Film as Symbolic Action: Amerika und das Kino der 50er Jahre

PS BRANDT, „FILM AS SYMBOLIC ACTION”
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Bibliographie
PS Brandt 32 140 „Film as Symbolic Action: Amerika und das Kino der 50er Jahre”
John F. Kennedy-Institut für Nordamerikastudien
Überblickswerke zur geschichtlichen Entwicklung im Amerika der 1950er Jahre:
Boyer, Paul S., Clark, Clifford E., Jr., Hawley, Sandra McNair et al (eds). The Enduring Vision. A
History of the American People. 2nd ed. Lexington, Mass., & Toronto: D. C. Heath & Co., 1995:
618-649.
Brandt, Stefan L. The Culture of Corporeality: Aesthetic Experience and the Embodiment of
America, 1945-1960. Heidelberg: Winter, 2007.
Degler, Carl N. Affluence and Anxiety. 1945 to Present. Atlanta, Dallas et al: Scott, Foresman &
Co., 1968.
Diggins, John Patrick. The Proud Decades. America in War and in Peace. 1941.1960. New York
& London: W. W. Norton & Co., 1988.
Fariello, Griffin. Red Scare. Memories of the American Inquisition. An Oral History. New York
& London: W. W. Norton & Co., 1995.
Fried, Richard M. Nightmare in Red. The McCarthy Era in Perspective. New York & Oxford:
Oxford UP, 1990.
Leuchtenburg, William E. A Troubled Feast. American Society Since 1945. 1973. Boston &
Toronto: Little, Brown and Company, 1979.
McCarthyism. The Fight for America. Documented Answers to Questions by Friend and Foe by
Senator Joe McCarthy. 1952. New York: Arno Press, 1977.
Miller, Douglas T., and Nowak, Marion. The Fifties. The Way We Really Were. 1975. Garden
City, N. Y.: Doubleday & Co., Inc., 1977.
O’ Neill, William L. American High. The Years of Confidence, 1945-1960. New York: The Free
Press, 1986.
Polan, Dana. „Introduction.” Power and Paranoia. History, Narrative, and the American Cinema,
1940-1950. New York, Columbia UP, 1986: 1-20.
Texte zur Filmgeschichte der amerikanischen 50er Jahre:
Auster, Albert, and Quart, Leonard (eds). American Film and Society since 1945. London &
Basingstoke: Macmillan, 1984.
Belton, John. American Cinema. American Culture. New York: McGraw-Hill, 1994.
PS BRANDT, „FILM AS SYMBOLIC ACTION”
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Bordwell, David et al. The Classical Hollywood Cinema. Film Style and Mode of Production to
1960. New York: Columbia UP, 1985.
Brode, Douglas. The Films of the Fifties. SUNSET BOULEVARD to ON THE BEACH. 1976. New
York: The Citadel Press, 1992.
Brownstein, Ronald. „The Stage Clears.” The Power and the Glitter. The Hollwood-Washington
Connection. New York: Pantheon Books, 1990: 104-139.
Cogley, John. Report on Blacklisting. 1. The Movies. Fund for the Republic, Inc., 1956.
Combs, James: „The 1950s: The Creation of the Post-War World”. American Political Movies.
An Annotated Filmography of Feature Films. New York & London: Garland Publishing, Inc.,
1990.
Dowdy, Andrew. The Films of te Fifties. New York: Marrow, 1975.
Gardner, Gerald. The Censorship Papers. Movie Censorship letters from the Hays Office, 19341968. New York: Dodd, Mead & Co., 1987: 161-203.
Gow, Gordon. Hollywood in the Fifties. New York: Barnes, 1971.
Izod, John. Hollywood and the Box Office. 1895-1986. Basingstoke: Macmillan, 1988: 132-170.
May, Lary. „Movie Star Politics: The Screen Actors’ Guild, Cultural Conversion, and the
Hollywood Red Scare.” May, Lary (ed). Recasting America. Culture and Politics in the Age of
Cold War. Chicago: Univ. of Chicago Press, 1989: 125-153.
