The Countercullure

Transcrição

The Countercullure
The Countercullure:
\lon,
Dngs, qnd Ämericqs Wqr in vi'tnqm
voluntc€|"s(Jefferson ^irplorc, 1969)
out in the +reels
lookwhdt s happening
qoi
-heyo r.rclulion,9.t to revolution
i |n ddncingdownthe srreers
gol to revoluiion
got a revolution,
iheer
o i h ' ti t o m o z i idgl l l h eP @ p l e
lo revolurron
got o revolution,got
got old
o.e genemtion
onege.erction9or soul
thrsgene.dliongolnodestimtionto hold
h€y nowit's tihe for Youondme
to r.volulion
90t d revolution,got
c.he onnowwe r€ n rchingto lhe s4
to.evolulron
got a revolution,got
whowilllcke il froh Yo!
wewilldndwhodre se
wedre volunrarsof oherico
volunteersof omerico
of omerica
volunteers
of dmeri@
volunteers
W€ con 8e TogEiha (J"ff.ßon ^i.plor', 1969)
We drc all ourlcdsin the .t* of dfr.ika
In o.ds t'ö 3oNiw westal, chal , tie lqs. I!'k hid' andd6l
we .rc ob3@, ldwl6, hid..us, &n9do6, dirt, violar 4d voung
But& shouldbe t€.rha
Coneo. cll tou F€opl.slondingdrcurü
our life ste fin.lo l.t 't diedd
All yoof Fiwre p.oPdry i5 rd.ger fo. Youf44v
W. drc forcd of .h.os dndtucht
Ew.fhing rheYsal weore e. ore
,{hd re a€ v"ry Proudof ou.selv6
!p ogcirsr rhe ftll, holh€rfu.k4
Wc should hatogcth-
nY f.idd3
W€ must begin hde 4d n@
^ @ cdt iar of @rrh ond ti.e
Comeon row gefiin higha dd high.r
Iomonor NarEr loows (B€dtl.s, 1966)
ru.. off your,nind,Eldx o.d flodt downslr€{m
!f is not dying
It i3 not dyrng
!t is shining
It is shining
Thot you tnoys€eth. tn@ningof wiihin
ft ß being
Xt is being
Thdt tov€is all ondlov€ is everyo.e
Thd ignoftnceondhole ndy hournthe dedd
It is believing
gut listento the colourof yolr dr4tns
It asnot living
Xt is noi living
Or plqyrhe gdnee-xistaca to fhe end
i,rr. To'nboürin l,lon (Bob Dyld, 1965)
(chorus)HeylMr. Tqmbou.irer,^on,pldyo songfor me,
I'nnolsleepyo.d rherei3 rc pld.eI m goingto
Hell l r. TdmbolriheMon,Ployo songfor me,
In th.jinglejanglenorningl'll.one followinyou.
Thoughr knowrhof evenins €mpirehos.erLrrnedinto sohd,
Vonishen
from ry hdnd,
Left lneblindlyherelo slondbut slillnot sleeping
ily wadness om.ze. he, I'tn brcndedonrry fai,
I hdvenoore to neel
,nd the o.cienr emprystreet s too d4d for d.e.ming
(chorus)
Takemeond t.ip uponyourndgicswirlin shiP,
My senseshdveb@nstripped, myhondscon l f@l io grip.
/lly toesroo nuhb to !tep, wdir onlyfor try boot h4ls
I"n rady ro 90onywhere,I'n rady for io fode
Into ny ounpdrcde,cdsryourdonciryspellny qo).
I proniseto 90unde.it.
(ch!rus)
spinnin, swingintnddlyocrossthe son,
younight har loughin',
Though
it sjust escdpihontherun
It's noi oiheddt dnyohe,
Andbut fo.theslq thaedrano fen.esfdcii
Ändif youhar voguetfocesof skiPPinrals of rhyne
intine, it s iust o r699edclownbehind,
Toyourtotnboufin€
you re
I wouldnl p.y it dnymind.it sjusl o 3hadow
Seeii' thot he'schosing.
(chorus)
Tha tok€ medisoppedrin'thrcughthe fioke ringsof |rrynind.
Downthe foggyruins of line, for pdsl rhe frozen le4ve!,
Thehaunted,frightenedtre6, out to the wihdybach,
Fdr frcn ihe lwis ted .4ch of .rcry sorrow
yes,to dorcebenafh ihe didnondsky wiih on. hdndMving fr@,
by rhe s4. <,rcledbyrhe circussonds.
silhouetted
With oll nernoryondfofe drive. deepbe@th the '{oves,
Lef ne forget oboutlodqy until tolnorrcw.
