PIPILOTTI RIST BORN 1962 in Rheintal, Switzerland

PIPILOTTI RIST
BORN
1962 in Rheintal, Switzerland. Lives and works in Zurich.
EDUCATION
1982-86
Studies of commercial art, illustration and photography at the Institute of Applied Arts in Vienna/AT
1986-88
Studies of audio visual communications (video) at the School of Design in Basel/CH, Professor René
Pulfer Institute of Applied Arts in Vienna
FREELANCE
1987-94
Grafic computer operator in different industrial videostudios
1988-94
Member of the music band Les Reines Prochaines, concerts, performances and LP/CD’s
AWARDS & GRANTS
2004
Universität der Künste, 01award, Berlin, Germany
2001
Zürcher Kunstpreis, Stadt Zürich, Swizterland
1999
Wolfgang Hahn Preis, Museum Ludwig, Köln, Germany
1997
Premio 2000 of the Venice Biennal for ’Ever Is Over All’
Kwangiu Biennale Award for ‘Sip my Ocean’ (choosen by the other artists)
Prenta Preis der Kunsthalle Nürnberg
1996
DAAD, Berlin (D)
1994
Manor-Kunstpreis, St. Gallen
Video-Kunstpreis des Schweizerischen Bankvereins
Prix d’art contemporain de la BC Genève
1993
Förderungspreis der Jubiläumstiftung der SBG
Eidgenössisches Kunststipendium
1992
Züricher Filmpreis for ‘Pickelporno’, Video and Film
1991
Eidgenössisches Kunststipendium
1989
VIPER Luzern for ‘Die Tempodrosslerin saust’, video and installation
1988
Feminale Köln for ‘Japsen’, video
1987
Film und Videotage Basel, for ‘I’m Not The Girl Who Misses Much’, video
ART IN ARCHITECTURE
2001
Swiss Embassy, Kunstintervention am Bau, Berlin, Germany
1999
Bahnhof Basel Ost, Basel, Switzerland
1998
Hof zu Wil, Will, Switzerland
1995
UBS BUCHS, St. Gallen, Switzerland
TEACHING POSITION
2002
Visiting professor at UCLA, Los Angeles, CA
SOLO EXHIBITIONS
2006
“Pröblemäs büenös. 4 obras de Pipilotti Rist y amigäs” Museo de Arte Contemporáneo de Castilla y
León, Spain
“Stir Heart, Rinse Heart,” Musée d’Art Moderne Grand Duc Jean‚ Luxembourg (cur. Marie-Claude
Beaud)
Contemporary Arts Museum Houston, Houston, TX (curated by Paola Morsiani)
2005
MUSAC Centro Museo de Arte Contemporaneo de Castilla y Léon, Léon, traveling (curated by Rafael
Doctor Roncero, Agustin Perez Rubio)
AROS (New Aarhus Kunstmuseum) Aarhus, Denmark (one of the 9 rooms curated by Jens Erik
Sorensen and Anna Krogh-Nielsen)
“PIPILOTTI RIST, Löndön,” Hauser & Wirth, London
2004
OPA Oficina para Proyectos de Arte A.C, Guadalajara, Mexico (curated by Fernando Palomar and
Patrick Charpene)
“Stir Heart, Rinse Heart,” San Francisco Museum of Modern Art, San Francisco, CA
Centre of Contemporary Art - Zamek Ujazdowski Warszawa, Warsaw, Poland(curated by Milada
Slizinska)
Luhring Augustine Gallery, New York, NY
2003
KIASMA Museum for Contemporary Art, Kontti Gallery 80m2, Helsinki, Finland (cur. Maaretta Jauukuri)
2002
“The Cake Is In Flames,” Shiseido Foundation‚ Tokyo, Japan(curated by Keiko Toyoda)
2001
“Apricots Along the Street,” Museo Nacional de Arte Reina Sofia, Madrid, Spain, (curated by Rafael
Doctor Roncero)
PADT (Public Art Development Trust), 4th Wall Muscial Theater, London, UK (cur. Sandra Percival
“Pipilotti Rist 54,” Centraal Museum, Utrecht, Netherlands (curated by Ranti Tjan)
“Show A Leg,” Tramway, Glasgow, Scotland (curated by Alexia Holt)
“Scopophilia: The Pleasure in Looking,” The Contemporary Arts Center, Cincinnati, OH (curated by Sue
Spaid)
“Pipilotti Rist,” Galerie Hauser & Wirth, Zurich, Switzerland (curated by Cornelia Providoli)
2000
“Workshop,” CCA Kitakyushu, Kitakyushu, Japan (curated by Akiko Miyake)
” Pipilotti Rist, Les monobandes video,” Oboro, Montreal, Canada (cur. Bernard Bilodeau)
Musée des Beaux-Arts, Pipilotti Rist, cur. Stephane Acquin, Montreal, Canada
“Times Square Open My Glade,” Public Art Fund‚ New York, NY (curated by Tom Eccles)
“Pipilotti Rist,” Luhring Augustine, New York, NY
“Pipilotti Rist,” DeVLeeshal Middleburg, Middlebourg, Netherlands (curated by Lex ter Braak)
1999
“Wolfgang Hahn Preis,” Museum Ludwig Köln, Cologne, Germany (curated by Jochen Pötter)
Remake of the Weekend (French),” Musée d’Art Moderne de la Ville de Paris, Paris, France (cur.
