Verflixt Verliebt - Spotlight Media Productions AG

VERFLIXT VERLIEBT
CRAZY LOVE CRAZY
A film by
Peter Luisi
With
Pablo Aguilar, Sandra Schlegel, Simon Desbordes,
Philipp Stengele, Martin Rapold
Spotlight Media Productions Co. in co-production with
Filumé Film Productions and Teleclub Co.
Switzerland / Germany 2004
Original version Swiss Dialect, German, English, Spanish
92 minutes
35 mm (1:85 digital transfer)
Dolby Digital
Color
Distribution Switzerland:
Columbus Film Co.
Steinstrasse 21
8036 Zurich
Tel. 00411 462 73 66
Fax 00411 462 01 12
[email protected]
[email protected]
All the press material is available online under www.verflixtverliebt.ch.
Version 1.3/CH
06.12.2004
Synopsis
Short:
In order to win the heart of the young actress Mercedes, the Argentinian Biology student Miro poses as a famous filmmaker and gives her the leading part in his new
masterpiece. A venture with unexpected consequences.
Longer:
Argentinian biology student Miro falls madly in love with young actress Mercedes, but
is without a clue as to how to win her love. Then, a series of misunderstandings put
him in the hot seat as a famous film director. Miro grabs his chance to shoot a film
with Mercedes as his leading lady, hoping that she will fall for him. Whilst his plan is
crazy, it is simple enough and Cupid is on his side. But Miro hasn’t reckoned with two
film students who whish to shoot a “making-of” documentary of the great Argentinian
“director” at work
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Treatment:
At a police station in Zurich, a young Argentinean is being interrogated. His name is
Miro, and he is a biology student. He is not sitting there out of his own free will, and
he is telling how he got into this ridiculous situation. The police department video
camera is on.
Miro just wanted to see the final presentations of a film-acting-class together with an
English student friend, when it happened. Unsuspectingly he was sitting in the first
row of the small theater, when Mercedes stepped onto the stage. He falls head over
heels in love. This young, unusual acting student from Germany! He has never seen
anyone more beautiful before. Chance? Fate? A case of mistaken identify offers him
an opportunity -- and he takes it. The biology student changes into a well-known Argentinean director with an wild plan, namely to make a film with Mercedes as the
leading role, win her love, and finally marry her. Amour is challenged.
All Miro needs is money, lots of money. And he gets it from super rich Bruno Kuehe,
who is prepared to finance Miro's project under two conditions: first, he has to initiate
his Parisean stepson François in the craft of filmmaking, and secondly there has to
be a big explosion in the fim. Miro agrees and sets out to begin his big project. François, who in normal life is house painter, is neither helpful nor talented. So good so
far, if it were not for Peter and Luigi, two Swiss film students in the never ending
search for the perfect film idea. They follow Miro around with the idea of making a
documentary film of a great Argentinean director making a film. Since they both know
a lot more about making a film than Miro, they help him get a film crew together and
help organize the casting.
The first hurdles are surmounted: Mercedes gets her leading role, and the shooting
can begin. But then there is Alex, the leading man. The kissing scenes between him
and Mercedes are too passionate in Miro's eyes, and the 'great' director can no
longer hold back his jealousy. He wants to get rid of Alex as soon as possible. On the
spot he decides to take over the part himself in order to get closer to Mercedes. In
the evening after a successful day of shooting, she surprisingly confesses her love.
However, the two film students Peter and Luigi hear this, and sense a chance. By
engaging in intrigue the two of them hope to give their doc film some needed excitement. They create a false suspicion, which causes Mercedes to believe that Miro has
another girl friend. Jealousy is a bad bed fellow, and disaster is certain. Amour has
his work is cut out for him to bring it all to a happy end.
