Lygia Clark: The Abandonment of Art, 1948-1988

Transcrição

Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Escada, 1948
Staircase
Oil on canvas
21 13/16 x 18 1/4" (55.4 x 46.4 cm)
Colección Patricia Phelps de Cisneros
Lygia Clark, Brazilian, 1920–1988
Escada, 1951
Staircase
Oil on canvas
28 3/8 x 38 9/16" (72 x 98 cm)
Museu de Arte Brasileira - FAAP
Lygia Clark, Brazilian, 1920–1988
Interior, 1951
Interior
Oil on canvas
21 5/8 x 13" (55 x 33 cm)
Collection Hecilda and Sérgio Fadel, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Composição, 1952
Composition
Oil on canvas
21 1/4 x 25 9/16" (54 x 65 cm)
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Escadas, 1951
Staircase
Charcoal on paper
14 9/16 x 10 7/16" (37 x 26.5 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Escadas, 1951
Staircase
Charcoal on paper
12 5/8 x 17 5/16" (32 x 44 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Untitled, 1952
Untitled
Graphite on paper
14 15/16 x 10 13/16" (38 x 27.5 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Composição, 1953
Composition
Oil on canvas
Composition: 35 1/16 × 41 3/4" (89 × 106 cm)
Museu de Arte Moderna, São Paulo. Gift of Sul América Seguros.
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Composição, versão 01, 1953
Composition, version 01
Oil on canvas
40 9/16 x 26 3/4" (103 x 68 cm)
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Composição, 1952
Composition
Gouache on cardboard
12 13/16 × 18 3/4" (32.5 × 47.7 cm)
Collection Berenice Arvani
Lygia Clark, Brazilian, 1920–1988
Sem título, 1952
Untitled
Gouache on paper
12 3/8 × 19 1/8" (31.5 × 48.5 cm)
Collection Jayme Vargas
Lygia Clark, Brazilian, 1920–1988
Sem título, 1952
Untitled
Gouache on paper
9 5/16 × 12 7/8" (23.7 × 32.7 cm)
Private collection, Rio de Janeiro
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Composição, 1953
Composition
Oil on wood
19 3/4 × 12 5/8 × 3/8" (50.2 × 32 × 1 cm)
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Composição no. 2, 1954
Composition n. 2
Oil on canvas
45 11/16 x 28 3/4" (116 x 73 cm)
Private collection , São Paulo
Lygia Clark, Brazilian, 1920–1988
Composição 1, 1954
Composition 1
Oil on canvas
33 1/16 x 45 1/4" (84 x 115 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Composição, c.1952
Composition
Oil on canvas
39 3/8 × 39 3/8" (100 × 100 cm)
Collection Eugenio Pacelli P. dos Santos
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Composição, c. 1952
Composition
Oil on canvas
16 9/16 × 22 1/16" (42 × 56 cm)
Collection Eugenio Pacelli P. dos Santos
Lygia Clark, Brazilian, 1920–1988
Composição, c. 1952
Composition
Oil on canvas
16 9/16 × 22 1/16" (42 × 56 cm)
Collection Eugenio Pacelli P. dos Santos
Lygia Clark, Brazilian, 1920–1988
Maquete de casa, 1955
Maquette for the house
Oil, wood and plastic
2 1/16 x 19 3/4 x 10 5/16" (5.2 x 50.2 x 26.2 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Sem titulo, 1952
Untitled
Graphite on paper
6 3/4 x 25" (17.2 x 63.5 cm)
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Construa você mesmo o seu espaço de viver, 1960
Build your own living space
Acrylic, wood
4 1/2 × 18 11/16 × 33" (11.5 × 47.5 × 83.8 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Maquete para interior, 1955
Maquette for interior
Wood and industrial paint
19 11/16 x 12 x 7 1/16" (50 x 30.5 x 18 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Maquete para interior, 1955
Maquette for the interior
Industrial ink on wood
18 7/8 x 11 13/16 x 5 11/16" (48 x 30 x 14.5 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Composição no. 5: série quebra da moldura, 1954
Composition no. 5: Breaking the frame series
Oil and wood on canvas
41 15/16 x 35 13/16 x 13/16" (106.5 x 91 x 2 cm)
Colección Patricia Phelps de Cisneros
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Quebra da moldura no. 4, 1954
Breaking the frame no. 4
Oil on canvas
41 15/16 × 35 13/16 × 13/16" (106.5 × 91 × 2 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Composição no. 5: série quebra da moldura, 1954
Composition no. 5: Breaking the frame series
Graphite on paper
6 11/16 x 5 1/2" (17 x 14 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Quebra da moldura (P x B), versão 01, 1954
Breaking the frame (P x B), version 01
Enamel on wood
43 5/16 x 34 5/8" (110 x 88 cm)
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Quebra da moldura, 1954
Breaking the frame
Oil and wood on canvas
32 11/16 × 29 1/2" (83 × 75 cm)
Collection Luiz Paulo Montenegro
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Série: quebra da moldura, 1954
Series: Breaking the frame
Gouache on cardboard
8 1/8 x 9" (20.7 x 22.8 cm)
Private Collection. Courtesy of Alison Jacques Gallery, London
Lygia Clark, Brazilian, 1920–1988
Série: quebra da moldura, 1954
Series: Breaking the frame
Cut and pasted paper on paper
8 9/16 x 6 5/8" (21.8 x 16.8 cm)
