CHRISTOPH DRAEGER Born in Zurich, Switzerland, 1965 Lives

Transcrição

CHRISTOPH DRAEGER Born in Zurich, Switzerland, 1965 Lives
CHRISTOPH DRAEGER
Born in Zurich, Switzerland, 1965
Lives and works in New York, New York
EDUCATION
1996-7
1990-1
1986-90
International Studio Program, P.S.1, Institute for Contemporary Art, Long Island City, New York
École Nat. Supérieur des Arts Visuels de la Cambre, Brussels, Belgium
Diploma, School of Visual Arts, Luzerne, Switzerland
SELECTED SOLO EXHIBITIONS
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
Debris, para_SITE Gallery, Graz, Austria
The End of Remake: Tropolicalia, CCA Center of Contemporary Art Ujazdowski Castle, Warsaw, Poland
The End of the Remake, Roebling Hall Art Gallery, New York, New York
Oil Paintings, Galerie Anne de Villepoix, Paris, France
Music is the Healing Force of the Universe, Catharine Clark Gallery, San Francisco, California
Le Radeau de la Macumba, Bonlieu, Annecy, France
Rough Air, Amberg&Marti, Zurich, Switzerland
Helenés Apparition of Freedom, Simon De Grussa, Cologne, Germany
Black September, Monty, Antwerp, Belgium
Out of Disaster, BrotfabrikGalerie, Berlin, Germany
Constructio Infernalis, mullerdechiara gallery, Berlin, Germany
White Cube, Umea, Sweden
The Brazil Project, Roebling Hall, New York, New York
Thing Editions, Roebling Hall, New York, New York
Galerie Anne de Villepoix, Paris, France
Susanne Vielmetter Projects, Los Angeles, California
New Landscapes, Catharine Clark Gallery, San Francisco, California
Damnation Road, The Kitchen, New York, New York
Memories of Terror From a Safe Distance, Kunstmuseum, Solothurn
Black September, Art Unlimited, Basel, Switzerland
Tueur Né, Galerie Anne de Villepoix, Paris, France
Black September/Night Version, Roebling Hall, Brooklyn, New York
Beaufort 12, Expo 02, Arteplage, Neuchatel, Switzerland
The Last Rider, Kunsthalle Fri-Art, Fribourg, Switzerland
Black September, Galerie Muellerdechiara, Berlin, Germany
Akus Gallery, Eastern Connecticut State University, Willimantic, Conneticut
If you lived here you would be dead now, Roebling Hall, Brooklyn, New York
Inundacions, CCCB, Centre de Cultura Contemporània, Barcelona, Spain
Voyages, Galerie Urs Meile Luzern, Switzerland
Teenage Riot, Halle für Kunst e.V., Lüneburg, Germany (catalogue)
Crash, Le Parvis, Centre d’Art Contemporain le Clerc, Pau, France
Tueur né/Natural Born Killer, Le Parvis, Centre d’Art Contemporain, Ibos-Tarbes, France
St. Gervais, Centre pour l’image contemporaine, Geneva, Switzerland
Apocalypso Place/Fall Season, Kunsthaus, Zurich, Switzerland
Going All The Way, Kunstforum Baloise, Basel, Switzerland
www.cclarkgallery.com
1999
1998
1997
1996
1995
1994
1993
1991
Apocalypso Place, LiebmanMagnan Gallery, New York, New York
Lakehurst NJ, Grenz-Raum, Zeppelinmuseum, Friedrichshafen, Germany
Action//Time//Vision (Alternative TV), Orchard Gallery, Derry, Northern Ireland
Yellow and Red, Institute for Contemporary Art, Dunauvarnos, Ungarn, Germany
Out of the Blue-Into the Black, Damasquine Gallery, Brussels, Belgium
New York-Serneus retour, Kulturhaus Rosengarten, Gruesch, Switzerland (catalogue)
Make Believe, Stalke Gallery, Copenhagen, Denmark (catalogue)
Puzzled, Statements, Galerie Urs Meile, Art 29, Basel, Switzerland (catalogue)
OEL, Galerie Urs Meile, Luzern, Switzerland
NB, Kunsthalle, St.Gallen, Switzerland (catalogue)
Hotelbrand, Hotel, Zürich, Switzerland
Nature Abhors a Naked Singularity, Clocktower Gallery, New York, New York
How Far You Are, Passage Placette, Belluard Fribourg, Germany
It's the end of the world as we love it, Shed im Eisenwerk, Frauenfeld, Switzerland
The Apartement, Filiale Basel, Switzerland (catalogue)