Laurence Bossé)
Pitti Immagine – Projectroom, Florence, Italy (curated by Francesco Bonami)
Fundaçao de Serralves, Porto, Portugal (curated by Vicente Todoli)
“Remake of the Weekend à la Zurichoise,” Kunsthalle Zürich, Zurich, Switzerland (curated by Bernhard
Bürgi)
1998
“Pipilotti Rist,” Site Santa Fe, Santa Fe, NM (curated by Louis Grachos)
Wadsworth Atheneum, Hartford, CT (curated by James Rondeau)
“Remake of the Weekend (auf österreichisch),” Kunsthalle Wien, Vienna, Austria (curated by Gerald
Matt, Sabine Folie)
“Remake of the Weekend in Berlin,” Hamburger Bahnhof, Berlin, Germany (cur. Britta Schmitz)
1997
“The Social Life of Roses. Or Why I’m Never Sad,” (with Samir) Stedelijk Museum Het Domeijn, Sittard,
Netherlands; traveled to Museum Villa Stuck München, Munich, Germany
“The Social Life of Roses. Or Why I’m Never Sad,” (with Samir) Museum Villa Stuck München, Munich,
Germany
1996
“The Social Life of Roses. Or Why I’m Never Sad,” (with Samir) Kunstmuseum Solothurn, Solothurn,
Switzerland
“The Social Life of Roses. Or Why I’m Never Sad,” (with Samir) Kunsthalle Baden-Baden, BadenBaden, Germany
Museum of Contemporary Art Chicago, Chicago IL
“Shooting Divas,” Centre d’Art Contemporain Genève, Geneva, Switzerland
“Slept In, Had A Bath, Highly Motivated,” Chisenhale Gallery, London, UK
1995
“De kop van de kat is jarig en zijn pootjes vieren feest,” Galerie Akinci, Amsterdam, Netherlands
Galerie Franck & Schulte, Berlin, Germany
“I‘m Not The Girl Who Misses Much,” Kunstverein Hamburg‚ Germany
“Ausgeschlafen, frisch gebadet und hochmotiviert,” St.Gallen, Switzerland
Galerie Lehmann, Lausanne, Switzerland
“I‘m Not The Girl Who Misses Much, “ and “Ausgeschlafen, frisch gebadet und hochmotiviert,” Neue
Galerie Graz, Graz, Austria
1994
“5 Installations Video,” Musée d’art et d’histoire, Genève, Switerland
“I’m Not The Girl Who Misses Much,” and “Ausgeschlafen, frisch gebadet und hochmotiviert,”
Kunstmuseum St.Gallen, St.Gallen, Switzerland
22. Internationale Biennale di Sao Paulo, (Swiss Pavillon with Hannah Villiger und Herzog/DeMeuron),
Sao Paulo, Brazil
“Yoghurt on Skin. Velvet on T.V.” Galerie Stampa, ART Basel, Basel, Switzerland
1993
“Schwester des Stroms,” Galerie Stampa, Basel, Switzerland
1992
“Nett, dass Du mich begleitest durch die Kanalisation,” Galerie Walcheturm, Zurich, Switzerland
1989
“Die Tempodrosslerin saust Kunsthalle St.Gallen,” (with Muda Mathis) St. Gallen, Switzerland
1985
“Über & unter Wasser,” (with Ralph Pröll) Kupferdruckwerkstatt Bregenz, Bregenz, Austria
1984
“Stauraum, Bank für Mond & Scheine,” Galeria Prottore, Vienna, Austria
GROUP EXHIBITIONS
2006
“Sip My Ocean. International Video Art,” Louisiana Museum of Modern Art, Humlebaek, Denmark.
“Eccentric Modern,” The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, NY.
“Into Me / Out of Me,” P.S.1 Contemporary Art Center, Queens, NY.
2005
Venice Biennale representing Switzerland, San Stae, Venice, Italy
“Contemporary Erotic Drawings,” The Aldrich Contemporary Art Museum, Ridgefield, CT
“Ecstasy: In and About Altered States,” The Geffen Contemporary at MOCA, Los Angeles, CA
“Istanbul Biennial Eindhoven,” Van Abbemuseum, Eindhoven, Netherlands
“Between Skin and Orgasm,” Belfort, Bruges, Belgium
“Solo Projects: Mark Dion, Orly Genger, Pipilotti Rist, Roman de Slavo” The Aldrich Contemporary Art
Museum, Ridgefield, CT.
2005-2004
Friedrich Christian Flick Collection Im Hamburger Bahnhof, Berlin, Germany
2004
“Einleuchten,” Museum der Moderne Salzburg–Mönchsberg, Salzburg, Austria (Related Legs–
Yokohama Dandelions)
“The Flower as Image – From Monet to Jeff Koons,” Louisiana Museum of Modern Art, Humlebæk,
Denmark (Ever Is Over All)
“Arti & Architettura,” Genova Palazzo Ducale, Genova, Italy (Empfänger)
“Monument to Now,” The Dakis Joannou Collection, Athens, Greece (curated by Jeffrey Deitch, Allison
M. Gingeras, Massimiliano Gioni, Nancy Spector)
“Making Visible,” Galleri Faurschou, Copenhagen, Denmark (Hallo, Guten Tag)
“Bambini nel tempo,” Centro Internazionale di Palazzo Te, Mantova, Italy (Mother, Son & The Holy
Garden)
“The New Kunsthalle III: real – materiell – virtuell,” Städtische Kunsthalle Mannheim, Mannheim,
Germany (I’m Not The Girl Who Misses Much, Pickelporno)
“State of Play,” Serpentine Gallery, London, UK (Appletree Innocent On Diamond Hill)
“Vis Vitalis,” Centraal Museum, Utrecht, Netherlands (Sip My Ocean)
“Lastwinterspringnevercame,” Platform Garantie Contemporary Art Center, Istanbul, Turkey (Ever Is
Over All)
“Swiss Videolobby,” Contemporary Art Center Vilnius, Vilnius, Italy (To See How You See)
“Point of View: An Anthology of the Moving Image,” New Museum, New York, New York, NY (To See
How You See)
“Die Wohltat der Kunst. Feministische Positionen in der Sammlung Goetz,” Fries Museum Leeuwarden,
Leeuwarden, Netherlands
“Opening Show,” 21st Century Museum of Centemporary Art, Kanazawa, Japan
“Flick Collection,” Hamburger Bahnhof, Berlin, Germany
“Next Stop,” Lofoten International Art Festival, Lofoten, Norway
“Loud & Clear,” The Art Museum of Reykjavik, Reykjavik, Iceland
“Loud & Clear,” The Chinese European Art Center, Xiamen, China
2003
Kulturhuset Stockholm, ‘Rhythm is a dancer, it’s a souls companion, you can feel it everywhere‘, cur.
