters Musikverlag [Vocal Score/Klavierauszug EP 9639geb]
_________________________________________________________
Radauer, Irmfried (b. 1928)
_________________________________________________________
“clair-obscure”
Prokofiev, Serge (1891–1953)
Elektronisches Ballett / Electronic Ballet
Tape / 7'
Hamlet op. 77
_________________________________________________________
Musical scene from the tragedy by Shakespeare
Adapted from the original by E. Purdom and Herbert Handt. Additional
translations by Herbert Handt.
Reck, David (b. 1935)
Number 2
_________________________________________________________
Actress—1(Picc).0.0.B-cl.0—0.0.0.0—Perc—Gtr—Str (1.0.0.0.1) / 18'
Puccini, Domenico Vincenzo Maria (1771–
1815)
Il Ciarlatano
Opera in Two Acts transcribed and adapted by Herbert Handt (Italian)
Adele/Soprano, Marcellina/Soprano, Ernesto/Tenor, Filiberto/Tenor.
Astrolobio/Bass, Lasca/Bass
2S.2T.2B Soli—2.2.2.2—2.2.0.0—Cemb—Str (6.4.2.2.1)
_________________________________________________________
Puccini, Giacomo (1858–1924)
La Bohème
Oper in vier Akten, Herausgegeben von Reuter/Herz/Schlegel.
(Italienisch)
Opera in Four Acts. Edited by Reuter/Herz/Schlegel. (Italian)
2S.2T.2Bar.4B Soli—SATB Chorus—Childrens’ Chorus—Orchestra
Madama Butterfly
Japanische Tragödie in drei Akten. Urtext (Herz/Schlegel). Text von
Luigi Illica und Giuseppe Giacosa. Deutsche Übersetzung von Joachim
Herz und Klaus Schlegel. (Italienisch/Deutsch)
Japanese Tragedy in Three Acts. (Urtext). Text by Luigi Illica and
Giuseppe Giacosa. German translation by Joachim Herz and Klaus
Schlegel. (Italian/German)
Cio-Cio-San/Soprano, Suzuki/Mezzo Soprano, Kate Pinkerton/Mezzo
Soprano, BF Pinkerton/Tenor, Sharpless/Baritone, Goro/Tenor, Prince
Yamadori/Tenor, The Priest/Bass, Yakusidé/Bass, The Imperial
Commissioner/Bass, The Registrar/Bass
The Mother Tscho-tscho-sans/Mezzo Soprano, The Aunt/Soprano, The
Cousin/Soprano, The Child/Silent Role
3S.3Mez.2T.Bar.4B Soli—SATB Chorus—3.3.3.2—4.3.3.1—Timp—
Perc—Hp—Str—Off-stage: Glock—Japanese Glock—Japanese Tamtam—Vla-d’a
_________________________________________________________
Rein, Walter (1893–1955)
Der Struwwelpeter
Children’s Chorus—Pf / 31'
Edition Schwann Musikverlag
_________________________________________________________
Reynolds, Roger (b. 1934)
The Emperor of Ice Cream
Text by Wallace Stevens (English)
8 Solo Voices—2Perc—Pf—Db / 14'
Illusion
2 Actors, Baritone, High Soprano—Picc, Cl & Vc Soli—Chamber
Ensemble—8-channel computer sound / 50'
Justice
Text assembled by the composer from Aeschylus and Euripides
Actress—Soprano—Percussion—Multichannel computer sound—
Real-time surround sound—Staging / 48'
_________________________________________________________
Reznicek, Emil Nicolaus von (1860–1945)
Der Gondoliere des Dogen
Oper in einem Akt. Libretto von Paul Knudsen. (Deutsch)
Opera in One Act. Libretto by Paul Knudsen. (German)
Voices—2.2.2.2—2.2.0.0—Perc—Hp—Pf—Lute/Gtr—Ocarina—Str—
Off-stage: 1.0.0.0—2.1.0.Cb-tbn.0—Cel—Tamb—Rattle—Str (min.
1.1.1.1.1) / 50'
Heinrichshofen
_________________________________________________________
292
Russell
Rhodes, Phillip (b. 1940)
Rosing-Schow, Niels (b. 1954)
About Faces
Brand
Ballet
1(Picc).2(II=Ca).1.1—2.1.1.0—Timp—1Perc—Str—Film (optional) / 23'
Fire
Chamber Opera for Three Singers and Ensemble
A.T.Bar Soli—1.0.1.0—0.1.1.0—Perc—Str (0.0.0.1.0) / 22'
Edition Samfundet
From “Paradise Lost”
_________________________________________________________
An Opera-Oratorio in Three Acts. Text by John Milton. (English)
Narrator—SATB Chorus (with S.T.Bar Soli)—3(Picc&A-fl).2(Ca).2.3—
4.3.3.1—Timp—4Perc—Hp—Str / 76'
Rossini, Gioacchino (1792–1868)
La Cenerentola
_________________________________________________________
Aschenputtel / Cinderella
Komische Oper in drei Akten, Text von J. Feretti. Deutsche Textfassung
und musikalische Einrichtung von Walter Panofsky. (Deutsch)
Comic Opera in Three Acts. Text by J. Feretti. German translation and
musical arrangement by Walter Panofsky. (German)
Don Magnificio/Bass, Angeline/Soprano, Clorinde/Soprano,
Tisbe/Mezzo Soprano or Alto, Don Ramiro/Tenor, Dandini/Baritone
Buffo, Master of Ceremonies/Bass, Beggar/Bass
2S.Mez.T.Bar.3B Soli—SATB Chorus—2.2.2.2—2.2.1.0—Timp—
Perc—Str
4 Bühnenbilder
Ricci, Federico (1809–1877)
La prigione di Edimburgo
The Prisoner of Edinburgh
Highlights only
Melodramma semiserio in Three Acts. Libretto by Gaetano Rossi.
(Italian/Italienisch).