M.U.S.E.U.M., Kunstmuseum Luzerne, Switzerland (catalogue)
Critical Distance, ADO Gallery, Antwerp, Belgium (catalogue)
Schleutelwerken, Galerie Fons Welters, Amsterdam, Holland
SOLO, Etablissements d'en Face, Brussels, Belgium (catalogue)
SELECTED PERFORMANCES
2008
The Burning of the Wicker Man, Art en plein air, Môtier, Môtiers, Switzerland
SELECTED GROUP EXHIBITIONS
2009
2008
2007
Image Search, P·P·O·W Gallery, New York, New York (curated by Jamie Sterns)
El Fin, Y Gallery, New York, New York (curated by Cecilia Jurado)
Frenzy and Aftermath, Nicholas Robinson Gallery, New York, New York (curated with Joel Beck)
Belvedere, Galerie Luciano Fascati, Chur, Switzerland
Remakes, Gijon, Spain (curated by Juan-Ramón Barbancho)
Brandstiftung, K3, Zürich, Switzerland (curated by Markus Weiss)
Conceptual Art from California, NBK-Neuer Berliner Kunstverein, Berlin, Germany
(curated by Kathrin Becker)
Double Vue, ArtCHENE 2008, 3ème Biennale d'art en ville, Chêne-Bourg/ Geneva, Switzerland
(curated by Josiane Guilloud-Cavat)
Interstitial Zones: Historical Facts, Archaeologies of the Present and Dialectics of Seeing, Argos,
Brussels, Belgium
UNSTERN. SINISTRE. DISASTRO. Visions of Contemporary Artists, ACC Galerie Weimar, Weimar, Germany
Tonight Forget About Your Houses and Your Cars, Union, London, United Kingdom
Lucifer’s Greatest Work of Art, Fred, Leipzig, Germany
Katastrophenalarm¸KGBK, Berlin, Germany
Museum as a Hub, New Museum, New York, New York
Red Badge of Courage, National Newark Building, Newark, New Jersey
12e Biennale de l’image en Movement, Batiment de l’art contemporain, Geneva, Switzerland
Late Empire, Roebling Hall, New York, New York
Ominous Atmosphere, curated by Jeff Dauber, Heather Marx Gallery, San Francisco, California
Theatrum Mundi, Galerie Anne de Villepoix, Paris, France
Parallel Universe Meet at Infinity, Springhill Institute, Birmingham, United Kingdom
Last News, The Centre of Contemporary Art Laznia, Gdansk, Poland
Môtiers 2007, Môtiers, Switzerland
Final Cut, Medienkunst und Kino, European Media Art Festival, Osnabrueck, Lower Saxony, Germany
Exits and Dead Ends, Festival der Regionen, Oberösterreich, Austria
Reality Crossings 2, Fotofestival Mannheim/Ludwigshafen/Heidelberg, Germany
The Landscape of War, 142 Throckmorten Theatre, Mill Valley, California. Exhibition to travel to San Jose
Institute of Contemporary Art, San Jose, California
Petroliana, Second Moscow Biennial, Moscow Museum of Modern Art, Moscow, Russia
Une question de generation, Musée d’art contemporain de Lyon, Lyon, France
Christoph Draeger
Page 2
www.cclarkgallery.com
2006
2005
2004
2003
Collection FracPaca, Collège Niki de Saint Phalle à Sophia Antipolis, France
Chocolates, Museo Carrillo Gil, San Ángel, Mexico
Absolumental, les Abattoirs, Toulouse, France
What War?, White Box, New York, New York
Funny Games – Dead Serious, Ferenbalm-Gurbrü Station, Karlsruhe, Germany
Love & Peace, balkanTV, Zürich, Switzerland
Die Kultur Der Angst The Culture of Fear, ACC Galerie Weimer, Weimar, Germany
Zones of Risk/Transistions, Soros Center for Contermporary Art, Bishkek, Kyrgyzstan
Playbak_Simulated Realities, Edith-Ruß-Haus für Medienkunst, Germany
Run For Your Lives!, DiverseWorks, Houston, Texas
Politische Wahrheiten/Political Truths, Heidelberger Kunstverein, Heidelberg, Germany
Prevailing Climates, Sara Meltzer Gallery, New York, New York
Speed, Galerie Staubkohler, Zurich, Switzerland
Montevideo/Time Based Arts, Netherlands Media Art Institute, Amsterdam, Netherlands
Die Kultur der Angst (The Culture of Fear), Stiftung Federkiel, Munich, Germany
Photo-traffic, Center for Photography, Geneva, Switzerland. Exhibition traveled to Contemporary Art Center,
Geneva Switzerland.
