catalogo toti

Laboratório Irreversível (irreversible laboratory),
darkroom, Oporto
2009-Proscenio,Post-Ite, Artes em Partes, Oporto
2008-Tempus Fugit, Caroline Pagès Gallery, Lisbon
DALILA GONÇALVES - PT
Was born in Castelo de Paiva in 1982
Educational/Professional Qualification
PhD (frequency), art and design. Fine Arts -Oporto
2011 - “I ENCONTRO ARISTAS NOVOS CIDADE DA
CULTURA”, Santiago de Compostela, Spain
2010/2011 Internship (Scholarship by Portuguese
Culture Ministry - inov-art) with Ignasi Aballì (Barcelona)
2009 Masters Degree in Visual Arts Education (MA)
from College of Psychology and Education Sciences
University of Porto, Portugal.
2009 Specialised course in Artistic Interventions in
Public Spaces, Lusofona University, Oporto
2008 Gulbenkian Creativity and Artistic Creation
Programme-Photography course
2005 Degree in Painting from the Oporto School of Fine
Arts (FBAUP)
Ind ividual Exhibitions (selection)
2011-760.000 seconds, Caroline Pagès Gallery, Lisbon
2010-“lembro-me deste sítio de algum lugar” Sput&Nik,
Oporto
FACTORY-ART gallery
TURN ON, TUNE IN! pag. 24
Public Space/ installations
2003 Circle, Poveiros Square– Oporto
2003 Gelo (Ice) 50º, El Carpio, Spain
2004 Zebra crossing, Espinho Beach – Portugal
2004 Fotovigilância, Poveiros Square – Oporto
2004 FotoMontagem, João I Square– Porto
2004 Proibição de Transportes Poluentes, Ave river
2004 Seta – Indicação, Igrejas do Concelho de Castelo
de Paiva
2004 Re-ordenar. Praça do João I; Av. dos Aliados
– Porto
2005 Exposição/ Apropriação do Espaço, Centro
Comercial Alexandre Herculano - Porto
2005 Eu, Foz do Douro, Porto
2005 Turismo Rural, Castelo de Paiva (Portugal)
2005 Identidade, Passos Manuel, Oporto
2005 Project “Superstições”, Castelo de Paiva
2006 Quem Pássaros Receia Milho Não Semeia. Praça
do João I – Porto
2008 Monumentos, Vila de Conde
Group E xhibitions (selection)
2012 “O coração, o centro do nosso universo” Coimbra University Hospital, Coimbra
Triennial of Contemporary Beauforto4 –Belgium
Just Mad Madrid, Art Fair (Spain), Lisbon
Sincronia - Sput&nik thewindow, Oporto
Co Efciência algumas variáveis, Sput&nik thewindow,
Oporto
Aproximações à Profundidade – Sala do Veado,
Museum of Natural History and Science, Lisbon
Jugada a 3 Bandas – Madrid
Guimarães/Berlim – Tourcoing (França)
Cinco Séculos de Desenho na Colecção da Faculdade
de Belas Artes da Universidade do Porto, Soares
dos Reis Museum,(Oporto)
2011 MUSAO, Vienna, Austria
O Livro e o Mundo, Santa Maria da Feira, Portugal
Guimarães_Arte Contemporânea 2011, Vila Flor
Cultural Centre & Laboratorio das Artes, Guimarães,
Portugal (cat)
A Quatro, IPSAR Gallery, Rome
2010 WATER CLOSET, LxFactory, Lisbon
Small is Beautiful, Caroline Pagès Gallery, Lisbon
Topologias, Casa da Galeria (house of gallery), Santo
Tirso.
Projecto Colector, Cinema Medeia Films , shopping
Cidade do Porto, Oporto
Festival KAUNAS PHOTO, Lituânia
Espacio Atlantico, Vigo Art Fair (Spain), Lisbon
Options & Futures: Works from the PLMJ Collection
(News Acquisitions), Foundation Plmj Space, Lisbon.
2009 Projecto Colector, D. Diogo de Sousa Museum,
Braga, Portugal
Projecto Colector, House Museum Abel Salazar, Leça
do Balio, Portugal
Contemporary art “Arte Contemporânea na Garagem
da Vizinha”, Maia, Porugal.
2008 A arte dos oficios ou como a arte é um oficio
tambem, Foz Côa Cultural Centre, Vila Nova de Foz
Côa, Portugal
Aveiro Jovens Criadoes 2008, Galeria Paços do
Conselho, Aveiro, Portugal
Artlet - Arte Contemporânea, Rua do Almada, Oporto,
Portugal
Polvora Muse, Polvora Negra Museum, Fabrica da
Polvora de Barcarena, Portugal
2a Edição do Curso de Fotografia, Gulbenkian
Creativity and Artistic Creation Programme, Gulbenkian
Foundation, Lisbon (cat.)
