DEMO SCORE ONLY FOR EVALUATION

Transcrição

for Concert Band Op. 19
AL
EV
Luís Cardoso
2006
U
AT
1 - Menina do Chapéu de Palha (Straw Hat Girl)
2 - Menino Morto (Dead Boy)
IO
N
Imagens
Duration ≈10m
Dificulty Level: 3 – Médium/Low
R
Duração ≈10m
Nível de Dificuldade: 3 – Médio/Baixo
Description
FO
Descrição
Imagens was composed for the birth’s centenary of
Arlindo Vicente, painter and politician from Troviscal,
Portugal. Was based on two Vicente’s paintings and have
his première in 2006, played by the town band União
Filarmonica do Troviscal, directed by André Granjo, with
animated projection of the paintings.
Instrumentação e Partes
Instrumentation & Parts
N
LY
Imagens foi composta para a comemoração do centenário
do nascimento de Arlindo Vicente, pintor e político
português do Troviscal. Foi baseada em dois quadros do
pintor e estreada pela União Filarmónica do Troviscal em
2006 sob a direcção de André Granjo e com projecção
animada de ambos os quadros.
Flute in C
Oboe in C
Bassoon I & II in C
Clarinet I, II & III in B ¨
Bass Clarinet in B ¨
Alto Saxophone in E ¨
Tenor Saxophone in B ¨
Baritone Saxophone in E ¨
Trumpet I, II & III in B ¨
Horn I, II & III in F
Trombone I, II e III in C
C Euphonium B. C.
C Tuba B. C.
Timpani
Suspended Cymbal
Snare Drum
Bass Drum & Cymbals
Partes extra:
Trompas I, II & III em Mi ¨
Bombardino em Si ¨ - Clave de Fá
Bombardino em Si ¨ - Clave de Sol
Tuba em Si ¨ - Clave de Sol
Baixo em Mi ¨ - Clave de Sol
Extra parts:
Horn I, II & III in E ¨
Euphonium in B ¨ B. C.
Euphonium in B ¨ T. C.
Tuba in B ¨ T. C.
Bass in E ¨T. C.
Considerações Técnicas:
Nos 2.º quadro Menino Morto todas as situações com
semínimas consecutivas marcando a pulsação devem ser
executadas com pouco ataque e com todo o valor.
No mesmo quadro nos compassos 7 a 14, os acordes
devem ser dirigidos sem tempo, com duração ao critério
do maestro.
A duração dos compassos 82 e 83 não tem que ser
exacta.
Technical considerations:
In the second movement Dead Boy, when occurs
situations with quarters maintaining the pulsation, they
should be played with softness and with all duration.
In the same movement, bars 7 to 14, the chords should be
directed with no indication of tempo, the duration may be
ad libitum by the conductor.
The duration of bars 82 and 83 should not be straight.
D
EM
O
SC
O
R
E
O
Flauta em Dó
Oboé em Dó
Fagote I e II em Dó
Clarinete I, II e III em Si ¨
Clarinete Baixo em Si ¨
Saxofone Alto em Mi ¨
Saxofone Tenor em Si ¨
Saxofone Barítono em Mi ¨
Trompete I, II & III em Si ¨
Trompas I, II & III em Fá
Trombone I, II e III em Dó
Bombardino em Dó - Clave de Fá
Tuba em Dó - Clave de Fá
Tímpanos
Prato Suspenso
Caixa
Bombo & Pratos
Imagens Op. 19 | 2006
Luís Cardoso Author's Edition | www.luiscardoso.pt
IO
N
AT
U
AL
EV
R
FO
LY
N
O
R
E
SC
O
O
EM
D
Menina do Chapéu de Palha
(Straw Hat Girl)
IO
N
AT
U
AL
EV
R
FO
LY
N
O
R
E
SC
O
O
EM
D
Menino Morto
(Dead Boy)
IO
N
AT
U
AL
EV
R
FO
LY
N
O
R
E
SC
O
O
EM
D
Imagens
Luís Cardoso Op. 19
1. Menina do Chapéu de Palha (Straw Hat Girl)
Andante q=74
p
p
 