3S.2T.Bar.B Soli—SATB Chorus—2.2.2.2—4.2.2.0—Timp—Str
Opera Rara
_________________________________________________________
Ricci, Luigi (1805–1859)
Elisabetta regina d'Inghilterra
Serva e l'ussero
The Maid and the Hussar
Melodrama giocoso in One Act (Italian/Italienisch)
S.Mez.T.Bar.B Soli—1.2.0.0—2.2.1.0—Str
Opera Rara
Dramma per musica in Two Acts. Libretto by Giovanni Schmidt.
2S.Mez.3T Soli—SATB Chorus—1.Picc.2.2.2—2.2.3.0—Timp—Perc—
Str
_________________________________________________________
Opera Rara
Riisager, Knudåge (1897–1974)
La scala di seta
Månerenen
The Moon Reindeer
Voices—3.3.3.3—4.3.3.1—Timp—3Perc—Hp—Pf—Cel—Str / 45'
Edition Samfundet
_________________________________________________________
Riley, Dennis (1943–1999)
The Cats’ Concert (An Entertainment for Children)
Die seidene Leiter / The Silken Ladder
Farce in einem Akt für Soli und Orchester. Text von G. Rossi.
Deutsche Textfassung und musikalische Einrichtung von Walter
Panofsky. (Deutsch)
Comic Opera in One Act. Text by G. Rossi. German translation and
musical arrangement by Walter Panofsky. (German)
Don Parmenione/Baritone, Berenice/Soprano, Lucilla/Soprano,
Leandro/Tenor, Germano/Baritone or Tenor
2S.T.2Bar Soli—1.2.2.1—2.0.0.0—Str / 60'
1 Bühnenbild
Opera for Children in Two Senes. Libretto by Joseph Pazillo. (English)
S.Mez.T.B-Bar Soli—5 singing and 3 speaking roles for children—
Children's Chorus / 70'
Farsa in Two Acts arranged and revised by Herbert Handt (Italian)
Giulia/Soprano, Lucilla/Soprano (or Mezzo Soprano), Dorvil/Tenor,
Dormont/Tenor, Germano/Bass, Blansac/Bass
2S.2T.2B Soli—2(2).2.2.2—2.2.0.0—Str (8.6.4.4.2) / 60'
Rappaccini’s Daughter
Opera in One Act based Nathaniel Hawthorne. Libretto by Joseph
Pazillo and Dennis Riley. (English)
S.Mez.T.B-Bar.B Soli—2(Picc).A-fl.2(Ca).2(B-cl).2—2.2.1.0—Timp—
2Perc—Hp—Pf—Str / 90'
_________________________________________________________
La scala di seta
_________________________________________________________
Russell, Barry (b. 1955)
first love, last orders
Rimsky-Korsakov, Nikolai (1844–1908)
An Opera for performance in pubs. Text by the composer. (English)
S.Bar Soli—Fl—Tpt—Perc—Vc / 10'
Scheherazade op. 35
Ballett in 1 Akt von L. Bakst und M. Fokin
A Ballet in One Act by L. Bakst and M. Fokine
2.Picc.2(II=Ca).2.2—4.2.3.1—Timp—Perc—Hp—Str / 41'
An Office Orpheus
_________________________________________________________
An Opera for performance in an office. Text by the composer. (English)
S.Bar Soli—Cl—Vib—Kybd—Vc / 15'
snow falling on the wrong kind of leaves
293
Russell
stags, hens and inflatable sheep
An Opera for performance in pubs (with audience participation).
Text by the composer. (English)
S.Bar Soli—Fl—B-cl—Tpt—Perc / 10'
stay — don't — go — (don't)
An Opera for performance on a station platform. Text by the composer.
(English)
S.Bar Soli—Cl—A-sax—Perc—Vc / 10'
waitress service, pay at the bar
_________________________________________________________
Scarlatti, Alessandro (1660–1725)
La Giudetta di Cambridge
Oper. Bearbeitung von Lino Bianchi. (Italienisch)
Opera. Edited by Lino Bianchi. (Italian)
3 Solo Voices (Giuditta/Bass, Oloferne/Tenor, Nutrice/Alto)—Cemb—
Org—Str
_________________________________________________________
Scarlatti, Domenico (1685–1757)
La Dirindina
Farsetta per musica in Two Parts by Girolamo Gigli (Intermezzo)
arranged and revised by Herbert Handt (Italian)
Dirindina/Soprano, Don Carissimo/Bass, Liscione/Tenor
S.T.B Soli—Cemb—Str
_________________________________________________________
Saint-Saëns, Camille (1835–1921)
Le Carnaval des Animaux
Der Karneval der Tiere / The Carnival of the Animals
Musiktheater für Kinder und Erwachsene ab 6 Jahren.
Text: Michael Kloss, Hansgeorg Mahler, Manfred Roth. (Deutsch)
Textfassung für die Aufführung mit Orchester. Textfassung für die
Aufführung mit Grammophon. Ort der Handlung: Ein Hühnerhof. Zeit
der Handlung: Zwei Stunden vor Beginn des Karnevals der Tiere
Music theatre for Children aged 6 and over and Adults
Text by Michael Kloss, Hansgeorg Mahler and Manfred Roth. (German)
Text Versions for performance with Orchestra and recording. Place of
action: A chicken farm; Time of action: Two hours before the start of the
Carnival of the Animals
Florihahn Federkiel, Huhnigunde Legebrecht-Federkiel, Huhnhilde
Drückeberger-Federkiel, Martha Hari-Federkiel, Hahnelore NestlingerFederkiel, Johahn Legebrecht-Federkiel, Huhnibert LegebrechtFederkiel, Johenne Federweiser, Sämtliche Legehennen der Klasse A
(beliebige Anzahl), Menschen im Frack
Fl—Cl—2Pf—Xyl—Harm—Str / 50'
C. F. Peters Musikverlag
_________________________________________________________
Satie, Erik (1866–1925)
Geneviève de Brabant
Text von J. P. Contamine de Latour (Lord Cheminot)
Deutsche Übersetzung und Bearbeitung von Manfred Roth und Michael
Kloss. Orchestrierung und Ergänzung von Sylvain Cambreling. (Deutsch)
Text by J. P. Contamine de Latour (Lord Cheminot).
New German edition by Manfred Roth and Michael Kloss.