Channel Zero, The Benaki Museum, Athens
Can’t You Hear Me Knocking, Roebling Hall, New York, New York
CRASH.PAUSE.REWIND, Western Bridge, Seattle, Washington
Screening War: On the representation of war in video art, ZKM Media Lounge, Medienmuseum, Karlsruhe,
Austria
Helden Heute - Heros a Jamais, CentrePasquArt Biel, Switzerland
Wasteland: 21st Century Landscape, Roebling Hall, New York, New York
Social Insecuritity, Catharine Clark Gallery, San Francisco, California
Un nuevo y bravo mundo, Alcala 31, Madrid
Reprocessing Reality, Service de la Culture, Foundation Suisse Pour La Culture, Switzerland
The Big Picture, University Art Gallery Sonoma State University, Sonoma, California
Visions du reel, Chateau de Nyon, Nyon, Switzerland
Silence/Noise, Real Monasterio of San Clemente, Sevilla
Greater New York II, P.S 1/Museum of Modern Art, New York
Documentary Strategies, TENT. Centre for Visual Arts, Rotterdam, The Netherlands
Now’s the time, Medienturm + Kunsthalle, Graz, Germany
RAF, KW, Kunstwerke, Berlin, Germany
Upon Further Review: A Look at Sports and Society in Contemporary Art, Hunter College Gallery New York
Contemporary Photography in the age of mechanical reproduction, New Britain Museum of Art, New Britain, Connecticut
Almost, Robert Miller Gallery, New York, New York
Things Editions, Roebling Hall, New York, New York
In extremis, Abattoir, Musée d’Art Contemporain, Tolouse – Printemps de Toulouse, France
Facts are stupid things, Staub, Galerie für Zeitgenössische Kunst gfzk, Zurich, Switzerland
Crude Oil Paintings, White Columns, New York, New York
Open House: Working in Brooklyn, Brooklyn Museum, New York
Sculpture, Galerie Anne de Villepoix, Paris, France
Channel Zero, The Netherlands Media Art Institute, Amsterdam, Holland
Flight, Cherokee Mountain Art Center
Terrorvision, Exit Art, New York, New York
The Freedom Salon, Deitch Projects, New York, New York
Playlist, curated by Nicolas Bourriaud, Palais de Tokyo, Paris, France
Parodie, Galerie Filles de Calvaire, Paris, France
Pulse of America, Aeroplastis, Brussels, Belgium
Categories Post-Verité, Centro Parragà, Murcia, Spain
Without Fear and Reproach, Witte Zaal, Gent, Belgium
GameArt, Weltkulturerbe Stahlwerke Völklinger Hütte, Völklingen, Germany
Remakes, capc-Musée d’Art Contemporain, Bordeaux, France
MAD 03, Segundo Encuentro de Arte Experimental, Madrid, Spain
Nothing Special, FACT Centre, Liverpool, England
Terrible Beauty, Satellite, New York, New York
Airport 2003, Here Art, New York, New York
Christoph Draeger
Page 3
www.cclarkgallery.com
2002
2001
2000
1999
1998
1997
American Dream, Ronald Feldman Gallery, New York, New York
Urban Diaries, Alcala 31 Contemporary Art Center, Madrid, Spain
Constructed Realities, Orlando Museum of Art, Orlando, Florida
Disaster Areas, The Glass House, Amsterdam, Holland
The Reconstruction Biennial, Exit Art, New York, New York
Mursolaici, Centre Culturel Suisse, Paris, France
Days of War, Nights of Love, G-Module, Paris, France
Intimate, Paco des Artes, Sao Paolo, Brazil
Artists’ Games, Public’s Games, Kunstverein, Ulm, Germany
States of the Union: Before and After, Greg Kucera Gallery, Seattle, Washington
