CV FLORIAN GROND

CV FLORIAN GROND
Address: 5041 St-André, Montréal (QC) H2J 3A5 Canada
Phone: +1 514-995-7683 Email: [email protected] Website: www.grond.at
Language Skills: English (proficient), French (oral and written), German (native)
EDUCATION
2007 - 2013
Doctoral studies at the Cognitive Interaction Technology – Centre of Excellence (CITEC) Bielefeld University,
Germany. Thesis title: Listening-Mode Centered Sonification Design for Data Exploration.
2001 Mar-Oct Guest student at the Institute for Theoretical Chemistry, Eberhard-Karls-University Tübingen, Germany.
1999 - 2000
Erasmus exchange program, DeMontfort-University Leicester, UK.
Studies of chemistry / MSc, Karl-Franzens-University Graz, Austria.
1995 - 2002
RESEARCH EXPERIENCE
Postdoctoral Fellow at McGill University, Montreal, IDMIL (Input Devices and Music Interaction Laboratory)
2015 Aprilsupervised by Prof. Marcelo M. Wanderley.
2014
July- Postdoctoral Fellow at Concordia University, Department of Psychology, Montreal supervised by Prof.
2015 April
Aaron Johnson.
Collaborator at CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology), Montreal
2011 Nov(Nov 2011 – March 2012: research assistant).
2010 July - Research Trainee at SRE (Shared Reality Lab) Centre for Intelligent Machines in the Department of
Oct
Electrical and Computer Engineering McGill University Montreal.
2008 Sept - Guest Researcher at IDMIL (Input Devices and Music Interaction Laboratory), Schulich School of Music,
McGill University Montreal.
Dec
2005 - 2008
Guest Artist and Guest Researcher at the ZKM (Center for art and media)
Sept 2002 - Research Assistant at the ZKM (Center for Art and Media) / Institute for Basic Research, Karlsruhe,
Germany.
Dec 2006
INTERDISCIPLINARY AWARDS and DISTINCTIONS
2014 April
Postdoctoral award (research-creation), FRQSC (Fonds de recherche du Québec - société et culture) .
2014 Oct
Postdoctoral award, CRIR (Center for Interdisciplinary Research in Rehabilitation of Greater Montreal).
ARTISTIC AWARDS and DISTINCTIONS (selection)
Travel grant from Conseil des Arts et des Lettres du Québec for the presentation of DELAY at the Norwegian
University of Science and Technology in Trondheim.
Travel grant from Conseil des Arts et des Lettres du Québec for the presentation of the Audible Sculptures
2013 Oct.
project at the TransCultural Exchange conference in Boston.
2013 June
Grant from Canada Council for the Arts for the production of the Audible Sculptures project.
2013 Apr
Grant from Conseil des Arts et des Lettres du Québec for the production of the Audible Sculptures project .
2008 Nov
Artist Residence (one month) at the art centre OBORO Montreal, Canada.
2007 Aug
Travel grant (Austrian Cultural Forum) to exhibit at the art gallery of SIGGRAPH San Diego, US .
2007 Aug
Grants (together with Thomas Kienzl) from various Austrian sources for the project _zur form .
2006 Aug
Guest artist at the HKB (academy of art), Institut Y für Transdisziplinarität Bern, Switzerland
2006 Feb
Travel grant from the Austrian Cultural Forum to exhibit at the FUN University in Hakodate and the Tokio
Design Centre, both Japan.
2001 Sept
Stipend at the ZKM (Center for Art and Media) Karlsruhe, Germany.
SCIENTIFIC AWARDS and DISTINCTIONS
2015 May
Best postdoctoral poster award from 1st Quebec Research Congress on adaptation and re-adaptation,
Boucherville Quebec.
2011 Jun
Best paper award from the International Conference on Auditory Display (ICAD) Budapest, Hungary.
2009 Jan
Doctoral studies scholarship from the Cognitive Interaction Technology Centre of Excellence (CITEC) Bielefeld University, Germany (Jan. 2009 - Feb. 2012).
Continued on next page
2014 Oct.
1
Dr. Florian Grond
page 2 of 6
Scientific Awards and Distinctions (selection) – continued from previous page
2008 Mar
European SID action grant for a short term scientific mission at the Input Devices and Music Interaction
Laboratory (IDMIL), Schulich School of Music, McGill University Montreal.
