09_06_23 programa CSM - Universidade Nova de Lisboa

Сomentários

Transcrição

09_06_23 programa CSM - Universidade Nova de Lisboa
International Conference / Conferência Internacional
JULHO QUI 23 a SÁB 25
Das 9h00 às 18h00
Sociology of Music : Tendencies, Issues , Perspec tives
PROGRAMME / PROGRAMA
Thursday , July 23rd
8 .3 0 – Reception / Ac creditation
8 .5 0 – Opening session
9 .0 0 – 10 .4 5
Pequeno auditório
Moderator: Christian Kaden
Antoine Hennion ( Paris ) – “Loving Music: from a Sociology of Culture to a
Pragmatics of Taste”
Tia DeNora (Exeter, UK) - “When music takes the lead”
Richard Leppert (Minneapolis – Minnesota) - “Music, Aesthetics, and the
Dialectics of Social Commitment”
10 .45 – 1 1 .15 – Coffee break
11 .15 – 1 3 .00
Pequeno auditório
Moderator: Carlos Sandroni
Iñigo Sánchez (Barcelona) – “Between Observation and Participation.
Towards a Sensuous Ethnomusicology”
Ana Brinca (Lisbon) – “Sound and Listening in the ‘KZ-Lager’: Auschwitz,
Buchenwald, Ravensbrück”
Luís Melo Campos (Lisbon) – “Musicians and modes of relating to music”
Sala 2
Moderator: Jin-Ah Kim
Karsten Mackensen (Halle - Saale) - “Universal sociological theory and
empirical theory building in a historical music sociology: agency, rationalization,
and the reality of a musical cosmos in the early modern period”
Pedro Boia (Porto, Exeter) – “Modernism, Postmodernism and Meaning:
Trends of (Re-) Interpretation of Early Music”
Angelo Martingo (Braga) - “Contexts of modernity: identity and meaning in
recent Portuguese compositional practice”
13 .00 – 1 4 .30 – Lunch break
14 .3 0 – 1 6 .15
Pequeno auditório
Moderator: Hansjakob Ziemer
Daniel Koglin (Berlin) - “Semantic Spaces of Music-Facts or Artefacts?”
Paula Gomes Ribeiro (Lisbon) - “The operatic construction of hyperreality:
Paradigms of social representation in contemporary opera dramaturgy”
Manuel Deniz Silva (Lisbon) - “Film music and sound as sociological objects”
Sala 2
Moderator: Antoine Hennion
Katrin Bicher (Berlin) – “Verein für musikalische
Objectives, Structures, Protagonists”
Privataufführungen.
Mark Clague (Ann Arbor – Michigan) - “Towards a Sociality of Artistic
Invention, or The Institution as Muse: Chicago’s Auditorium Association and the
Creativity of Musical Organizations in the United States”
J osé Júlio Lopes (Lisbon) – “The contemporary composer in his labyrinth.
Archive. Memory. Reproduction. Reception. Institutions. Mediation. New
technologies. Music in the world”
16 .15 – 1 6 .45 – Coffee break
16 .45 – 1 8 .30
Pequeno auditório
Moderator: Tia DeNora
Wolfgang Fuhrmann (Vienna) - “Toward a theory of socio-musical systems:
reflections on Nicklas Luhmann’s challenge to music sociology”
Hansjakob Ziemer (Berlin) - “Listening to Differences: The StravinskyShoenberg-Debate in the 1920s from the perspective of a Historical
Anthropology of Music”
António Pinho Vargas (Coimbra) - “European Music after 1945 as a
restricted space of enunciation”
Friday , July 24th
9 .0 0 – 10 .4 5
Pequeno auditório
Moderator: Philip V . Bohlman
Salwa Castelo-Branco (Lisbon) - “The politics and discursive dynamics of
disciplinary formations: revisiting ethnomusicology, the sociology of music and
sister disciplines”
Carlos Sandroni (Pernambuco) –- “Recent changes in Brazilian Northeastern
traditional music: the case of Pernambuco”
Peter J . Martin (Manchester) - “The record business and the internet:
Dumbo meets the enemy within?”
10 .45 – 1 1 .15 – Coffee break
11 .15 – 1 3 .00
Pequeno auditório
Moderator: Salwa Castelo-Branco
Juan Manuel Pavía Calderón (Bogotá) – “Sociology of popular music in
Colombia”
Denise Milstein (New York) - “Repression, shifting and the life cycles of
popular musical movements in Latin America”
Pedro Russo Moreira (Lisbon) - “Radio and Music for workers: Broadcasting
Policy in Portugal’s National Radio during the 40s”
Sala 2
Moderator: Juan-Pablo González
Michel Nicolau (Berlin) - “The perception of the idea of diversity in the music
industry”
Paula Abreu (Coimbra) – “The phonographic industry and the recorded music
market: A long misunderstanding”
Pedro Nunes (Lisbon) – “Popular Music Journalism and criticism: in between
gatekeeping of taste and cheeleading for an industry”
13 .00 – 1 4 .30 – Lunch break
14 . 3 0 – 1 6 .4 5
Pequeno auditório
Moderator: Ruth Finnegan
Diósnio Machado Neto (S. Paulo) – “The ‘viola’ and the veil: the ‘modinha’