Private collection. Courtesy of Alison Jacques Gallery, London
Lygia Clark, Brazilian, 1920–1988
Série: quebra da moldura, 1956
Series: Breaking the frame
Gouache and pencil on paper
8 11/16 x 6 1/2" (22 x 16.5 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Série: quebra da moldura, versão 01, 1954
Series: Breaking the frame, version 01
Oil and wood on canvas
36 5/8 x 33 1/16" (93 x 84 cm)
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Descoberta da linha orgânica, 1954
Discovery of the organic line
Oil on canvas
36 11/16 x 36 11/16" (93.2 x 93.2 cm)
Collection Hecilda and Sérgio Fadel, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Descoberta da linha orgânica, 1954
Discovery of the organic line
Oil on canvas
23 7/16 x 31 1/2" (59.5 x 80 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Superfície modulada, 1955
Modulated surface
Industrial paint on wood
25 5/8 x 35 7/16" (65.1 x 90 cm)
Collection Hecilda and Sérgio Fadel, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Grega no. 4, versão 01, 1955
Greek no. 4, version 01
Automotive paint on wood
Composition: 15 13/16 × 71 1/4 × 1 3/8" (40.2 × 181 × 3.5 cm)
Collection Alessandro Horta
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Superfície modulada, 1957
Modulated surface
Colored paper on paper
Plate: 11 3/4 × 3 15/16" (29.8 × 10 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Superfície modulada no. 4, 1955
Modulated surface no. 4
Industrial paint on wood
25 9/16 x 39 3/8" (65 x 100 cm)
Collection Hecilda and Sérgio Fadel, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Superfície modulada, c. 1955
Modulated surface
Industrial paint on wood
44 7/8 x 30 5/16" (114 x 77 cm)
Collection Hecilda and Sérgio Fadel, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Superfície modulada no. 6, versão 01, 1956
Modulated surface n. 6, version 01
Industrial paint and Eucatex on wood
Composition: 17 5/16 × 42 15/16" (44 × 109 cm)
Collection Rose and Alfredo Setubal
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Superfície modulada, 1955
Modulated surface
Industrial paint on wood
24 7/16 × 33 7/8" (62 × 86 cm)
Collection Ana Eliza and Paulo Setubal
Lygia Clark, Brazilian, 1920–1988
Superfície modulada no. 20, 1956
Modulated surface no. 20
Industrial paint on wood
23 5/8 x 47 5/8" (60 x 121 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Superfície modulada no. 9, 1957
Modulated surface no. 9
Industrial paint on wood
13 × 36 5/8" (33 × 93 cm)
Collection Andrea and José Olympio
Lygia Clark, Brazilian, 1920–1988
Superfície modulada no. 3, 1957
Modulated surface no. 3
Industrial paint on wood
18 3/4 x 47 1/4" (47.6 x 120 cm)
Collection of Diane and Bruce Halle
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Superfície modulada, versão 01, 1957
Modulated surface, version 01
Industrial paint on wood
19 1/2 × 37 3/16 × 3 1/8" (49.5 × 94.5 × 8 cm)
Collection Marcos Ribeiro Simon
Lygia Clark, Brazilian, 1920–1988
Superfície modulada, versão 01, 1958/1984
Modulated surface, version 01
Industrial paint on wood
25 3/8 x 16 11/16" (64.4 x 42.4 cm)
Collection Eduardo Duvivier Neto
Lygia Clark, Brazilian, 1920–1988
Superfície modulada, versão 01, 1958/1984
Modulated surface, version 01
Industrial paint on wood
Composition: 12 1/16 × 23 11/16" (30.6 × 60.2 cm)
Collection Eduardo Duvivier Neto
Lygia Clark, Brazilian, 1920–1988
Superfície modulada no. 2, 1958
Modulated surface no. 2
Industrial paint on wood
16 1/8 × 32 5/16" (41 × 82 cm)
Collection Eugenio Pacelli P. dos Santos
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Planos em superficie modulada, 1956
Planes on modulated surface
Industrial paint on plywood
25 9/16 x 35 7/16 x 13/16" (65 x 90 x 2 cm)
Colección Patricia Phelps de Cisneros
Lygia Clark, Brazilian, 1920–1988
Planes in Modulated Surface 4, 1957
Formica and industrial paint on wood
39 1/4 x 39 1/4" (99.7 x 99.7 cm)
Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean
Fund in honor of Kathy Fuld
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada, 1957
Planes in modulated surface
Industrial paint on wood
29 1/2 x 29 1/2 x 1 3/4" (75 x 75 x 4.5 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada no. 3, 1957
Planes on modulated surface n. 3
Industrial paint on wood
29 13/16 × 29 13/16" (75.8 × 75.8 cm)
Collection Hecilda and Sérgio Fadel, Rio de Janeiro
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada no. 2, versão 01, c. 1957
Planes on modulated surface no. 2, version 01
Industrial paint on wood
31 1/2 x 26 3/4" (80 x 68 cm)
Collection Luiz Paulo Montenegro
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada no. 5, versão 01, 1957
Planes on modulated surface no. 5, version 01
Industrial paint on wood
27 9/16 x 31 1/8 x 3/8" (70 x 79 x 0.9 cm)
The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian
Constructive Art, museum purchase funded by Caroline Wiess Law Accessions