Veronica Wiman, Alexandre Pollazzon, Stockholm/S
Reykjavik Art Museum, ‘Loud & Clear‘, Reykjavik/IS
10e Biennale de l’image en mouvement, ‘Swiss Art Video Lobby‘, cur. Simon Lamunière, Geneva/CH
Viper Basel 2003, ‘Ready Made Custom Made‘, Basel/CH
Postbahnhof am Ostbahnhof, ... lautloses Irren, ways of worldmaking too ... ‚, cur. Harm Lux, Berlin/DE
Textilmuseum St.Gallen, ‘Frauen gestalten‘, cur. Hanni Diethelm-Grauer, St.Gallen/CH
Steirischer Herbst, ‘Cadavre Exquis Videotruck‘, cur. Kurt Stadler, Graz/AT
Gorney Bravin + Lee, Jessica Stockholder (annex to her show a selection of works/artists appreciated
by her), New York NY Guggenheim Museum Bilbao, ‘Moving Pictures. Contemporary
Photography and Video from the Guggenheim Museum Collections‘, cur. Nancy Spector, Joan
Young, Lisa Dennison, Bilbao/ES The Douglas Hyde Gallery, ‘Spiritus‘, cur. Richard Julin, Magnus
af Petersens, Dublin/GB
Bomuldsfabriken, ‘Spiritus‘, cur. Richard Julin, Magnus af Petersens, Arendal/NO
Jönköpings Läns Museum, ‘Spiritus‘, cur. Richard Julin, Magnus af Petersens, Jönköping/S
Länsmuseet Gävleborg, ‘Spiritus‘, cur. Richard Julin, Magnus af Petersens, Gävleborg/S
Rheinfall Festifall, cur. Beat Toniolo, Schaffhausen/CH
Kunstmuseum Bergen, Just Love Me. Feministic Art of the Goetz Collection, cur. Rainald Schumacher,
Bergen/NO
Sprengelmuseum Hannover, ‘Nice and Easy‘, cur. Patricia Drück, Hannover/DE
FRAC Languedoc-Roussillon, ‘Loud & Clear‘, Montpelier/F
Stedelijk Museum Bureau Amsterdam, ‚Loud & Clear‘, Amsterdam/NL
Rosseum Malmö, ‘Loud & Clear‘, Malmö/S
ZKM – Zentrum für Kunst und Medientechnologie, ‘Fast - Forward. Media Art aus der Sammlung
Goetz‘, cur. Rainald Schuhmacher, Karlsruhe/DE
Screen, ‘Swedish TV‘, cur. Pontus Kyander, Stockholm/S
National Museum of Modern Art, ‘Brightness‘, cur. Francesca von Habsburg, Max Wigram,
Dubrovnik/HR
The 5th Women’s Film Festival, cur. Eun-Sun Kwon, Seoul/KR
Musee Int. de la Croix-Rouge, ‘Sang Dessus Dessous‘, Geneva/CH
Cheekwood Museum of Art, ‘Altered Spaces‘, cur. Terry Smith, Nashville TN
Museum für Gegenwartskunst Basel, cur. Philipp Kaiser, Basel/CH
Galleria Civica di Arte Contemporanea Trento, ‘Kids Are Us‘, cur. Mauriziao Sciaccaluga, Trento/IT
Kunstmuseum St. Gallen, ‘Striptease‘, cur. Konrad Bitterli, St. Gallen/CH
Govett-Brewster Art Gallery, ‚Extended Play‘, cur. Gregory Burke, New Plymouth/NZ
Magasin 3 Stockholm Konsthall/Riksutställningar, ‘Spiritus‘, cur. Richard Julin, Magnus af Petersens,
Stockholm/S
Luoghi non luoghi internet 2003, cur. Giacinto di Pietro Antonio, Trento/IT
2002
Museum Bellerive, ‚Werk des Monats @ Museum Bellerive, Zurich/CH
Museo Archeologico Regionale, ‘L‘arte del gioco’, cur. Pietro Bellasi, Aosta/IT
Seattle Art Museum, ‘Contemporary Art Projet‘, cur. Lisa Corrin, Seattle WA
Guggenheim Museum, ‘Moving Pictures‘, cur. Nancy Spector, New York NY
ZKM Karlsruhe, ‘Medienkunst im Dialog‘, cur. Barbara Könches, Karlsruhe/DE
Sammlung Goetz, The Benefit of Art. Feminist Positions from the Goetz Collection, cur. Rainald
Schumacher & Matthias Winzen, Munich/DE
Baltic Center for Contemporary Art, ‘Loud & Clear‘, Gateshead/GB
Kunstmuseum St. Gallen, ‘Out of the dark. Wechselnde Highlights der St. Galler Kunstsammlung‘, cur.