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Cast: (in alphabetical order)
Miro
Susi
François
Richard
Polizist
Angela
Alex
Polizeikommissar
Mercedes
Bruno Kühne
Filmstudent Luigi
Filmstudent Peter
PABLO AGUILAR
FIAMMA-MARIA CAMESI
SIMON DESBORDES
JEAN-BAPTISTE EYDT-THOMAS
JOËL HELMLINGER
SUSANNE KUNZ
MARTIN RAPOLD
MAX RÜDLINGER
SANDRA SCHLEGEL
NORBERT SCHWIENTEK
NICOLO SETTEGRANA
PHILIPP STENGELE
Family from Spain
VENUS MADRID
BARBARA BURGER
ALEXANDER und SONJA ILLIC
TV-Woman
Director Theater
Equipment Renter
PATRICIA BOSER
HELMUT VOGEL
ANDRÉ SIMMEN
Casting:
TINA PERGER
DAVID LUISI
MICHAEL FLÜCKIGER
REGULA FLÜCKIGER
NADJA RÜEGG
ROBERTO NESSENZIA
MIRO WALDVOGEL
SARAH HEIDERICH
YVEE WALDVOGEL
CORINNE ANDEREGG
BIANCA MEESTERS
REGULA KERN
Students
ROBIN RIEDMANN
VITAL WOHLGENSINGER
TRANG NGUYEN
Actors School Performance
MICHAEL FLÜCKIGER
NADJA RÜEGG
STEFAN HEINZER
MANUELA LUTZ
Interviews Train station
VANDA BION
URS WEYERMANN
CHANTELLE F.S. JANKIN
ROLF BRAND
BRUNO MÜLLER
Taxi driver
Flower delivery
WILLI ALTHERR
MARC GERBER
Stormtroopers
SIMON HESSE
MARC GERBER
RICCARDO ROSSI
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Credits:
Writer and Director
Producers
Co-producers
PETER LUISI
SIMON HESSE und PETER LUISI
WOLFGANG PANZER
CLAUDIA SONTHEIM
Editing
PETER LUISI
CLAUDIO DI MAURO
Music
FILIPPO TRECCA
MARTIN SCHLEGEL
Camera Video/16mm
Camera S-16mm/35mm
Cameraasistant
Photographer
NICOLO SETTEGRANA
ORIT TEPLY
JULIE FISCHER
RICARDO ROSSI
Lightiong
Dolly Operator
Lighting Assistant
Electrician
SIMON SCHAEREN
URS SCHMID
SIMONE BUCHMANN
ROBERTO NESSENZIA
Sound and Video
Perche
Sound Advisor
STEFAN GRAF
SIMON DESBORDES
DIETER MEYER
Production Coordinator
Assistant Director
Production Assistant
Set design
Costumes
Police Costumes
Make Up
Beards
SIMON HESSE
MARC GERBER
JEAN-BAPTISTE EYDT-THOMAS
JOËL HELMLINGER
JEAN-BAPTISTE EYDT-THOMAS
FRANZISKA KUMMER
SUNDARI WÜRGLER
MARTIN FURRER
Catering
BARBARA BURGER
Supervisor Postproduction
Editor
CLAUDIO DI MAURO
PETER LUISI
CLAUDIO DI MAURO
CIAMAC
STEFAN KÄHLIN
MARCO STRIHIC
PETER LUISI
Editing Assistant
SFX
Orchestra Arangement and Conductor
Rhythmic Coordinator
Music Mix
Saxophon Solist
Accordeon
PAOLO VIVALDI
FABRIZIO PIGLIUCCI
SIMONE CIAMMARUGHI
CHECCO MARINI
GIANLUCA CASADEI
Aditional Music
MARTIN SCHLEGEL/MASC
“SHAKE YOUR BOOTY” & “AT THE DOR”
Sounddesign
Sound Mix
GIANLUCA CARBONELLI, GH Sound
MARCO SAITTA
Graphic und Titeles
Illustrations
Webdesign
BENJAMIN RAUBER
VIKI METZLER
NETVERTISING
Communication
STEPHAN SPÜHLER
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Thought of the Author and Director
The problem of films costing a lot of money and my not having any, but still wanting
to make a movie, was as I said a problem. The solution was to make the unavoidable
low-budget aspect of the movie part of the story line.
Five years ago I saw the Belgium movie 'Man bites Dog' and was impressed by how
it was done. This film used the disadvantages of a low-budget production to its advantage. Part of the story is that all the shots in the film were taken by three film students and looked accordingly. 'Verflixt Verliebt' is based on a similar principle. All the
shots have their motivation in what happens in the film. The film consists only of
shots taken with cameras, which are present in the fictitious world of the film and can
be explained by it. It is part of the story that the shots were 'accidentally' taken, and
afterwards collected and made into a film. At the same time I did not want to make an
experimental film, but an entertaining cinema film. The way in which 'Verflixt Verliebt'
is made was not to be in the foreground of the story.
Before writing the script I knew which actors would play which roles. This was a great
help, because while writing I could imagine how the characters in the film would react. While shooting the actors later contributed important aspects to their parts. With
all the money in the world I could not have found better actors.
The crew was also great. All the members, as well as the actors, were ready to
forego 60% of their salary, in the event we would not receive public funding. In other
words, only people worked on the film, who were willing to give something up for it.
The feeling that we were making this film together strongly effected the work during
the shooting. Morale was excellent. Due to the special camera concept, we had the
flexibility to try out spontaneous ideas of members of the crew. For example, the
head lighting technician, Simon Schaeren, had the idea of using chimes to open the
save rather than a normal combination lock.
As a previous advertising editor, I imagined that cutting the film would be easier, and
underestimated it. Suddenly I had 300 different versions of the film in my computer.
The realization of my limits was sobering. I needed help disparately -- and I got it.
Claudia Sontheim and Wolfgang Panzer, who saw version 274 (or was it 298), liked
the film so much that they decided to become the German co-producers. Through
their contacts I was able to finish the film in Rome with Claudio Di Mauro. Wolfgang
Panzer and Claudio Di Mauro invested a lot of time helping me with the fine editing
and the completion. I am extremely grateful to these two experienced filmmakers,
from whom I learned and still learn so much.
I like to compare 'Verflixt Verliebt' to a caricature. The story is neither true nor realistic, however its message is unmistakable. A comedy can be a caricature of life without ridiculing it. 'Verflixt Verliebt' is also a comedy about people, who do absurd thing
because they are human. The two main characters love each other from the beginning, and yet they manage to lie, blame, and hurt each other, plus creating lots of
chaos.