Erasmus grant to study at DeMontfort-University, Leicester, UK.
1999 Sept
SERVICE TO THE COMMUNITY, PEER REVIEW
2016
for LEONARDO.
2016
for the Journal for Artistic Research (JAR).
for the Journal for Multimodal User Interfaces (JMUI).
2016
2016
for DISPLAY, a journal on display technology, effective presentation and perception of information.
for the selection of workshops on Music and HCI for the Conference on Human Factors in Computing (CHI).
2016
2015
for the Journal Berichte zur Wissenschaftsgeschichte.
for the International Conference on Auditory Display (ICAD).
2010, 14, 15
2014, 15
for the Computer Music Journal (CMJ).
for IEEE MultiMedia.
2014
2013
for the Belgian Science Policy Office (Pioneer projects Research Action Through Interdisciplinary Network).
2011
for the Sonification Handbook (eds. Hermann, Hunt, Neuhoff).
2011
for the International Symposium on Computational Aesthetics.
TEACHING (selection of workshops, seminars, lectures)
− AS PRIMARY OR CO-INSTRUCTOR:
− DELAY workshop together with Mary Sherman at the Academy of fine arts NTNU Norwegian University of Science
and Technology, Trondheim, invited by Prof Regina Maria Moeller Oct. 20-24, 2014.
− Sonification SuperCollider Sound Synthese am Beispiel von Vokalen MK-Sound seminar at Karlsruhe State University
of Arts and Design (HfG), Germany May 17-18, 2011.
− Sonification Seminar for the Q Studies program at Hamburg City University (HCU) together with Till Bovermann,
Mar-Jun 2010.
− Between Chance and Repetition Algorithmic Composition Workshop together with Stephane Claude and Daniel Courville at OBORO Montreal, Dec.2, 4 and 16, 2008.
− 2008 Mar 25th Current explorations in the sonification of dynamical data and in interdisciplinary art/science projects
Music Technology Colloquium McGill University.
− AS GUEST LECTURER:
− Sonification and Auditory Display, Exploration and Well-defined Tasks, an Interdisciplinary Approach between Arts
and Science guest lecture at Concordia University, Music Department invited by Prof Ricardo Dal Farra, April 3rd
2014.
− Guest lecture for Art et Interdisciplinarité at NAD, École des arts numériques, de l’animation et du design, Montreal,
invited by Marc Fournel. March 26th 2014.
− Translating Shapes and Forms into Sound Objects for Auditory Display, guest lecture at the School of Physical and
Occupational Therapy, McGill University, invited by Prof. Eva Kehayia, March 25th, 2014.
− Listening in Multimodal and Interactive Displays,, guest lecture at Shared Reality Lab McGill University, invited by
Prof Jeremy Cooperstock, Feb 25th 2014.
− Nonlinear dynamical systems as my point of departure for bridging arts and science, guest lecture at the Visual Arts
Department Ottawa University and studio visit, invited by Prof. Alexandre Castonguay Sept 17, 2007.
− 2006 Jan 12th - 18th Talks about the installation SOL at the Tokyo Design Center.
− Vizualization of chaotic topologies, guest lecture at Städelschule architecture class invited by Prof. Johan Bettum,
Frankfurt am Main, Germany. June 24, 2005.
− Visualisation of Chaos and Dynamical Systems, guest lecture at seminar Performative Science invited by Dr. Hans
Diebner, Karlsruhe State University of Arts and Design (HfG), Germany. Jun 21, 2005.
− Sonifikation chaotischer Systeme, guest lecture at the sonification seminar invited by Dr. Hans Diebner and Paul
Modler, Karlsruhe State University of Arts and Design (HfG), Germany. Nov 19, 2003.
ORGANIZED PANEL DISCUSSIONS
− Creations off the Beaten Path: Challenging our Preconception of Artistic Practice and the Experience of Artistic
Creation a panel discussion on art and blindness / disability at the Transcultural Exchange conference, Boston, Feb
25-28, 2016 together with panelists Hannah Thompson, Vanessa Warne, Georgina Kleege, Piet Devos and David
Johnson.