 

  
p
 

 


p
  

  
 
 
Clarinet II in Bb
 
 
Clarinet III in Bb




  





  
 
 
 
Tenor Saxophone in Bb
  
 
Horn I in F




2


3

5



 



  



  
 


  



















 
6







7
8





















Horn III in F

 





O
N



   
solo dolce
mf






















 


R
E



 
 




 



 

SC
O
Trumpet III in Bb
     
4




Trumpet II in Bb
  

p
  
 
    



Horn II in F
Trumpet I in Bb
 

 
  


     
            
   
 
FO
Baritone Saxophone in Eb

Tempo
8







7
LY
Alto Saxophone in Eb
p
 




     
 
 
   
    

      



Bass Clarinet in Bb


                  


 

  
 
Clarinet I in Bb


rall.
IO
N


6
AT



5
U

Bassoon in C

4
AL


Oboe in C


3
EV

Flute in C
2
R
Full Score


Trombone II in C



































EM
O
Trombone I in C
Trombone III in C
D
Euphonium in C
Bass Tuba in C







Timpani
Snare Drum
Suspended Cymbal
Cymbals & Bass Drum





p



 



















































2
3
4
5
6
7

8

2
9



Hn III

Tbn. II













Tbn. III
D


B. Tba


Timp.
S. D.



 






  


 

  
  
mf






  






  










  
mf

  
mf


  
10


11








12

13











EV





R

14

15


16



    




























   
  



17
















18
    
 
    
 
   

 
   






   
 

   
 

   
 
   
 

   
 

   
 
    
    
    





p

 

p


    
 



 





 
   
    
 
   

 

    
p

   

 





    
 
p

        

   
  
p


 

p

   





IO
N
 










































Susp. Cymb.
Cymb. & B.D.

FO



Euph.


EM




SC
O
Tbn. I
18


O

Tpt III
17





Tpt II


mf
 
 
Tpt I
16







Hn II



9 

Hn I
15
AT

 

Bari. Sax.



 

T. Sax.
14
LY
Alto Sax.


N

B. Cl.
13
U

 
Cl. III

AL


 
Cl. II
12
p
 
   
Cl. I

O

Bsn.
11

R
E
Ob.
10


Fl.
9
10

11

12

13

14

15

16

17

18





























Hn III



 


 

   
  

 




 

   
  

 

p





  

  





 


 



D
Euph.


B. Tba


Timp.
S. D.
Susp. Cymb.
Cymb. & B.D.
21
 
  
        

R
E

       
  
 


        
 
  

         




p
p
p



        
 
23







  





24

p

p
25
26
      
 


27

28

        

      



     





 
   
   



























   
  
 
 

    
 



   
  
 
 
     




      



        



22











EM

Tbn. III




   

 
mf


Tbn. II








Tbn. I

 


Tpt III


SC
O
Tpt II


  
O
Tpt I


   
         


     


  

p




28
 



3
27
AT

 
Hn II

AL


19        20    

 
  
Hn I
26
U

Bari. Sax.

EV
T. Sax.


  

Alto Sax.
25



 

B. Cl.
Più mosso q=92
poco rit.
R
Cl. III

FO
Cl. II

24
mf

 
 
Cl. I

23
LY

Bsn.
22
N
Ob.

21
O
Fl.
20
IO
N
19










 
  
mf
  







































19
20

21

22

23

24

25

26

27

28

 
 


 







 


  










 






 



 

  






Tbn. II

EM



D





Cymb. & B.D.





 
 



 

























 


   
mf




















mf







 
mf
 37

 



 

















 










mf



mf


mf
mf
 
   
mf

mf



 
   
soft
mallets


mf


p




 

soft mallets

34


    



33



    

 
 

mf






mf











mf



 










 
 


36
 



    




 35 
tutti


 



 rit.

