Mary Helen Dupree Department of German Intercultural Center 461
Transcrição
Mary Helen Dupree Department of German Intercultural Center 461
Mary Helen Dupree Department of German Intercultural Center 461 3700 O St. NW Washington, DC 20057-1048 (202) 687-5819 [email protected] I. Education Columbia University, Ph.D., German Literature, May 2006. Columbia University, M.Phil., German Literature, May 2002. Columbia University, M.A., German Literature, January 2000. Swarthmore College, B.A. with High Honors, English and German Literature, May 1996. II. Employment Assistant Professor, Department of German, Georgetown University, August 2008present. Postdoctoral Fellow, Department of German and Slavic Studies, Rice University, August 2006-May 2008. III. Publications Books Dark Singing: Literary Declamation in Germany, 1750-1920. Book manuscript in progress. The Mask and the Quill: Actress-Writers in Germany from Enlightenment to Romanticism. Bucknell, Pennsylvania: Bucknell University Press, 2011. Edited Volumes Performing Knowledge in the Long Eighteenth Century, ed. Mary Helen Dupree and Sean Franzel. Berlin: De Gruyter, anticipated 2014. In progress. Mary Helen Dupree, p. 2 Articles “Kleist in Irland: Zur Kleist-Rezeption im Werk John Banvilles.” Schreiben nach Kleist, ed. Helmut Schneider, Anne Fleig and Christian Moser. Freiburg i. Br.: Rombach, forthcoming 2013. "'The Glazed Surface of Conviction': The Motif of the Broken Jug in Kleist's Der zerbrochne Krug and Ian McEwan's Atonement. Heinrich von Kleist 1777-1811-2011: Artistic and Political Legacies, ed. Jeffrey High. Amsterdam: Rodopi, forthcoming 2013. “From 'Dark Singing' to a Science of the Voice: Gustav Anton von Seckendorff, the Declamatory Concert and the Acoustic Turn Around 1800.” Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 86, 3 (Fall 2012): 365396. “Ein Geschöpf der Einbildung des Herrn Lessing: Fictions of Acting and Virtue in the Postmortem Reception of Charlotte Ackermann (1757-1775).” Goethe Yearbook 16 (2009): 135-160. “Elise in Weimar,” in Patricia Anne Simpson and Evelyn Moore, ed., The Enlightened Eye: Goethe and Visual Culture. Amsterdam: Rodopi, 2007. 111-26. Reviews Review of Yoshio Tomishige and Soichiro Itoda, eds. Aufführungsdiskurse im 18. Jahrhundert: Bühnenästhetik, Theaterkritik und Öffentlichkeit, in Lessing Yearbook 2013. Review of Katherine Hirt, When Machines Play Chopin: Musical Spirit and Automation in Nineteenth-Century German Literature, in Monatshefte 104, 1(Spring 2012): 120122. Review of Alexander Mathäs, Narcissism and Paranoia in the Age of Goethe, in German Quarterly 83 (2010): 251-52. “To Perform, or Not to Perform, Femininity.” Review of Wendy Arons, Performance and Femininity in Eighteenth-Century German Women’s Writing: The Impossible Act, in IASL Online, 2008 (http://www.iaslonline.de/index.php?vorgang_id=2764). Review of William Jay Smith's translation of Jules Laforgue, Berlin: The City and the Court, in Sobriquet 11, 8 (Fall 2005) (http://www.sobriquetmagazine.com/online/2005/12/berlin-city-and-court.html). Translations Translation of Sabine Frost, “The Whiteout of Text, or the Pleasures of Disruption,” in Geert Gooris et al., Whiteout. The Unreliable Narrator. Leuven: Acco, 2011. Mary Helen Dupree, p. 3 Translation of Victoria Tkaczyk, “Ready for Takeoff: Robert Hooke’s Flying Experiments,” trans. Mary Helen Dupree. Cabinet: Quarterly Magazine of Arts and Culture 27 (Fall 2007): 44-49. Translation of Günter Kunert, “Everyday History of a Berlin Street,” trans. Mary Helen Dupree and Sybil Milton, The Legacy Project: Literary Sampler (http://www.legacy-project.org/lit/display.html?ID=4),1999). IV. Presentations and Talks