2
Dr. Florian Grond
page 3 of 6
ROUND TABLE PARTICIPATIONS and PANEL DISCUSSIONS
− The Distorting Mirror of Blindness: Visual Literacy and Non-Sighted Aesthetics a panel discussion at the conference
of the International Visual Literacy Association, Montreal, Oct 8, 2016 together with panelists Hannah Thompson,
Vanessa Warne, Georgina Kleege, Piet Devos and David Johnson.
− Panelist with an artist presentation at Blind Creations, London June 28-30, 2015 organized by Hannah Thompson and
Vanessa Warne.
− presentation at the 18e symposium scientific sur l’incapacité visuelle et la réadaptation, la technologie au service de
la réadaptation visuelle, Montreal Feb 9, 2015.
− Artist presentation at SID, the Sound Images and Data conference, New York July 23-25, 2015 organized by Lanfranco
Aceti and Tae Hong Park.
− Panelist at Radical Affordances, Emerging Scholarship, Art, and Activism at the Intersection of Media and Disability
Studies, Montreal March 23, 2015 hosted by Media@McGill organized by Tamar Tembeck.
− Panelist at Colloque: «Art et santé. Expériences et pratiques artistiques comme catalyseurs de changement», Montreal
October 6-7, 2014, organized by Louise Poissant, Guy Berthiaume, Josyane Franc and Christian Paire.
− Panelist at Colloque: «Art et santé. Expériences et pratiques artistiques comme catalyseurs de changement», Montreal
October 6-7, 2014, organized by Louise Poissant, Guy Berthiaume, Josyane Franc and Christian Paire.
− Panelist at TransCultural Exchange’s 2013 Conference on International Opportunities in the Arts: Engaging Minds,
Boston October 10-13, 2013, organized by Mary Sherman.
− Panelist at Colloque Pionniers-innovation-création-média 16 Mai, 2012 Hexagram UQUAM Montreal, organized by
Simon-Pierre Gourd.
− Panelist at Journée d’étude Effet de présence du SON 25 Mai, 2012 Hexagram UQUAM Montreal, organized by Lorella
Abenavoli, Marie-Christine Lesage and Louise Poissant.
− Panelist at Supersonix conference the art and science of sound an Exhibition Road project, London. June 21 -23 2012,
organized by Bergit Arends and Paul Cutts.
− Panelist at Sonification (what, where, how, why) March 4- 5 2010, École Supérieure d’Art d’Aix en Provence organized
by Peter Sinclair, Jérôme Joy and Anne Roquigny.
− Expert-meeting Denkgeräusche 2 HKB (academy of the arts) Bern, Switzerland. May 11 - 12, 2007.
CURATORIAL
− ROSALYN DRISCOLL and DAVID JOHNSON Hands On! an event of the conference of the International Visual
Literacy Association hosted by the Critical Disability Studies Working Group at Concordia University, curated by
Florian Grond, 6th -8th Oct. 2016
− DAVID JOHNSON sculptures from the inner space, please do touch! hosted by the Critical Disability Studies Working
Group at Concordia University, curated by Florian Grond, 2nd -3rd March 2016
− GERMAN SECTION at TINA B. the Prague Contemporary Art Festival in the Fallout Shelter beneath Hotel Jalta,
Wenceslas Square 45 Prague, curated by Florian Grond and Monika Burian Jourdan, 20 –23 Oct. 2011
JOURNAL ARTICLES (selection)
− D. Johnson and F. Grond. Remote Feelings: Towards a Blind Aesthetic in Long Distance Collaborations. Disability
Studies Quarterly, abstract accepted for a special issue on Blindness Arts, 2017
− Florian Grond and Piet Devos. Sonic Boundary Objects: Negotiating Disability Technology and Simulation. Digital
Creativity special issue on Creative Technologies and Innovation: Health and Wellbeing, Nov 10 2016
− M. Sherman and F. Grond. In Praise of Frozen Sound (accepted). Leonardo Electronic Almanac, 2016
− F. Grond and T. Hermann. Interactive Sonification for Data Exploration, How Listening Modes and Display Purposes