Endowment Fund
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada no. 1, versão 01, 1957
Planes on modulated surface n. 1, version 01
Industrial paint on wood
34 1/4 × 23 9/16 × 3/8" (87 × 59.8 × 1 cm)
The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian
Constructive Art, museum purchase funded by Caroline Wiess Law Accessions
Endowment Fund
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada - série B, no. 1, versão 02, 1958
Planes in modulated surface - series B, no. 1, version 02
Industrial paint on wood
30 11/16 × 30 11/16 × 3/16" (78 × 78 × 0.4 cm)
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada - série B no. 3, versão 01, 1958
Planes in modulated surface - series B no. 3, version 01
Industrial paint on wood
33 1/16 x 33 1/16" (84 x 84 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada, versão 01, 1958
Planes on modulated surface, version 01
Synthetic polymer paint on wood
39 3/8 x 59 1/16 x 2 3/4" (100 x 150 x 7 cm)
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada série B, no. 7, versão 01, 1958
Planes on modulated surface series B, n. 7, version 01
Industrial paint on wood
39 3/8 x 39 3/8" (100 x 100 cm)
Collection Rose and Alfredo Setubal
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
15 11/16 x 15 11/16" (39.8 x 39.8 cm)
Kravis Collection
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planes in Modulated Surface, 1957
Study for Planos em Superficie Modula
Cut and pasted paper on paper
15 5/8 x 15 5/8" (39.7 x 39.7 cm)
The Museum of Modern Art, New York. Latin American and Caribbean Fund
through gift of Kathy and Richard S. Fuld, Jr.
Lygia Clark, Brazilian, 1920–1988
Study for Planes in Modulated Surface, 1957
Study for Planes in Modulated Surface
Cut and pasted paper on paper
15 7/8 x 15 3/4" (40.3 x 40 cm)
The Museum of Modern Art, New York. Latin American and Caribbean Fund
through gift of Kathy and Richard S. Fuld, Jr.
Lygia Clark, Brazilian, 1920–1988
Study for Planes in Modulated Surface, 1957
Study for Planes in Modulated Surface
Cut and pasted paper on colored paper
15 3/4 x 15 3/4" (40 x 40 cm)
The Museum of Modern Art, New York. Latin American and Caribbean Fund
through gift of Kathy and Richard S. Fuld, Jr.
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 7/8 x 7 7/8" (20 x 20 cm)
Private collection
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 16 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted colored paper on paper
7 1/16 x 7 1/16" (18 x 18 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 1/4 x 7 3/16" (18.4 x 18.3 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
11 13/16 x 11 13/16" (30 x 30 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper,
14 15/16 x 14 15/16" (38 x 38 cm)
Private collection
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 17 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper and colored paper on paper
7 7/8 x 15 3/4" (20 x 40 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
8 1/2 x 8 3/16" (21.6 x 20.8 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
8 1/4 x 8 1/4" (21 x 21 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
8 7/16 x 8 1/16" (21.4 x 20.5 cm)
Private collection
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
8 7/16 x 8 3/16" (21.5 x 20.8 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
Sheet: 8 5/8 × 8 1/8" (21.9 × 20.6 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
8 1/16 x 8 1/2" (20.5 x 21.6 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 15/16 x 7 7/8" (20.2 x 20 cm)
Private collection
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 15/16 x 7 7/8" (20.1 x 20 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 7/8 x 7 7/8" (20 x 20 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 7/8 x 7 7/8" (20 x 20 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
8 1/16 x 11 15/16" (20.4 x 30.3 cm)
Private collection
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 20 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
15 3/8 x 15 3/4" (39 x 40 cm)
Kravis Collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
15 3/4 x 15 3/4" (40 x 40 cm)
Kravis Collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper and colored paper on colored paper
9 5/16 x 13 3/4" (23.6 x 34.9 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
9 1/4 x 13 1/16" (23.5 x 33.1 cm)
Private collection
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 21 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 13/16 x 12 1/16" (19.9 x 30.7 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 7/8 x 11 7/8" (20 x 30.2 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Collage on cardboard
7 15/16 x 11 15/16" (20.1 x 30.3 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Collage on cardboard
9 11/16 x 10 7/8" (24.6 x 27.6 cm)
Private collection