In my opinion all people love each other, nonetheless humanity is full of self inflicted
scars. People are complicated beings, which complicates things. For example, here
there is the problem of communication. People do not communicate with each other
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but react to each other, particularly about things which they have difficulty communicating, such as love. What in real life is somewhat subtler (but not without devastating consequences) is purposefully exaggerated in 'Verflixt Verliebt.'
November 2003
Version: 1.3 / CH
Peter Luisi
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Production notes
Verflixt Verliebt
The question at the start of the film project was whether a young author and director
would get a chance to realize his first cinema film. After a few attempts to win over
experienced Swiss production firms, Peter Luisi's conclusion was to attempt it alone.
With his production firm Spotlight Media Co. behind him and the commitment of the
producer Simon Hesse ('Scheherazade,' Competition Locarno 2001), he took the first
steps toward realizing his film.
The Production
Unfortunately we had to do the shooting of the film without financial support from the
Federal Office for Culture and the Swiss Television (SF DRS), although not for lack
of verbal support and belief in the film’s potential appeal. With money of its own and
the courage of its convictions, Spotlight Media Productions Co. went to work. From
the beginning we were convince of being able to make an entertaining and at the
same time sophisticated film. The film roles were custom-made to the actors, and the
technical team was up to the demands of the job.
The shooting o f'Verflixt Verliebt.'’, which began January 4, 2003 and lasted 22 days,
was a complete success. Already the viewing of the footage shortly after the shootings confirmed our hopes: 'Verflixt Verliebt.' could be a success.
A Story with a Happy End
The primary goal of finding a Swiss distributor was fulfilled with the commitment of
COLUMBIA FILM CO., which by guaranteeing distribution contributed to the financing. Also those responsible for the MIGROS CULTURE PERCENT awarded the
maximum amount after seeing the rough cuts. However, at this time we were still
missing approximately CHF150,000 needed for the post-production and marketing
costs.
This is where the tension but also the fortunate part of the production story begins. In
June 2003 FILUMÉ FILMPRODUKTION LTD (Munich) of the co-producers Claudia
Sontheim and Wolfgang Panzer got involved. Their film ‘Broken Silence’ had been a
surprise success in 1996. They decided to guarantee the completion of 'Verflixt Verliebt.' In addition as mentors, they made important contributions. Finally TELECLUB
CO. became involved as a co-producer and insured the final financing and television
evaluation in Switzerland.
Thanks to our new partners Claudia Sontheim and Wolfgang Panzer and their excellent connections to Italy, the post-production of 'Verflixt Verliebt.' could be completed
in Rome. The manifold awarded editor Claudio di Mauro, who cut among other films
‘Azzuro’ by Denis Rabaglia, ‘Beyond the Clouds’ by Michelangelo Antonioni and
‘L’ultimo bacio’ by Gabriele Muccino (award winner Sundance 2001), was responsible for the post-production. He convinced Filippo Trecca, an Italian movie composer
living in the USA, to write the film music and to rehearse it with an orchestra in Rome.
Suddenly we had the possibility of working together with experienced movie makers
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in the international movie business. What could be more fortunate for a young film
maker? The improvement in quality is not to be overlooked.
We thank all the people and companies, co-producers and partner for their thoughtful, patient and valuable collaboration, and for their confidence in us. The story encourages us to continue to follow our dreams and our goals full force.
Simon Hesse, Producer, November 2003
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Writer / Director:
Peter
Luisi
Peter Luisi was born in Zurich, Switzerland in 1975. From 1982 -1994 he attended
the Rudolf Steiner School in Zurich. From 1994 -1996 he attended the University of
North Carolina in Wilmington, during which time he completed a supplementary
course in film production at the North Carolina Institute for Film and Video Production. In 1996 he transferred to the University of California in Santa Cruz, where he
graduated with ‘University & College Honors’ in 1998.
From 1998 -1999 Peter Luisi worked as video-editor for Techo Video and Film Co.,
where he contributed, among others, to the following productions: Lenzerheide
(movie spot, ADC Bronze Winner), Bluewin (movie spot), Panasonic (movie spot),
Sunrise (TV spot), Rhäzünser (TV spot), Passaggio (commercial), Butter (movie
spot) and Gölä (music video).
In 1999 he became self-employed and founded the one-man firm ‘Spotlight Luisi Media Productions.’ He received commissions from TV3, EURO RSCG and ETH Zurich.
The work included Elmex (TV spot), Orange (movie spot), Post (show video),
Tonopan (TV spot), Swissonline (show video) and City of Zurich (movie spot).
In 2000 he converted his one-man firm into ‘Spotlight Media Productions Corporation.’
Since 1999 Peter Luisi has worked as editor for directors Ernst Wirz, Marcel Langenegger, Yves Spink, Anna Luif, Thomas Lüchinger, Benjamin Kämpf, Werner Haltinger and Silvie Fleury on various short, documentary and advertising films.
In 2001 Peter Luisi was commissioned by C-Films to work as co-author with
Domenico Blass on the script of the television movie ‘Füür oder Flamme.’
In addition to his work as editor and director, Peter Luisi writes scripts. His last script
he made into the movie ‘‘Verflixt Verliebt’.’