(chori]l)
ln 56
of wa (Bö byl.n, 1963)
Youihor burldrh.d4rh Pbna
Yd ihor build th. big bnB
wh€n your d.drh rok€sits ldl
will ies
huyb.ck ydr s.ul
Yo! thoi @€ doie erhin'
^n! yor &!ih ll.oM 3oon
^id youhid. frcn hY eya
iid r'I ffii.h *h'l. yo! rg bed
'rL I n slE rh.i yo! ß d4d
Lik€ ! ea rhrcuqhrhe Ki.r
wh.i ih. darh tuud 9eß h 9br
Yo! v. thrM rh. sßr t€or
Youn shr soyihd I h youig
Younlghr sdyI h ui 6md
3d ihgret oi' ihlag I krc*
Tholgh I n )€uig€r rhoi t.!
subtarcMn HonaickAlue (SobDylon,
r965)
Joh^ay s in rhe bcmat
Hongdfound lh€ th@tas
üinking dbolt th€ govemhar
Th€ monin rhe lr6.h.oot
Wot.h th€ Pd*i.
h€r€rs
sdys h€ s 9or d bdd @ugh
shorr pmrs, ronüce, L4m to doi@
Plae her, Pl6e hih, buY9ifr5
You befia duck ddn the oLley*oY
Tn€ Mn in the coon-skin6P
T0ary yars of schoolih
Ändlhey put youonthe ddyshifr
B.trer J0npddM an.nhol.
Try roovoidthe!6ndol3
Tdlki. rhor rhe har Pur
Thephon€s rdppedaiyr€Y
, d99iesdysrhdr ndrryroy
üe/ ncr bßt 'n 4rt, dY
Dont tufier *hotYoudid
Sefia stdy dMy f|oh rhose
TlEr @fry d.oundo fh. hde
Youdotrr n€edd werher no
To kno*which{dy rhe*ind blows
rf dnyrhrngis qon ro serr
Joinrh€dmy, rf Youfdil
'Cduserhe hnldls took rhe hdndld
Ältnocran ay Hdir (cFo6by,siills. No!h, ord yo$g, 1969)
Ir happeredtusr the orherdqy
Xi Bosgetting kind of long
I couldhdva3aidit wdsin ny woy
gur I didnl dndI wond€r$hY
t tezl like lefing nty 1r4k flag fly
AndI feel like I oweii io soheone
Musr be bEcouseI hddrh€ flu fo. Christnas
AndI h nol feeling uPto Por
It ircras€r hy pomnoio
Likelookingintoo nirro. dnds€einga Policecdr
BurI n nof givingin on inchto f€.r
CosI p.ohis€d mys€lf this y€lr
I fe€llike I oweit io soheone
when I fimlly gef myrelf togeth€r
I'|n gohndgei dosn in sone of ihdt sweetsumme.w4ther
I'lngoihgto find o spdceißide io ldlgh
seporctethe what froh lhe choff
Cos\ te2l like I ow. it , y4h
it,yah
SoidI feellike I ot/ve
YouknowI feel--- like I owe
LSDlndlheAmericrn
Countercultu
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ei;,o he E ß Ho'. (1e1) - Fd" Pat*
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fre Grd a@cd E4b rE€edv (r e6s)- Ea,ft ope€
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(j$ re goodbyedndFire E *hile Ih goP
Cddbye ry 3eerhdr helloVietlm
Ärerie hd iad thg blalz dil
6 oie dndall
and youknowit iMlr
I doil suppoethdr re *ill M ad
rhae t figh*ing tfiar Pill bMk Üsupogam
Gffdbye iV dorlin hello Vi€tno
Wee heE rd toke o bdti|€ r. b€roi
Kjs re gdodbyeondrii. m *t1il.I m9@
6ood4. hy 3,€dndr h.llo vietnd
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^tgi.d hG trcuble to b€ +.€Ped
We hu+ .toP .oiruni3h in rl'dr' l6d
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hond3
I ho?e4d p.ay soEdav tfi. *d1d wilLleon
Thdt fir6 re donr ptrt oür ,ill biggerbun
We musts@ tradom dt o,ryc6r
or 3o@ddyour oM f@dm ,ill be lost
K$ re goodbyeondrrre re ,,fiile I mgoie
hellovi.tnd
ooodbt€iry *@rhdt
-wah dre dn y.u bi9 sttu€ ßg Ußle sdh P2& v'u heh €dh
He. 9or hire.lf in o teEible Fh *av dovn void€r ih vietuh
5o pL4doM Yor b@k d'd Pick |' o gun
Wele gonm ha€ d "fiole lolld fui
.ho.us: Äid ils oE iro rfife tfiGt 4e @ fighäng for
Don'tdk reI do glw o ddm Pn *oP is viehm
Äid if3 fi* six es oP€na rhe P@ry goe