Define Design Guidelines. Organised Sound, Cambridge University Press, pages 41 – 51, 26 February 2014
− F. Grond, A. Olmos, and J. Cooperstock. Making Sculptures Audible through Participatory Sound Design (artist statement). LEONARDO MUSIC JOURNAL, 23:12–13, 2013
− F. Grond. The earth is a disk, was Jens Brand uns zu hören gibt. positionen, Texte zur aktuellen Musik, Stadt Kartographie Klang, 1(94):38 – 40, Feb. 2013
− F. Grond, A. Olmos, and J. Cooperstock. Making Sculptures Audible through Participatory Sound Design (artist statement). LEONARDO MUSIC JOURNAL, 23:12–13, 2013
− F. Grond, O. Kramer, and T. Hermann. Balancing Salience and Unobtrusiveness in Auditory Monitoring of Evolutionary
Optimization. Journal of the Audio Engineering Society, 60(7/8):531–539, 2012
− T Droßard, F. Grond, and T. Hermann. Interaktive Sonifikation mathematischer Funktionen als Unterichtsmethode für
blinde und sehbehinderte Schülerinnen und Schüler. blind sehbehindert, 132(1):42–52, Jan. 2012
3
Dr. Florian Grond
page 4 of 6
− F. Grond. Safety Certificate: an audification performance of high-speed trains. Artificial Intelligence and Society AI&S,
27(2):293–295, 2012
− F. Grond and T. Hermann. Aesthetic Strategies in Sonification. Artificial Intelligence and Society AI&S, 27(2):213–222,
2012
− F. Grond and T. Hermann. Singing Function, Exploring Auditory Graphs with a Vowel Based Sonification. Journal on
Multimodal User Interfaces, 5(3):87–95, 2012
− D. El-Shimy, F. Grond, A. Olmos, and J. Cooperstock. Eyes-Free Environmental Awareness for Navigation. Journal on
Multimodal User Interfaces, 5(3-4):131–141, 2012
− F. Grond and T. Hermann. Aesthetic Strategies in Sonification. Artificial Intelligence and Society AI&S, 27(2):213–222,
2012
− F. Grond, T Droßard, and T. Hermann. SonicFunction, Experiments with a functionbrowser for the blind. In Proceedings
of the 16th International Conference on Auditory Display, pages 15–21, Washington D.C., 2010. ICAD
− F. Grond, T. Hermann, V. Verfaille, and M. M. Wanderley. Methods for Effective Sonification of Clarinetists’ Ancillary
Gestures. In S. Kopp and I. Wachsmuth, editors, Proc. 8th Int. Gesture Workshop, Lecture Notes in Computer Science,
pages 171–181, Berlin, Heidelberg, 2009. Springer Verlag
BOOK CHAPTERS
− F. Grond and T. Hermann. Zeitgenössische Perspektiven auf ästhetische Strategien der Sonifikation. In A. Volmar and
A. Schoon, editors, Sound Studies: Kulturgeschichte der Sonifikation, pages 47 – 70. Transcript Verlag, 2012
− F. Grond and J. Berger. Parameter Mapping Sonification. In T. Hermann, A. Hunt, and J.G. Neuhoff, editors, The
Sonification Handbook, chapter 15, pages 363–397. Logos Publishing House, Berlin, Germany, 2011
− F. Grond and T. Schubert-Minski. Sonification, Scientific Method and Artistic Practice. In D. Daniels and S. Naumann,
editors, Audiovisuology Compendium, volume 1, pages 285–295. Verlag der Buchhandlung Walter König, Köln, 2009
− F. Grond. Inspired by Pawel Florenski, Space Filling Curves in New Media Works. In E. Michele, editor, Matematica
e Cultura 2009, pages 43 – 54, Milan, 2009. Springer-Verlag Italia
− F. Grond. _zur form. In E. Michele, editor, Matematica e Cultura 2009, pages 121 – 127, Milan, 2009. Springer-Verlag
Italia
− F. Grond. Sistemas Dinámicos - Hear and Now, Intermittent, _zur form: generative architecture. Aminima::new media art now, (21):50–63, 2007. ISSN 1697-7777
− F. Grond. Intermittent. In H. H. Diebner, editor, Performative Science and Beyond, Involving the Process in Research,
pages 213 – 214. Springer-Verlag, 2006. ISBN 3-211-33357-6
CONFERENCE PROCEEDINGS
− F. Grond, T. Bovermann, and T. Hermann. A SuperCollider Class for Vowel Synthesis and its Use for Sonification.