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 22 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Collage on cardboard
10 1/16 x 11" (25.6 x 28 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper
8 7/16 x 8 1/8" (21.5 x 20.6 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper and colored paper on colored paper
8 7/16 x 8 1/16" (21.4 x 20.5 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1958
Study for Planes on modulated surface
Cut and pasted paper on colored paper
8 7/16 x 8 1/16" (21.5 x 20.5 cm)
Collection Paloma and Fersen Lambranho
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 23 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1958
Study for Planes on modulated surface
Cut and pasted paper on colored paper
15 3/4 x 23 5/8" (40 x 60 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1958
Study for Planes on modulated surface
Cut and pasted paper on colored paper
7 13/16 x 7 13/16" (19.9 x 19.9 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Planos em superfície modulada, 1957
Study for Planes on modulated surface
Cut and pasted paper on colored paper,
9 1/16 x 10 1/16" (23 x 25.5 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Unidade, 1958
Unit
Industrial paint on wood
11 13/16 × 11 13/16 × 1 15/16" (30 × 30 × 5 cm)
Collection Marcos Ribeiro Simon
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Unidade no. 4, versão 01, 1959
Unit no. 4, version 1
Industrial paint on wood
11 13/16 x 11 13/16 x 1 3/16" (30 x 30 x 3 cm)
Private Collection
Lygia Clark, Brazilian, 1920–1988
Unidade no. 1, versão 01, 1959
Unit no. 1, version 1
Industrial paint on wood
11 13/16 x 11 13/16 x 1" (30 x 30 x 2.5 cm)
Private Collection
Lygia Clark, Brazilian, 1920–1988
Unidade, versão 01, 1959
Unit, version 1
Synthetic polymer paint on wood
11 13/16 x 11 13/16" (30 x 30 cm)
Rio de Janeiro private collection
Lygia Clark, Brazilian, 1920–1988
Unidade no. 4, 1958
Unit no. 4
Industrial paint on wood
11 13/16 x 11 13/16 x 1" (30 x 30 x 2.5 cm)
Collection Fernanda Feitosa and Heitor Martins
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Lygia Clark, Brazilian, 1920–1988
Unidade no. 6, 1958
Unit no. 6
Industrial paint on wood
11 13/16 x 11 13/16 x 3/16" (30 x 30 x 0.4 cm)
Collection Rose and Alfredo Egydio Setubal
Lygia Clark, Brazilian, 1920–1988
Study for Unidade, 1958
Study for Unit
Cut and pasted colored paper on colored paper
3 15/16 x 3 15/16" (10 x 10 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Unidade, 1958
Unit
Industrial paint on wood
11 15/16 x 11 15/16" (30.3 x 30.3 cm)
Collection Ricardo Rego
Lygia Clark, Brazilian, 1920–1988
Study for Unidade, 1958
Study for Unit
Cut and pasted colored paper on colored paper
3 15/16 x 3 13/16" (10 x 9.7 cm)
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
3 15/16 x 11 13/16" (10 x 30 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Espaço modulado no. 10, 1958
Modulated space n. 10
Industrial paint on wood
11 3/4 x 35 7/16 x 1 3/16" (29.8 x 90 x 3 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted paper on colored paper
3 15/16 x 11 13/16" (10 x 30 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on colored paper
7 13/16 x 7 7/8" (19.8 x 20 cm)
Private collection
04/28/2014 12:48 PM
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
7 7/8 x 7 7/8" (20 x 20 cm)
Courtesy Olivier Renaud-Clement, ORC INC. and Barbara Gladstone Gallery, New
York
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted paper on colored paper
11 3/4 x 3 7/8" (29.8 x 9.9 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted paper on colored paper
11 13/16 x 3 15/16" (30 x 10 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
7 7/8 x 12 1/16" (20 x 30.7 cm)
Private collection
04/28/2014 12:48 PM
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
5 7/8 x 9 3/4" (14.9 x 24.8 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
12 x 10 3/16" (30.5 x 25.8 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
9 3/4 x 3 7/8" (24.7 x 9.9 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
3 7/8 x 11 5/8" (9.8 x 29.5 cm)
Private collection
04/28/2014 12:48 PM
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
3 15/16 x 11 3/4" (10 x 29.9 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
3 15/16 x 11 11/16" (10 x 29.7 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
7 7/8 x 7 7/8" (20 x 20 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper on balsa wood
7 7/8 x 7 7/8" (20 x 20 cm)
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado no. 1, (1958)
Study for Modulated space no. 1
Cut and pasted colored paper on paper
11 5/8 x 3 7/8" (29.5 x 9.8 cm)
The Museum of Modern Art, New York. Acquired through the generosity of the
Edward John Noble Foundation and Committee on Drawings Funds
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado no. 2, (1958)
Study for Modulated space no. 2