37

  
mf






 


32
mf

 

31

   


  





30


  

    


 
mf

 
34
 

mf


mf

mf
mf



29




   


  










36






33



  
mf

   





 




 


35
 



O

O


Tbn. I



 

N
 



Susp. Cymb.

 

Tpt II
S. D.
32
  

Timp.
 

 

Hn III
B. Tba
31


Euph.

   


  

    

Hn II
Tbn. III
30



mf
FO





LY
29 

Tpt III



34

  

    

 
T. Sax.
Tpt I

 



Hn I




Bari. Sax.
 
 


Cl. III
Alto Sax.



Cl. II
B. Cl.


R
E
Cl. I

 

33
IO
N

     


Più mosso h.=60

32
AT

Bsn.
  

SC
O
Ob.
mf
31
U



poco rit.
    


AL

Fl.
30
EV
  

29
R
4


35


36

p
37


f
   

f
Alto Sax.



       
T. Sax.
     
 
Bari. Sax.
Hn I
38  


 
 
 

 
Hn II


 


 

 

Tpt III
Tbn. I

Tbn. II


EM



Tbn. III


D
Euph.


B. Tba


S. D.
Susp. Cymb.
Cymb. & B.D.


38
 
     
f
 
f



 
f
f


f

    

 









 

39 ff
   
   
 
mf





mf


mf




 





mf

 




 









 








 













41
mf
 
   


p


mf








 

42
 



    



 

43
mf




 
   
 
mf








mf
 
   










 
   



 



mf








42






mf

40

mf









ff



f

mf





41








mf
 
f

   
mf

f

 
mf

 
   
mf
   
  
 


   


mf
f



 



mf



f





f


40


 

   
  
 
f




f

   
mf
     
  
 
39
   
 
f

 


Timp.
f
SC
O
Tpt II

O
Tpt I




   
  
 
mf

f


  

Hn III



 
   


  
 


B. Cl.
   
   



5


IO
N



rit.

AT

  
Cl. III
   
f

  
43

U

 

f
      

AL

 
  
42
EV
 
   

  

Cl. II
f
    41
R
Cl. I
      

   
FO

Bsn.

    40
LY
Ob.

   
N



39
O

Fl.
Tempo h.=60

R
E

38

p
43


 
 

 

 
 


Tbn. I

Tbn. II




D
Euph.


B. Tba

S. D.
Susp. Cymb.
Cymb. & B.D.


44



















 



 

p

p


p
45

46

47

p





p


p
solo


48
 
 



mf
50 solo






 

51
mf
   







 







































 
   








































 

 

 
49









AT

U

AL

IO
N










 


Timp.


 
EM

Tbn. III


R
E

Tpt III


p



  

Tpt II

p
SC
O
Tpt I





44  

 



51

p
     
 






Hn III


Hn II


50

p


     

Hn I


T. Sax.
Bari. Sax.

O
Alto Sax.

 


49

p

 
   


 

  


B. Cl.



48

EV
Cl. III

 
47

R
Cl. II

46

 
   

  

Cl. I


FO

Bsn.


45
LY


Ob.
Tempo h.=51

N

Fl.


44
O
6


45

46

47

48

49

50

51






 
   
      
 
solo












EM


D
Euph.


B. Tba


Timp.
S. D.
Susp. Cymb.
Cymb. & B.D.

 


 


 
p
p
p





 























p




p





 57 
 58 



                  
56 tutti









                  
p







p
p



















 




 










SC
O


p














52





p
tutti








Tbn. II
















 



 
 
p







                    

55
 

58









                  

Tbn. I
Tbn. III




 
 

Tpt II
Tpt III
54

O
Tpt I
53



p



LY

Hn II



FO

N










52 
    
Hn III







Hn I



 
 

T. Sax.
Bari. Sax.

O
Alto Sax.

 57 
AL

B. Cl.


EV


Cl. III

p



Cl. II

56
p
 
 
Cl. I

   
R

Bsn.
Meno mosso h.=42
55
   
R
E
Ob.
poco rit.
IO
N



54
AT


Fl.
53
U
52
53

54

55
p
p
p
























p

p












56

57

58


7


Cl. III

B. Cl.

Bari. Sax.