Konrad Bitterli, St.Gallen/CH
P.S.1 Contemporary Art Center, ‘Video Acts‘, cur. Klaus Biesenbach, Barbara London, New York NY
Paço das Artes, ‘On Intimacy‘, cur. Vitoria Daniela Bousso, Sao Paulo/BR
Ormeau Baths Gallery, ‘Relationship ... ‘, cur. Hugh Mulholland, Belfast/IRL
Museo de Arte Buenos Aires, ‘Media Skulptur‘, cur. Ursula Wittmer, Buenos Aires/AR
Shanghai Biennale, ‘Urban Creation‘, cur. Yuko Hasegawa + [et al.], Shanghai/CN
Musée d’art moderne et contemporain, ‘Vidéo Topiques‘, cur. Patrick Javault, Strasbourg/F
Gemeentemuseum Helmond, ‘Thin Skin‘, cur. B. Clausen, C. Kuoni, Helmond/NL
Pinakothek der Moderne, /cur. Bernhard Schwenk, Munich/DE
Kunsthalle Baden-Baden, ‘The Benefit of Art. Feminist Positions from the Goetz Collection‘, cur.
Rainald Schumacher, Matthias Winzen, Baden-Baden/DE
Luhring Augustine, New York NY
Arizona State University Art Museum, cur. John Spiak, Tempe AZ
Kunsthaus Zurich, ‘Public Affairs‘, cur. Bice Curiger, Zurich/CH
Stadtgalerie Kiel, ‘Doppelung der Bilder im Raum. Aus der Sammlung Eckardt‘, cur. Wolfgang Zeiger,
Reinhard W. Eckhardt, Kiel/DE
MEO - Contemporary Art Collection, ‚The Big Video Screening‘, cur. Barnabas Bencsik, Budapest/H
Museum of Modern Art MOMA, ‘Tempo‘, cur. Paulo Herkenhoff, New York NY
Neues Kunstmuseum Luzern, ‘Another World‘, cur. Peter Fischer, Lucerne/CH
Scottsdale Museum of Contemporary Art, ‘Thin Skin‘, cur. B. Clausen, C. Kuoni, Scottsdale AZ
Sammlung Hauser & Wirth, ‘The House Of Fiction‘, cur. Michaela Unterdörfer, St. Gallen/CH
Fundacion „la Caixa“, ‘Friccions‘, cur. Neus Miro, Girona/ES
Fondation Beyeler, ‘Claude Monet und die Abstraktion‘, cur. Markus Brüderlin, Basel/CH
Musée d’art Roger Quilliot, ‘Videoformes 02‘, cur. Gabriel Soucheyre, Clermont-Ferrand/F
Museum of Contemporary Art Taipei, ‘Through Women‘s Eyes’, cur. Mei-Lin Liu, Taipei/RC
Auckland Art Gallery, ‘Humid‘, cur. Juliana Engberg, Auckland/NZ
Kunstmuseum St. Gallen, ‘Manor Kunstpreis‘, cur. Konrad Bitterli, St. Gallen/CH
Stadtgalerie Klagenfurt, ‘The Gift. Generous Hofferings, Threatening Hospitality‘, cur.Sergio Risaliti,
Klagenfurt/AT
Université Franche Comté, ‘Instants Bonheur. Etudiants‘, Besançon/F
AXA Gallery, ‘Thin Skin‘, cur. B. Clausen, C. Kuoni, New York NY
Fundacion “la Caixa“, ‘Friccions‘, curNeus Miro’, Lérida/ES
Galerie Hauser & Wirth, ’10 Jahre Galerie Hauser & Wirth’, Zurich/CH
Virginia Museum of Fine Arts, ‘Outer and Inner Space‘, cur. John Ravenal, Richmond VA
2001
Bellevue Art Museum, ‘Fresh Flowers‘, Bellevue WA
Perth International Art Festival, ‘Visual Art Festival‘, Perth/AUS
The Museum of Modern Art, ‘Collaborations with Parkett 1984 to Now‘, New York NY
Stadtgalerie Kiel, ‘Doppelung der Bilder im Raum. Aus der Sammlung Eckardt‘, cur. Reinhard W.
Eckardt, Kiel/DE
Les Subsistances, ‘Sculpture contemporaine‘, Lyon/F
Galleria Civica di Arte Contemporanea Trento, ‘Necessity of relationship‘, cur. Fabio Cavallucci,
Trento/IT
TN Probe Gallery, ‘Rumor City‘, cur. Hans Ulrich Obrist, Tokyo/J
Migros Museum, ‚M family‘, Zurich/CH
Raffinerie, ‘Rumor City‘, cur. Hans Ulrich Obrist, Brussels/B
Candiani Cultural Center, ‘The Gift. Generous Hofferings, Threatening Hospitality‘, cur. Sergio Risaliti,
Mestre/Venice/IT
MAMCO, Musée d’art moderne et contemporain, ‚9e Biennale de l’image en mouvement‘, cur.