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Peter Luisi – Filmography
___________________________________________________________________
Movie scripts:
2002
2001
2000
1999
1997
1995
‘We Try’ (feature film comedy)
‘The Ant Path’ (TV movie C-Films, work-in-progress/co-author)
‘Internationally Neutral’ (feature film comedy, work-in-progress)
‘Füür oder Flamme’ (TV movie SF DRS / co-author with Domenico
Blass)
‘One of a Kind’ (feature film comedy, work-in-progress)
‘Like a Spark’ (feature film drama)
‘Mr. Raindrop’ (short film comedy)
‘Something Like Sand’ (short film drama)
‘Lesley & Bill’ (feature film drama)
Editing:
1995 – 2003
Various short, documentary and advertising films for different
directors, among them Alberto Venzago, Ernst Wirz, Anna Luif,
Thomas Lüchinger, Benjamin Kämpf, Werner Haltinger, Silvie
Fleury. Many of these films received prizes.
Directing:
2000 – 2003
1998
1997
1995
Version: 1.3 / CH
Various commissions, layout and advertising films from among
others Wirz, Euro RSCG, TV3 and ETH Zurich
‘Mr. Raindrop’ (16mm, 17 minute short film/Audience Prize USSC)
‘Something Like Sand’ (16mm, 10 minute short film)
‘Lesley & Bill’ (16mm, 83 minute, unreleased feature film)
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Miro:
PABLO
AGUILAR
Film / Television:
2002
2001
1999
1997
1996-97
Television film: ‘Marilyn Meier,’ Halil, one of the main roles
(Stina Werenfels) CH
Advertising film for the Winterthur Short Film Festival (Tobias
Fueter) CH
Advertising film for the Winterthur Short Film Festival (Chris
Niemeyer) CH
Short film: ‘Timing’ Robert Bronsky (Chris Niemeyer) CH
Short film: ‘Cosas’ (Mariano Alvarez Parracia) ARG
TV Show: ‘El Rayo’ Moderator ARG
Theater:
2001
2000
Dance-Theater: ‘Antiglobalizacion’ (Andres Wecksman) ESP
Dance School Winterthur: collaboration with Alexandra Sachs
for degree CH
Theater: ‘Home Box Fight’ (Pablo Aguilar – Chris Niemeyer)
Professional Training:
1997-98
1993-95
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Conservatorio de arte Dramatico. BS.AS
Film School. Fundacion Universidad del Cine. ARG
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Mercedes:
SANDRA
SCHLEGEL
Film / Television
Short film ‘Selbstverbrennung’ R. Golla
Trailer ‘Zwischenzeit’ S. Zehnder
Television film ‘Ausgespielt’ (C. Kohlundt)
Commercial RTL Switzerland
Theater:
Pygmalion (A. Bethge), Eliza Doolittle
Faust (Rottweiler Zimmertheater), Witch, Will-o’-the-wisp
Hamlet (C. Schlingensieff, Schauspielhaus Zurich), Soldier
Clavigo (C. Pohle, Schauspielhaus Zurich), Bride, Chorus
Dracula (P Steiner, Turbine Theater Rottweil), Gypsy
Other:
Videoclip, E K R
Fashion show, photo shooting, Loreal, Redken NY
Live Acts with Beat Schlatter
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Peter:
PHILIPP
STENGELE
Film:
Im Rausch der Liebe, director M. Fischer (Bavaria Munich, 1997)
Die Madonna unter den Tieren, director R. Signorell (Filmmax, 19998)
Scheherazade, director R. Signorell (ARSENfilm, 2000)
Eden, director Signorell/Schwarz (ARSENfilm, 2001)
Othello, a blue movie (destemona production, not yet released)
Doc-film:
Kathrin, director U. Graf (Filmkollektiv, 1994-1997)
Aufstand der Unanständigen, director: Schwarz/Kohler (400asa, 2002)
Theater:
Deutsches Schauspielhaus in Hamburg, Schauspielhaus Zurich, Theater Basel,
Münchner Volkstheater, Theater of the City of Aalen, Tiroler Volksschauspiele,
Openair Theater Müller, 400asa, stengele.ost
Work with following directors (theater):
Benno Besson, Samuel Schwarz, Katharina Thalbach, Barbara Weber, Peter Palitzsch, Dieter Gising, Kaja Gaub, Udo Schön, Roland Lötscher, Fumi Matsuda, among others.