Purdy, Jim, and Roffman, Peter. The Hollwood Social Problem Film. Madness, Despair, and
Politics from the Depression to the Fifties. Bloomington: Indiana UP, 1981; insbes.: ch. 21,
„HUAC and the End of an Era”: 284-299.
Rogin, Michael. „KISS ME DEADLY: Communism, Motherhood, and Cold War Movies.”
Representations, 6 (Spring 1984): 1-36.
Rollins, Peter C. (ed). Hollywood as Historian. American Film in a Cultural Context. Lexington,
Kentucky: 1983.
Sikov, Ed. Laughing Hysterically. American Screen Comedy of the 1950s. New York: Columbia
UP, 1994.
Silver, Alain, and Ward, Elizabeth (eds). Film Noir. An Encyclopedic Reference to the American
Style. Woodstock, New York: The Overlook Press, 1979.
Struck, Jürgen. Rock around the Cinema. Die Geschichte des Rockfilms. München: Verlag
Monika Nüchtern, 1979.
Turner, Adrian. Hollywood 1950s. London: Admiral Books, 1986.
Warren, Bill. Keep Watching the Skies! American Science Fiction Movies of the Fifties. Vol. I:
1950-1957. Jefferson & London: McFarland, 1982.
PS BRANDT, „FILM AS SYMBOLIC ACTION”
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––––. Keep Watching the Skies! American Science Fiction Movies of the Fifties. Vol. II: 19581962. Jefferson & London: McFarland, 1982.
Texte zu einzelnen Filmen, Regisseuren und Stars der 50er Jahre:
Alexander, Paul. James Dean. (The Boulevard of Broken Dreams.) 1993, übers. von Helmut
Dierlamm. München: Wilhelm Goldmann Verlag, 1995.
Andrews, Geoff. The Films of Nicholas Ray. The Poet of Nightfall. London: Charles Letts & Co.,
1991.
Baty, S. Paige. American Monroe. The Making of a Body Politic. Berkeley, Los Angeles &
London: Univ. of California Press, 1995.
Dyer, Richard. „Monroe and Sexuality.” Heavenly Bodies. Film Stars and Society. British Film
Institute Cinema Series. London: Macmillan, 1987: 19-66.
Fischer, Lucy. (ed). Imitation of Life. Douglas Sirk, Director. New Brunswick, Rutgers UP, 1991.
Haver, Ronald. A Star is Born. The Making of the 1954 Movie and Its 1983 Restoration. New
York: Knopf 1988.
Hey, Kenneth R. „Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary
Approach to Film Study.” Rollins, Peter C. (ed). Hollywood as Historian. American Film in a
Cultural Context. Lexington: The Univ. Press of Kentucky, 1983: 159-189.
Lesser, Wendy. „The Disembodied Body of Marilyn Monroe.” His Other Half. Men Looking at
Women through Art. Cambridge, Mass., & London, England: Harvard UP, 1991: 193-224.
Mailer, Norman. Marilyn. A Biography. New York: Grosset & Dunlap, Inc., 1973.
McCann, Graham. Marilyn Monroe. New Brunswick, N. J., Rutgers UP, 1988.
Samuels, Stuart. „The Age of Conspiracy and Conformity: Invasion of the Body Snatchers
(1956).” O’ Connor, John E., and Jackson, Martin A. (eds). American History / American Film.
Interpreting the Hollywood Image. New York, Frederick Ungar Publ. Co., 1979: 203-217.
Schulz, Berndt. James Dean. Rastatt: Verlagsunion Erich Pabel-Arthur Moewig KG, 1991.
Sloan, James E. Alfred Hitchcock. A Guide to References and Resources. New York: G. K. Hall
& Co., 1993.
Spoto, Donald. Marilyn Monroe. The Biography. New York, HarperCollins, 1993.
Vanderwood, Paul J. „An American Cold Warrior: Viva Zapata! (1952)” O’ Connor, John E., and
Jackson, Martin A. (eds). American History / American Film. Interpreting the Hollywood Image.
New York, Frederick Ungar Publ. Co., 1979: 183-201.
PS BRANDT, „FILM AS SYMBOLIC ACTION”
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Wakefield, Dan. New York in the Fifties. Boston, New York & London: Houghton Mifflin /
Seymour Lawrence, 1992.