In D. Worall, editor, Proceedings of the 17th International Conference on Auditory Display (ICAD-2011), Budapest,
Hungary, June 20 - 24 2011. OPAKFI
− F. Grond, O. Kramer, and T. Hermann. Interactive Sonification Monitoring in Evolutionary Optimization. In D. Worrall,
editor, Proceedings of the 17th International Conference on Auditory Display (ICAD-2011), Budapest, Hungary, June
20 - 24 2011. OPAKFI
− F. Grond, A. Bouënard, T. Hermann, and M. M. Wanderley. Virtual Auditory Myography of Timpani-playing Avatars.
In A. Sontacchi, H. Pomberger, and Zotter F., editors, Proceedings of the 13th Int. Conference on Digita Audio Effects
(DAFx-10), Graz, Austria, Sept. 2010
− F. Grond, T Droßard, and T. Hermann. SonicFunction, Experiments with a functionbrowser for the blind. In Proceedings
of the 16th International Conference on Auditory Display, pages 15–21, Washington D.C., 2010. ICAD
− F. Grond, S. Janssen, S. Schirme, and T. Hermann. Browsing RNA Structures by Interactive Sonification. In Interactive
Sonification Workshop (ISon) Human Interaction with Auditory Displays, Stockholm KTU, April 7 2010
− F. Grond and F. Dall’Antonia. Sumo. A Sonification Utility for Molecules. In Proceedings of the 14th International
Conference on Auditory Display, Paris, France, 2008. IRCAM, ICAD
− F. Grond. From Reality to a Line and Back - a Little Theory of Everything. In Proceedings of the Mutamorphosis
Conference, Challenging Arts and Science, Prag, Nov. 2007
− F. Grond. Organized Data for Organized Sound Space Filling Curves in Sonification. In Gary P. Scavone, editor,
Proceedings of the 13th International Conference on Auditory Display, pages 476–482, Montreal, Canada, 2007. Schulich
School of Music, McGill University, ICAD
4
Dr. Florian Grond
page 5 of 6
CONFERENCE POSTERS
− F. Grond, A. Johnson, and W. Wittich. Audio beacons as sonic boundary objects for the exploration of the MALL. poster
presentation at the Internationa Mobility Conference IMC 2015 Montreal, July 6-9 2015
− F. Grond, A. Johnson, and W. Wittich. Audio beacons as sonic boundary objects for the exploration of the MALL. poster
presentation at the Quebec Congress in Adaptation-Rehabilitation Research, May 21-22 2015
− F. Grond, A. Johnson, and W. Wittich. Audio beacons as sonic boundary objects for the exploration of the MALL. poster
presentation at the second Annual Postdoctoral Research Day, Feb 20 2015
ENTRIES in CATALOGUES (selection)
− F. Grond. TINA B 2011, chapter The German S(el)ection, pages 57 – 58. Vernon Gallery, Oct 2011
− F. Grond. Zeit im Bild. In A. Grzonkowska, editor, TINA B catalogue, page 123, Prague, 2010. Vernon Fine Art International
− F. Grond. Hear and Now. KUNST Magazin Berlin, page 51, Dez-Jan 2009-2010
− F. Grond. Hear and Now. In T. Marek and E. Pivodova, editors, TINA B catalogue, page 62, Prague, 2008. Vernon Fine
Art International
− F. Grond. Hear and Now. In BridA, editor, Data Collision, pages 6 – 7, Slovenia, April 2008. Mestna Galerija Nova
Gorica
− F. Grond, F. Halbig, J. M. Jensen, and T. Lausten. SOL. In Hören, Sehen und Erleben, selected works on DVD, Karlsruhe
Germany, 2007. ZKM (center for art and media)
− F. Grond, F. Halbig, J. M. Jensen, and T. Lausten. SOL. In S. Droschl, editor, CROSS MEDIA Kunstverein Medienturm
2000 - 2005, page 85, Wien, Bozen, 2007. Folio Verlag
− T. Kienzl, F. Grond, and G. Engelhardt. _zur form. In Electronic Art and Animation Catalog, page 206, San Diego,
California, 2007. SIGGRAPH
− F. Grond, F. Halbig, J. M. Jensen, and T. Lausten. Acqua, Aria, Terra, Fuoco; I quattro elementi: l’energia della natura