Orchestration and completion by Sylvain Cambreling. (German)
2S.Mez.Bar Soli–SATB Chorus—1.1.1.B-cl.1—1.1(inC).1.0—Timp—
Perc—Str
_________________________________________________________
Saunders, Rebecca (b. 1967)
Schanderl, Hans (b. 1960)
Der Maschinist
Oper in fünf Akten. Libretto von Lutz Hübner. (Deutsch)
Opera in five Acts. Libretto by Lutz Hübner. (German)
Johann Nepomuk Mälzel/Baritone, Anton/Signor Blitz/Tenor,
Mörder/Jean Schlumberger/Bass,
Gunda/Mädchen/Therese/Praterfrau/Zweite Besucherin/Soprano
Mutter/Dame/Erste Besucherin/Blumenverkäuferin/Schließerin/Frau
Amerika/Mezzosoprano,
Erster Junge/Erster Flüchtling/Aristokrat/Erster
Besucher/Wahrsager/Tenor,
Zweiter Junge/Zweiter Flüchtling/Offizier/Zweiter
Besucher/Mönch/Arbeiter/Junge/Mann Amerika/Bass,
Mann/Sekretär/Ansager/Bürgermeister/Bass,
Beethoven/Sprechstimme,
Erster Musiker/Matrose/Sprechstimme,
Zweiter Musiker/Arbeiter/Sprechstimme,
Dritter Musiker/Arbeiter/Kapitän/Sprechstimme,
Flüchtlingskind/Praterkind/Sprechstimme,
Boris/Sprechstimme, Eugen/Sprechstimme
S.Mez.2T.Bar.3B Soli—7 Sprechstimmen—SSSSAAAATTTTBBBB
Chorus—2(I=Picc,II=A-fl).1.2(I=ClBb,II=B-cl).1.Cbsn—2.1(TptD).1.1—
Perc—Pf—Str (6.5.4.3.4)—Phonogramme (Zuspielmusiken auf CD) /
150'
_________________________________________________________
Schibler, Armin (1920–1986)
Antoine und Carmela op. 81
Ein Stück für Musik. Text von A. Goldmann. ins französische übersetzt
von J. Matter and R. Sassy. (Deutsch/Französisch)
A Piece for Music. Text by A. Goldmann. French translation by
J. Matter and R. Sassy. (German/French)
Narrator, Antoine, Carmela, Secretary, Commissioner, Agent, Male
Voice, Fans, Stranger/Bass, Dumarchais/Baritone, Sterkowitsch
Portier/Tenor, Woman/Alto
A.T.Bar.B Soli—1(Picc).1(Ca).1(B-cl).Sax.1—2.1.1.0—Perc—Hp—
Cel—Pf—Acdn/Harmonica—Str
insideout
Music for a choreographic installation with Sasha Waltz
0.0.1.0—0.1.0.0—Perc—Pf—Acdn—ElecGtr—Str (1.1.0.1.1) / 100'
Antoine und die Trompete
_________________________________________________________
Scalabrini, Paolo (1713–1803)
Kærlighed uden Strømper
Love without Stockings
The music for Johan Herman Wessel’s play
2S.T.2Bar.B Soli—Pf—4.2.1.1—Timp—2Perc—Str / 25'
Ein Kammermusical (Deutsch) / A Chamber Musical (German)
Bookseller, Colonel, Lawyer/Bass, Dumarchais Direktor, Enzo
(Producer)/Baritone, Sterkowitsch/Tenor, Garbatti (Chamber
Singer)/Mezzo, Ninon (Carmela’s friend)/Soprano, Antoine, Carmela,
Pierre, Claudio, André, Conny, Lilo, Manfred Passanten, Youths,
Policemen, Soldiers, Speaker
Soloists—ElecGtr—ElecBassGtr—Kybds—Polysynthesiser—JazzPerc—Str / 120'
Edition Samfundet
_________________________________________________________
294
Stahmer
La Folie de Tristan
Musikalisches Mysterium für vier Gesangssolisten, drei Sprechstimmen,
Kammerchor, Orchester und Jazzrockgruppe. Text von Marie de
France, Joseph Bédier ynd Armin Schibler. Französische Fassung von
Daniel Reichel. (Deutsch/Französisch)
Musical Mystery for Four Soloists, Three Narrators, Chamber Chorus,
Orchestra and Jazz Rock Group. Text by Marie de France, Joseph
Bédier and Armin Schibler. French translation by Daniel Reichel.