Texte zum „Mythos Hollywood”:
Charyn, Jerome. Movieland. Hollywood and the Great American Dream Culture. New York:
Putnam, 1989.
Fraser, George MacDonald. The Hollywood History of the World. London: Michael Joseph, Ltd.,
1988.
Gabler, Neal. An Empire of Their Own. How the Jews Invented Hollywood. New York: Crown,
1988.
Goodman, Ezra. The Fifty Year Decline and Fall of Hollywood. New York: Simon & Schuster,
1961.
Kerr, Paul (ed). The Hollywood Film Industry. A Reader. London: Routledge & Kegan, 1977.
Powdermaker, Hortense. Hollywood –– The Dream Factory. An Anthropoligst’s Look at the
Moviemakers. Boston: Little, Brown, 1950.
Rollins, Peter C. (ed). Hollywood as Historian. American Film in a Cultural Context. Lexington:
The Univ. Press of Kentucky, 1983.
Schatz, Thomas. The Genius of the System. Hollywood Filmmaking in the Studio Era. New York:
Pantheon Books, 1988.
Stacey, Jackie. Star Gazing. Hollywood Cinema and Female Spectatorship. London: Routledge,
1994.
Webb, Michael (ed). Hollywood. Legend and Reality. Boston: Little, Brown, 1986.
„Being Black in the Fifties”:
Branch, Taylor. Parting the Waters. America in the King Years, 1954-1963. New York: Simon &
Schuster, 1989.
Fayer, Steve, and Hampton, Henry. Voices of Freedom. An Oral History of the Civil Rights
Movement from the 1950s through the 1980s. New York: Bantam Books, 1990.
Flitterman-Lewis, Sandy. „Imitation(s) of Life: The Black Woman’s Double Determination as
Troubling ’Other’.” Fischer, Lucy. (ed). Imitation of Life. Douglas Sirk, Director. New
Brunswick, Rutgers UP, 1991: 325-335.
Leab, Daniel J. „Toward a New Image.” From Sambo to Superspade. The Black Experience in
Motion Pictures. Boston: Houghton Mifflin, 1975: 197-233.
PS BRANDT, „FILM AS SYMBOLIC ACTION”
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Mapp, Edward. Blacks in American Films. Today and Yesterday. Metuchen, N. J.: Scarecrow
Press, 1972.
Marable, Manning. Race, Reform, and Rebellion. The Second Reconstruction in Black America,
1945-1990. Jackson & London: Univ. Press of Mississippi, 1991 (insbes.: S. 13-60).
Null, Gary. „The Fifties.” Black Hollywood. The Negro in Motion Pictures. Secaucus. N. J.: The
Citadel Press, 1977: 156-177.
„Being Gay in the Fifties”:
Bérubé, Allan. Coming Out Under Fire. The History of Gay Men and Women in World War Two.
New York: The Free Press, 1990, insbes.: 258-279.
D’Emilio, John. Sexual Politics, Sexual Communities. The Making of a Homosexual Community
in the United States, 1940-1970. Chicago: Univ. of Chicago Press, 1983.
Katz, Jonathan Ned. Gay American History. Lesbians and gay Men in the USA. A Documentary
History. 1976. Meridian, 1992.
Marotta, Tony. „The Beginnings of Gay Political Activity.” The Politics of Homosexuality.
Boston: Houghton Mifflin Co., 1981: 3-21.
Russo, Vito. „The Way We Weren’t.” 1981. The Celluloid Closet. Homosexuality in the Movies.
New York, Cambridge, Philadelphia et al: Harper & Row, 1987: 62-123.
„Being a Man in the Fifties”:
D’Emilio, John, and Freedman, Estelle B. „Redrawing the Boundaries.” Intimate Matters. A
History of Sexuality in America. New York, Philadelphia, San Francisco et al: Harper & Row,
1988: 275-300.
Ehrenreich, Barbara. The Hearts of Men. American Dreams and the Flight from Commitment.
London: Pluto Press, 1983.
McCann, Graham. Rebel Males. Clift, Brando and Dean. New Brunswick, N. J.: Rutgers UP,
1991.
