For Guitar - Blog eLearning – UA

For Guitar
Samuel Peruzzolo-Vieira
2016
This work was commissioned by Márlou Peruzzolo Vieira and University of Aveiro/Prémio de Interpretação Frederico de Freitas.
GENERAL INSTRUCTIONS:
- Duration: circa 1'30"
- Grace notes are always played very fast.
- Accidentals apply only to the note in which they are attached except in case of repeated notes and patterns.
- Numbers in parentheses indicate strings: (1) = 1st string; (2) = 2nd string etc.
Pizzicato alla Bartók
Strings behind the nut
(played with the left hand)
Harmonic
Slap on strings
(played with the right hand thumb)
Harmonic played with right hand tapping
Percussion on side
(played with the left hand)
Left hand only
Percussion on edge
(played with the right hand thumb)
Left hand pluck
Percussion on soundboard
(played with the right hand)
Right hand only
Percussion on bridge
(played with the right hand)
Bi-tone (also called left-hand pizzicato, but it is played on the part of the string between the left hand and the nut). The F# bi-tone, which appears on
the first page, can be obtained by pressing the D# on the 1st string with finger 2 and then playing a left-hand pizzicato with finger 1. The B bi-tone,
which appears on the last page, can be obtained by pressing the G# on the 5th string and then playing a left-hand pizzicato with finger 1. Note that
these two bi-tones will sound out of tune and this is exactly how they are supposed to sound.
To Márlou Peruzzolo
Escrita para o Prémio de Interpretação
Frederico de Freitas/Universidade de Aveiro
x+e = 78
XIX
(1) (2)
&
For Guitar
#œ ‚ œ ‚ ø œ ‚ ø œ œ ‚ ø œ ø ‚ ø œ ‚
p4 sempre
Samuel Peruzzolo-Vieira
ø ‚ œ œ ‚ ø œ ‚ œ œ ø œ ‚ > ‚ œ ø ‚ >‚ ø n >‚ œ ‚ ø œ ‚ # >‚ ø œ
‚.
2
3
øœ‚øœ ø
3
3
œ ‚ ‚ ø œ œ ‚ ø ‚ œ ø ‚ œ ‚
j
ø
ã
∑
# # ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜
ord.
..
π
LH only
ƒ
(5)
&
only
¿
f"gggg ¿¿
# ‚.
‚.
‚
little by little turning to C # harmonic (artificial)
‚
j
7:8œ
b n ˜˜
œœ
#i m
soundboard
muted (any pitch)
(tapping)
LH
behind the nut
3
A tpo. (e = 112)
o
XVI
(5)
3
œ ‚ ø œ œ ‚ ø œ ø ‚ ø œ ø ‚œ ‚øœ‚
J
&
&
XIX
(3)
XII
(2)
XII
(3)
(1)
!
n!·
RH
XII
(6)
Ó
p$edge
p muted
‰
˜˜ ˜˜ ˜˜
3:2œ
o
..
~
p
# # ˜˜ ~~~~~~~~~~~~~~~~~~~~~ LH¬
‚ ‚‚‚‚‚‚‚‚ n˜
# # ˜˜ ~~~~~~~~~~~~~~~~ ¬¬
b ˜ n·
# # ˜˜ ~~~~~~~~~~~~~~ W ¬¬
side
¬
>
f
"
l
llllll l l l l l l l
œœ *œ
≈
–
ã pÓ
%
π
slap on strings
#
bridge f
!j
Copyright© 2016 by Samuel Peruzzolo-V.
All rights reserved.
m i pm
LH
gliss.
muted
For Guitar
&
(
r
p)
ã *>
r
(cresc. sempre)
U
¬¬ j
W ¬¬¬ „ „
¬
LH
RH
mi
ã J œœ*
ƒ sempre
l Ól
p
5
(6)
muted
o
p
*>
! œœ
œœ
· œ
œ
3
œœ
œœ
œ
œ
*>
J œœ* J – – lœœœ *
mi p
ami p
# # ˜˜
fl
¬¬ j
¬¬ „
¬¬
¿¿¿ ...
mi
j
r
*>
n n ˜˜
fl
r
# # ˜˜
fl
j
j
*>
!j
!j œœ
œœ
¬¬ j
œ
¬¬ „ „ ·
˜
b˜ n·
¬¬
œ
J
Ó
œœ
œœ* Ó lÓ
*
>
n n ˜˜
fl
j
*>
n n ˜˜
fl
gliss.
5
3
œ
œœl œœl
* ‰
Ó
~~~~~~
~
#
˜
# ˜~
â
etc... (improvisação)
pizz.
Bartók
5
XIX
(6)
‚.
ca. 6"
˜
~~~
œ.
U œœœ ...
~~ ~
~~~~~~~~~
œœ
œœ
& œ
œ
*>
A tpo. (e = 112)
&Ó
j
r
cresc. poco a poco
j
&
2
œ l *.
– *
––
ami
U
(2) (5)
‚.
little by little turning to B n harmonic
‚.
‚
‚
r
l
‚ ‚ ‚ ‚ œ ø œ ø ‚ œ ‚ ø ‚ œ ø œ ‚ œ ø ‚
4
poco rall.
!
·
(6)
III
F
œ
>