The Countercullure
Transcrição
The Countercullure
The Countercullure: \lon, Dngs, qnd Ämericqs Wqr in vi'tnqm voluntc€|"s(Jefferson ^irplorc, 1969) out in the +reels lookwhdt s happening qoi -heyo r.rclulion,9.t to revolution i |n ddncingdownthe srreers gol to revoluiion got a revolution, iheer o i h ' ti t o m o z i idgl l l h eP @ p l e lo revolurron got o revolution,got got old o.e genemtion onege.erction9or soul thrsgene.dliongolnodestimtionto hold h€y nowit's tihe for Youondme to r.volulion 90t d revolution,got c.he onnowwe r€ n rchingto lhe s4 to.evolulron got a revolution,got whowilllcke il froh Yo! wewilldndwhodre se wedre volunrarsof oherico volunteersof omerico of omerica volunteers of dmeri@ volunteers W€ con 8e TogEiha (J"ff.ßon ^i.plor', 1969) We drc all ourlcdsin the .t* of dfr.ika In o.ds t'ö 3oNiw westal, chal , tie lqs. I!'k hid' andd6l we .rc ob3@, ldwl6, hid..us, &n9do6, dirt, violar 4d voung But& shouldbe t€.rha Coneo. cll tou F€opl.slondingdrcurü our life ste fin.lo l.t 't diedd All yoof Fiwre p.oPdry i5 rd.ger fo. Youf44v W. drc forcd of .h.os dndtucht Ew.fhing rheYsal weore e. ore ,{hd re a€ v"ry Proudof ou.selv6 !p ogcirsr rhe ftll, holh€rfu.k4 Wc should hatogcth- nY f.idd3 W€ must begin hde 4d n@ ^ @ cdt iar of @rrh ond ti.e Comeon row gefiin higha dd high.r Iomonor NarEr loows (B€dtl.s, 1966) ru.. off your,nind,Eldx o.d flodt downslr€{m !f is not dying It i3 not dyrng !t is shining It is shining Thot you tnoys€eth. tn@ningof wiihin ft ß being Xt is being Thdt tov€is all ondlov€ is everyo.e Thd ignoftnceondhole ndy hournthe dedd It is believing gut listento the colourof yolr dr4tns It asnot living Xt is noi living Or plqyrhe gdnee-xistaca to fhe end i,rr. To'nboürin l,lon (Bob Dyld, 1965) (chorus)HeylMr. Tqmbou.irer,^on,pldyo songfor me, I'nnolsleepyo.d rherei3 rc pld.eI m goingto Hell l r. TdmbolriheMon,Ployo songfor me, In th.jinglejanglenorningl'll.one followinyou. Thoughr knowrhof evenins €mpirehos.erLrrnedinto sohd, Vonishen from ry hdnd, Left lneblindlyherelo slondbut slillnot sleeping ily wadness om.ze. he, I'tn brcndedonrry fai, I hdvenoore to neel ,nd the o.cienr emprystreet s too d4d for d.e.ming (chorus) Takemeond t.ip uponyourndgicswirlin shiP, My senseshdveb@nstripped, myhondscon l f@l io grip. /lly toesroo nuhb to !tep, wdir onlyfor try boot h4ls I"n rady ro 90onywhere,I'n rady for io fode Into ny ounpdrcde,cdsryourdonciryspellny qo). I proniseto 90unde.it. (ch!rus) spinnin, swingintnddlyocrossthe son, younight har loughin', Though it sjust escdpihontherun It's noi oiheddt dnyohe, Andbut fo.theslq thaedrano fen.esfdcii Ändif youhar voguetfocesof skiPPinrals of rhyne intine, it s iust o r699edclownbehind, Toyourtotnboufin€ you re I wouldnl p.y it dnymind.it sjusl o 3hadow Seeii' thot he'schosing. (chorus) Tha tok€ medisoppedrin'thrcughthe fioke ringsof |rrynind. Downthe foggyruins of line, for pdsl rhe frozen le4ve!, Thehaunted,frightenedtre6, out to the wihdybach, Fdr frcn ihe lwis ted .4ch of .rcry sorrow yes,to dorcebenafh ihe didnondsky wiih on. hdndMving fr@, by rhe s4. <,rcledbyrhe circussonds. silhouetted With oll nernoryondfofe drive. deepbe@th the '{oves, Lef ne forget oboutlodqy until tolnorrcw. (chori]l) ln 56 of wa (Bö byl.n, 1963) Youihor