PUBLIKATIONSFÖRTECKNING 2013

Transcrição

PUBLIKATIONSFÖRTECKNING 2013
PUBLIKATIONSFÖRTECKNING 2013
Karin Sarsenov
AVHANDLING:
Sarsenov, Karin. Passion Embracing Death. A reading of Nina Sadur’s novel The Garden (Lund
Slavonic Monographs, 3), Lund, 2001.
REDAKTÖRSKAP:
Imagining Mass Dictatorships: The Individual and the Masses in Literature and Cinema. Mass Dictatorship in
the 20th Century, eds Michael Schoenhals & Karin Sarsenov, Palgrave Macmillan (in press).
The Arts in Dialogue. Essays in honour of Fiona Björling (=Slavica Lundensia, 24), eds. Johanna
Lindbladh, Terho Paulsson, Karin Sarsenov, Miloslava Slavickova, Barbara Törnquist-Plewa,
Lund, 2009.
The Oeuvre of Nina Sadur, eds. Helena Goscilo, David Birnbaum and Karin Sarsenov, Pittsburgh:
Pittsburgh University, 2005
ARTIKLAR OCH BOKKAPITEL:
Sarsenov, Karin, Marital Violence in Russian Autobiography, Post-Communist Transition and
Women's Agency in Eastern Europe (forthcoming)
Sarsenov, Karin, The Constitution of a Reliable Self: Word for Word by Oleg Dorman and Lilianna
Lungina, Imagining Mass Dictatorships: The Individual and the Masses in Literature and Cinema. Mass
Dictatorship in the 20th Century, eds Michael Schoenhals & Karin Sarsenov, Palgrave Macmillan (in
press).
Sarsenov, Karin & Schoenhals, Michael, Introduction. Imagining Mass Dictatorships: The Individual
and the Masses in Literature and Cinema. Mass Dictatorship in the 20th Century, eds Michael Schoenhals
& Karin Sarsenov, Palgrave Macmillan (in press).
Sarsenov, Karin, Pornography and Prostitution in Russian Women’s Writing, New Women’s
Writing in Russia, Central and Eastern Europe: Gender, Generation and Identities, ed. Rosalind Marsh.
Newcastle upon Tyne: Cambridge Scholars Publishing, 2012, 136-146.
Sarsenov, Karin. Mirrors in Russian Women’s Autobiographical Writing: The Self Reflected in
Works by Alla Demidova and Vera Luknitskaia. Studies in Twentieth and Twenty-First Century
Literature (2010)
Sarsenov, Karin. The Russian Literature Curriculum: Cultural nationalism vs. the Cultural Turn.
Culture Unbound 2 (2010): 495 – 513 (peer-reviewed journal).
Sarsenov, Karin. Varför läsa litteratur – i Ryssland? Legitimeringar i ryska styrdokument. Tidskrift
för litteraturvetenskap, 30/3-4 (2010), http://ojs.ub.gu.se/ojs/index.php/tfl/article/view/511
(Peer-reviewed journal).
Sarsenov, Karin. Europe in Post-Soviet Autobiographical Writing. Europa - Stier und Sternenkranz.
Von der Union mit Zeus zum Staatenverbund, eds. Almut-Barbara Renger & Roland Issler. Göttingen:
V&R unipress, 2009, 521-536.
Sarsenov, Karin. Nationell identitet och den postsovjetiska självbiografin. Literature as a World
View. Festschrift in honour of Magnus Ljunggren. Eds. Irina Karlsohn, Morgan Nilsson & Nadezjda
Zorikhina Nilsson. Gothenburg: Gothenburg University, 2009, 281-298.
Sarsenov, Karin. Televising Soviet Tropes: Reforging a Supraethnic Cultural Identity. The Arts in
Dialogue. Essays in honour of Fiona Björling (=Slavica Lundensia, 24), eds. Johanna Lindbladh, Terho
Paulsson, Karin Sarsenov, Miloslava Slavickova, Barbara Törnquist-Plewa, Lund, 2009.
Sarsenov, Karin. Klassikernas roll i post-sovjetisk television. Litteraturens offentligheter, red.
Torbjörn Forslid & Anders Ohlsson, Lund: Studentlitteratur, 2009, 193-208.
Sarsenov, Karin. Russian Martial Migrants in Contemporary Film, Russia and its Other(s) on Film.
Screening Intercultural Dialogue, ed. Stephen Hutchings. Houndmills, Basingstoke, Hampshire:
Palgrave Macmillan, 2008, 184-198.
Sarsenov, Karin. Kann den Reisen Sünde sein? Drei russische Romane über mobile Frauen. [Is it
a Sin to Travel? Being on the Road in Post-Soviet Times] Osteuropa 6 (2006):123-138.
Sarsenov, Karin. Introduction, The Oeuvre of Nina Sadur, eds. Helena Goscilo, David, Birnbaum,
and Karin Sarsenov. Pittsburgh: Pittsburgh University, 2005, 1-18.
Sarsenov, Karin. Sadur and Madness: Problems of Representation, The Oeuvre of Nina Sadur, eds.
Helena Goscilo, David, Birnbaum, and Karin Sarsenov. Pittsburgh: Pittsburgh University, 2005,
73-89.
Sarsenov, Karin & Leontieva, Alexandra. Russian Women in the Scandinavian Media. Gender