 



59  
    

Hn I



 
    
Hn II



      



Tpt I

  
O
Tbn. II
EM
  
 
Tbn. III
  
 
D
Euph.
 
  
B. Tba
 
 
Timp.

S. D.
Susp. Cymb.
Cymb. & B.D.


59



61






mf




  


f


 62     

 
f




   
mf
   

 
   
 
 
   

f


tutti

f
f



mf
SC
O
  

Tbn. I





mf

Tpt III

mf


Tpt II

 



 


  
  

 



 


 
  

 







 



 



   
mf
60


f
f
R
E
Hn III

  
 


mf


f
 
 


    


mf

   
 
   
   


   


f
   

 

 
 


   
mf



   

  
 


mf


f
 
   
mf

    
mf



    

T. Sax.


  

Alto Sax.






63
f
 
 
     
f
 
   
f
 
   
f
 
   

  







 


 


 
 

   
 

  




    

mf
   

 
  
mf









mf
p




 


 


61



 





f

  
f




   
 
f


 



 



   
 

    

 

   
 

    
 


     


f




 



 




 
 
62

    

 

    

f
  

p
60 mf
f

 
   



 
 

  



     


f
    


f

     
 


 

mf
65

   

 
  

    
 



  







mf
f


 

   

 
  
64
 
   

mf


    
 

molto rit.


    
f
 
     

64
IO
N


Cl. II
   

 65 





mf

 63 

   

  

62
AT


Maestoso q=80
    
U


   
   
AL

61
mf
mf
  
 


Cl. I

   
EV
Bsn.


60
R
Ob.

FO
 



LY
Fl.

N


59
O
8





 




p
63

 




64




p
65





Cl. III

B. Cl.
Alto Sax.

 

   
  


   
  

 

 



Bari. Sax.
  


Hn II

Tpt I
 

   
  
 



D






66

 
 













 



 


 

 




 

 







 


p



p


 



 
   
70
   













p



  

71
p

72

73

74



75
p
   
















 



 





 
  

  
 
  

 
 


 


  

 




   
  

  
 
   
 

 
p

  
 
  





 


































p




67



p
                




 










p




 



p
   

 
p
   
   

p



p
p
76

p

  



 

76


p

  

    



75
p



O
EM

69
 
   

  
Tbn. II
Cymb. & B.D.

   

Susp. Cymb.
    
 
 





  
   

S. D.

  

Timp.
 
   
Tbn. I
B. Tba

    

  
 
Euph.
68


Tbn. III
  
 


 




 



 
  
 
74
p

  

Tpt II
Tpt III

 
  
 
p
 

 
SC
O
Hn III


67

73
p

66     
  
Hn I
   
 
p




 




  

T. Sax.


72
p
R
 

 
71
FO
Cl. II


 

 

 
70


 
O
Cl. I
  
rall.

LY

  


69
N

Bsn.


  
R
E
Ob.

68
IO
N
 



AT


U



Fl.
67
AL
 

EV
Tempo q=80

66



































68
69
70
71
72
73
74
75
76
9
2. Menino Morto (Dead Boy)
Lento funebre q=60
10
1
















13



 
 













 
 














  
  very soft
                    
p





















4
       
5
7
10

11

12


  














              






       








LY
  


  
   
       
   
  





13



N
       

9

O
p
very soft


   
R
E
SC
O
 
       
8





   












   
  







       

       
   

  






very soft
       

       
   
  










                    

  







O
p
very soft
p
p
very soft


p


very soft
                

EM



  



  
       
p
very soft
p
very soft
6

FO
3
p
very soft
p


   




       






 
       




       
Tbn. II


  very soft
        

D
12




 




















































Susp. Cymb.
Cymb. & B.D.





Tbn. I
S. D.

11


Timp.



p
B. Tba

10

  very soft
        
Euph.