Radio plays:
Röstiblitz, directing Schwarz/Israel (400asa, 1998)
Philip Malony, directing R. Graf (Radio DRS3)
Various children’s programs (Radio DRS1)
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François:
SIMON
DESBORDES
Film/Television
2001
2000
Shortfilm: ‘Weihnachtssterne’ (Michael Lewinsky)
Advertising spot: ‘Musik.ch’ / ‘Nights.ch’ (Bettina Oberli)
Advertising spot: ‘Migros Frischland: Brot’ (Christopher Niemeyer)
Videoclip: Subzonic ‘Baby’ (Christopher Niemeyer)
Theater:
2001
2001
1999
1998
1997
‘Francis et les Grandes Dames’ Gloria rigole, Street Theater
‘Les Grandes Dames’ Gloria Rigole, Street Theater tourné of festivals,
CH/F
‘PERLUM,’ Gloria rigole, tourné CH/F
Project: ‘Nadir ou les points de vue,’ Gloria rigole/Le Thé à Trois,
Propriano, Corsica/F
Performance with ‘La Mauvaise Compagnie,’ Lausanne/CH
‘Witte Life Soap,’ Bananas and Fruit, Zurich/CH
‘Les Grenouilles,’ Gloria rigole
‘Guide familial,’ tourné CH/F
Other:
1994-1997
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Dimitri-School in Verscio/CH
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Alex:
MARTIN
RAPOLD
Film/Television:
2003
2003
2002
2002
2002
2002
2002
2001
2001
2001
2001
2000
2000
2000
1999
1998
‘Lücken im Gesetz,’ SF DRS, director Christoph Schertenleib
‚Achtung, fertig, Charlie!’ movie, director Mike Eschenmann
‘November,’ movie director Lukas Frieden
‘Dario M.,’ SF DRS, director Hans Liechti
‘Nocture,’ also co-author, movie, director Riccardo Signorell
‘Soko Kitzbühel,’ ORF, director Michael H. Zens
‚Mit Herz und Handschellen,’ SAT 1, director Andreas Senn
‚Der Ermittler,’ ZDF, director Peter Fratzscher
‘L.A.X.’ movie, director Floria Froschmayer
‘Spital in Angst,’ SF DRS, ORF, director Michael Steiner
‘Timeout,’ Tatort SF DRS, director Bernhard Giger
‘Bobby,’ director Vivian Naefe
‘Klimanjaro,’ SF DRS, director Mike Eschenmann
‘Cut away,’ short film, director Eva Marel-Jura
‘Aeon-Alarm im Weltall,’ Sat 1, director H. Neuhäuser
‘Exklusiv,’ movie, director Florian Froschmayer
Theater EFAS:
Christian Maske in ‘Der Snob’ (Carl Sternheim)
Freder in ‚Die Krankheit der Jugend’ (Ferdinand Bruckner)
Aston in ’Der Hausmeister’ (Harold Pinter)
Ivanov in ‘Ivanov’ (Anton Tschechow)
Award: Swiss ‘Shootingstar’ European Film Promotion at the Berlinale 2000
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Bruno Kühne:
NORBERT
SCHWIENTEK
Movies (Selection)
1996
1994
1988
1971
Das Schloss
Justiz
Das Spinnennetz
Der Tod des Flohzirkusdirektors
Bürgel
Stüssi-Leupin
Pisk
Moosbrugger
Michael Haneke
Hans W. Geissendörfer
Bernhard Wicki
Thomas Koerfer
Television (Selection)
2001 Big Deal
2000 Die Mann’s – Ein Jahrhundertromans
Wolfgang Schmitz Markus Fischer
Josef Roth
Heinrich Breloer
Theater (Selection)
Since 1967 among others Kammerspiele München, Schillertheater Berlin, Schauspielhaus Hamburg, Salzburger Festspiele, Theater Basel, Schauspielhaus Zürich
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Susi:
FIAMMA-MARIA
CAMESI
Film/Television
2001 Short film: ‘Weihnachtssterne’ (Michael Lewinsky)
Commercial: ‚Musik.ch’ / ‚Nights.ch’ (Bettina Oberli)
Commercial: ‚Migros Frischland: Brot’ (Christopher Niemeyer)
2000 Videoclip: Subzonic ‘Baby’ (Christopher Niemeyer)
Commercial: Verkehrssicherheit ‘Schau hin’ (Daniel Young)
Theater:
2002
2001
2001
2000
‚Francis et les Grandes dames’ Gloria rigole, Street Theater
‘Les Grandes dames’ Gloria rigole, Street Theater tourné at festivals, CH/F
‘PERLUM’ Gloria rigole, tourné CH/F
Project ‘Nadir ou les points de vue’ Gloria rigole/Le Thé a Trois, Propriano,
Korsika/F
Performance with ‘La Mauvaise Compagnie,’ Lausanne/CH
‘Witte Life Soap,’ Bananas and Fruit, Zurich/CH
1999 ‘Les Grenouilles’ Gloria rigole
Project ‘Comme il vous plaira’ Shakespeare la compagnie des Quatre cieux
(R. Bösch) tourné CH/F
1998 ‘Guide familial’ tourné CH/F
Other :
1994-1997
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Dimitri School in Verscio/CH
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Inspector Baumhagen:
MAX
RÜDLINGER
Film / Television (Selection)
‘Spital in Angst’ Federal police (Michael Steiner)
‘Vollmond’ Head of Security – nuclear power plant (Fredi Murer)
‘Das Schweigen der Männer’ (Clemens Klopfstein)
‚Broke’ (Benjamin Kämpf)
‚Alles wird gut’ (Thomas Hess)
‚Marilyn Meier’ Adrian Bruppacher (Stina Werenfels)
Theater (Selection)
‚Posse Royale’ (Vanessa Brandestini)
‘Max – an Adult Entertainment’ self-conceived one-man-show, Theaterspektakel Zurich/CH
‘Accra’ (Thomas Hostettler), Theater an der Effingerstrasse, Bern/CH
‚Top Dogs’ (Dodo Deer), Theater an der Effingerstrasse, Bern/CH
‚Hintern den sieben Bergen’ (Stefan Lichtensteiner), spoken chorus at the International Music Festival, Lucerne/CH
Performances together with Matthias Balzer, Alpodrom-Theater Chur, Zurich, Cologne, Frankfurt and Kassel.