Transitions in Russia and Eastern Europe, eds. Ildiko Asztalos Morell et.al. Stockholm: Gondolin
förlag, 2005, 137-158.
Sarsenov, Karin & Birnbaum, David. Who is the Cute Little Redhead? A Literary Conversation.
SEEJ 48.2 (2004). (Peer-reviewed journal)
Sarsenov, Karin. Women's Migration i Contemporary Russian Literature, CFE Working Papers 29
(2004).
Sarsenov, Karin & Leontieva, Alexandra. Russiske kvinner i skandinaviske medier. Kvinneforskning
2 (2003): 17-30. (Peer-reviewed journal)
Sarsenov, Karin och Svedberg, Erika. Fruar på postorder. Genus och migration i det postsovjetiska tillståndet. Nordisk øst-forum : kultur og samfunn i Russland og Øst-Europa 1 (2001):75-83
Sarsenov, Karin. Passion Embracing Death: Genealogy and Gender in Nina Sadur’s Novel The
Garden. Severnyj sbornik. Proceedings of the NorFa Network in Russian literature 1995-2000. eds
P. Alberg Jensen & I. Lunde (= Stockholm Studies in Russian Literature 34), Stockholm: Almquist &
Wiksell International, 2000, 307-318.
Sarsenov, Karin Representations of Russian Women. Through a Glass Darkly (=Slavica Lundensia
19), Lund 1999, 79-90.
PUBLICERADE KONFERENSBIDRAG:
Sarsenov, Karin. The Nation and I: Post-Soviet Women's Autobiographical Writing. Paper
presented at the conference ”The Legal Status of Women in Russia: Yesterday, Today,
Tomorrow” (Правовое положение женщин в России: вчера, сегодня завтра). International
Conference, St. Petersburg 21-23 March 2008. Published in proceedings Гендерное равноправие,
Aletheia, 2008.
Sarsenov, Karin. Брачная миграция на ТВ-экране: сказка и ”реалити”. Гендер по-русски:
преграды и пределы. Материалы международного научного семинара, организованного
Финской Академией наук и Тверским государственным университетом,
Тверь, 10-12 сентября 2004 г.
http://tvergenderstudies.ru/cgi-bin/pagcntrl.cgi/docs/confer/confer03/co03it13.pdf
ÖVRIGA VETENSKAPLIGA ARBETEN:
Sarsenov, Karin. Entries: “Edita Piekha”, “Interdevochka”, “Nina Sadur”, 2006. Encyclopedia of
contemporary Russian culture, eds. T. Smorodinskaya, , K. Evans-Romain. & H. Goscilo, London:
Routledge, 2006, 465; 272; 541.
RECENSIONER:
Sarsenov, Karin. Recension av Ethnosexual Processes: Realities, Stereotypas and Narratives,
Nordisk øst-forum : kultur og samfunn i Russland og Øst-Europa, 26.2 (2012): 187-190.
http://www.idunn.no.ludwig.lub.lu.se/ts/nof/2012/02/joni_virkkunen_pirjo_uimonen_olga_da
vydova_ethnosexual_
Sarsenov, Karin. Recension av Gender and Sexuality in Ethical Context. Ten Essays on Polish
Prose, eds. Knut Andreas Grimstad & Ursula Phillips. Nordisk øst-forum : kultur og samfunn i
Russland og Øst-Europa, 1 (2006)
Sarsenov, Karin. Review of Sonja Franeta, Rozovye Flamingo: 10 Sibirskikh interv’iu. Slavic and
East European Journal 49.3 (2005).
Rewiew of Adam Weiner, By Authors Possessed: The Demonic Novel in Russia, Canadian
Slavonic Papers, Vol. XLI, 2 (1999)
Sarsenov, Karin. Pornography and prostitution in Russian women’s writing, New Women’s Writing
in Russia and East Central Europe: Gender, Generation, and Identities, ed Rosalind Marsh, Cambridge
Scholars’ Press.
POPULÄRVETENSKAPLIGA ARTIKLAR
Sarsenov, Karin. Konferens om stalinismens historia i Moskva 5-7 december 2008. Kort rapport.
Östbulletinen 4(2008):4-5.
Sarsenov, Karin. Русские женщины на страницах скандинавских газет, My/We 23/39
(2003):24-27.
Sarsenov, Karin och Leontieva, Alexandra. Hora eller brud? Invandrare och Minoriteter, 1 (2003):1416.
Sarsenov, Karin. Från socialistisk till mytisk realism genom död och passion. Inblick Östeuropa 1
(2003):24-27.
Sarsenov, Karin. Konferensrapport: The Intelligentias of Russia and Poland. Bulletin för Sällskapet
för studier av Ryssland, Central- och Östeuropa samt Centralasien 3 (2002).
Sarsenov, Karin. Konferensrapport: Third BEEGS Annual Conference. Inblick Östeuropa 10
(2002), 20.
Sarsenov, Karin. Hur Andrej Belyjs Petersburg blir Nina Sadurs Moskva. Ariel, 6 (2001): 39-43.
Sarsenov, Karin. Ryskan som inte bockar för läsarna. Recension av Lustgården, Sydsvenska dagbladet
23 april 2001.
Sarsenov, Karin. ”Jag tycker förnuftet är tråkigt”. Ett samtal med Nina Sadur. Ariel 5-6 (1999):8792.

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