GewaltBilder - Zur Aesthetik der Gewalt (Violent images - Aesthetics of violence), Museum Belrive, Zurich,
Switzerland. Exhibition traveled to Museums Quartier, Fischer-Von-Erlach Trakt, Vienna
Night Vision, University Art Gallery, Normal, Illinois
Superlounge, Gale Gates, New York, New York
Big Social Game, curated by Michelangelo Pistoletto, Torino Biennial, Torino, Italy
Kunstverein Ulm, Switzerland
Independent, Liverpool Biennial, Liverpool, England
Nightvision II, White Columns, New York, New York
Brooklyn in Paris, Galerie Filles du Calvaire,Paris, Francs
New York After New York, Musée de l’Elysée, Lausanne, Switzerland
Beaufort 12-Au Bord Du Désastre, Expo 02, Neuchatel, Switzerland
Self/ In Material Conscience, Fondation Sandretto, Guarene-Torino, Italy
Highlights from the Permanent Collection, Whitney Museum of American Art, New York, New York
Wald/Explosionen, Helmhaus Zurich, Switzerland
Anxiety Disorder, Voges&Deisen, Frankfurt, Germany
Brooklyn!, PBICA, Institute of Contemporary Art, Palm Beach, Florida
Impakt Festival, Centraal Museum, Utrecht, Holland (catalogue)
Lite, Roebling Hall, Brooklyn, New York
Unter Wasser, Museum Belrive, Zurich, Switzerland
Artlounge - Projects #1:"(White) Cubes,” Cato Jans, Hamburg, Germany
Play is the Thing, Whitney Museum of American Art, New York, New York
Puzzled/Game Show, Massachusetts Museum of Contemporary Art, North Adams, Massachusetts
Them or Us, European Media Art Festival, Galerie im Dreikronenhaus, Osnabrueck, Germany
Who Killed Bambi, K&S Galerie, Berlin, Germany
The Body of Art, Bienal de Valencia, Spain (catalogue)
Endtroducing, Villa Arson, Nice, France (catalogue)
Entropic Paradise, Wake Forest University, Winston-Salem, North Carolina
Another Day on Planet Earth, Dechiara/Stewart Gallery, New York
Dystopia and Identity in the Age of Global Communication, Tribes Gallery, New York, New York
International Videoprogam, 7th Biennale, Havana, Cuba
No Vacancies, Barbara Thumm Gallery, Berlin, Germany
Grauer Star, Kunstmuseum Chur, Switzerland (catalogue)
Legion Arts, Cedar Rapids, Iowa
Domiciles, Centre d’Art Tanlay, Perrigny, France (catalogue)
Katastrophen und Desaster, Folkwang Museum, Essen, Germany (catalogue)
Quiet, curated by Leo Koenig, 359 Broadway, New York, New York
The Video Collection, Kunsthaus Zürich, Switzerland
Out of Order, Roebling Hall, Brooklyn, New York
Amnesic Cinemas, Galerie du Bellay, Rouen, France (catalogue)
Autour de R2/12, Attitudes, Geneva, Switzerland
Cinema, Cinema - the Cinematic Experience, Stedelijk Van Abbe Museum, Eindhoven, Holland (catalogue)
Playtime, Magasin, Grenoble, France (catalogue)
Ailleurs 4, Attitudes @ ACC Galerie, Weimar, Germany
Dystopia/Babel, Roebling Hall, Brooklyn, New York
Reservate der Sehnsucht/Zones of Desire, Unionbrauerei, Dortmund, Germany (catalogue)
1ière Biennale de l'image: De tres courts espace de temps, Centre natiaonale de la photo, Ecole des Beaux-Arts,
Paris, France (catalogue)
Speed, 2nd Biennale, curated by Herald Szeemann, Kwangju, Korea (catalogue)
Christoph Draeger
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1996
1995
1994
1993
VideoVision 2, El Haganar, Cairo, Egypt