Françoise Ninghetto, Geneva/CH
Castello di Rivoli, ‘Form Follows Fiction‘, cur. Jeffrey Deitch, Torino/IT
KIASMA Museum for Contemporary Art, ‘ARS 01‘, cur. Maaretta Jaukkuri, Helsinki/FIN
Borusan Artis and Culture Center, ‘Metropolis Now‘, cur. Elga Wimmer, Istanbul/TR NY
Paço das Artes, ‘On Intimacy‘, cur. Vitoria Daniela Bousso, Sao Paulo/BR
Ormeau Baths Gallery, ‘Relationship ... ‘, cur. Hugh Mulholland, Belfast/IRL
Museo de Arte Buenos Aires, ‘Media Skulptur‘, cur. Ursula Wittmer, Buenos Aires/AR
Shanghai Biennale, ‘Urban Creation‘, cur. Yuko Hasegawa + [et al.], Shanghai/CN
Musée d’art moderne et contemporain, ‘Vidéo Topiques‘, cur. Patrick Javault, Strasbourg/F
Gemeentemuseum Helmond, ‘Thin Skin‘, cur. B. Clausen, C. Kuoni, Helmond/NL
Pinakothek der Moderne, /cur. Bernhard Schwenk, Munich/DE
Kunsthalle Baden-Baden, ‘The Benefit of Art. Feminist Positions from the Goetz Collection‘, cur.
Rainald Schumacher, Matthias Winzen, Baden-Baden/DE
Luhring Augustine, New York NY
Arizona State University Art Museum, cur. John Spiak, Tempe AZ
Kunsthaus Zurich, ‘Public Affairs‘, cur. Bice Curiger, Zurich/CH
Stadtgalerie Kiel, ‘Doppelung der Bilder im Raum. Aus der Sammlung Eckardt‘, cur. Wolfgang Zeiger,
Reinhard W. Eckhardt, Kiel/DE
MEO - Contemporary Art Collection, ‚The Big Video Screening‘, cur. Barnabas Bencsik, Budapest/H
Museum of Modern Art MOMA, ‘Tempo‘, cur. Paulo Herkenhoff, New York NY
Neues Kunstmuseum Luzern, ‘Another World‘, cur. Peter Fischer, Lucerne/CH
Scottsdale Museum of Contemporary Art, ‘Thin Skin‘, cur. B. Clausen, C. Kuoni, Scottsdale AZ
Sammlung Hauser & Wirth, ‘The House Of Fiction‘, cur. Michaela Unterdörfer, St. Gallen/CH
Fundacion „la Caixa“, ‘Friccions‘, cur. Neus Miro, Girona/ES
Fondation Beyeler, ‘Claude Monet und die Abstraktion‘, cur. Markus Brüderlin, Basel/CH
Musée d’art Roger Quilliot, ‘Videoformes 02‘, cur. Gabriel Soucheyre, Clermont-Ferrand/F
Museum of Contemporary Art Taipei, ‘Through Women‘s Eyes’, cur. Mei-Lin Liu, Taipei/RC
Auckland Art Gallery, ‘Humid‘, cur. Juliana Engberg, Auckland/NZ
Kunstmuseum St. Gallen, ‘Manor Kunstpreis‘, cur. Konrad Bitterli, St. Gallen/CH
Stadtgalerie Klagenfurt, ‘The Gift. Generous Hofferings, Threatening Hospitality‘, cur. Sergio Risaliti,
Klagenfurt/AT
Université Franche Comté, ‘Instants Bonheur. Etudiants‘, Besançon/F
AXA Gallery, ‘Thin Skin‘, cur. B. Clausen, C. Kuoni, New York NY
Fundacion “la Caixa“, ‘Friccions‘, curNeus Miro’, Lérida/ES
Galerie Hauser & Wirth, ’10 Jahre Galerie Hauser & Wirth’, Zurich/CH
Virginia Museum of Fine Arts, ‘Outer and Inner Space‘, cur. John Ravenal, Richmond VA
2000
Bellevue Art Museum, ‘Fresh Flowers‘, Bellevue WA
Perth International Art Festival, ‘Visual Art Festival‘, Perth/AUS
The Museum of Modern Art, ‘Collaborations with Parkett 1984 to Now‘, New York NY
Stadtgalerie Kiel, ‘Doppelung der Bilder im Raum. Aus der Sammlung Eckardt‘, cur. Reinhard W.
Eckardt, Kiel/DE
Les Subsistances, ‘Sculpture contemporaine‘, Lyon/F
Galleria Civica di Arte Contemporanea Trento, ‘Necessity of relationship‘, cur. Fabio Cavallucci,
Trento/IT
TN Probe Gallery, ‘Rumor City‘, cur. Hans Ulrich Obrist, Tokyo/J
Migros Museum, ‚M family‘, Zurich/CH
Raffinerie, ‘Rumor City‘, cur. Hans Ulrich Obrist, Brussels/B
Candiani Cultural Center, ‘The Gift. Generous Hofferings, Threatening Hospitality‘, cur. Sergio Risaliti,
Mestre/Venice/IT
MAMCO, Musée d’art moderne et contemporain, ‚9e Biennale de l’image en mouvement‘, cur.