(German/French)
Tristan/Tenor, Iseut/Soprano, Brangien/Mezzo, King Marc/Bass,
Fisherman, Porter, Chevalier/Baritone, Speaker
S.Mez.T.Bar.B Soli—Speakers—SATB Chorus—
A: 2.2.2.2—1.1.1.0—Perc—Hp—Pf—Cemb—Str;
B: S-sax—A-sax—T-sax—ElecGtr—Org—Bass—JazzPerc—Recording
of Mixed Chorus / 70'
Die Legende von den drei Liebespfändern
Ballet parlé. Text von H. Waggerl. (Deutsch)
Ballet parlé. Text by H. Waggerl. (German)
Der Kesselflicker/Dancer, Das Mädchen/Dancers
S Solo—Narrator—1.0.1(A-sax).1—0.0.1.0—ElecCemb—Str (1.0.0.0.1)
/ 21'
Mozart und der graue Bote
Kammeroper in einem Akt. Text von T. Wilder. (Deutsch)
Chamber Opera in One Act. Text by T. Wilder. (German)
Mozart/Tenor, Konstanze/Soprano, Bote/Baritone
S.T.Bar Soli—SATB Chorus—2.2.2.2—2.2.3.0—Timp—Str / 32'
Schubert, Franz (1797–1828)
Alfonso and Estrella (Rosamunde) D797
Romantische Oper in vier Akten. Bearbeitung von J. N. Fuchs. (Deutsch)
Romantic Opera in Four Acts. Arranged by J. N. Fuchs. (German)
2S.3T.2Bar.B Soli—SATB Chorus—2.Picc.2.2.2—4.2.3.0—Timp—
Perc—Hp—Str—Off-stage: 0.2.2.2—2.2.0.0—Hp
_________________________________________________________
Schwaen, Kurt (b. 1909)
Craqueville
Komische Oper (Deutsch) / Comic Opera (German)
Baker/Tenor, Euridice/Mezzo Soprano, 1st Farmer’s Wife/Alto, 2nd
Farmer’s Wife/Alto, Croquette/Soprano, Pater/Baritone,
Bürgermeister/Tenor, Teacher/Baritone, Alphone/Baritone
S.2A.Mez.2T.3Bar Soli—SATB Chorus—2.2.2.2—2.0.0.0—Perc—Hp—
Cel—Str
Der eifersüchtige Alte
Kammeroper. Text vom Komponisten nach einem Zwischenspiel von
Cervantes. (Deutsch)
Chamber Opera. Text by the composer after Cervantes. (German)
Canizares/Bass, Dona Lorenza /Soprano, Cristina/Soprano, Gevatter
des Canizares/Baritone, Frau Hortigosa /Alto, Liebhaber/Tenor
2S.A.T.Bar.B Soli—Small Chorus—0.0.1.1—1.0.0.0—2Pf / 35'
Das Spiel vom Dr. Faust
Sansibar oder Die Rettung
Musikalische Szenenfolge in zwei Akten nach Alfred Anderschs
“Sansibar oder Der letzte Grund”. Text vom Komponisten. (Deutsch)
Musical Scene in Two Acts based on Alfred Andersch’s “Sansibar oder
Der letzte Grund”. Text by the composer. (German)
Helander/Baritone, Knudsen/Bass, Bertha/Mezzo Soprano,
Landlord/Tenor, Kröger/Baritone, Schwede/Baritone, Judith/Soprano,
Gregor/Tenor, Mahlmann/Actor
S.Mez.2T.3Bar.B Soli—SATB Chorus—2.2.2.2—4.2.2.1—Timp—
Perc—Hp—Pf—Str / 120'
Oper in 1 Prolog und 9 Bildern. Text vom Komponisten unter Benutzung
alter Quellen. (Deutsch)
Opera (Prologue and Nine Scenes). Text by the composer. (German)
7 Solo Voices—Female Chorus—1.1.1.1—1.1.1.0—Timp—Perc—Pf—
Str (0.0.0.0.1) abendfüllend / full length work
_________________________________________________________
Sheriff, Noam (b. 1935)
Heptaprism (Ballet Music for Orchestra)
_________________________________________________________
1.1.2.1—1.1.1.0—2Perc—Pf—Str / 20'
IMI
Schierbeck, Poul (1888–1949)
_________________________________________________________
Fête galante
Siegmeister, Elie (1909–1991)
An Opera in Three Acts
A.T.Bar Soli—2.2.2.2—4.2.1.1—Timp—2Perc—Str / 25'
The Mermaid in Lock No. 7
Schnyder, Daniel (b. 1961)
A Musical Play with Wind Symphony Orchestra accompaniment. Text
by Edward Mabley. (English)
S.A(Blues Singer).Bar.B Soli—SATB Chorus—3(2Picc).2.Ca ad
lib.2.ClEb ad lib.B-cl ad lib.2.Cbsn ad lib—4.4.Flg-hn ad lib.3.1—
2/3Perc—Hp ad lib—Cel ad lib—Vib ad lib—Pf—Db / 50'
Der Sturm
Edition Samfundet
_________________________________________________________
The Tempest
Oper in zwei Akten. Libretto von Eike Gramss nach Shakespeare.
Opera in Two Acts. Libretto by Eike Gramss based on Shakespeare.
(Deutsch/German)
Prospero, Miranda, Caliban, Ariel, Ceres, Juno, Iris, Alonso, Ferdinand,
Sebastian, Antonio, Gonzales, Tonsolo, Stephano
Soloists—3.3.3.3—4.3.3.0—Perc—Pf
_________________________________________________________
— Reduced Version
S.A(Blues Singer).Bar.B Soli—SATB Chorus—1(Picc).1.2.1—
2.2.1.0—2Perc—Cel ad lib—Pf—Db / 50'
_________________________________________________________
Stahmer, Klaus Hinrich (b. 1941)
Espace de la solitude
Ballet
Gtr Solo—2 Tapes / 27'
295
Stahmer
Die Stimme des Flusses
Roald Dahl’s Cinderella
The Voice of the Rivers
Ballet
Narrator—Perc—Gtr—Tape/Live Electronics / 31'
Narrator—Children's Choir and Flexible Orchestra—Professional
Ensemble: 1.1.2(II=B-cl).1—1.1.1.0—Timp—Perc—Pf—2Hp—Kybd—
Str / 50'
_________________________________________________________
Strauß, Johann (1825–1899)
Drei Grazien
Die Fledermaus (Original Version)
Originalfassung / Original Version. Urtext (Freyer)
Komische Operette in drei Akten. Text von Carl Haffner und
Richard Genée. (Deutsch)