Young Art, Mamco, musée d'Art contemporain, Genf, Switzerland
P.S.1 International Studio Show, Clocktower Gallery, New York
Disaster and Recovery, The Swiss Institute , New York, New York (catalogue)
Le Meridien de Verviers, musée des Beaux-Arts, Verviers, Belgium
Young Art, Kunsthalle, Bern, Switzerland
Picture This, Dennis Anderson Gallery, Antwerp, Belgium
Bounds of Boundlessness, NGBK, Berlin, Germany (catalogue)
Vision-Illusion-Reality, curated by Harald Szeemann, Kunsthaus, Zürich, Switzerland
Jedes Haus ein Kunsthaus, Museum für Gestaltung, Zürich, Switzerland
Etalage, Comptoir, Brussels, Belgium (catalogue)
Think Apocalypse, Galerie Observatoire, Brussels, Belgium
Prospectus, Laeken-Brussels, Belgium (catalogue)
Photographies, Galerie Rodolphe Janssen, Brussels
Musée d'Art et Histoire, Neuchâtel, Switzerland (catalogue)
Variations sur le charme discret de la Bourgoisie, London, United Kingdom
Members Only, Charles Poy Gallery, Barcelona, Spain (catalogue)
In the Cold, Kunsthalle Luzerne, Switzerland (catalogue)
SELECTED VIDEO SCREENINGS
2009
2007
2005
2004
2003
2002
2001
2000
1999
1998
Hippie Movie, Helmhaus Zürich, Zurich, Switzerland
51ST London Film Festival, British Film Institute, London, United Kingdom
Volts&Visions, Zurich, Switzerland
Attitudes, Geneva, Switzerland
Impact Festival, Utrecht, Holland
Kurzfilmtage Winterthur, Switzerland
Swiss Video, Museum of Contemporary Art, Vilnius, Lithuania
Museo Tamayo, Mexico City, Mexico
Argos Festival, Brussels, Belgium
Capacete, Rio de Janeiro, Brazil
La Nuite Art Vidéo, 5ème edition, Le-Maillon, Théàtre de Strasbourg, France
The Last News, Impact Festival, Utrecht, Holland
MAD 03 Festival, Madrid, Spain
ATA, Other Cinema, San Francisco, California
State of the Emergency, Bilbao Film Festival, Spain,
Cine y Casi Cine, Museum Reina Sofia, Madrid, Spain
Blind Dates, Hardware Medien Kunstverein Dortmund, Germany
Migros Museum of Contemporary Art, Zurich, Switzerland
State of Emergency, Oberhausen Filmfestival, Germany
New Museum of Contemporary Art, New York, New York
The Poetry Project at St. Marks Church, New York, New York
Pandaemonium, Biennial of Moving Images, The Lux Centre, London, United Kingdom
Forum Itinerant, Strasbourg, France
Tramvideo, Lyon, France
Popifilm, Rotterdam Vera, Groningen, Holland
De Balie, Amsterdam, Holland
Documentary Film Festival, Duisburg, Germany
VIPER, International Video und Film Festival, Luzer, Switzerland
Chicago Underground Film Festival, Chicago, Illinois
New York Underground Film Festival, New York, New York
Le Club du Capitain Pip, Centre d’Art Contemporain Espace Jules Verne, Bretigny sur Orge, France
Centre d’image Contemporain St. Gervais, Geneva, Switzerland
Tramvideo, Lyon, France
Kino Loge, Winterthur, Belgium (catalogue)
The Videoroom Festival, Ocularis, New York, New York
Lost & Found, De Waag, Amsterdam, Holland
Christoph Draeger
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SELECTED BIBLIOGRAPHY
Dewilde, Michel and Jerome Jacobs.”That’s All Folks! The Clash between reason and destiny”. Stad Brugg, Brugge. 2009
Willms, Monique. "Difference of the Same." Artslant.com, May 1, 2008. <http://www.artslant.com/sf/articles/show/1221>.