Françoise Ninghetto, Geneva/CH
Castello di Rivoli, ‘Form Follows Fiction‘, cur. Jeffrey Deitch, Torino/IT
KIASMA Museum for Contemporary Art, ‘ARS 01‘, cur. Maaretta Jaukkuri, Helsinki/FIN
Borusan Artis and Culture Center, ‘Metropolis Now‘, cur. Elga Wimmer, Istanbul/TR
Rotterdam/NL
Los Angeles County Museum, ‘New Sitings‘, cur. Jill Kryowski, Los Angeles CA
Kunsthaus Zürich, ‚Hypermental‘, cur. Bice Curiger, Zurich/CH
Cultural Bridge 2000, ‚Waterfront‘, cur. Pontus Kyander, Helsingborg/Helsingor/S/DK
Museum für Moderne Kunst, ‚Zeitwenden. Rückblick und Ausblick‘, cur. Jan Hoet, Vienna/AT
EV+A, ‚Friends & Neighbours‘, cur. Rosa Martinez, Limerick/IRL
‘Libres ébats‘, cur. Samon Takahashi, Valence/F
Stedelijk Museum voor Actuele Kunst, ‚Over the Edges‘, cur. Jan Hoet +[et al.], Gent/B
Haus der Kunst, ‚Beauty Now. Evolving Esthetics and Contemporary Art‘, cur. Neal Benezra, Olga
Viso, Munich/DE
“Presumed Innocent, Contemporary Art and Childhood,” capcMusee d’art Contemporain, Bordeaux,
France.
1999
Ludwig Muzeum Budapest, ‚Contemporary Swiss Art‘, cur. Hegyi Dora, Budapest/H
Institut d’art contemporain, ‚Quelques unes des récentes acquisitions de la Collection Frac RhôneAlpes‘, cur. Chantal Poncet, Villeurbanne/F
Centraal Museum, ‚Opening of the new museum‘, cur. Sjarel Ex, Marja Bosma, Utrecht/NL
Kunstmuseum Bonn, ‚Zeitwenden. Rückblick und Ausblick‘, cur. Jan Hoet + [et al.], Bonn/D
Neue Nationalgalerie, ‚Das XX. Jahrhundert. Ein Jahrhundert Kunst in Deutschland‘, cur. Peter
Schuster, Berlin/DE
Palazzo delle Papesse, ‚Le Repubbliche dell‘Arte. Schweiz. Suisse. Svizzera. Svizra’, cur. Sergio
Risaliti, Siena/IT
Biennale di Venezia, ‚dAPERTutto‘, cur. Harald Szeemann, Venice/IT
Trinitäts-Kirche, ‚Macht und Fürsorge. ‚Komm iss was‘ Das Bild der Mutter in der zeitgenössischen
Kunst’, cur. Matthias Winzen/Siemens Kulturprogramm, Cologne/DE
Centraal Museum, ‚Panorama 2000‘, cur. Sjarel Ex, Maria Bosma, Utrecht/NL
Stedelijk Museum voor Actuele Konst, ‚Opening of the new museum‘, cur. Jan Hoet, Gent/B
ZKM Karlsruhe, ‚Video Cult/ures‘, cur. Ursula Frohne, Konstanze Thümmel, Karlsruhe/DE
Von der Heydt Museum, ‚TALK. Show. Die Kunst der Kommunikation‘, cur. Susanne Meyer-Büser,
Wuppertal/DE
Hirshhorn Museum and Sculpture Garden, ‚Beauty Now. Evolving Esthetics and Contemporary Art‘,
cur. Neal Benezra, Washington D.C.
6th International Istanbul Biennial, ‚The Passion and the Waves‘, cur. Paolo Colombo, Istanbul/TR
Galerija Likovnih Umetnosti Slovenj Gradec, ‚Very private. Video screenings‘, Slovenj Gradec/SLO
Parkett Verlag, ‚Vergriffene und Neue Parkett-Editionen‘, Zurich/CH
Centre d’Art Contemporain, ‚Parkett. Un musée en appartement. Une exposition de toutes les
gravures, multiples et photographies publiés par Parkett‘, Geneva/CH
Kunstmuseum St. Gallen, ‚Endgames. Essays zur Kunst der Jahrhundertpassagen‘, St. Gallen/CH
Kunsthaus Zürich, ‚Video. Aus der Sammlung‘, cur. Tobia Bezzola, Zurich/CH
6th Caribbean Biennial, ‚Blown Away‘, cur. Maurizio Cattelan, Jens Hoffmann, St.Kitts
Metropolitan Museum of Modern Art, ‚Vision of the Body in Fashion‘, cur. Shinji Kohmoto, Tokyo/J
SITE Santa Fe Biennial, ‚Looking for a Place‘, cur. Rosa Martinez, Santa Fe NM
National Museum of Modern Art, ‚Vision of the Body in Fashion‘, cur. Shinji Kohmoto, Kyoto/J
National Museum for Foreign Art, ‚Locally interested‘, cur. Nedko Solakov, Sofia/BG
1998
Museum Jean Tinguely, ‚Sammlung Theo und Elsa Hotz‘, Basel/CH
Luhring Augustine Gallery, New York NY
Ydessa Hendeles Art Foundation, ‚Realities‘, Toronto/CAN
Städtisches Museum Schloss Morsbroich, ‚Zwischen Kunst und Design‘, cur. Susanne Anna,
Leverkusen/DE
Deste Foundation, ‚Global Vision. New Art from the 90‘s’, cur. Katerina Gregos, Athens/GR
Centre Culturel Suisse, ‚Dogdays are over‘, cur. Nicolas Trembley, Béatrice Micheli, Paris/F
Philadelphia Museum of Art, ‚Trance‘, cur. Kathleen Forde, Philadelphia PA
Palazzo delle Esposizioni, ‚La coscienza luccicante. Arte nell‘età elettronica’, cur. Paola Sega Serra,
Maria Grazia Tolomeo, Rome/IT
Galerie Art & Essai, ‚Homo Zappiens Zappiens‘, cur. Jean Brihault, Rennes/F ‚Le Printemps de Cahors.