burldrh.d4rh Pbna Yd ihor build th. big bnB wh€n your d.drh rok€sits ldl will ies huyb.ck ydr s.ul Yo! thoi @€ doie erhin' ^n! yor &!ih ll.oM 3oon ^id youhid. frcn hY eya iid r'I ffii.h *h'l. yo! rg bed 'rL I n slE rh.i yo! ß d4d Lik€ ! ea rhrcuqhrhe Ki.r wh.i ih. darh tuud 9eß h 9br Yo! v. thrM rh. sßr t€or Youn shr soyihd I h youig Younlghr sdyI h ui 6md 3d ihgret oi' ihlag I krc* Tholgh I n )€uig€r rhoi t.! subtarcMn HonaickAlue (SobDylon, r965) Joh^ay s in rhe bcmat Hongdfound lh€ th@tas üinking dbolt th€ govemhar Th€ monin rhe lr6.h.oot Wot.h th€ Pd*i. h€r€rs sdys h€ s 9or d bdd @ugh shorr pmrs, ronüce, L4m to doi@ Plae her, Pl6e hih, buY9ifr5 You befia duck ddn the oLley*oY Tn€ Mn in the coon-skin6P T0ary yars of schoolih Ändlhey put youonthe ddyshifr B.trer J0npddM an.nhol. Try roovoidthe!6ndol3 Tdlki. rhor rhe har Pur Thephon€s rdppedaiyr€Y , d99iesdysrhdr ndrryroy üe/ ncr bßt 'n 4rt, dY Dont tufier *hotYoudid Sefia stdy dMy f|oh rhose TlEr @fry d.oundo fh. hde Youdotrr n€edd werher no To kno*which{dy rhe*ind blows rf dnyrhrngis qon ro serr Joinrh€dmy, rf Youfdil 'Cduserhe hnldls took rhe hdndld Ältnocran ay Hdir (cFo6by,siills. No!h, ord yo$g, 1969) Ir happeredtusr the orherdqy Xi Bosgetting kind of long I couldhdva3aidit wdsin ny woy gur I didnl dndI wond€r$hY t tezl like lefing nty 1r4k flag fly AndI feel like I oweii io soheone Musr be bEcouseI hddrh€ flu fo. Christnas AndI h nol feeling uPto Por It ircras€r hy pomnoio Likelookingintoo nirro. dnds€einga Policecdr BurI n nof givingin on inchto f€.r CosI p.ohis€d mys€lf this y€lr I fe€llike I oweit io soheone when I fimlly gef myrelf togeth€r I'|n gohndgei dosn in sone of ihdt sweetsumme.w4ther I'lngoihgto find o spdceißide io ldlgh seporctethe what froh lhe choff Cos\ te2l like I ow. it , y4h it,yah SoidI feellike I ot/ve YouknowI feel--- like I owe LSDlndlheAmericrn Countercultu te d-rysergjc aciddiethylamtde iartate25 (LsD) q,r oC6&,.rods,r.:id..r d s.ldaa t r. D.@n. ,.dtory@do i,l!. ;l:i:fi:lH l'g1*in--ffi b re6, oe.rq uö-o ffi , stnil slrrn {19?ol Yd hn ti', üü d Fu ilrilF nrftu*N,r,**** a Ded JohnLeftr O9e6)_Johinv wisht (1s65)_John"vwrqht A sordreisb kr amdcdM!tsr, (r97o)_Crost'vs{rs N6h & Yolig 6 OFi Letsb MyTsddq€ S.n (i$7) v.ior arcrherc.unw (r 57)- Ebdnc Fhs Bird d se FonHoadTrre (19€6)- Fde sees€r orüa GRn E€ds (1%61 Sbnsa€ad Ba Eallad E€lLoi con'usion(1e70)_r}F r€mp@ons Br;. i G cor ro Goro rom n s6sr' Gdrd'm sdeß ei;,o he E ß Ho'. (1e1) - Fd" Pat* c..: A"ry M" "da(,$4 n' Fb* tuGoihwbd(1965) Fhrfths Da; orcond€n os65) - rhs sp.kssmei DGnDod!€tRas(9a) Fhr chs (i€)'tu BYds Ddfi Moming o'at i6 sier(r s69)_SreppeMr Evsor Desrucijonli 965) BanvM.GuiE Ftoeb one ns) - rtu Doo€ Fd sd h s wonh(r et) sufl€b sFinsferd FourDaysGons(1e€s)'tslnlElos!'ind€rd HandHm€h (ie72) Bqe.M6umn 8eio Mom o96) Johnn!