song style in the redefinition process of the Brazilian XVIIIth century social
criticism”
Elisa Lessa (Braga) - “Feminine voices, masculine rules: Patriarchy and
musical praxis in eighteenth century Portuguese convents”
Maria José Artiaga (Lisboa) – ”The reception of Verdi in 1870s Portuguese
intellectual milieu
”
Sala 2
Moderator: Denise Milstein
Mariano Muñoz-Hidalgo (Talca – Chile) - “Psychosociology of popular
culture: marginal versus underground in popular music”
J osé Juan Olvera Gudiño (Monterrey, Mexico) – “The day when Kumbia
Kings came to the town. Negociations and struggles in musical cultures
configuracion.”
Luzia Rocha / Luís Sousa (Lisbon) – “Travelings and mutations of a work of
art: uses and appropriations of Malhoa’s painting O Fado”
16 .15 – 1 6 .45 – Coffee break
16 .45 – 1 8 .30
Pequeno auditório
Moderator: Max Paddison
Mário Vieira de Carvalho (Lisbon) - “Hope for Truth : An Inquiry into
Adorno's conceptions of Art and Social Theory”
J oão Pedro Cachopo (Lisbon) – “How political is music? An approach
through Adorno and Rancière”
Andreas S tascheit (Dortmund) – “Music in History of Social Thought”
Sa turday , July 25th
9 .0 0 – 10 .4 5
Pequeno auditório
Moderator: Richard Leppert
Philip V . Bohlman (Chicago) - “Sound, Silence and Society –The aesthetics of
agency in a globalized sociology of music”
Ruth Finnegan (Milton Keynes, UK) - “Music: an universal human medium?”
Max Paddison (Durham, UK) – “Theoretical Issues in the Socio-Cultural
Mediation of Music”
10 .45 – 1 1 . 1 5 Coffee break
11 .15 – 1 3 .00
Pequeno auditório
Moderator: Peter J . Martin
Juan-Pablo González (Santiago – Chile) - “Towards a social history of the
present time: music, youth and the politics in Chile during the 1960s”
Minghui Bi (Peking) – “ ‘Model Opera’: The Special Musical Phenomenon under
the Special Social Shape”
Morag Josephine Grant (Göttingen) - “Musicology, conflict studies and the
human rights: lessons from the past, approaches for the future”
13 .00 – 1 4 .30 – Lunch break
14 .30 – 1 6 .15
Pequeno auditório
Moderator: Mário Vieira de Carvalho
Bernd Hornung (Marburg) - “Holism –The Core of Art and Aesthetics - An
Information Theoretical Approach”
Jin-Ah Kim (Berlin/Seoul) - “Cultural transfer and transculturality as a branch
of research for music sociology and anthropology”
Christian Kaden (Berlin) - “Schumann’s madness. Horizons of a Historical
Anthropology of Music”
16 .15 – 1 6 .30 – Closing session
17 .00 – Social programme
S cientific Commit tee / Comissão científica :
Mário VIEIRA DE CARV ALHO (Universidade Nova de Lisboa )
Christian KADEN (Universidade Humboldt de Berlim )
Participants / Conferencistas :
Wolfgang FUHRMANN (Áustria ) ● Diósnio MACHADO NETO ● Michel NICOLAU ● Carlos
S ANDRONI (Brazil) ● Juan Manuel PAVÍA CALDERÓN (Colombia ) ● Juan-Pablo GONZÁLEZ ●
Mariano MUÑOZ-HIDALGO (Chile ) ● Minghui BI ( China ) ● Antoine HENNION (France ) ● Katrin
BICHER ● Josephine MORAG GRANT ● Bernd HORNUNG Christian KADEN ● Daniel KOGLIN ●
Karsten MACKENSEN ● Andreas STA SCHEIT Hansjakob ZIEMER (Germany ) ● José Juan
OLVERA GUDIÑO (Mexico ) ● Paula ABREU Maria José ARTIAGA ● Pedro BOIA ● Ana BRINCA ●
Luís MELO CAMPOS ● Salwa CA STELO-BRANCO ● João Pedro CACHOPO ● Elisa LES S A ● José
Júlio LOPE S ●Ângelo MARTINGO ● Pedro RUS SO MOREIRA ● Pedro NUNE S ● António PINHO
V ARGAS ● Paula GOMES RIBEIRO ● Luzia ROCHA ● Manuel Deniz SILV A ● Luís SOUS A ● Mário
VIEIRA de CARVALHO (Portugal ) ● Iñigo SÁNCHEZ ( Spain) ● Jin-Ah Kim ( South Korea ) ● Tia
DeNORA ● Ruth FINNEGAN Pe ter J. MARTIN ● Max PADDISON (UK ) ● Philip V . BOHLMAN ●
Mark CLAGUE ● Richard LEPPERT ● Denise MILSTEIN (U SA )
Organization Commit tee / Comissão organizadora:
Mário VIEIRA DE CARVALHO ● Paula GOMES RIBEIRO ● Ângelo MARTINGO ● Katrin BICHER
S ecre tariate / Se cre tariado:
Beatriz SERRÃO ( coordenação ) ● Dinis SILVA ● Cátia SANTOS ● João Pedro NUNE S
CULTURGEST
Pequeno Auditório e Sala 2 |
Edifício Sede da CGD
|
Lisboa
Informações: [email protected] | www.sociologyofmusic2009.com
Inscrições: 20 EUR / 3 dias; estudantes: 10 EUR / 3 dias

Documentos relacionados

Interview with Georges Berthoin - Historical Archives of the

Interview with Georges Berthoin - Historical Archives of the il avait un instinct tres sur. Et la deuxieme chose qu'il avait, c'est il disait: « bon alors qu'estce qu'on fait ». Donc Ie passage a l'acte pour lui etait aussi important que la discussion. Quelq...

Leia mais