Photographie & Arts Visuels. La Sphère de l‘intime’, cur. Marie-Thérèse Perrin, Nimes/F
Akademie der Künste, ‚Nonchalance Revisited. Junge Schweizer Kunst‘, cur. Christoph Doswald,
Berlin/DE
Schirn Kunsthalle, ‚Freie Sicht aufs Mittelmeer. Junge Schweizer Kunst mit Gästen und Gastmahl‘, cur.
Bice Curiger, Frankfurt/DE
Sun Gok Museum, ‚Swiss Contemporary Art‘, cur. Hedy Graber, Seoul/KR
Western Front, Center of the Arts, ‚Divas‘, cur. Antonia Hirsch, Vancouver/CAN
Wacoal - Spiral Art Center, ‚Shoot at the Chaos‘, cur. Shimizu Toshio, Tokyo/J
Kunsthaus Bregenz, ‚Lifestyle‘, cur. Rudolf Sagmeister, Bregenz/AT
Museum für Moderne Kunst, ‚Szenenwechsel‘, cur. Jean-Christophe Ammann, Frankfurt/DE
Art Gallery of New South Wales, ‚Strange Days‘, cur. Wayne Tunnicliffe, Sydney/AUS
Guggenheim Museum Soho, ‚Hugo Boss Prize‘, cur. Nancy Spector, New York NY
Berlin Biennale, ‚Berlin/Berlin‘, cur. Nancy Spector, Klaus Biesenbach, Hans-Ulrich Obrist, Berlin/DE
Kunsthaus Zürich, ‚Freie Sicht aufs Mittelmeer. Junge Schweizer Kunst mit Gästen und Gastmahl‘, cur.
Bice Curiger, Juri Steiner, Zurich/CH
Centre d‘art contemporain, ‚Aids Welten. Zwischen Resignation und Hoffnung‘, cur. Frank Wagner,
Geneva/CH
ARKIPELAG - Stockholm European Capital of Culture/Swedish National Television, ‚TV-Clip‘, cur.
Hans-Ulrich Obrist, Stockholm/S
ARKIPELAG - Stockholm European Capital of Culture/Seehistorisches Museum Stockholm,
Stockholm/S, cur. Bice Curiger
ARKIPELAG - Stockholm European Capital of Culture/Nordic Museum Stockholm, ‚The King is not the
Queen. The Mind against the Eye in Contemporary Film and Video‘, cur. Francesco Bonami,
Stockholm/S
1997
Galeria Helga de Alvear, ‚Parkett. Ediciones de Artistas‘, Madrid/ES
Südwest LB, ‚Kunst...Arbeit‘, cur. Stephan Schmidt-Wulffen, Stuttgart/DE
Mobile‘ 2000, ‚619 KBB 75‘, cur. Laurence Hazout, Paris/F
5th International Istanbul Biennale, ‚On Life, Beauty, Translations and other Difficulties‘, cur. Rosa
Martinez, Istanbul/TR
Muu Ten Museum of Contemporary Art, ‚Screen, surface & narrative space‘, cur. Eija-Liisa Ahtila,
Helsinki/FIN
Independent Curators Incorporated, (ICI) ‚Do-it 1997-2001‘ [touring exhibition], cur. Hans-Ulrich Obrist,
organized by Independent Curators Incorporated (ICI), New York NY
Museum für Gegenwartskunst, ‚Basel Check-in!‘, cur. Theodora Vischer, Basel/CH
Centre Pasqu’art Biel, ‚Nonchalance d’attidudes‘, cur. Christoph Doswald, Biel/CH
Kunsthalle Nürnberg, ‚Time out‘, cur. Stephan Schmidt-Wulffen, Nuremberg/DE
Kwangju Biennale, ‚Unmapping the Earth‘, cur. Harald Szeemann, Kwangju/KR
PS1, New York NY, cur. Martin Fritz, Alanna Heiss
Casino Luxembourg, Centre d’art contemporain, Luxembourg/L
‚4e Biennale de Lyon, ‚L‘autre’, cur. Harald Szeemann, Lyon/F
Videoforum Art Basel, , cur. Käthe Walser, Eva Keller, Basel/CH
Kunstmuseum St. Gallen, ‚Unbeschreiblich weiblich. Bilder von Frauen und Frauenbilder von 1800 bis
heute‘, cur. Konrad Bitterli, St. Gallen/CH
Biennale di Venezia, ‚Future Present Past‘, cur. Vicente Todoli, Giorgio Verzotti, Nancy Spector,
Germano Celant, Venice/IT
Shed im Eisenwerk, ‚Snowscape‘, cur. Harm Lux, Frauenfeld/CH
Guggenheim Museum Soho, ‚Rooms with a View. Environments for Video‘, cur. John G. Hanhardt,
Nancy Spector, New York NY
Moderna Galerija Ljublijana, ‚Epicenter Ljublijana‘, cur. Harald Szeemann, Ljublijana/SLO
Stampa, ‚Medien- Kunstwerk‘, Basel/CH
Corner House Manchester, ‚Some Kind of Heaven. Ein Stück vom Himmel‘, cur. Sadie Coles,
Manchester/GB
John Hansard Gallery, The University, ‚Some Kind of Heaven. Ein Stück vom Himmel‘, cur. Sadie
Coles, Southampton/GB
South London Gallery, ‚Some Kind of Heaven. Ein Stück vom Himmel‘, cur. Sadie Coles, London/GB
Kunsthalle Nürnberg, ‚Some Kind of Heaven. Ein Stück vom Himmel‘, cur. Eva Meyer-Hermann, Sadie