   

9

  
        
Tbn. III



Tpt III
8


  

  
Tpt II


 soft                 
  very



Hn II
7

p
Tpt I


p
Hn III
6

soft
2
1   very
        
Hn I

R
Bari. Sax.
5
p
 
 
T. Sax.



  
 
Alto Sax.

4


B. Cl.

IO
N
Cl. III
3
AT
Cl. II

very soft
                    

  
 
Cl. I
2
U

Bsn.

AL
Ob.


EV
Fl.
1
2

3

4

5

6

7

8

9

10

11

12

13

11
14







p

mf

mf

mf



p

mf


 

 














15
   
16
   
17
   
18
   
19
p



 



  





  

 
  

  


 
  

  

   

  
20
  
21

22


  


   
  




N
   







 










R
E
   
  

   







   
   
   
   
   
  


           
   
   
  



p

p
SC
O


p

EM
D
Cymb. & B.D.



   


Susp. Cymb.


 
   


S. D.



   


Timp.




Tbn. II
B. Tba



   

Euph.



   





   
Tbn. I
Tbn. III


mf

  

    



Tpt III

p
O
Tpt II

                   
 
 
Tpt I

mf



Hn III

U



AL
 

Hn II

                   




                   
14  

Hn I

    

IO
N


Bari. Sax.

22
AT


T. Sax.

21
EV
Alto Sax.




B. Cl.


Cl. III

20
mf
 

Cl. II

19
R
Cl. I

18
FO

Bsn.
17
LY
Ob.

16
O
Fl.
15
p


   
   
   
   
   
  


p
   
   
   
   
  


                   
  

   
p

p
































14
15

16

17

18

19

20

21

22


   
  26 


   
   28
 27 
  

   
   
   
  














  









  








Cl. III
  

  

  


  



 






D
Euph.


B. Tba


Timp.
S. D.
Susp. Cymb.
Cymb. & B.D.



SC
O

EM




Tbn. III




Tbn. II



Tbn. I





mf

 


     


  
  





   
  
  
   
     


  
  

     
   
mf

mf
  






















mf









mf





   
          

mf
mf











28
29
30
31
   
               

mf


AL
mf
R
27



O
Tpt II



FO

26

LY

Tpt III
  

Hn II
Tpt I


    
25



     



  

24


  
  



  


     




     
   
  

  
  

 
  
  
  
23 
 
Hn III

31
     


30
  


Hn I



  
   
              
 
   
T. Sax.
Bari. Sax.


 
EV

Alto Sax.
mf

Cl. II
B. Cl.

  
29
  

 
 
N
Cl. I
O
Bsn.
25
R
E
Ob.
24
IO
N

AT
23
Fl.
U
12

mf
 






 






 






 






 









































23
24
25
26
27
         

 
 
 
28 pp
29
30
31 mf
ff
fp
ff
Cl. III



fp



ff
fp
T. Sax.
fp
ff
f
ff
3  
   
  3

 
     





32  


Hn III


34






fp

Tbn. II

EM


Tbn. III


D
Euph.


B. Tba


Timp.

S. D.
Susp. Cymb.
Cymb. & B.D.

mf


ff

ffp
fp
ffp


fp
f






33
mf
34


 
 

35 

ff

ff




  







  

ff

 




ff
ff

 
ff

ff

   
ff
   

37












mf







39

40

41




mf
38

42


ff

 













ff

 

ff
   






   



 

mf 
 
 
 


mf
mf
   

ff
ff
mf
ff
mf
ff







 






 
 












































mf























ff
   

ff


 


 
 

36 



mf

ff
ff

mf
ff

   

ff


 



fp






p
ff



  




3
3

    
   
  

 
  
ff




  
f


   

3  
   
  3
 
     
 

ff




   
f


3  
   
  3
 
     
 

ff




  
f


     3      3
    
 


ff




  
f


ff
ffp

42
mf
ff


41
ff
3  
   
  3
 
     
 


32

 

R
E
mf

SC
O
Tbn. I

ff
fp

O

Tpt III

36
ffp




 

fp

 


35

mf
Tpt II

fp
 
 
Tpt I

   
LY

Hn II

33
N
Hn I
O
Bari. Sax.
40
ff
ff
3
    3
   


     



f
ff




  

 

fp
ff





 


Alto Sax.