2007 Fábrica Import/Export, Antiga Fábrica de
Curtumes, Guimarães (cat.)
Rumar a Mar Alto, Aveirense Theatre, Aveiro (cat.)
Jardim Aberto, curated by Filipa Oliveira, Gardens of
the Belém Presidential Palace, Lisbon(cat)
Good News, Plumba Gallery, Oporto
Dalila Gonçalves registo fotográfico/Ana Santos
desenho, Plumba Gallery, Oporto
Vila Nova de Cerveira Biennial (cat.)
2006 Anteciparte Prize Show, Páteo da Galé, Praça do
Comércio, Lisbon (cat.)
Jovens Criadores, Antiga fábrica TOBOM, Montijo (cat.)
10 Artistas Licenciados à Procura de Emprego,
DALILA GONÇALVES - PT
Calçada de Monchique, Oporto (cat.)
More or Less, Science and Industry Museum, Oporto
2005 Bluescreen, Palácio Gallery, Oporto (cat.)
Projecto Colectivo Casa Casais, Antiga Casa Casais,
Oporto
Projecto Interferência–Intervenções no Espaço Público,
Vila Nova de Cerveira Biennial (cat.)
Vila Verde Biennial (cat.)
2004 Jornadas de Intervenção Artística no Espaço
Urbano e Natural, El Carpio-Cordoba, Spain (cat.)
Prizes
2008 First prize in Photography, Aveiro Jovens
Criadores, Aveiro, Portugal
2005 Acquisition Prize, University of Oporto
Photography Prize, Art XXI Contest, Espinho
Collections
Faculty of Fine Arts Museum, University of Oporto;
PLMJ, IPSAR (Rome),Water Closet 7, Lx Factory,
Lisbon and private collections in Portugal, Spain and
France
FACTORY-ART gallery
TURN ON, TUNE IN! pag. 25
Bibliography (seleccion)
http://www.designboom.com/weblog/cat/10/view/20503/
kneaded-memory-by-dalila-goncalves-atbeaufort04.
htm l
http://www.journal-du-design.fr/index.php/art/kneadedmemory-par-dalila-goncalves-au-beaufort0423312/
GAC 2011- Guimarães Contemporary Art, 2011
“#2_ 2010 Opções & Futuros- Obras da Colecção da
Fundação PLMJ” by Miguel Amado, 2010
Exposições do mês-Colectivas, by Sérgio Gomes da
Costa, in Time Out Porto, p. 50, August 2010
Punctum: “Fotografias da Colecção da Fundação
PLMJ” by Miguel Amado, 2009
“Tempus Fugit”, p. 20, in +(mais) Arquitectura, April
2008
Circulações, by Celso Martins, in ACTUAL-Expresso
supplement, p. 34, November 10, 2007
Actualizar a paisagem, by Maria do Mar Fazenda, in
L+Arte #42, p. 84, November 2007
17 artistas nos jardims do Palácio de Belém, by
Vanessa Rato, in Público-P2, p. 11, October 4, 2007
Apagar a forma, by Pedro Faro, in L+Arte #34, p. 4853, March 2007
Anteciparte-Os verdes anos, by Ricardo Duarte, in
Jornal de Letras, p. 8-9, December 6-19, 2006
Artist statement
From experimental play Dalila Gonçalves tests the
permeability of materials and processes of artistic
practice and daily life.
By using video, photography and installation she
conceives objects that do not always imply real
transformation of things but rather materializations of
subtle unexpected, ironic, absurd and metaphorical use
of matter. The subtlety of the information, the nature of
materials or the modus operandi chosen, play with the
very relation of “perception” and the idea of “evidence”.
These strange moments are, perhaps, the kind of border
between the physical reality and fiction which trigger the
mechanisms of feeling and thinking that give meaning to
art object.
I assess the hypothetical relationship established
between the sense a contemporary “vertiginous time”
and the time of production and artistic practice. Certainly,
as the life and art intermingle, as the artist belongs to
the world of universities, taxes, family and credit, as the
studios are no longer small islands, all that he produce
has, admittedly, something more of reflection and
mirror.
Dalila Gonçalves, 2012
DALILA GONÇALVES
Title: Amontoar em Carga e Descarga. (pile in Loading
and Unloading) 2012
black pens used by different people over a year
technique: installation
Size 20x140 cm
FACTORY-ART gallery
TURN ON, TUNE IN! pag. 26
DALILA GONÇALVES
Title: (untitled), 2012
instalation with pencils (wooden of pencil separated from
graphite mine)
technique: installation
size: 40x300 cm
FACTORY-ART gallery
TURN ON, TUNE IN! pag. 27