Well oint io rire tu *ond€r wlv *hoope *te dlLgonm d'z
w€ll .ore oi g€,Emk le* Nw fasr vor big .,l@e hG co@ ar bst
-eds-rheor\ goe (otr'€ isoR+dtdad
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n"' "-a.a y,i -*
W€llcore oi wollst @r donl hd€ 3lo* *try M rh@'3 ffi o_gcgo
+e mde
Th..e < p.4ry o'good ho*v ro b. hade bv replviq rn' @irY *' ln he iook o'
v;z tcot4
Jutr hopedd prny rhor 'f rfi'Y dop rfie bombrfizv drop d on fi'
rfiroughoF h. hnd 4.k vNr bols of b VEü
Well da on Naat
.oru dn rdtheF dd r ha' ift end h'h off b.{o€ 'r3 rd k/le
sa the fif+ oP on youf block ro h@ vor boy 'orc hore in d box
Ih 6om r{.lp HlF
flv BEi||.E Hm
11956i - Jitu
(6. e{) I frnr rN to FE/ fd @
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(6. nd) cosI gotro 90 io,
vou 3a Ih o y.ong kn hotu ürh Mdy ondAlon
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I'h d siiple rci *irh m anbi+ionto fd
Bür ohI lsi to 9o fight m* to dll oc brcrieß ho@
Thdls *hy I € golta 90 m
(60 now)iv bdbyhy bdy hy b6bt
(60 iow) Ry b.hy I w gottd 90 i@
Thß is mycounr.yroo ondI l @s f63a*. it
ThoughI dohr €@ ,ilh oll lhe ldß m I dont
I I ler noofia .4ntf)/ ioke it
LikeI sat lm d siiPle ron froß üe P@f sideof rhe hdc*
gur ol1I lüt ro help hy brutfias sorhey .dn hrry bo.k
Fdf ddE 60r 11969 - &ffa|. s6Fidri.ld
I ndr +w k'id peophon+fiefdd
L6 uM3hed dd tiFedfrcm the cold
I € b€,n ]tu€li€ for dayeaid nighrs3ir
1 do wr tu iidnk youfa 1ie .id,esif
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^fts fif'ren n ekt cndon old Fo|d
aid th. gmmkir nodrcss . . . I ron arct
Äid I hdreto eoyI @nt rell youq d.
Coi I h fou. doysgore nro runiiig
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And,ha ih. bd'd daF'tttl tu rhe chief'
Oohfiey poidrrhe @mn d You
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It oihl @ ,r oin.f @ I 6in'r m fofttrte oE, no
sone fo&. @ b.rn salwrs?.on in hdd
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Wha TheMusics over.
RobinDenselow.
"slo.k
Musi.ondihe Vietrcmwor" In Jeffrev wdlshdndJin
MaryEllison,
Aulich(€ds.),Vietn4mInEges:Wor o.d Repr€sentotioh.
Andy6|ll. ClossicBobDyld^1962-69My SdclPoges
Mich@l6rcy, 5on9dndDdncEManrThe Ad of BobDyldn.
TokeTwo
ClintoiHeylin,BobDyldn:BehindtheShddes,
Aneri@DividedrTieCivilWdrof the
MouriceIssenndnchdl/\i.hdelKczin,
19603.
"The VretnanWdr dndAmeficdnhusi." In RickBerg
DavidE. Jones,
& J CdrlosRowe(eds.),The VietndmWor dndÄntericonculture.
"The Poliri.s of Pop@d rhe Waf in the
DeborchJohnsondndJoh. Storey,
6!1f". In J.ffrey Wdlsh(Ed.).The6ulf Wor Did Nor hopP.n.
Pr€ss
Abe Peck,Uhcoveringrhe Sixti€st TheLite ondTi'nesof ihe Underground
Dovins.dy, S.n Fronci3&nNights
6eneSculdr'tiond
RobertShelton,No DirectionHone:TheLife andMusicof BobDylon
songdndth. Wdr in
Ir All 8a.k Ho|ne:PoPuldr
Johnstorey,"Sringing
Vieindh".InMichdelKlein(ed.),TheViehomE.d
"sidesoddleonthe GoldenCdlfr
Monentsof Lltopican
Johnsrorey,
AnericdnPopMuri. ondPopl^usi.cultlre' In Michoelklein(ed) An
Atlerid Holf Century.
John sto.ey, "Rockin H€g€lnonyiWest CodstRockdd Aherik4 s Wor i.
Culrure.
Vietndh".InJohnStorey(ed.)CulturdlTharyondPopulor
edition.
A Rader.second

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