Cut and pasted colored cardstock on cardstock
11 3/4 x 3 7/8" (29.9 x 9.9 cm)
The Museum of Modern Art, New York. Acquired through the generosity of the
Edward John Noble Foundation and Committee on Drawings Funds
Lygia Clark, Brazilian, 1920–1988
Study for Superfície modulada no. 2, (1957)
Study for Modulated surface no. 2
Cut and pasted colored paper on colored paper
11 3/4 x 3 7/8" (29.9 x 9.9 cm)
The Museum of Modern Art, New York. Acquired through the generosity of the
Edward John Noble Foundation and Committee on Drawings Funds
Lygia Clark, Brazilian, 1920–1988
Study for Superfície modulada no. 3, (1957)
Study for Modulated surface no. 3
Cut-and-pasted colored paper on colored paper
11 3/4 x 3 7/8" (29.9 x 9.9 cm)
The Museum of Modern Art, New York. Acquired through the generosity of the
Edward John Noble Foundation and Committee on Drawings Funds
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Superfície modulada no. 4, (1957)
Study for Modulated surface no. 4
Cut and pasted colored paper on colored paper
11 3/4 x 3 7/8" (29.9 x 9.9 cm)
The Museum of Modern Art, New York. Acquired through the generosity of the
Edward John Noble Foundation and Committee on Drawings Funds
Lygia Clark, Brazilian, 1920–1988
Study for Superfície modulada no.5, (1957)
Study for Modulated surface no.5
Cut and pasted colored paper on colored paper
11 3/4 x 3 7/8" (29.9 x 9.9 cm)
The Museum of Modern Art, New York. Acquired through the generosity of the
Edward John Noble Foundation and Committee on Drawings Funds
Lygia Clark, Brazilian, 1920–1988
Study for Espaço modulado, 1958
Study for Modulated space
Cut and pasted colored paper on paper
7 7/8 x 7 7/8" (20 x 20 cm)
Private collection
Lygia Clark, Brazilian, 1920–1988
Espaço modulado no.6, versão 04, 1958–1982
Modulated space n. 6, version 4
Automotive paint on wood
35 7/16 x 11 13/16 x 2 3/16" (90 x 30 x 5.5 cm)
Private Collection
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Espaço modulado, 1958
Modulated space
Industrial paint on wood
33 7/8 x 10 5/8" (86 x 27 cm)
Collection Andrea and José Olympio
Lygia Clark, Brazilian, 1920–1988
Espaço modulado no. 3B, 1959
Modulated space n. 3B
Industrial paint on wood
35 7/16 x 11 13/16" (90 x 30 cm)
Coleção Museu de Arte Moderna de São Paulo, fundo para aquisição de obras
para o acervo MAM-SP - Companhia Nipo-Brasileira de Pelotização.
Lygia Clark, Brazilian, 1920–1988
Espaço modulado no. 6, 1959
Modulated space n. 6
Industrial paint on wood
35 7/16 x 11 13/16 x 1 3/16" (90 x 30 x 3 cm)
Collection Luiz Paulo Montenegro
Lygia Clark, Brazilian, 1920–1988
Espaço modulado no. 2 C, versão 01, 1958
Modulated space n. 2, version 01
Industrial paint on wood
11 3/4 x 3 7/8 x 1/4" (29.9 x 9.9 x 0.6 cm)
The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian
Constructive Art, museum purchase funded by Caroline Wiess Law Accessions
Endowment Fund
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Lygia Clark, Brazilian, 1920–1988
Espaço modulado, versão 01, 1959–1984
Modulated space, version 01
Synthetic polymer paint on wood
Composition: 12 1/16 × 12" (30.7 × 30.5 cm)
Collection Marcia and Luiz Chrysostomo, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Espaço modulado no. 2, versão 01, 1959/1984
Modulated space n. 2, version 1
Industrial paint on wood
11 15/16 x 11 15/16" (30.4 x 30.3 cm)
Collection Eduardo Duvivier Neto
Lygia Clark, Brazilian, 1920–1988
Ovo, versão 01, 1959
Egg, version 01
Industrial paint on wood
11 13/16" (30 cm)
The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian
Constructive Art, museum purchase funded by Caroline Wiess Law Accessions
Endowment Fund
Lygia Clark, Brazilian, 1920–1988
Study for Ovo linear, 1958
Study for Linear egg
Cut and pasted colored paper on paper and graphite
5 1/8 x 5 1/8" (13 x 13 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Contra relevo, 1959
Counter relief
Industrial paint on wood
55 1/8 x 55 1/8 x 1" (140 x 140 x 2.5 cm)
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Casulo, 1958
Cocoon
Automotive paint on metal
16 3/4 x 20 11/16 x 2 3/16" (42.5 x 52.5 x 5.5 cm)
Collection Andrea and José Olympio
Lygia Clark, Brazilian, 1920–1988
Casulo, versão 01, c. 1959
Cocoon, version 01
Industrial ink over metal
16 3/4 x 16 3/4 x 11 5/8" (42.5 x 42.5 x 29.5 cm)
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Casulo, 1965
Cocoon
Copper
16 3/4 × 16 3/4 × 2 9/16" (42.5 × 42.5 × 6.5 cm)
Collection Eugenio Pacelli P. dos Santos
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Lygia Clark, Brazilian, 1920–1988
Casulo no. 2, 1959
Cocoon no. 2
Painted galvanized metal
11 13/16 × 11 13/16 × 4 3/4" (30 × 30 × 12 cm)
Collection Duker, Pasadena
Lygia Clark, Brazilian, 1920–1988
Poetic Shelter, 1960
Painted metal
5 1/2 x 24 x 20 1/8" (14 x 63 x 51 cm)
Gift of Patricia Phelps de Cisneros in honor of Milan Hughston
Lygia Clark, Brazilian, 1920–1988