  



B. Cl.


   


 
Cl. II

39
ff
ff

 
ff

38

 
3  
   
  3
 
     




ff

 f



  
 

fp
13
37
IO
N
Cl. I

 
36

 


Bsn.

 
AT
fp


35
U

34
AL

FO
Ob.

EV


33
R

Fl.


32
37

38

39

40

41

42



Hn III

Tbn. I

Tbn. II
pp
Tbn. III


D
Euph.


B. Tba


Timp.
S. D.
Susp. Cymb.
Cymb. & B.D.







p
44
45


pp

pp




pp



pp

pp

pp

pp


cresc.
      
  cresc.
 

























cresc.



47

cresc.
cresc.

48


pp


pp

    


3



    


3
49












cresc.

cresc.


cresc.


cresc.














cresc.
cresc.




cresc.















    




cresc.

    


     
p


  


cresc.

 






 



 
cresc.

3





 

























43
44
 

 





  


      

3

cresc.

    

cresc.



      





  




46

  

3
cresc.




 
cresc.
    

IO
N


     
pp










    



    



 

  






3
cresc.





    49  


     
48
AT

pp




EM






p
O
Tpt III


  



  





cresc.
  


 

  
pp



 


 


 

Tpt II
    
47
U

  


Tpt I

  

SC
O

Hn II

    
pp
43 

Hn I




AL




Bari. Sax.


pp


T. Sax.
p

 

Alto Sax.





   46 
N

B. Cl.
p


O



Cl. III




Cl. II

p
 

Cl. I
45
R
E

Bsn.

EV


Ob.

R

Fl.
44

FO
43
LY
14

45

46

47

48

49

 

Cl. II
mf
 
    
Cl. III

B. Cl.
   


     
mf


 

Bari. Sax.


        

   
mf
50 

Hn I

Hn II

Hn III
mf


mf

mf

mf


 

Tbn. II


mf

Tbn. III


D
Euph.


B. Tba


Timp.
S. D.
Susp. Cymb.
Cymb. & B.D.







  





mf
 

      
 

     

f
3
3
 

f
   







51
  
3
  
f
 

54
55
3
3
f

56
f



 

   
  


 







 
 f





 



 






 



 


f
f
f
f

f
3
 3
         
 
3
 
f

 


p








p


p
53
3
f




 
 
54
f
3
p

3
f


p




p
55
3

      



f


  
3
f

3
  
    
3


3
3


3


 
  
f

 

3



  
  
    
  
3
3
3
3

         
3

3


52
3
   
f
  



3

3

 

   
3
   
    
f

3
3
 


  
3
3
f

  
3
f


3
f
   
f
3
  
    
3
 

 

mf

f

53




         

  
3
3
3



       





50
52
R
E

mf






mf
EM


mf


  
3
3

15
  
3
   
f
 


  56 
3
f
 

 

 
 




SC
O
Tbn. I

O

Tpt III








mf






mf
Tpt II
51


 
 
Tpt I

 

 
 


  


mf
mf
T. Sax.
 


 
 
Alto Sax.

 


   55 
IO
N
 

mf
  

  

N
Cl. I
mf





AT
  




54
U

   

Tempo q=60

AL

     


53
EV
mf
       

O

Bsn.
  

rit.
52
R


Ob.
mf

FO

Fl.
   51 
LY

    
50

56



 



  






B. Cl.
3


  

      
 

Alto Sax.
3


T. Sax.

3

Hn II


Tbn. II





D




Timp.