Kucharski, S. R. “The Landscape of War.” www.shotgun-review.com, January 11, 2008.
<http://www.shotgun-review.com/archives/san_jose_institute_of_contemporary_art/the_landscape_of_war.html.>
Feinstein, Lea. "Ominous Atmosphere." Artnews, January 2008.
Frock, Christian L. “Breaking Ground Breaking.” San Francisco, California. Catharine Clark Gallery: 2007.
Baker, Kenneth. “Galleries: Summertime…” The San Francisco Chronicle, Saturday, August 13, 2005.
Ed. “Voyages Apocalyptiques.” Das Magazin, January 22, 2005.
Baker, Kenneth. “Christoph Draeger’s jigsawed photos of tragedies give viewer lots to puzzle over.” The San Francisco
Chronicle, September 25, 2005.
Mascina, Audrey. “Apocalypse Culture; Reynold Reynolds and Christoph Draeger.” Blast #9, October 2003.
Ed. “Kunstmuseum Solothurn: Christoph Draeger.” Magazin, October 2003.
Ed. “Kunstmuseum Solothurn: Christoph Draeger.” Basler Zeitung, October 18, 2003.
Zweks, Annelise. “Verführung oder Entlarvung?” Bieler Tagblatt, October 2, 2003.
Tobler, Konrad. “Terror-aus sicherer Distanz.” Solothurner Tagblatt, Thunner Tagblatt/Berner Zeitung/Berner Oberländer,
September 23, 2003.
Baumann, Hans. “Katastrophen zwischen Abbild und Fiktion.” Der Bund, September 23, 2003.
Ruhrfeind, Eva. “Schreckensbilder-Katastrophen aus sicherer Distanz.” Aargauer Zeitung/Oltener Tagblatt/Solothurner
Zeitung, September 15, 2003.
Ducommun, Roland. “Die Faszination von Terror und Katastrophen.” Solothurner Tagblatt, September 15, 2003.
Kletke, Daniel .“Kunst un Gewalt.” Kunst und Kirche, July 2003.
Gopnik, Blake. “Armory Fair: Standouts in a Crowd.” The Washington Post, March 13, 2003.
Ed. The New Yorker, March 11, 2003.
Ed. “Mouvement.” Culture Contemporaine, March 2003.
Ed. “Aus sicherer Distanz.” Neue Zürcher Zeitung, January 11, 2003.
Spinelli, Claudia. “Konsumierbare Katastrophen.” Weltoche 41, 2003.
Tannert, Christoph and Katharina Amman. Memories of terror from a safe distance. New York: 2003.
Battista, Kathy and Mark Morris. “Thinking Small.” Contemporary, December 2002.
Ed. “Self-Portrait.” Tema Celeste, July 2002.
Hughes, Jeff. “Destroy and Reclaim.” New Art Examiner, May 2002.
Sanchez Argiles, Monica.“Christoph Draeger. Declive y Renacimiento.” Lapiz, December 2001.
Levin, Kim. “Only the Best-Fall Arts Preview.” Village Voice, November 2001.
Lüddemann, Stefan. “Statt der Pfeile treffen Flugzeuge den heiligen San Sebastian.” Osnabrücker Zeitung, October 26,
2001.
Movin, Lars. “Disaster World.” Information (Denmark), October 23, 2001.
Bayliss, Sarah. “New York artists recover and regroup.” The Boston Globe, October 7, 2001.
Cotter, Holland. “When reality overtakes art.” The New York Times, September 2001.