„Being a Woman in the Fifties”:
Chafe, William H. The American Woman. Her Changing Social, Economic and Political Roles,
1920-1970. New York: Oxford UP, 1972.
Evans, Sara. Personal Politics. The Roots of Women’s Liberation in the Civil Rights Movement
and the New Left. New York: Alfred A. Knopf, 1979.
Faludi, Susan. „Backlashes Then and Now.” Backlash. The Undeclared War Against Women.
London: Vintage Books, 1992: 66-95.
PS BRANDT, „FILM AS SYMBOLIC ACTION”
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Friedan, Betty. The Feminine Mystique. New York: W. W. Norton & Co., Inc., 1963.
Heung, Marina. „’What’s the Matter with Sarah Jane?’: Daughters and Mothers in Douglas Sirk’s
Imitation of Life.” Fischer, Lucy. (ed). Imitation of Life. Douglas Sirk, Director. New Brunswick,
Rutgers UP, 1991: 302-324.
Rosen, Marjorie. Popcorn Venus. Women, Movies & the American Dream. New York: Coward,
McCann & Geoghegan, 1973.
Rupp, Leila J. „The Survival of American Feminism: The Women’s Movement in the Postwar
Period.” Bremner, Robert H., and Reichard, Gary W. (eds). Reshaping America. Society and
Institutions, 1945-1960. Columbus: Ohio State UP, 1982: 40-55.
Stacey, Jackie. Star Gazing. Hollywood Cinema and Female Spectatorship. London: Routledge,
1994.
Wylie, Phillip. „Common Women.” (aus: Generation of Vipers). 1942. Lynn, Mary C. (ed).
Women’s Liberation in the Twentieth Century. New York, London et al: John Wiley & Sons, Inc.,
1975: 57-61.
Sonstige film- und medientheoretische Texte:
Allen, Robert Clyde. Film History: Theory and Practice. New York: Knopf, 1985.
Andrew, Dudley. „Hermenutics and Cinema: The Issue of History.” Palmer, R. Barton (ed). The
Cinematic Text: Methods and Approaches. New York: AMS Press, 1989: 175-194.
Beilenhoff, Wolfgang (Hg). Poetik des Films. Dt. Erstausgabe der filmtheoretischen Texte der
russischen Formalisten. München: Fink, 1974.
Bingham, Dennis. „Introduction: I’m Not Really a Man, But I Play One in the Movies.” Acting
Male. Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood. New
Brunswick, N. J., Rutgers UP, 1994: 1-19.
Bordwell, David. Making Meaning. Inference and Rhetoric in the Interpretation of Cinema.
Cambridge, Mass., & London: Harvard UP, 1989.
––––. Film Art: An Introduction. New York et al: McGraw-Hill, 1990.
Braudy, Leo. Native Informant: Essays on Film, Fiction, and Popular Culture. New York,
Oxford UP, 1991.
DeLauretis, Teresa (ed). The Cinematic Apparatus. New York, St. Martin's Press, 1985.
––––. Technologies of Gender: Essays on Theory, Film and Fiction. Bloomington, Indiana UP,
1987.
––––. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: Indiana UP, 1990.
PS BRANDT, „FILM AS SYMBOLIC ACTION”
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Eberwein, Robert T.: Film and the Dream Screen. A Sleep and a Forgetting. Princeton, N. J.:
Princeton UP, 1984.
Hall, Stuart. The Television Discourse. Encoding and Decoding.” Fluck, Winfried. Populäre
Kultur. Ein Studienbuch zur Funktionsbestimmung und Interpretation populärer Kultur.
Stuttgart: J. B. Metzlersche Verlagsbuchhandlung, 1979: 184-189.
Jowett, Garth, and Linton, James M. Movies as Mass Communication. Beverly Hills & London:
Sage Publications, Inc., 1980.
Maltby, Richard. Hollywood Cinema. An Introduction. Oxford et al: Blackwell, 1995.
McLuhan, Marshall. Die magischen Kanäle. (Understanding Media). 1964, übers. von Meinrad
Amann. Frankfurt a. M. & Hamburg: Fischer Bücherei, 1970.
Metz, Christian. Sprache und Film. Übers. von Micheline Theune und Arno Ros. Frankfurt a. M.:
Athenäum Verlag, 1973.