Abrigo poético, 1964
Poetic shelter
Tin and paint
21 5/8 x 19 11/16 x 3 15/16" (55 x 50 x 10 cm)
Collection Andrea and José Olympio
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Study for Critter
Balsa wood, industrial paper, adhesive tape, and graphite
Variable dimensions
Private collection. Courtesy Alison Jacques Gallery, London
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Study for Critter
Balsa wood, adhesive tape, and pencil
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Study for Critter
Balsa wood, adhesive tape, and felt-tip pen
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Critter
Balsa wood, adhesive tape. and pencil
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
study for Critter
Balsa wood, adhesive tape, and pencil
Variable dimensions
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Study for Critter
Graphite, adhesive tape, cardboard
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Study for Critter
Graphite, adhesive tape, balsa wood
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Study for Critter
Graphite, adhesive tape, balsa wood
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Study for Critter
Graphite, adhesive tape, balsa wood
Variable dimensions
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Metamorfose, 1960
Study for Metamorphosis
Graphite, adhesive tape, balsa wood
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Bicho, 1960
Study for Critter
Adhesive tape, felt-tip pen, balsa wood
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Trepante, 1964
Study for Climber
Pencil on transparent paper on paper
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Trepante, 1964
Study for Climber
Each: paper, adhesive tape, and pencil
Variable dimensions
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Study for Trepante, 1964
Study for Climber
Paper, adhesive tape, and pencil
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Study for Trepante, 1964
Study for Climber
Paper, adhesive tape, and pencil
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Caranguejo, versão 01, 1960
Crab, version 01
Aluminum
Variable dimensions
Collection Catherine and Franck Petitgas
Lygia Clark, Brazilian, 1920–1988
Caranguejo, 1960
Crab
Aluminum
Variable dimensions
Private collection, London. Courtesy Alison Jacques Gallery
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Linear, 1960
Linear
Aluminum
Variable dimensions
Collection Ricardo Rego
Lygia Clark, Brazilian, 1920–1988
Ponta, c. 1960
Point
Aluminum
Variable dimensions
Collection Andrea and José Olympio
Lygia Clark, Brazilian, 1920–1988
Invertebrado, versão 01, 1960
Invertebrate, version 01
Aluminum
Variable dimensions
Maria Graciela and Luis Alfonso Oberto. Courtesy Alison Jacques Gallery, London
Lygia Clark, Brazilian, 1920–1988
Monumento a todas as situações, 1960
Monument to all situations
Aluminum
Variable dimensions
Private collection. Courtesy of Alison Jacques Gallery, London
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Folha, c.1960
Leaf
Aluminum
Variable dimensions
Andrea and José Olympio Collection
Lygia Clark, Brazilian, 1920–1988
Flor, versão 01, 1960
Flower, version 01
Aluminum
Variable dimensions
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Sundial, 1960
Aluminum with gold patina
Dimensions variable, approximately 20 7/8 x 23 x 18 1/8" (52.8 x 58.4 x 45.8 cm)
The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros in honor
of Rafael Romero
Lygia Clark, Brazilian, 1920–1988
Objeto vindo de um mundo de fora, versão 01, 1961
Object coming from a world outside, version 1
Aluminum
Variable dimensions
Private collection
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Lygia Clark, Brazilian, 1920–1988
Em Si, versão 03, 1960
In itself, version 03
Aluminum
Variable dimensions
Vanda Klabin
Lygia Clark, Brazilian, 1920–1988
Máquina, versão 01, 1962
Machine, version 01
Anodized aluminum
Variable dimensions
The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian
Constructive Art, museum purchase funded by Caroline Wiess Law Accessions
Endowment Fund
Lygia Clark, Brazilian, 1920–1988
Projeto para um planeta, 1963
Project for a planet
Aluminum
Variable dimensions
Collection Magalhães Lins
Lygia Clark, Brazilian, 1920–1988
O antes é o depois, versão 02, 1963
The before is the after, version 02
Stainless steel
Variable dimensions
Collection Rose and Alfredo Setubal
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
The Inside Is the Outside, 1963
Stainless steel
16 x 17 1/2 x 14 3/4" (40.6 x 44.5 x 37.5 cm)
The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through
the Latin American and Caribbean Fund in honor of Adriana Cisneros de Griffin
Lygia Clark, Brazilian, 1920–1988
O dentro é o fora, versão 01, 1963
The inside is the outside
Stainless steel
Variable dimensions
Collection of Clarissa and Edgar Bronfman Jr.