Conferences “Last Wills: On the Mediality and Orality of Women’s Confessions in EighteenthCentury German Literature.” To be presented at 2013 ASECS annual convention, Cleveland, OH, April 4-7, 2013. “Romantic Declamation in Germany.” Romantic Media Studies roundtable, MLA annual convention, Boston, MA, January 2013. “Reviving Amalie: Using Marianne Ehrmann's Works in an Undergraduate Curriculum.” ACTFL/ AATG annual convention, Philadelphia, PA, November 16-18, 2012. “Madame Hensels gesammeltes Schweigen: Zur (Mit)wirkung von Schauspielerinnen im Hamburger Theater und in der Hamburgischen Dramaturgie.“ Lessing Society international conference, Wolfenbüttel, Germany, November 7-9, 2012. “Imagined (Acoustic) Communities and Literary Declamation Around 1800.” GSA annual convention, Milwaukee, WI, October 4-7, 2012. “The Theatre of Education: German Women Writers Respond to Madame de Genlis, 1794-1800.” NEMLA annual convention, Rochester, NY, March 15-18, 2012. “Beyond Disaffection: Graduate Mentoring and Collaboration in an Integrated Language and Content Curriculum.” Symposium on the Future of German Studies, Mount Holyoke College, South Hadley, MA, February 23, 2012. “Eine ‚Hör-Geschichte’ der Zukunft? Das Phantasma der akustischen Zukunft in der Deklamationstheorie vor 1800.“ Presented at ISECS convention, Graz, Austria, July 24-29, 2011. “Ottilie’s Echo: Hierarchies of Seeing and Hearing in Goethe’s Wahlverwandtschaften.” NEMLA annual convention, New Brunswick, NJ, April 7- Mary Helen Dupree, p. 4 10, 2011. “Modernity as Antitheatrical Prejudice: Interrogating the Notion of Verbürgerlichung in Eighteenth-Century German Theater.” Historiography Working Group, IFTR annual convention, Munich, Germany, July 24-30, 2010. “Signs of Life: Declamation and tableaux in the German Eighteenth Century.” Annual Bloomington Eighteenth Century Workshop on “Forms of Life in the Eighteenth Century,” May 12-14, 2010. “From Stage to Page: Salon Performance and Print Culture Around 1800.” NEMLA annual convention, Montréal, Québec, April 8-11, 2010. “’Gedenke zu leben!’: Secular Funerals and the Oral Performance of Literature Around 1800.” GSA annual convention, Washington, DC, October 2009. “The Semantics of the Shawl: Attitüden and Cross-Dressing Around 1800.” Women in German annual convention, Snowbird, Utah, October 23-26, 2008. “At-One With Kleist: The Motif of the Broken Jug in Ian McEwan’s Atonement.” GSA annual convention, Minneapolis, Minnesota, October 2-5, 2008. “Performing Text as Music: The Declamatory Concert Around 1800.” ASECS annual convention, Portland, Oregon, March 2008. “Femininity on Tour: Henriette Hendel-Schütz and the Image of the Actress.” GSA annual convention, San Diego, California, October 2007. “Die Maske und die Feder. ‘Schreibende Schauspielerinnen’ zwischen Sturm und Drang und Romantik.” Interdisziplinärer Studientag, Forschungsbibliothek Gotha, Germany, July 2007. “From Ackermann to Aurelie: Re-Reading Theatrical Doubles in the Wilhelm Meister Novels.” ASECS annual convention, Atlanta, Georgia, March 2007. “Risky Business: Gambling Addiction and Masculinity in Marianne Ehrmann’s Amalie. Eine wahre Geschichte in Briefen.” MLA annual convention, Philadelphia, PA, December 2006. “Elise [Bürger] in Weimar: ‘Minor’ Women Writers, Theater and the Resistance to Classicism.” ASECS annual convention, Montreal, Canada, March 2006. Invited Talks “Performing Schiller’s Johanna, Past and Present.” Invited talk at Klassisches Oktoberfest of the American Goethe Society, Washington, DC, October 20, 2012. Mary Helen Dupree, p. 5 "Das ist nur Deklamation, zur Sache! Literarische Deklamation im Medienwandel um 1800." Invited talk at Seminar für