Mulvey, Laura. „Visual Pleasure and Narrative Cinema.” 1975. Dies.: Visual and Other
Pleasures. Bloomington & Indianapolis: Indiana UP, 1989: 14-26.
Nichols, Bill (ed). Movies and Methods. I & II. Berkeley: Univ. of California Press, 1985.
Palmer, R. Barton (ed). The Cinematic Text: Methods and Approaches. New York: AMS Press,
1989.
Rosen, Philip (ed). Narrative, Apparatus, Ideology: A Film Theory Reader. New York, Columbia
UP, 1986.
Rosenstone, Robert A. Visions of the Past. The Challenge of Film to Our Idea of History.
Cambridge, Mass., & London, England: Harvard UP, 1995.
Spottiswoode, Raymond. A Grammar of the Film: An Analysis of Film Technique. Berkeley:
Univ. of California Press, 1951.
Stam, Robert. „Film as Language. From Metz to Bakhtin.” Palmer, R. Barton (ed). The Cinematic
Text: Methods and Approaches. New York: AMS Press, 1989: 277-301.
Telotte, J. P. Voices in the Dark. The Narrative Patterns of Film Noir. Urbana & Champaign:
Univ. of Illinois Press, 1989.
Whittock, Trevor. Metaphor and Film. Cambridge: Cambridge UP, 1990.
Zavarzadeh, Mas'ud. Seeing Films Politically. Albany, NY, State Univ. of New York Press, 1991.
Allgemeine literatur- und kulturtheoretische Texte:
Adorno, Theodor W., und Horkheimer, Max. „Kulturindustrie. Aufklärung als Massenbetrug.”
Dialektik der Aufklärung. Philosophische Fragmente. 1944. Frankfurt a. M.: Fischer
Taschenbuch, 1988: 128-176.
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Bachtin, Michail. The Dialogic Imagination. Four Essays. Austin: Univ. of Texas Press, 1981.
Burke, Kenneth. The Philosophy of Literary Form. Studies in Symbolic Action. Louisiana State
UP, 1941.
––––. Language as Symbolic Action. Essays on Life, Literature, and Method. Berkeley & Los
Angeles: Univ. of California Press, 1966.
Derrida, Jacques. „Me-Psychoanalysis: An Introduction to the Translation of ’The Shell and the
Kernel’ by Nicolas Abraham.” Diacritics, 9 (1979), 6.
Fluck, Winfried. Populäre Kultur. Ein Studienbuch zur Funktionsbestimmung und Interpretation
populärer Kultur. Stuttgart: J. B. Metzlersche Verlagsbuchhandlung, 1979.
––––. „Literature as Symbolic Action.” Amerikastudien, 28, 3 (Herbst 1983): 361-371.
Foucault, Michel. Sexualität und Wahrheit. 1: Der Wille zum Wissen. (Histoire de la sexualité, 1:
La volonté de savoir). 1976, übers. von Ulrich Raulff und Walter Seitter. Frankfurt a. M.:
Suhrkamp Taschenbuch, 1983.
Greenblatt, Stephen. „Kultur.” („Culture”). 1990, übers. von Moritz Baßler. Baßler, Moritz (Hg).
New Historicism. Literaturgeschichte als Poetik der Kultur. Frankfurt a. M.: Fischer
Taschenbuch, 1995: 48-59.
Jameson, Frederic. „Nostalgia for the Present.” Postmodernism, or, The Cultural Logic of Late
Capitalism. London & New York: Verso, 1991: 279-296.
Montrose, Louis A. „ Die Renaissance behaupten. Poetik und Politik der Kultur.” („Professing
the Renaissance: The Poetics and Politics of Culture). 1989, übers. von Moritz Baßler. Baßler,
Moritz (Hg). New Historicism. Literaturgeschichte als Poetik der Kultur. Frankfurt a. M.: Fischer
Taschenbuch, 1995: 60-93.
Thomas, Brook. The New Historicism. And Other Old-Fashioned Topics. Princeton, New Jersey:
Princeton UP, 1991.
Volosinov, V. N. Marxismus und Sprachphilosophie. Frankfurt: Ullstein, 1975.