Comic Operetta in Three Acts. Text by Carl Haffner and
Richard Genée. (German)
Gabriel von Eisenstein/Tenor, Rosalinde/Soprano, Frank/Baritone,
Prince Orlofsky/Mezzo Soprano, Alfred/Tenor, Dr Falke/Baritone, Dr
Blind/Tenor, Adele/Soprano, Ida/Soprano, Melanie/Soprano,
Faustine/Soprano, Felicita/Soprano, Minni/Soprano, Sidi/Soprano,
Hermine/Alto, Natalie/Alto, Sabine/Alto, Silvia/Alto, Ali-Bey/Tenor,
Ramusin/Tenor, Murray/Bass, Cariconi/Bass, Four Servants/Tenors,
Frosch and Ivan/Speaking Roles
8S.Mez.4A.9T.2Bar.2B Soli—2 Speaking Roles—Ballet—SATB
Chorus—2.Picc.2.2.2—4.2.3.0—Timp—Perc—Str
Three Graces
Opern-Parodie. Text von Carl Maria von Weber. (Deutsch)
Opera Parody. Text by Carl Maria von Weber. (German)
Agnes/Soprano, Brunhilde/Mezzosoprano, Albrecht/Tenor, Herzog/
Baritone, Einsiedler/Bass, Ghost/Speaker
S.Mez.T.Bar.B Soli—SATB Chorus—1.1.1.1—4.0.0.0—Perc—Hp—
Cemb—Str / 45'
— Grazie I - Italienische Opera Seria
— Grazie II - Französische Tragédie Lyrique
— Grazie III - Deutsche Romantische Oper
_________________________________________________________
Taub, Bruce J. (b. 1948)
_________________________________________________________
Passion, Poison and Petrification or the Fatal
Gazogene
Su, Cong (b. 1957)
A Chamber Opera after George Bernard Shaw (English)
S.T.B Soli—4 Actors—1(Picc).0.1.1—0.0.0.0—1Perc—Pf—Gtr—Str
(1.0.0.1.0) / 35'
Cuba Libre
Oper in 20 Bildern. Libretto von Daniel Call
Opera in 20 Scenes. Libretto by Daniel Call
Chorus (with Choildrens’ Voices)—3.2.2.2—3.3.3.1—4Timp—Perc—
Gtr—Kybd—Str / 135'
C F Peters Corporation [Vocal Score/Klavierauszug EP 66898a]
_________________________________________________________
Tchaikovsky, Peter (1840–1893)
The Nutcracker op. 71
Distance to Eternity
Ballet / Ballet
Chorus—0.0.1.A-sax.0—1.1.1.0—ElecGtr—Kybd—Str (2.1.1.1.1) / 51'
The Last Emperor
Ballett / Ballet
2.1.2.1—2.2.1.0—Timp—2Perc—Pf—Cel—Str (8.7.6.5.4)—1 Gao Hu—
1 Pi Pa—1 Sax.—1 Zhen—1 Pan Flute—1Scottish Bagpipe / 120'
_________________________________________________________
Ballet-Féerie in 2 Acts, 3 Tableaux (Urtext/S. Chebotaryov). Scenario
by M. Petipa after the tales ‘The Nutcracker and the Mouse King’ by E.
T. A. Hoffmann and ‘History of a Nutcracker’ by A. Dumas père.
Editorial materials in Russian and English. Stage directions and
composers notes in Russian, French and English.
Children's (Women's) Choir—3(II=Picc1,III=Picc2).2.Ca.2(A-cl).B-cl.2—
4.2.3.Tba—Timp—Perc—Glock—Cel(Pf)—2Hp—Str—Children's
Instruments (Cuckoo/Quail/Trumpets/Drums/Cymbals/Rabbit drums)
P. Jurgenson [Full Score/Partitur J 0023]
_________________________________________________________
Tcherepnin, Alexander (1899–1977)
Tal, Josef (b. 1910)
Der Abgrund
Amnon und Tamar
The Abyss
Ballet based on a novel by Leonid Andrejev
2.2.2.2—4.2.3.1—Timp—Perc—Hp—Pf—Str / 35'
Oper in einem Akt (vier Szenen). Text von Recha Frier nach dem
2. Buch Samuel, Kap. 13. Englische Fassung von Rahel Vernon.
(Deutsch/Englisch)
Opera in One Act (Four Scenes). Text by Recha Frier from Samuel II
Chapter 13. English version by Rahel Vernon. (German/English)
1(Picc).1(Ca).1.0—1.1.1.0—Perc—Hp—Cel—Pf—Str (0.0.1.1.1) / 40'
Heinrichshofen
_________________________________________________________
Tarnopolski, Wladimir (b. 1955)
Oh diese Russen
Eine musikalische Farce in 12 Nummern. Text vom Komponisten.
A musical Farce in 12 Numbers. Text by the Composer.
Hotelbesitzer/Baritone, Nicolas/Tenor, Sophie/Soprano, Drei Mafiosi/
Kontra-Alt(Sopran)/Tenor/Bass, Monja/Bass, Mamacha/Soprano, Zwei
Zigeunerinnen/Sopran/Mezzo-Soprano, Prinzessin/Mezzo-Soprano,
Zwei Polizisten/Tenor/Baritone, La Diva/Mezzo-Soprano,
Le Divo/Baritone, Chorus
4S.2.Mez.3T.3Bar.2B Soli—Chorus—1.1.3 (3Sax.).2—2.1.1.1—2Perc—
Pf/Cemb—Str / 55'
_________________________________________________________
Teglbjerg, Hans Peter Stubbe
Visdamen og Dommeren
The Wise Lady and the Judge
Chamber Opera in Three Scenes
Cs.Mez.B-Bar Soli—Fl—Tbn—Perc—Hp—Vc / 37'
Edition Samfundet
_________________________________________________________
296
Wallen
Thomas, Ambroise (1811–1896)
Vivaldi, Antonio (1678–1741)
La Cour de Célimène
Motezuma
The Court of Célimène
Opéra comique. Libretto by Rosier. (French/Französisch)
Le Commandeur de Beaupré/Bass, Le Chevalier de Mérac/Tenor,
La Comtesse/Soprano, La Baronne/Soprano
2S.T.B Soli—Chorus—2.2.2.2—4.2.3.0—Hp—Timp—3Perc—Str
Oper in drei Akten / Opera in Three Acts (Italian/Italienisch)
Heidelberger Fassung. Libretto von Alvise Giusti. Neukomposition der
fehlenden Nummern von Thomas Leininger.
Heidelberg Version. Libretto by Alvise Giusti. Completion of the missing
Numbers by Thomas Leininger.