arte e scienza. SKIRA Editore Milano, Italy, 2005
− F. Grond, F. Halbig, J. M. Jensen, and T. Lausten. SOL Expo Nr.16. ISSN 1600-8499. Esbjerg Kunstmuseum, Esbjerg,
Denmark, 2005
SOLO and DUO EXHIBITIONS (selection)
− DELAY, collaborative installation by Mary Sherman and Florian Grond at the artist center OBORO, part of the program
printemps numerique and the International Digital Arts Biennal of Montreal , April 16 - May 28 2016
− DELAY, collaborative installation by Mary Sherman and Florian Grond at the gallery of the Trondheim Academy of
Fine Art (KiT), Norwegian University of Science and Technology (NTNU) curated by Regina Maria Moeller, Oct 24th
- Nov. 2nd 2014
− along the line exhibition within the BIAN (International Digital Arts Biennial, organized by the Elektra Festival) at
the artist center OBORO, Montreal, April 28th-June 6th 2012
− the fine line duo exhibition by Florian Grond and Federico Solmi at the Czech Center Prague curated by Gallery
Vernon Prague, July 22th - Aug 28th 2010
− Intermittent audio visual installation by Claudia Robles and Florian Grond in the Gallery Rachel Haferkamp, Cologne,
curated by Hanjo Scharfenberg, Mar 10th - 31st 2006
− SOL audio visual installation by Florian Grond, Frank Halbig, Jesper Munk Jensen and Thorbjorn Lausten in the
exhibition curated by Hiroshi Numata, Tokyo Design Centre, Japan, Feb 11th - 20th 2006
− SOL audio visual installation by Florian Grond, Frank Halbig, Jesper Munk Jensen and Thorbjorn Lausten exhibited
at Esbjerg Kunstmuseum, curated by Inge Merete Kjeldgaard, Esbjerg Denmark, Mar - May 2005
GROUP EXHIBITIONS (selection)
− The Haptophone sound art installation by Florian Grond at the conference Blind Creations curated by Hannah
Thompson and Vanessa Warne, London University, Royal Halloway, June 28th - 30th 2015
− knitting dreams video screening in the Artists House, Tel Aviv, by TINA B curated by gallery Vernon, Prague, Feb 28
2015
− hilbert02 video animation by Florian Grond at the IMRC Center, Stewart Hall, University of Maine, curated by: BridA
/ Tom Kerševan, Sendi Mango, Jurij Pavlica, Oct. 30th - Nov. 15th 2014
− hilbert02 video animation by Florian Grond at GRO gallerie Campus Allegro, Jacobstadt, Finnland. curated by: BridA
/ Tom Kerševan, Sendi Mango, Jurij Pavlica, Mar. 14th - Apr. 13th 2014
− sketches of moving equations by Florian Grond and _zur form objects, and photographs by Florian Grond, Thomas
Kienzl and Gabriele Engelhardt at My Brain Is in My Inkstand: Drawing as Thinking and Process curated by Nina
5
Dr. Florian Grond
−
−
−
−
−
−
−
−
−
−
−
−
−
−
−
−
page 6 of 6
Samuel, The Islands of Benoît Mandelbrot Fractals, Chaos, and the Materiality of Thinking curated by Nina Samuel,
Cranbrook Art Museum, November 16, 2013 - March 30, 2014 2013-2014
sketches of moving equations by Florian Grond and _zur form objects, and photographs by Florian Grond, Thomas
Kienzl and Gabriele Engelhardt at The Islands of Benoît Mandelbrot Fractals, Chaos, and the Materiality of Thinking
curated by Nina Samuel, BARD Graduate Center, New York, September 21 - January 27 2012 - 2013
Hear and Now audio visual installation by Florian Grond in the exhibition Chaos curated by Elisa Ahsenbaum and
Thomas Stuck, Gallery G.A.S. Station Berlin, Oct - Jan 2009-2010
heureka an algorithmic object by Florian Grond, Christophe Vaillant and Ruth Weber in the exhibition No Reply
Necessary! Gallery Vernon City, Prague, May 27th - June 30th 2009
_zur form objects, interactive installation and photographs by Florian Grond, Thomas Kienzl and Gabriele Engelhardt