allgemeine Rhetorik, Eberhard-Karls Universität Tübingen, Germany, July 18, 2012. “The Mask and the Quill: Women’s Writing and Theatrical Performance in Germany, 1775-1815.” Invited talk at Mount Holyoke College, South Hadley, MA, February 24, 2012. “From ‘Dark Singing’ to a Science of the Voice: Christian Gotthold Schocher and the Theory of Literary Declamation around 1800.” Invited talk at Columbia University Deutsches Haus, New York, NY, February 17, 2011. “Vom ‘dunklen Gesang’ zur Wissenschaft der Stimme: Theorie und Praxis der (literarischen) Deklamation um 1800.” Invited talk at Germanistisches Seminar der Universität Bonn, Germany, December 10, 2010. “Das deklamatorische Konzert und die Performanz des Wissens um 1800.” Institut für Aufklärungsforschung lecture series, Martin-Luther-Universität Halle, Germany, June 2009. “The Mask and the Quill. ‘Actress-Writers’ from Enlightenment to Romanticism.” Departmental Lecture Series, German and Slavic Studies, Rice University, September 2007. V. Fellowship Awards Faculty of Languages and Linguistics (FLL) fellowship for summer research in Berlin, Georgetown University, Summer 2009, 2010, 2012. Herzog-Ernst-Stipendium for summer study at the Forschungsbibliothek Gotha, Universität Erfurt, Germany, June-July 2007, June-July 2008. Carl Schurz Fellowship for study at the Forschungsbibliothek Gotha, Universität Erfurt, Germany, October 2005-March 2006. Whiting Memorial Fellowship for study in Berlin, Germany. Fall 2004-Spring 2005. Fulbright Year Fellowship for study in Berlin, Germany, Fall 2003-Spring 2004 (extended through August 2004). VI. Academic Service Treasurer, Lessing Society, Spring 2013-present. Board Member, Lessing Society, Spring 2012-present. Mary Helen Dupree, p. 6 Humanities Assessment Initiative, Department of German, Georgetown University, Fall 2011-present. Faculty of Languages and Literatures Summer Grant Committee, Georgetown University, 2011-2012 Director, Georgetown-At-Trier Program, Summer 2012. Graduate Admissions Committee, Department of German, Georgetown University, 2010-2012. Presenter, GU Orientation Week Prelude Program, September 2011. Merit Committee, Department of German, Georgetown University, Spring 2011. Georgetown College Executive Committee, Fall 2008-Spring 2009, Spring 2011. Co-Organizer, German Department Student Speech Contest (Redewettbewerb), Georgetown University, Spring 2010. Fulbright Committee, Georgetown University, Fall 2009. Text in Context Curriculum Design Committee, Department of German, Fall 2008Spring 2009. Nominating Committee, Goethe Society of North America, Spring 2009. Alumni Admissions Volunteer, Swarthmore College, Fall 2007-present. VII. Collaborative Project Member of Berlin-based interdisciplinary scholarly network on "Acoustic Histories of Knowledge" (Wissensgeschichte des Hörens), funded by Deutsche Forschungsgemeinschaft, 2012-present VIII. Advising and Courses Taught Undergraduate Courses Intermediate through Advanced German Text in Context: Reading Germany Liebe, Lust, und Leidenschaft Enter the Actress Images of Childhood Graduate Courses Mary Helen Dupree, p. 7 Private Lives, Public Virtues Eighteenth Century Drama Kleist: Aesthetics and Politics The German Novel in the Long Eighteenth Century Graduate Advising M.A. students Carolyn Osinski Ashleigh Stall Ph.D. students Deva Kemmis (Reader, defended November 2012) Tessa Wegener (Reader, defended December 20) IX. Professional Organizations Modern Language Association Northeast Modern Language Association American Association of Teachers of German American Society for Eighteenth-Century Studies German Studies Association Goethe Society of North America Lessing Society