/wigh LALnrMarhnarynora(1s65)Phid5 I DontEnna so b vtum {i ss) Johnree Hmkar Ras (1$o ' c.udrv &edidd Hslk{m{ftdF r_€"H".l*i,^&ib Fasos4 _tua*Hr Iktuw d €@sißetou' hce (rs )'rfrBudiev n 6e slfre orVitrd (1967)' Ver ud@a rabelra(is7o) _JimiHenddt Krrtu Pe@ fi e66)'Iie Fuss L*e,tum v6d (1e65Jsa{seEedB:qsde' L{rdon Johnsn bu rlie Naton lre65) rom FMoi ;rcrre@re (14e) M&h'Fqslreo JniHdn _ Jd.n0 ne iry Manalt95e)co!'ruY L@nFcsen Mdeßo,wa' rok Meß) MoE dium (Einsoü tud€ß None),,*")","#r-. MvLrnre(r5) na Frt4 Butu BDseß N; M4 d ind thew ( e6, - nn Brckbv ohlo(1970)'cFsbvsli s. N6h sd Youns ore MM6i@el'e€er_ MeieH4d _Johnrywnqm Pcd Lda üsames (1s651 urn;4 a' Md@hL(re6t)JohniYwEht Ruii, ed d. @* b€ b b"" lrsr ' K"ry Foe'- saisoi s& (1967) Jofl Bae sah sbne (i s71)_Johi Pnne s6veno'clo.kNetl6ied NLsfiOs66) srmosdniel se hewa' w oerc)' tun sd rarkn Vdfl BLF(9e4 Phirocb pot uckbl6 (rs) ' rom Fen rakh'vdah Tlrscadinal (196, T@ Ptui tu Füba,r! {ie Dm (196e) JonrMtoh3l fre Grd a@cd E4b rE€edv (r e6s)- Ea,ft ope€ Be Grca1Mandda(lhe!\4raeroi be) (le€7)_ Pe Pdl - Phirabs he wa, 3o€r (re63) _€.b DYrfl (i 6t) Brue. Totrö€r.ne unclesamkBu*f src) Mruna LJtuöm soid'erllse) rh€ oooß rJdedP(fr(re63) C.untvJoerd he rre (re*) - r'Eoß warker vdd wells (196s)JÜnlo' vdmBr6 üdd Blu6 (1€) ushin! 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EE ää F€ EE i d g3F=g !=Eg B (197d - ryi{s w.ll a.nc 3a.* Hft WdaG ba.t( hore €ll ..@ b..k hore Wel@k bo.k hore ßll co@ back hore ff '6u wnd iell soMre obour ir rell re t€l| e If tlu gofi. rell so@oe dbout it tell E 1€ll tu T rfiiik nGr I d oftuid to h€r it I knoe yourc dffdid fo .aY it ,^h 5'/. don r tell toq mm I ftit lell ped Weldre bock hom rell (@ bac( hore Wdco@ b@k hohe rell .ore b..k hoE If you Kntu tell so@E obout it 1€ll tu re I h. If you go+tdrell so@rc abor't it tell E lell re I kD* tn /l I oh dfmid ro ha ir Aid T tiihk yodre dfmid 10 sdy ir Tellne hd rl€t k,llo mi ^h bL+dofi rel yodmmIenrrellPea WeieR We eft WeLeha Welcotu b@k hone elL bdck hde rell bdck hotu *ll bd.k ho@ reli Ohio l1t7d - CMbv core core .ore ee b.ck hore b.ck hoe b..k hore bock h.re 6tilh f,l6sh ..d vd'E ni soldias ondNiro. s guiim Thß slnref I ha rhe drlhh r'9 Soldre.s or€ cutriig us doM slould how ban do€ lol9 o9o Whdr if you fouid ha deod on n€ ground2 Hd .ould you run *'t€n you kno*? soldias ae cLariig us down should h@ b@i .r'ie löig €o whar it you found hs d6d on rhe groüd? Hou .ould you rd *hen y4 know? lin .oldias did Niton s guihg 'ftis s6rer I h* t$e drmmnE Reodino Wha TheMusics over. RobinDenselow. "slo.k Musi.ondihe Vietrcmwor" In Jeffrev wdlshdndJin MaryEllison, Aulich(€ds.),Vietn4mInEges:Wor o.d Repr€sentotioh. Andy6|ll. ClossicBobDyld^1962-69My SdclPoges Mich@l6rcy, 5on9dndDdncEManrThe Ad of BobDyldn. TokeTwo ClintoiHeylin,BobDyldn:BehindtheShddes, Aneri@DividedrTieCivilWdrof the MouriceIssenndnchdl/\i.hdelKczin, 19603. "The VretnanWdr dndAmeficdnhusi." In RickBerg DavidE. Jones, & J CdrlosRowe(eds.),The VietndmWor dndÄntericonculture. "The Poliri.s of Pop@d rhe Waf in the DeborchJohnsondndJoh. Storey, 6!1f". In J.ffrey Wdlsh(Ed.).The6ulf Wor Did Nor hopP.n. Pr€ss Abe Peck,Uhcoveringrhe Sixti€st TheLite ondTi'nesof ihe Underground Dovins.dy, S.n Fronci3&nNights 6eneSculdr'tiond RobertShelton,No DirectionHone:TheLife andMusicof BobDylon songdndth. Wdr in Ir All 8a.k Ho|ne:PoPuldr Johnstorey,"Sringing Vieindh".InMichdelKlein(ed.),TheViehomE.d "sidesoddleonthe GoldenCdlfr Monentsof Lltopican Johnsrorey, AnericdnPopMuri. ondPopl^usi.cultlre' In Michoelklein(ed) An Atlerid Holf Century. John sto.ey, "Rockin H€g€lnonyiWest CodstRockdd Aherik4 s Wor i. Culrure. Vietndh".InJohnStorey(ed.)CulturdlTharyondPopulor edition. A Rader.second