Lygia Clark, Brazilian, 1920–1988
O dentro é o fora, 1963
The inside is the outside
Stainless steel
Variable dimensions
Collection Eugenio Pacelli P. dos Santos
Lygia Clark, Brazilian, 1920–1988
Pancubismo, versão 01, 1961/1983
Pancubism, version 01
Aluminum
Variable dimensions
Collection Eduardo Duvivier Neto
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Lygia Clark, Brazilian, 1920–1988
Bicho de bolso, versão 01, 1966
Pocket critter, version 01
Aluminum
Variable dimensions
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Bicho, 1960
Critter
Aluminum
Variable dimensions
Collection Hecilda and Sérgio Fadel, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Bicho, 1960
Critter
Aluminum
Variable dimensions
Collection Eugenio Pacelli P. dos Santos
Lygia Clark, Brazilian, 1920–1988
Bicho, 1960
Critter
Aluminum
Variable dimensions
Private collection
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Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark, Brazilian, 1920–1988
Carruagem fantástica, 1960
Fantastic carriage
Aluminum
Variable dimensions
Collection Patricia and Washington Olivetto
Lygia Clark, Brazilian, 1920–1988
Arquitetura Fantástica, 1963
Fantastic architecture
Aluminum
9 7/16 × 13 3/4 × 9 7/16" (24 × 35 × 24 cm)
Luiz Paulo Montenegro Collection
Lygia Clark, Brazilian, 1920–1988
Bicho, 1960/1984
Critter
Stainless steel
Variable dimensions
Private collection. Courtesy of Alison Jacques Gallery, London
Lygia Clark, Brazilian, 1920–1988
Bicho, 1963
Critter
Aluminum
Variable dimensions
Collection Rose and Alfredo Setubal
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Lygia Clark, Brazilian, 1920–1988
Bicho, versão 01, 1960
Critter, version 01
Aluminum
Variable dimensions
Collection Marta and Paulo Kuczynski
Lygia Clark, Brazilian, 1920–1988
Bicho, c. 1960
Critter
Aluminum
Variable dimensions
Private collection, Rio de Janeiro
Lygia Clark, Brazilian, 1920–1988
Bicho, 1960
Critter
Aluminum
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Bicho, 1960
Critter
Anodized aluminum
Variable dimensions
Private collection, Fortaleza, Brazil
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Lygia Clark, Brazilian, 1920–1988
Contrário 2, 1960
Contrary 2
Aluminum
Variable dimensions
Collection Eugenio Pacelli P. dos Santos
Lygia Clark, Brazilian, 1920–1988
Contrário 2, 1961
Contrary 2
Aluminum
Variable dimensions
Collection Eugenio Pacelli P. dos Santos
Lygia Clark, Brazilian, 1920–1988
Bicho, c. 1960-63
Critter
Metal
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Bicho, c. 1960
Critter
Aluminum
Variable dimensions
Collection Andrea and José Olympio
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Pancubismo, c. 1960
Pancubism
Aluminum
Variable dimensions
Andrea and José Olympio Collection
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos, versão 01, 1964
Matchbox structures, version 01
Gouache, matchboxes, and glue
Variable dimensions
Collection Patricia and Washington Olivetto
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos, versão 01, 1964
Matchbox structures, version 01
Gouache, matchboxes, and glue
Variable dimensions
Collection Patricia and Washington Olivetto
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos, versão 02, 1964
Matchbox structures, version 02
Gouache, matchboxes, and glue
Variable dimensions
Collection Patricia and Washington Olivetto
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Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos, versão 02, 1964
Matchbox structures, version 02
Gouache, matchboxes, and glue
Variable dimensions
Collection Patricia and Washington Olivetto
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos azul/verde, 1964
Matchbox structures blue/green
Gouache, matchboxes, and glue
Variable dimensions
Collection of Diane and Bruce Halle
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos branco, 1964
Matchbox structures white
Gouache, matchboxes, and glue
Variable dimensions
Private Collection. Courtesy of Alison Jacques Gallery, London
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos vermelho, 1964
Matchbox structures red
Gouache, matchboxes, and glue
Variable dimensions
Private Collection. Courtesy of Alison Jacques, London
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforo, 1964
Matchbox structures
Gouache, matchboxes, and glue
Variable dimensions
Private collection
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos preto/branco, 1964
Matchbox structures black/white
Gouache, matchboxes, and glue
Variable dimensions
Private collection. Courtesy of Alison Jacques Gallery, London
Lygia Clark, Brazilian, 1920–1988
Estruturas de caixas de fósforos branca, 1964
Matchbox structures white
Gouache, matchboxes, and glue
Variable dimensions
Private collection. Courtesy Alison Jacques Gallery, London
Lygia Clark, Brazilian, 1920–1988
Obra mole, 1964
Soft work
Rubber
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
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Lygia Clark, Brazilian, 1920–1988
Trepante, versão 01, 1964
Climber, version 01
Copper and wood
Variable dimensions
Glenstone
Lygia Clark, Brazilian, 1920–1988
Trepante, 1965
Wood and metal
Variable dimensions
Collection of Diane and Bruce Halle
Lygia Clark, Brazilian, 1920–1988
Trepante no. 3, versão 01, 1965
Climber no. 3, version 01
Stainless steel and wood
Variable dimensions
The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian
Constructive Art, museum purchase
Lygia Clark, Brazilian, 1920–1988
Trepante, versão 01, 1965
Climber, version 01
Aluminum
Variable dimensions
Collection Jones Bergamin
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 52 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Caixa trepante, versão 01, 1965
Boxed climber, version 01
Copper and tin
10 x 10 x 1 7/8" (25.4 x 25.4 x 4.8 cm)
Collection Jones Bergamin
Lygia Clark, Brazilian, 1920–1988
Trepante na caixa, 1965
Boxed climber
Copper