S. D.
Susp. Cymb.
Cymb. & B.D.
58





57


p


 


 











         
60
61
         

62


 

    
 


63


 



  
  


 

3
  
   



 




 
3








65

 


66

3

 
64



   

  


 
66



  

 
p
































p
         



p




            


 


 


 




 


 


 



            

 


 


 








p
p
p








 


 


 



            

 


 


 



     
f
p
58

p
p


p





59

p


p

        
   






 
p
p



65



p

EM

B. Tba





 
 

  
Tbn. I
Euph.

   

Tbn. III





  

Tpt II
Tpt III


R
E
Tpt I


 





 


O
Hn III
3
 
57 

Hn I
  





SC
O
Bari. Sax.
   
3

 




64

IO
N
Cl. III
3

63

AT

     

62
U
3
  


AL
Cl. II
3
61

p
   

     
60
EV
  

Cl. I

R

Bsn.
59
FO
Ob.
58
LY

Fl.

Tempo q=60

O
57
N
rit.
16
p




















59

60

61

62

63

64

65

66



mf

  

  

Cl. II
 
   


 

Cl. III
B. Cl.
Alto Sax.

 



Bari. Sax.
Hn II




 











68


69

Susp. Cymb.
Cymb. & B.D.



  







 
solo


 

 

SC
O

 
70
N

R
E







71



 
72 solo



  

 





  

 











mf






  



73

   




 



17

3


 

3



O
mf

EM
D
S. D.


 
 
Timp.




 
 
B. Tba
 


3
3



  


  


 
 
Euph.

  






Tbn. III


 

Tbn. II

 
   



O
Tbn. I

 



Tpt III
  


 

Tpt II

   


  solo



     
Tpt I




Hn III


 
 
74
3

mf
67 

Hn I


  



 
 
T. Sax.


EV
Cl. I

 


IO
N



73
AT


     

72 solo
U
solo

71
R

Bsn.
 

70
FO
 

Ob.

69
LY
Fl.
68
AL


67






74



  













 

 

 





















 





















 





















 






























 






















 
































67
68

69

70

71

72

73

74


B. Cl.
 
  

Hn II
Susp. Cymb.
Cymb. & B.D.
77

 





 



  


    
81
   

dim.
82

83

   





 






dim.

dim.




78




 


79

dim.




80















3
3
 
 



3




pp


 


pp

  







pp










pp


pp

 



81





pp
82


83

pp









































dim.



 


 





 


 



 








 


 










 


 




 


 























 










dim.
77

78

79

80


pp



81




dim.

76

dim.



pp




pp
dim.




 
 
84









pp









pp








 


84
pp
  


75


 


dim.
 

 

 


  





 
dim.

EM
D
S. D.



 
 
Timp.



 




 
 
B. Tba


 
 
Euph.




Tbn. III



 

Tbn. II

76
O
Tbn. I

dim.


Tpt III

SC
O
Tpt II
  
80
pp

  




  
 

Tpt I

dim.



Hn III


 

3
  
dim.



 
75  

Hn I

 

rit.

dim.

  
Bari. Sax.


dim.
3
 



  


 

T. Sax.


3
  
 
Alto Sax.
 
79
IO
N

 
 

R
E
Cl. III


78
AT
 



 
   

Cl. II
 
  

  

Cl. I
77
U
 
 

AL


EV

Bsn.
 
 

N
Ob.

76
R
 

 
O
Fl.

FO


75
LY
18
pp





pp
mf
 
 
mf
82

83

84


DEMO SCORE ONLY FOR EVALUATION

Transcrição

Documentos relacionados

Filarmonia de Aveiro

Programa - danilorossetti

Karlhos Misajel

O Papel do Farmacêutico no aconselhamento e promoção da

204-208-01-A4-P Tactics and Procedures Trainer (TPT).fm

Ondas Sonoras, Harmônicos e Percepção do Som no Saxofone

S.Rachmaninoff Rachmaninoff

Fevereiro 2015 - Hot Club Portugal

Faça o do Projeto Show Didático

Cep: 01201-050 Fone: (11) 3822-1472 Cel: (11) 97260