Motezuma, Kaiser der Azteken/Emperor of the Aztekes/Baritone,
Mitrena, seine Frau/his wife/Mezzosoprano, Teutile, ihre Tochter/their
daughter/Soprano, Asprano, mexikanischer General/Mexican
General/Soprano, Fernando Hernán Cortés, spanischer
Conquistador/Spanish Conquistador/Soprano, Ramiro, sein Bruder/his
brother/Mezzosoprano, Spanische Soldaten, mexikanische Soldaten
und Priester, Volk (Spanish Soldiers, Mexican Soldiers and Priests,
People)
3S.2Mez.Bar Soli—Chorus—Blockflöte.2.0.2—2.Naturtrompete.0.0—
Timp—Bc—Str
Opera Rara
_________________________________________________________
Tüür, Erkki-Sven (b. 1959)
Wallenberg
Oper in zwei Akten. Libretto von Lutz Hübner. (Deutsch)
Opera in Two Acts. Libretto by Lutz Hübner. (German)
Wallenberg/Baritone, Eichman/Bass, Wallenberg 2/Tenor, German
Officer (also Ronald Reagan)/Baritone, First Survivor (also First
Rescued Person)/ Mezzo Soprano, Second Survivor (also Second
Rescued Person)/ Tenor, Third Survivor (also Third Rescued
Person)/Bass, First Guest (also Jacob Wallenberg in No. 19)/ Tenor,
Second Guest (also American General)/ Baritone, Third Guest (also
American Soldier in No. 19)/ Baritone, Three Diplomats/Mezzo Soprano,
A Lady/Low Mezzo Soprano, The Woman/High Soprano, First Russian
Officer/Tenor, Second Russian Officer/Tenor, Third Russian
Officer/Dumb Role, Three Gulag Prisoners/Baritone (generally speaking
roles)/ Employees, Speaking roles, Chorus
Soloists—Speaking Roles—Chorus—2.2.3.2—3.4.3.1—Timp—4Perc—
Hp—Synth—Str / 90'
_________________________________________________________
Wagner, Richard (1813–1883)
Lohengrin
Romantische Oper in drei Akten (Deutsch)
Romantic Opera in Three Acts (German)
Edition Peters
_________________________________________________________
Parsifal (Mottl)
Oper in drei Akten (Deutsch) / Opera in Three Acts (German)
Verdi, Giuseppe (1813–1901)
Edition Peters
Don Carlos
(Kapp/Soldan)
Oper in 1 Vorspiel und 4 Akten (Deutsch)
Opera with Prelude and Four Acts (German)
Philipp II/Bass, Don Carlos/Tenor, Rodrigo/Baritone, Grand
Inquisitor/Bass, A Monk/Bass, Elisabeth/Soprano, Eboli/Mezzo
Soprano, Tebaldo/Soprano, Countess Aremberg/Silent, Count
Lerman/Tenor, Herold/Tenor, A Voice/Soprano
3S.Mez.3T.Bar.3B Soli—SATB Chorus—3.2.2.4—6.2.3.1—Timp—
Perc—Hp—Str—Stage Band
6 Bühnenbilder
La forza del destino
Die Macht des Schicksals / The Force of Destiny (Göhler)
Oper in vier Akten (Italienisch/Deutsch)
Opera in Four Acts (Italian/German)
Marquis Calatrava/Bass, Leonore/Soprano, Don Carlos/Baritone,
Alvaro/Tenor, Preziosilla/Mezzo Soprano, Peter Guardin/Bass. Fra
Melitone/Bass, Curra/Mezzo Soprano, Alkalde/Bass, Trabuco/Tenor,
Chirurg/Tenor
S.2Mez.3T.Bar.4B Soli—SATB Chorus—2(II=Picc).2.2(II=B-cl).2—
4.2.3.1—Timp—Perc—2Hp—Str—Off-stage: 6Tpt—Perc(4Dr)—Org
9 Bühnenbilder
_________________________________________________________
Viardot, Pauline (1821–1910)
Cendrillon
A Chamber Operetta in Three Acts. Words and music by Pauline
Viardot. (French/Französisch)
3S.Mez.2T.Bar Soli—Pf
Opera Rara recording: ORR212
Tannhäuser (Dresden Version)
Oper in drei Akten (Deutsch) / Opera in Three Acts (German)
Tannhäuser/Tenor, Hermann/Bass, Wolfram von Eschenbach/Baritone,
Walther von der Vogel Weide/Tenor, Biterolf/Bass, Heinrich der
Schreiber/Tenor, Reimar von Zweter/Bass, Elisabeth/Soprano,
Venus/Soprano, A Young Shepherd/Soprano
3S.3T.Bar.3B Soli—SATB Chorus—2.Picc.2.2.B-cl.2—4.3.2.B-tbn.1—
Timp—Perc(Tgl/BD/Cym/Tamb)—Hp—Off-stage: 4.2Picc.4.Ca.6.4—
12.12.4.0—Perc(Tgl/Cym/Tamb)
_________________________________________________________
Wallen, Errollyn (b. 1958)
Another America: Earth
Opera. Libretto by Errollyn Wallen. (English)
2S.Mez.A.3T.Bar.B Soli—1.0.0.1—1.1.1.0—2Perc—ElecBass—Str
(1.0.0.3.0) / 20'
Another America: Fire
Opera. Libretto by Errollyn Wallen. (English)
2S.2MezT.Bar.South African Singer.Young Child Soli—SATB Chorus—
1.0.1.1—1.1.1.0—Perc—Pf—ElecBass—Gtr—Hp—Str (3.2.2.1.0) / 45'
Jordan Town
Multi-media show. Songs: Guru, My Feet May Take A Little While,
North, What’s Up Doc? When I am Laid in Earth (arr. of Purcell), Jordan
Town, Jesus on a Train, Psalm, Daedalus
Piano/Voice performance—Film—String Quartet / 50'
Opera Rara
_________________________________________________________
297
Wallen
The Silent Twins
Oberon
Chamber Opera. Libretto by April de Angelis inspired by and based on
the book by Marjorie Wallace. (English)
3S.Mez.T.Bar.B-Bar Soli—Fl.Cl(B-cl)—Perc—Pf(Kybd)—
Vln.Vla.Vc.Db(ElecBass/Gtr) / 80'
Romantische Oper in drei Akten von J. R. Planché. Deutsch von Walter
Panofsky. (Deutsch)
Romantic Opera in Three Acts by J. R. Planché. German translation by
Walter Panofsky. (German)