19 11/16 × 9 13/16 × 9 13/16" (50 × 25 × 25 cm)
Collection Eugenio Pacelli P. dos Santos
Lygia Clark, Brazilian, 1920–1988
Trepantes, c. 1965
Climbers
Bronze
Variable dimensions
Collection Luiz Paulo Montenegro
Lygia Clark, Brazilian, 1920–1988
Livro obra (letra N), 1964/1983
Book work (letter N)
Paper, plastic, cardboard, and string
8 1/4 x 8 1/4 x 1 9/16" (21 x 21 x 4 cm)
Collection Marta and Paulo Kuczynski
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 53 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Caminhando, 1963
Walking
Paper, glue, scissors
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Pedra e ar, 1966
Stone and air
Stone and plastic bag
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Livro sensorial, 1966
Sensorial book
Water, sea shells, mirror, plastic, stone, metal, steel wool
7 7/8 x 2 3/4 x 7 7/8" (20 x 7 x 20 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Livro sensorial, 1966
Sensorial book
Water, sea shells, mirror, plastic, stone, metal, steel wool
8 1/4 × 1 3/4 × 8 1/4" (21 × 4.5 × 21 cm)
Private collection
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
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Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Respire comigo, 1966
Breathe with me
Industrial rubber
3/16 x 15 3/4" (0.4 x 40 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Ping-pong, 1966
Ping-pong
Ping-pong balls, plastic bag
10 1/2 x 13 3/4" (26.6 x 35 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Diálogo de mãos, 1966
Dialogue of hands
Elastic
5/16 x 6 5/16" (0.8 x 16 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Máscara sensorial, 1967
Sensorial mask
Fabric, seed, glass, gauze
19 11/16 x 1/16 x 25 9/16" (50 x 0.2 x 65 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 55 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
O eu e o tu, 1967
The I and the you
Industrial rubber, foam, vinyl, acrylon, zipper, water, fabric
66 15/16 x 26 3/4 x 3 1/8" (170 x 68 x 8 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
A casa é o corpo: penetração, ovulação, germinação, expulsão, 1968
The house is the body: penetration, ovulation, germination, expulsion
Mixed media
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Máscara abismo, 1968
Abyssal mask
Nylon, plastic bag, stone
31 1/2 x 7 7/8 x 31 1/2" (80 x 20 x 80 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Luvas sensoriais, 1968
Sensorial gloves
Ping-pong ball, leather, metal, vynil, tennis ball, rubber ball
4 15/16 x 9 5/8" (12.5 x 24.5 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 56 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Máscara abismo com tapa-olhos, 1968
Abyssal mask with eye-patch
Nylon, plastic, stone, fabric
43 5/16 x 23 5/8" (110 x 60 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Diálogo: óculos, 1968
Dialogue: goggles
Industrial rubber, metal, glass
11 7/16 x 7 1/16 x 2 15/16" (29 x 18 x 7.5 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Óculos, 1968
Goggles
Industrial rubber, metal, glass
11 7/16 x 7 1/16 x 2 15/16" (29 x 18 x 7.5 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Ovo mortalha, 1968
Egg shrowd
Nylon, plastic
78 3/4 x 82 11/16" (200 x 210 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 57 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Estruturas vivas, 1969
Live structures
Rubber bands
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Camisa de força, 1969
Straitjacket
Elastic, Nylon, stone
59 1/16 x 31 1/2" (150 x 80 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Casal, 1969
Couple
Stone, metal, plastic hanger, jute twine sac
61 x 19 5/16 x 14 15/16" (155 x 49 x 38 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Arquitetura biológica I, 1969
Biologic architecture I
Nylon, plastic
55 1/8 x 78 3/4" (140 x 200 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 58 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Arquitetura biológica, 1969
Biologic architecture
Nylon, plastic
Sheet: 203 × 157" (515.6 × 398.8 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Saco plástico com conchas e serragem, 1970
Plastic bag with sea shells and sawdust
Water, sea shells, plastic, sawdust
19 11/16 x 11 13/16" (50 x 30 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Água e conchas, 1970
Water and seashells
Sea shells and plastic bag
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Objeto de semente, 1970
Object of seeds
Plastic, seeds
13 3/8 x 2 3/8 x 18 1/2" (34 x 6 x 47 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 59 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Almofada leve-pesada, 1976-1988
Light-heavy pillow
Nylon, sand, styrofoam, and rock
27 9/16 × 11 1/4" (70 × 28.5 cm)
Psychoactive Collection
Lygia Clark, Brazilian, 1920–1988
Baba antropofágica, 1973
Anthropophagic slobber
Cotton thread
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Viagem, 1973
Voyage
Newspaper
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Túnel, 1973
Tunnel
Cotton fabric
196 7/8" (500 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 60 of 61
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark, Brazilian, 1920–1988
Canibalismo, 1973
Cannibalism
Industrial rubber, plastic, fabric
66 15/16 x 26 3/4 x 3 1/8" (170 x 68 x 8 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Rede de elásticos, 1974
Elastic net
Elastic
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Cabeça coletiva, 1975
Collective head
Industrial rubber, paper, plastic, nylon, fabric
39 3/8 x 39 3/8 x 31 1/2" (100 x 100 x 80 cm)
Courtesy Associação Cultural "O Mundo de Lygia Clark"
Lygia Clark, Brazilian, 1920–1988
Estruturação do self, 1976-1988
Structuring of the self
Mixed media
Variable dimensions
Courtesy Associação Cultural "O Mundo de Lygia Clark"
04/28/2014 12:48 PM
Lygia Clark: The Abandonment of Art, 1948-1988
Page 61 of 61

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