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Angela (Polizistin):
SUSANNE
KUNZ
Television
1997-1999
‘OOPS!’ – Moderator and editor and various parodies, interviews and openings
2000-2002
‘Eiger, Mönch & Kunz’ – Editor and moderator
Theater:
‘Der Floh im Ohr’ the cook (Peter Steiner)
‚Die Geschichte der Pandabären’ the cook (Peter Steiner)
‚Medäa.214 Bildbeschreibungen’ with the Group 400 Asa in the Gessnerallee Zürich
(Samuel Schwarz)
Radio
1999-2000
Editor and moderator, Jugendradio VIRUS
Other:
Received the Walo Prize in January 2002 as Best Newcomer of the Year
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Producer:
Simon
Hesse
1996
1997/99
RICHARD, Oliver Rihs, Video 50’ feature film, CH
Training as production assistant and shooting director at Tin Tin Film
Co., Zurich
Coworker on various advertising films for movies and television
1998
LILIEN, Oliver Rihs, 35mm, 27’ short film, CH
Kodak Prize at International Film Festival Locarno 1999, ‘Pardi di Domani’
1999
Founded Arsen Film Ltd in Zurich
EDEN, R. Signorell and S. Schwarz, 16mm, 88’ television-series-pilot
film (serial 1 and 2), CH, Premier Solothurn Film Festival 2002
2000
Development and co-production of 3 short film projects
Production of layout-spots for UBS (Euro RSCG), Bluewin, Day,
Sunrise (Wirz)
AUSSENSEITER ODER GLOBAL PLAYER, exhibition on the life of
Hermann Hesse, concept and realization, Solothurn Palais Besenval
SPOOMAN, music-video production for Sony Music Switzerland
2001
SCHEHERAZADE, Riccardo Signorell, 35mm, 84’ feature film, CH
‘in competion’ at Locarno Film Festival 2001, Montreal, Hofer Film
Festival, Belgrad
Quality Award of the Federal Office of Culture, CH
ROMA, M. Schramm, D. Leuthold, 35mm, 17’ short film, CH in coproduction with SF DRS
BURGLER, industry film Swissonline, Additive Co., 16mm, 8’
BORDERLINE, script and project development, television film, CH/D
MOTHER’S PRIDE, music-video production for Sony Music Switzerland
SPOOMAN, music-video production for Sony Music Switzerland
LOCKSTOFF, music-video production for Sony Music Switzerland
Version: 1.3 / CH
20
06.12.2004
SWANDIVE, music-video production for Earforce, soundtrack to
SCHEHERAZADE
SPRINGS IS IN THE EAR, TV-spot, Sony Music Switzerland, 16mm,
5x30”
NO-SCHMID, movie-spot, Schmid Telecom Co, 35mm, 36”
2002
ZWISCHEN DEN SEEN, Samuel Schwarz, project development
feature film, CH 2004
GRENZÜBERSCHREITUNGEN, exhibition on Hermann Hesse,
Winterthur, CH
Various commissions for advertising films, among others for Condor
and MaxFilms
2003
CHARACTER, development of a docu-soap à 27’ for SF DRS
VERFLIXT VERLIEBT, Peter Luisi, 35mm, 90’ feature film, premier
2004
93 TAGE, script and project development, feature film D/CH/SP
TAGTRAUM Vol. 1-3 (AT), project development, feature film, CH
Version: 1.3 / CH
21
06.12.2004
Co-produzent:
WOLFGANG
PANZER
Born in Munich in 1947. 1969-70 reporter and journalist for SF DRS. 1972 graduated
from HFF (University forTelevision and Film, Munich). 1972-75 cameraman and director’s assistant for various feature films in Germany and France. Director of various
television series. Member of the Executive Board of Bavaria Film Ltd, responsible for
international co-productions.
Film productions (Selection)
Elfriede
Einzelzimmer
Tante Maria
Aus heiterem Himmel
Bestiarium
Matto regiert
Hell in Frauensee
Point Hope
Gnadenlos
Leere Welt
Liebfrauen
Liebesleben
Die Rachegöttin
Sportarzt Conny Knipper –Ärtzte:Sportarzt Conny Knipper
Die Direktorin (title of series)
Broken Silence
Le Studio qui Fait Pleurer
Bill Diamond – Geschichte eines Augenblicks
Heimat Ost
Liebesau – die andere Heimat
Diverse Tatorte
Version: 1.3 / CH
22
(1977)
(1978)
(1979)
(1979)
(1979)
(1980)
(1982)
(1982)
(1983)
(1984)
(1985)
(1990)
(1992)
(1993)
(1993)
(1995)
(1997)
(1998)
(1998)
(2001)
(1996/2003)
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director
Director/
Author
06.12.2004
Kamera:
NICOLÒ
SETTEGRANA
31.101973 born in Thal, St. Gallen, CH.
Grew up in Sicily, Austrial and Thurgau, CH.
Lives since 1995 in Zurich, Ch.