Oberon/Baritone, Titania/Soprano, Puck/Speaker, Droll/Speaker,
Hüon/Tenor, Scherasmin/Baritone-Buffo, Der Kalif Mutassim/Speaker,
Rezia/Soprano, Fatime/Alto, Roschana/walk-on, Almansor/Speaker,
Abdallah/Speaker, Mermaid/Soprano
3S.A.T.2Bar Soli—5 Speakers—SATB Chorus—Ballet—2.2.2.2—
4.2.3.0—Timp—Perc—Str—Off-stage: 2.2.2.2—0.0.0.0—Perc
3 Bühnenbilder / abendfüllend / full length work.
_________________________________________________________
Weber, Carl Maria von (1786–1826)
Abu Hassan
Komische Oper in einem Akt von Carl Hiemer (Deutsch)
Comic Opera in One Act by Carl Hiemer (German)
S.T.B Soli—4 Speaking Roles—SATB Chorus—2(I&II=Picc).2.2.2—
2.2.1.0—Timp—Perc—Gtr—Str—Off-stage: 0.2.2.2—2.0.0.0 / 60'
C F Peters Musikverlag [Vocal Score/Klavierauszug EP 3010a]
— Textfassung von Martin Mosebach
New German spoken text by Martin Mosebach
Die drei Pintos
Oper in drei Akten, vollendet und instrumentiert von G. Mahler, nach
einem Text von Theodor Hell (Deutsch)
Opera in Three Acts completed and orchestrated by Gustav Mahler,
based on a text by Theodor Hell (German)
Don Pantaleone Roiz de Pachecho/Bass, Don Gomez de Freiros/Tenor,
Clarissa/Soprano, Laura (Clarissa’s Maid)/Mezzo Soprano, Don Gaston
Viratos/Tenor, Don Pinto de Fonseca/Bass, Landlord/Bass,
Inez/Soprano, Ambrosio (Servant)/Baritone, Housekeeper/Tenor
2S.Mez.3T.Bar.3B Soli—SATB Chorus—2.2.2.2—4.3.3.1—Timp—
Perc—Str
2 Bühnenbilder
C F Kahnt
Euryanthe
Dramatische Oper in drei Akten von Helmina von Chézy. Neufassung
von Kurt Honolka. (Deutsch)
Dramatic Opera in Three Acts by Helmina von Chézy. New edition by
Kurt Honolka. (German)
2S.Mez.2T.2B Soli—SATB Chorus—2.2.2.2—4.2.3.0—Timp—Str—Offstage: 2.2.2.2—4.4.3.0—Timp
Der Freischütz op. 77
Romantische Oper in drei Akten von Friedrich Kind (Deutsch)
Romantic Opera in Three Acts by Friedrich Kind (German)
Count Ottokar/Baritone, Cuno/Bass, Agathe/Soprano,
Ännchen/Soprano, Caspar/Bass, Max/Tenor, Eremit/Bass,
Kilian/Baritone, 4 Bridesmaids/Sopranos, Samiel/speaker
2S.2T.Bar.3B Soli—Speaking Role—SATB Chorus—2.2Picc.2.2.2—
4.2.3.0—Timp—Str—Off-stage: 0.0.1.0—2.1.0.0—Str (2.0.0.1.0)
5 Bühnenbilder
— Edition by Kurt Soldan (Deutsch/German)
6S.T.2Bar.3B Soli—Speaking Role—SATB Chorus—2.2.2.2—
C F Peters Musikverlag [Study Score/Studienpartitur EP 1000a;
— Urtext Edition by J. Freyer (Deutsch/German)
6S.T.2Bar.3B Soli—Speaking Role—SATB Chorus—2.2.2.2—
C F Peters Musikverlag [Study Score/Studienpartitur EP 9740;
Peter Schmoll
Komische Oper in zwei Akten. Bearbeitung von Göttig/Zallinger.
(Deutsch)
Comic Opera in two Acts. Edited by Göttig/Zallinger. (German)
Peter Schmoll/Baritone, Martin Schmoll/Bass. Minette/Soprano, Karl
Pirkner/Tenor, Hans Bast/Bass-Buffo, Niklas/Tenor-Buffo
S.2T.Bar.2B Soli—2.2.2.2—2.2.2.0—Timp—Str
Silvana
Romantische Oper in drei Akten von Carl Hiemer (Deutsch)
Romantic Opera in Three Acts by Carl Hiemer (German)
2S.3T.2Bar.B Soli—Speaking Role—SATB Chorus—Ballet—
2(II=Picc).2.2.2—4.2.1.0—Timp—Str—Stage Band: 0.0.0.0—4.0.0.0
_________________________________________________________
Werdin, Eberhard (1911–1991)
Der Fischer und sine Fru
The Fisherman and his Wife
für gleiche Stimmen und Instrumente (Deutsch)
for unison voices and instruments (German)
Unison Voices—Fl—Glock—Xyl—Perc—Str (3.0.0.1.0) / 70'
Der gestiefelte Kater
Puss In Boots
Voice I: Rec—Vln;
Voice II: Glock—Xyl—Metallophone;
Voice III: Perc—Bass / 50'
Des Kaisers neue Kleider
The Emperor’s New Clothes
für gleiche oder gemischte Stimmen und Instrumente (Deutsch)
for unison or mixed voices and instruments (German)
— Fassung A / Version A
Mixed/Unison Voices—Fl—Pf—2Vln—Vc ad lib / 60'
— Fassung B / Version B
Unison/Mixed Voices—Fl—Ob—Pf—Str (1.1.1.1.0) / 60'
Der König und sein Floh
The King and his Flea
Musikalische Komödie in fünf Bildern für gleiche Stimmen und
Instrumente (Deutsch)
Musical Comedy in Five Scenes for unison voices and instruments
(German)
Unison Voices—1.0.0.0—0.1.0.0—Perc / 70'
298
Wüsthoff
Der Rattenfänger
The Pied Piper
Unison Voices—1.D-rec.S-rec.A-rec.0.0.0—0.0.0.0—Perc—S/A-glock—
Gtr—S-xyl—A-xyl—Soprano Metallophone—Str (1.1.0.1.0) / 60'
Wuorinen, Charles (b. 1938)
Delight of the Muses
A Ballet based on two early sonatas by Mozart and incorporating the
stage music from “Don Giovanni”
2.2.2(ClA).2—4.2(TptC).3.1—Timp—Hp—Pf—Vib—Str / c. 25'-30'