Schwan, Gary. “Museum Head: Video must go on.” Palm Beach Post, September 12, 2001.
Saltz, Jerry. “Screen Savers/LITE.” Village Voice, July 2001.
Seidl, Claudius. ”Nach dem Weltuntergang.” Süddeutsche Zeitung-Magazin, March 30, 2001.
Doswald, Christoph. “Kritische Reflexionen über Medien und Katastrophen.” Bilanz/Art Guide, 2001.
Stacovitz, Dunja. “The Vanity of Bonfires.” Style Magazine (Berlin), November 2000.
Signer, David. “Trashkunst gegen die Einsamkeit.” Magazin, September 23, 2000.
Ed. “Draeger et Reynolds font des rêves d’apocalypse.” La Liberté, September 23, 2000.
Basting, Barbara. “Katastrophenlust, latenter Zynismus.” Tagesanzeiger Zurich, September 13, 2000.
Vachtova, Ludmilla. “Optische Attacken auf die Klassiker.” Weltwoche, September 2000.
Gülicher, Nina. "Vom Pendeln in den (Film- und Spiel-) Realitäten” blitzrevue.de, September 2000.
Stephens, Heather. “The Power of Nature.” www.studio-visit.com, September 2000.
Nigg, Marie-Louise. “Sintflut mit Groove und Funfaktor.” Zürichsee Zeitung, July 10, 2000.
Ed. “Voyages Apocalyptiques.” List Magazine #1 (New York), June 2000.
Ganahl, Rainer. “Apocalypso Place.” Zing Magazine (New York), June 2000.
Iten, André. “Fascination morbide?” L’HEBDO, May 10, 2000.
Christoph Draeger
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Martinez, Chus. "Un Ga Nai-Bad Luck-Mal Suerte.” TRANS 7, May 2000.
Kaiser, Phillip. “Going All the Way.” EIKON (Vienna), May 2000.
Frank, Jaqueline. “Unglückspuzzle.” Basler Zeitung (Basel), February 2000.
Russ, Sabine. Katastrophen & Desaster. Folkwang Museum. Essen: 2000.
de Neeve, Frank. “Zwitserse ramptoeristen in Japan.” de Filmkrant (Holland), February 2000.
Levin, Kim. “Christoph Draeger.” Village Voice, January 18, 2000.
Johnson, Phil. “Christoph Draeger & Reynold Reynolds.” The New York Times, January 14, 2000.
Korotkin, Joyce. “Christoph Draeger &Reynold Reynolds @ LiebmanMagnan Gallery.” NY Arts, January 2000.
Ed. “Christoph Draeger, Apocalypso Place.” Contemporary Visual Arts #26 (London), December 1999.
Stutzer, Beat. "Die Aura des Todes als Bildthema.” Die Südostschweiz, September 1999.
Bluebaum, Dr.Dirk, Daniel Binswanger and Timonee Patraig. Disaster Zone. September 1999.
Timonee, Patraig. “Christoph Draeger/The Orchard Gallery.” Art Monthly, September 1999.
Ed. “Action/Time/Vision.” The Guardian, July 1999.
Leutenegger, Marius. “Christoph Draeger: Un Ga Nai-Bad Luck.” Feature in Hangar 21, June 1999.
Marcelis, Bernhard. “Christoph Draeger/Galerie Damasquine.” Artpress 246, May 1999.
Doswald, Christoph. Cinema, Cinema. Van Abbe Museum Eindhoven. Germany: 1999.
Ruf, Beatrice. Art at Ringier 1995-1998. Zurich, Switzerland: 1999.
Lienhard, Pierre-Andre. NB. December 1998.
Masüger, Peter. “NY-Serneus-retour.” Buendner Tagblatt, November 1998.
Kuoni, Gisela. "Von Katastrophen im Prättigau.” Buendner Zeitung, October 1998.
Werkgespraech mit Dorothea Strauss. Galerie Luciano Fascati: October 1998.
Masüger, Peter. “Katastrophen und Klischees.” Buendner Tagblatt, September 30, 1998.