1988-1993
1993-1994
1994-1997
1997-2002
1998-2003
Gymnasium in Romanshorn, CH
Travel (Northern Europe, Asia)
University of Zurich, Film, Germanistic, Psychology
Commercial Art School Zurich, Film/Video
Works as free cameraman (Sony Records, Visual Park,
Amuses, Spotlight Media Productions Co., SFDRS….
Filmography (selection)
“Es ist nur ein Spiel” fic. Super 8, farbig, 6 Min./ HGKZ
1996
“Kamerun” doc. Beta, farbig, 12 Min. / HGKZ
1999
“Styles” doc DV, farbig, 53 Min./ SFDRS
2000
“Die Kirschen” fic. 16mm, farbig 6 Min./HGKZ
2001
“ferrari” fic. 35mm, farbig, 16 Min./ SFDRS & HGKZ
2002
Version: 1.3 / CH
23
06.12.2004
Schnitt:
CLAUDIO
DI MAURO
Claudio Di Mauro nato a Pavia il 3 Settembre 1953.
Inizia la sua carriera come montatore pubblicitario a Roma nel 1969.
Dal 1975 al 1991 alterna la professione di montatore a quella di regista realizzando documentari
televisivi, documentari industriali e spot pubblicitari.
Nel 1984 realizza e vince due premi governativi con i documentari ''La festa dell'oro'' e
''Los Roques'' di cui firma anche la fotografia.
Ha diretto, realizzando scene d'azione, la II unità in diversi film e mini serie TV.
Nel Gennaio 1993 costituisce la DMR Edizioni Cinematografiche S.r.l. allo scopo di seguire interamente e personalmente tutte le fasi d'edizione dei film a lui affidati.
Dal 1995 è docente di montaggio cinematografico all'ACCADEMIA INTERNAZIONALE
PER LE ARTI E LE SCIENZE DELL'IMMAGINE dell'Aquila.
Dal 1999 è Presidente dell’A.M.C. (ASSOCIAZIONE MONTATORI CINEMATOGRAFICI)
Version: 1.3 / CH
24
06.12.2004
LUNGOMETRAGGI CINEMA
LE MINIERE DEL KILIMANGIARO
APPUNTAMENTO A LIVERPOOL
I PADRONI DELL'ESTATE
DELITTI E PROFUMI
SOLDATI 365 ALL'ALBA
BLU ELETTRICO
MERY PER SEMPRE
UNA VITA SCELLERATA
EVELINA E I SUOI FIGLI
MURO DI GOMMA
CRACK
LA CORSA DELL'INNOCENTE
4 BRAVI RAGAZZI
LEST
LA RIBELLE
UN EROE BORGHESE
CRONACA DI UN AMORE VIOLATO
POLIZIOTTI
BROKEN SILENCE
AL DI LA' DELLE NUVOLE
COSA C'ENTRA CON L'AMORE
UN ANNO IN CAMPAGNA
ECCO FATTO
GIROTONDO GIRO INTORNO
BILL DIAMOND
COME TE NESSUNO MAI
FUGHE DA FERMO
AZZURRO
VIA DEL CORSO
L’ULTIMO BACIO
NEMMENO IN UN SOGNO
LA VITA COME VIENE
LAGUNA
EROS
RICORDATI DI ME
MA CHE COLPA ABBIAMO NOI
L’APETTA GIULIA E LA SIGNORA VITA
Regia MINO GUERRINI
Regia M.TULLIO GIORDANA
Regia MARCO PARODI
Regia VITTORIO DE SISTI
Regia MARCO RISI
Regia ELF RIDE GAENG
Regia MARCO RISI
Regia GIACOMO BATTIATO
Regia LIVIA GIAMPALMO
Regia MARCO RISI
Regia GIULIO BASE
Regia CARLO CARLEI
Regia CLAUDIO CAMARCA
Regia GIULIO BASE
Regia AURELIO GRIMALDI
Regia MICHELE PLACIDO
Regia GIACOMO BATTIATO
Regia GIULIO BASE
Regia WOLFGANG PANZER
Regia ANTONIONI / WENDERS
Regia MARCO SPERONI
Regia MARCO DI TILLO
Regia GABRIELE MUCCINO
Regia DAVIDE MANULI
Regia WOLFGANG PANZER
Regia GABRIELE MUCCINO
Regia EDOARDO NESI
Regia DENIS RABAGLIA
Regia ADOLFO LIPPI
Regia GABRIELE MUCCINO
Regia GIANLUCA GRECO
Regia STEFANO INCERTI
Regia DENY BERRI
Regia MICHELANGELO ANTONIONI
Regia GABRILE MUCCINO
Regia CARLO VERDONE
Regia PAOLO MODUGNO
Prod. SCENA FILM
Prod. NUMERO 1 INTERN.
Prod. SOLARIS CINEMAT.
Prod. NUMERO 1 INTERN.
Prod. NUMERO 1 INTERN.
Prod. SOLARIS CINEMAT.
Prod. NUMERO 1 INTERN.
Prod. LEADER CINEMAT.
Prod. AURA FILM
Prod. TRIO INTERNAT.
Prod. NUMERO 1 INTERN.