Rumpelstilzchen
Haroun and the Sea of Stories
Rumpelstiltskin
Unison Voices—Rec—Perc—Glock—Str (3.0.0.1.0) / 60'
Die Wunderuhr
The Marvellous Clock
für Oberstimmen, Männerstimmen ad lib. und Instrumente (Deutsch)
for high voices, male voices ad lib and instruments (German)
High Voices—Male Voices ad lib—Rec—Perc—Xyl/Glock—Str
(3.0.0.1.0) / 60'
_________________________________________________________
Werner, Sven Erik (b. 1937)
The Secret Marriage
Chamber Opera (Arrangement of Cimarosa: The Secret Marriage)
2S.Mez.T.Bar.B Soli—0.0.1.1—0.0.1.0—Perc—Str (0.0.0.0.1) / 90'
Edition Samfundet
_________________________________________________________
Werzlau, Joachim (1913–2001)
Meister Röckle
Oper für große und kleine Leute in zehn Bildern. Text von Günther
Deicke. (Deutsch)
Opera in Ten Scenes. Text by Günther Deicke. (German)
Soloists—SATB Chorus—2.2.2.2—3.2.2.1—Timp—Perc—Cel—Pf—Str
Opera in Two Acts. Libretto by James Fenton based on the novel by
Salman Rushdie. (English)
Oper in zwei Akten nach einer Novelle von Salman Rushdie. Libretto
von James Fenton. (Englisch)
2 major roles: Rashid/Baritone, Haroun/Soprano
4 supporting roles: Mr Sengupta, Mr Snooty Buttoo & KhattamShud/Tenor, Miss Onneeta, Princess & Princess Batcheat/Alto, Butt the
Bus Driver & Butt the Hoopo/Bass, Iff the Water Genie/Tenor. Various
minor parts drawn from the Chorus
S.A.2T.Bar. B Soli—minor parts drawn from the Chorus—Chorus—
2.Picc.2.2.B-cl.2.Cbsn—4.2.3.1—Timp—3Perc—Hp—Pf—Str / 120'
[Score/Partitur EP 67890-S; Vocal Score/Klavierauszug EP 67890a]
The Magic Art: An Instrumental Masque drawn from
the works of Henry Purcell
1(Picc).2(II=Ca).1(B-cl).2—2.2.1.0—Timp—Hp—Pf—Str (min. 6.4.3.3.1)
/ 80'
— Suite
1(Picc).2(II=Ca).1(B-cl).2—2.0.0.0—Pf—Str / 25'
The Mission of Virgil
Ballet
3.2.3.2—4.2.3.1—Timp—3Perc—Hp—Pf—Str / 26'
The Politics of Harmony
A Masque. Text: Richard Monaco. (English)
A.T.B Soli—2(I=A-fl&Picc,II=A-fl).0.0.0—0.0.0.2—3Perc—2Hp—Pf—Str
(1.1.0.0.2) / 35'
_________________________________________________________
Wiltberger, Hans (1887–1970)
The W. of Babylon
(or The Triumph of Love over Moral Depravity)
Swinegel und Hase
Solo Voices—Rec—Perc—Str (2.0.0.1.0) / 30'
_________________________________________________________
A Baroque Burlesque in Two Acts. Text by Renaud Charles Bruce.
(English)
3S.A.2T.Bar.B Soli—Female Speaking Voice—
2(II=Picc).2(II=Ca).2(II=B-cl).2(II=Cbsn)—2.2.2.1—3Perc—Hp—Pf—Str
/ 120'
_________________________________________________________
Winter, Peter von (1754–1825)
Das Labyrinth oder Der Kampf der Elemente
Wüsthoff, Klaus (b. 1922)
Singspiel in zwei Akten. Text von Emmanuel Schikaneder. (Deutsch)
Singspiel in Two Acts. Text by Emmanuel Schikaneder. (German)
Solo Voices—2.2.2.2—2.2.2.0—Timp—Perc—Str
Himmel und Hölle
_________________________________________________________
Wolkow, Kirill
Bauernmärchen
Opera (Deutsch/German)
Solo Voices—1.1.1.1—1.1.1.1—Timp—3Perc—Pf/Cel—Hp—Str
_________________________________________________________
Ein deutsches Musical. Text von Eva-Maria Kabisch. (Deutsch)
A German Musical. Text by Eva-Maria Kabisch. (German)
Roles: Drummer/Speaker, the Inner Voice of the Drummers/Speaker,
Grandmother/Mezzo or Alto, Bettina von Arnim/Mezzo, Maid/Soprano or
Mezzo Soprano, Servant/Mezzo or Comic Alto, Sarah/Mezzo, “Hure
Politik”/Alto/Mezzo Soprano, Moses Mendelssohn, 2 Guards/Baritones,
Revolutionary/Tenor, Boy/Tenor, 2 Students/2Baritones, Emperor, Hitler
3Mez/3A.2Mez.2T.4Bar Soli—2 Speakers—SATB Chorus 1.1.1(Asax).1—2.3.2.0—2Perc—Org ad lib—Str—Rock Group: 2Kybd—
ElecGtr—ElecBass—Perc
Das Musical ist auch nur mit der Rockgruppe allein aufführbar.
The Musical can also be played by the Rock Group alone.
_________________________________________________________
299
Zechlin
Zechlin, Ruth (b. 1926)
An Aphrodite
Szenische Kammermusik nach Texten von Sappho, Homer und Anyte
(Deutsch)
Chamber Music Scene based on texts by Sappho, Homer and Anyte
(German)
2 Singers—2 Mime Artists—1.1.0.0—0.0.1.0—Perc—Pf—Str (1.0.0.1.0)
/ 18'
La Vita
Konstellation für Ballett / Constellation for Ballet
4.3.3.3—3.3.3.1—Timp—4Perc—Str / 56'
_________________________________________________________
300

section 2 stage works operas ballets teil 2

Transcrição

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