Kuoni, Gisela. “Leben auf dem Vulkan.” Buendner Zeitung, September 8, 1998.
Kuoni, Gisela. “Christoph Draeger/Martin Frei bei Luciano Fascati.” Kunstbulletin, September 1998.
Mack, Gerhard. "Seine Kunst ist eine einzige Katastrophe.” CASH, August 1998.
Doswald, Christoph. Make Believe. Stalke Gallery. Kopenhagen: 1998.
Herzog, Samuel. "Schaschlik aus Half Brain und Dirty Harry.” Basler Zeitung, June 1998.
Beausse, Pascal. "Zoe Beloff/Christoph Draeger After-images.” Art Press 235, May 1998.
Vogel, Maria."Aestetisch untadelig vorgefuehrte Katastrophen.” Neue Luzerner Zeitung, April 1998.
Arnold, Edith. "Immer modischer.” Neue Luzerner Zeitung, March 1998.
Mack, Gerhard. "Heulende Sirenen im Telekolegg.” Tagblatt February 1998.
Bourne, Cecile. Biennale de l'image Paris. Paris: 1998.
Doswald, Christoph. “Christoph Draeger.” Facts, December 1997.
Bianci, Paolo. "Apokalyptische Reisen.” Kunstforum 137, June 1997.
Seelig, Thomas. "Christoph Draeger.” Pakt-Zeitschrift für zeitgenösische Kunst, January 1996.
Jardas, Margaret. "4 junge Schweizer-Filiale Basel.” Basler Zeitung, March 1995.
Polegato, Lino. "Construire la destruction.” Flux News, September 1993.
Jaquet, Jean-Paul. "voyages apocalyptiques.” Etant donné (Brussels), May 1993.
Frei, Martin. OCI and Christoph Draeger. ADO Gallery Antwerp. Belgium: 1993.
Lambrecht, Luk. "Solo - Etablissement d'en face, Brussels.” DeMorgen, September 1991.
AWARDS & RESIDENCIES
2005
2004
2003
2002
2000
1999
1998
1997
1996
1995
Artist in Residence, Landis&Gyr Foundation, London
Artist Grant, City of Zurich, Switzerland
Bessie Award, New York Performance Arts, New York, New York
Artist Grant, Steo Foundation, Küssnacht
Artist in Residence, Headlands Center for the Arts, Sausalito, California
Artist in Residence, Faxinal des Artes, Parana, Brazil
Artist Grant, Art Council of Graubünden
Artist Promotion Grant, Graubünden Government /Förderpreis der Bündner Regierung
Artist Grant, Art Council of Graubünden
Artist Grant, Art Council of Graubünden
Artist Grant, Art Council of Graubünden
P.S.1-International Studio Program Grant, New York, New York
Artist Grant, Art Council of Graubünden
Kiefer-Hablitzel Award
Christoph Draeger
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1994
1993
1992
1991
Artist Grant, Art Council of Graubünden
Swiss National Art Award
Kiefer-Hablitzel Award
Artist Award, Club 51, musée d’Art moderne, Lüttich
Artist Grant, Art Council of Graubünden
Artist Grant, Art Council of Graubünden
Artist Grant, Art Council of Graubünden
Artist Grant, Landis&Gyr Foundation /Landis&Gyr Stipendium
Artist Grant, Art Council of Graubünden
SELECTED PUBLIC COLLECTIONS
Buendner Kunstmuseum, Chur, Switzerland
Centre Pompidou, Paris, France
Collection Ringier, Zurich, Switzerland
Communauté francaise, Brussels, Belgium
International Contemporary Art Foundation, Louisville, Kentucky
Kunsthaus, Zurich, Switzerland
Kunstmuseum, Bern, Switzerland
Kunstmuseum Luzern, City of Chur, Switzerland
Musée d’Art et Histoire, Neuchatel, Switzerland
St. Gervais, Centre pour l’image contemporaine, Geneva, Switzerland
Washington Museum of Arts, Seattle, Washington
Whitney Museum of American Art, New York, New York
Christoph Draeger
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