at the Convegno Matematica e Cultura curated by Michele Emmer, Venice, Mar 27th - 29th 2009
Hear and Now audio visual installation by Florian Grond in the exhibition Darkness is Noon curated by Rosanna
Musumeci TINA B contemporary art festival Prague, Sept 2008
Hear and Now audio visual installation by Florian Grond in the exhibition Data Collision curated by BridA art
collective, City Gallery of Contemporary Art Nova Gorica Slovenia, Apr. 11th - 30th 2008
Intermittent audio visual installation by Claudia Robles and Florian Grond in the exhibition Unsafe Distance curated
by Pavel Sedlak, the Enter3 Festival Prag, Nov 8th – 11th 2007
Hear and Now audio visual installation by Florian Grond in the exhibition Areas of Conflu(x)ence curated by Quentin
Drouet and Tincuta Heinzel Parv, Konschthaus beim Engel Luxemburg, Oct 6th - Nov 5th 2007
Hear and Now audio visual installation by Florian Grond in the exhibition L’Œuvre ouverte | PureData* Convention
07 curated by Marc Fournel, Societé des Arts Technologiques, Montreal, Aug 22nd - 26th 2007
_zur form objects, interactive installation and photographs by Florian Grond, Thomas Kienzl and Gabriele Engelhardt
in the exhibition Art Gallery Global Eyes curated by Vibeke Sorensen and Lina Yamaguchi, SIGGRAPH San Diego,
Aug 4th -10th 2007
Intermittent audio visual installation by Claudia Robles and Florian Grond in the Gallery Rachel Haferkamp, Cologne,
curated by Hanjo Scharfenberg, Mar 10th - 31st 2006
SOL audio visual installation by Florian Grond, Frank Halbig, Jesper Munk Jensen and Thorbjorn Lausten in the
exhibition curated by Hiroshi Numata, Tokyo Design Centre, Japan, Feb 11th - 20th 2006
SOL audio visual installation by Florian Grond, Frank Halbig, Jesper Munk Jensen and Thorbjorn Lausten in the
exhibition Acqua, Aria, Terra, Fuoco I quattro elementi: l’energia della natura tra arte e scienza curated by Maria
Perosino, Silvia Sermissoni and Sandra Solimano Festival della Scienza, Genua, Oct 27th -Nov 8th 2005
SOL audio visual installation by Florian Grond, Frank Halbig, Jesper Munk Jensen and Thorbjorn Lausten exhibited
at Esbjerg Kunstmuseum, curated by Inge Merete Kjeldgaard, Esbjerg Denmark, Mar - May 2005
SOL audio visual installation by Florian Grond, Frank Halbig, Jesper Munk Jensen and Thorbjorn Lausten as part of
the program Algorithmische Revolution ZKM Karlsruhe Mediatheatre, Nov 6th and 7th 2004
various works by florian grond in the exhibition El Inventor de Historias, complejidad, código, lenguaje instalación
multimedia y laboratorio abierto curated by santiago ortiz, medialabmadrid centro cultural conde duque, madrid, Apr
14th - May 16th 2004
PERFORMANCES
− safety certificate performance at the concert evening of the symposium Stroemungen at the ZKM Karlsruhe, curated
by Yannick Hoffmann and Ludger Bruemmer, Nov 2nd 2016
− safety certificate performance at the conference Electrified Data during the conference SID Sound, Images and Data
in the Loewe Theatre of NYU Steinhard school, NewYork, curated by Lanfranco Aceti and Tae Hong Park, July 23 2015
− das Ohr and material probes in the performance evening subaqueous spring at Bain Saint Michel, Montreal, curated
by Laura Emelianoff, April 22nd 2011
− safety certifcate featured in 4for8 at TAI Studio, Helsinki, curated by Till Bovermann, April 26th 2011
− safety certificate and various works in Neue Medien machen Sinn at the Hessisches Ministerium für Wissenschaft und
Kunst, Wiesbaden, curated by Michael Klein and Hans Diebner, March 9th - April 16th 2011
6