Prod. CRISTALDI FILM FANDANGO
Prod. TAO DUE FILM
Prod. C. BONIVENTO
Prod. TAO DUE FILM
Prod. TAO DUE FILM
Prod. PICCIOLI FILM
Prod. NUMERO 5
Prod. W. PANZER
Prod. SUNSHINE
Prod. AXELOTIL
Prod. STAR ED. CINEM.
Prod. FANDANGO
Prod. ARCOPINTO
Prod. BROKEN SILENCE
Prod. FANDANGO
Prod. FANDANGO
Prod. ALHENA FILMS
Prod. CAIMANO PROD.
Prod. FANDANGO
Prod. TANGRAM
Prod. VIDEOMAURA
Prod. CAIMANO PROD.
Prod. FANDANGO
Prod. FANDANGO
Prod. VIVI FILM PROD.
Prod. ESSE & BI CIN.
1986
1987
1987
1987
1988
1988
1989
1990
1990
1991
1991
1992
1993
1993
1993
1994
1994
1994
1995
1995
1996
1997
1998
1998
1998
1999
1999
2000
2001
2001
2002
2002
2002
2003
2003
2003
2003
Diversi lungometraggi Televisivi, Serie TV, inchieste Televisive, Documentari, Cortometraggi e Clip.
IN CORSO
CHE NE SARA’ DI NOI
UNO STRANO CRIMINE
HO VISTO LE STELLE
VERFLIXT VERLIEBT
Version: 1.3 / CH
Regia G. VERONESI
Regia R. ANDO’
Regia V. SALEMME
Regia PETER LUISI
25
Prod. FILMAURO
Prod. TITTI FILM
Prod. MIKADO
Prod. SPOTLIGHT MEDIA
2003
2003
2003
2003
06.12.2004
Musik:
FILIPPO
TRECCA
Filippo Trecca has been playing piano since the age of six, eventually receiving a degree in "Musica Corale e
Direzione di Coro" from the Conservatory of Music in Rome. He has worked for several years as the musical
coordinator for the "Opera Theater of Rome".He taught music at both the school and college levels. At the age of
21, he began his composing career for the television, theaters, commercials and show venues. In addition to
Italy, he is also well known throughout Germany, Switzerland, France, having composed scores for movies coproduced in those countries. He has written scores and then conducted large and prestigious orchestral ensembles
such as the "Symphonic Orchestra of the Italian RadioTelevision". He wrote 60 shows for the classical radio
station, about the music of the 20th century. During 30 years of activity, he worked in collaboration with several
international music publishers as Phonogram, RCA, CBS, EMI Music, BMG, Sony Music, Warner Chappel. He
is highly proficient with most of the new sophisticated techniques of digital recording, sampled and electronic
sounds. The prestigious and award winning company HollywoodEdge and SoundDelux Music of the Ascent
Media Group in Hollywood, California, is releasing actually a CD with most of his scores for movies and television.
Version: 1.3 / CH
26
06.12.2004
CREDITS:
Il colore della vittoria
Un uomo in trappola
Il Colpo
Ricatto
Un inviato molto speciale
Occhio di falco
Senza cuore
Eterna giovinezza
Non parlo piu
Sei delitti per Padre Brown
La felicità
Cosi per gioco
Diario di un giudice
La vita in briciole
A rischio d'amore
Storie di un avvocato
Un posto freddo in fondo al cuore
Moscacieca
Una devastante voglia di vincere
Tutti in palestra
Dov'eri quella notte
La ragnatela
La ragnatela
Die Direktorin
Barenbach
Salome
Tatort-Conny Knipper
Tatort-Toedlicher Galopp
Tatort-Bierkrieg
Tatort-Reise in den tod
Tatort-Die dunkle seite
BookFair Murders
Tatort-Direkt in Hertz
Broken Silence
Bill Diamond
Liebesau
Version: 1.3 / CH
tv movie, 3 hours
4 episodes
4 episodes
4 episodes
12 movies
8 episodes
tv movie, 3 hours
tv movie, 3 hours
tv movie, 3 hours
6 episodes
serial 4 episodes
8 episodes
tv movie, 3 hours
tv movie
tv movie, 3 hours
8 episodes
tv movie, 3 hours
tv movie, 3 hours
4 episodes
6 episodes
tv movie 2 episodes
1-serial, 6 episodes
2-serial, 6 episodes
serial 24, episodes
serial 13, episodes
6 episodes
tv movie
tv movie
tv movie
tv movie
tv movie
tv movie
tv movie
film
film
tv miniseries, 4 episodes
Rai
Rai
coproduction Italy, France
coproduction Germany, Italy, France, Espana
RaiUno
RaiUno
co-production Italy, Germany, France
coproduction Italy, France
Rai
coproduction Italy, Germany, England, France, Rai
Rai
Rai
Rai
Rai
Rai
Rai
Rai
co-production Italy, Germany, France
Rai
Canale5
coproduction Germany, Italy, France
Rai coproduction-Germany, France, Italy
Rai coproduction Germany, France, Italy
coproduction Switzerland, Germany
coproduction Switzerland, Germany
coproduction Switzerland, Germany
Germany
Germany
Germany
Germany
Germany
coproduction Canada, Germany
Germany
Dir. Wolfgang Panzer
Dir. Wolfgang Panzer
UFA Germany
27
06.12.2004