Coles, Nuremberg/DE
1996
Galerie Franck & Schulte, ‚European Art Forum‘, Berlin/DE
Kunsthaus Zürich, ‚Zwischen Hodler und Nelkenmaler‘ [exhibits from the collection], Zurich/CH Arken
Museum of Modern Art, ‚The Scream‘, cur. Kim Levin, Ishoj/DK
Kunsthaus Mürz und Kunsthaus Galerie, ‚I’m your problem‘, cur. Johanna Hofleitner, Mürzzuschlag/AT
Statens Museum for Kunst, ‚Electronic Undercurrents‘, cur. Marianne Øckenholt, Copenhagen/DK
Museo d’Arte Contemporanea, ‚Mirades‘, cur. Maria Antonia Perello, Barcelona/ES
Neues Museum Weimar, ‚Nach Weimar‘, cur. Klaus Biesenbach, Niklaus Schafhausen, Weimar/D
Athens Fine Arts School, ‚Push-ups‘, cur. Emily Tsingou, Athens/GR
Museum für Gegenwartskunst, ‚FremdKörper‘, cur. Theodora Vischer, Basel/CH
Louisiana Museum for Modern Art, ‚NowHere. Get Lost‘, cur. Anneli Fuchs, Lars Grambye,
Humlebaeck/ DK
Kunsthaus Zürich, ‚Erotika, Kabinettstücke, Kammerkunst & Ko.‘, cur. Bernhard Fibicher, Zurich/CH
Museum für Angewandte Kunst, ‚Mässig und gefrässig‘, cur. Annemarie Hürlimann, Alexandra
Reininghaus, Vienna/AT
Stampa, ‚Drei Räume. Rist - Finlay - Trockel‘, Basel/CH
Museum für Gestaltung, ‚Ich und Du‘, cur. Cecilia Hausheer, Erika Keil, Zurich/CH
Kunstraum Wien, ‚Wunderbar‘, cur. Stephan Schmidt-Wulffen, Vienna/AT
1995
Fields Zürich, ‚A Night at the Show‘, cur. Harm Lux, Zurich/CH
‚Infra-Sound. Ausstellungsprojekt für die Woche der bildenden Kunst‘ (various venues), cur. Jérôme
Sans, Karin Günther, Hamburg/DE
Kunsthalle Palazzo, ‚Salon-Ausstellung‘, Liestal/CH
Centre Pompidou, ‚Femininmasculin. Le sexe de l’art, X/Y‘, cur. Christine Van Assche, Nicolas
Trembley, Stéphanie Moisdon, Paris/F
Stedelijk Museum, ‚Wild Walls‘, cur. Leontine Coelewij, Matrijn Nieuwenhuyzen, Amsterdam/NL
Landesmuseum Innsbruck, ‚How is everything‘, cur. Aurelia Jurtschitsch, Nuremberg/DE
Kunstbunker Nürnberg, ‚How is everything‘, cur. Aurelia Jurtschitsch, Vienna/AT
Wiener Sezession, ‚How is everything‘, cur. Aurelia Jurtschitsch, Vienna/AT
Dominikanerkloster, ‚Himmel und Erde. Frauen in Gewaltverhältnissen‘, cur. Cornelia Rohloff, Frankfurt
am Main/DE
Cairo University, ‚Video Visions Cairo‘, cur. Ursula Rindlisbacher, Cairo/ET
Centro Galego de Arte Contemporanea, ‚Signos e milagres‘, cur. Bice Curiger, Santiago de
Compostela/ES
Oratorio di San Rocco, ‚Body Smart‘, cur. Annamaria Sandonà, Padua/IT
Nicolaj Contemporary Art Centre, ‚I confess‘, cur. Sanne Kofod, Copenhagen/DK
Public Bologna, ‚Ars Lux‘, cur. Silvia Grandi, Bologna/IT
Kunsthaus Zürich, ‚Zeichen & Wunder‘, cur. Bice Curiger, Zurich/CH
Galerie Gebauer & Günther, ‚Menschenbilder‘, cur. Ulrich Gebauer, Berlin/DE
Kunsthaus Aarau, ‚Ohne Titel‘, cur. Stiftung Kunst Heute, Aarau/CH
Galerie Art Magazin, ’10 Art-Magazin Jahre’, cur. Rolf Müller, Zurich/CH
Hong Kong Museum of Art, ‚Beyond Switzerland‘, cur. Katia Baltera Cravetti, Hong Kong/CN
1994
Museum of Contemporary Art Chicago, ‚Use Your Allusion. Recent Video Art‘, cur. Dominic Molon,
Chicago IL
Kunsthalle Basel, ‚Projekt Schweiz‘, cur. Eva Keller, Thomas Kellein, Basel/CH
Kunsthalle Palazzo, cur. Hedy Graber, Liestal/CH
Leonardi V-idea, ‚Fragmenti Intervalli Interfaci‘, cur. Viana Conti, Genoa/IT
Kunsthaus Oerlikon, ‚Überlebenskunst‘, cur. A. Niderhauser, W. Wottreng, Zurich/CH
Kunsthalle Fribourg, ‚Une séléction de MIT HERTZ‘, cur. Michel Ritter, YACH, Fribourg/CH
Kunstmuseum Solothurn, ‚StipendiatInnen 91‘, Solothurn/CH
Kunsthalle Palazzo, ‚Simone Berger, Pipilotti Rist, Francis Traunig‘, cur. Hedy Graber, Liestal/CH
Galerie Walcheturm, cur. Eva Presenhuber, Zurich/CH
Centro Video Arte, ‚The Metapher of Light. Poliset‘, cur. Lola Bonora, Ferrara/IT
1991
Internationales Videoartfestival Locarno, cur. Robert A. Fischer, Locarno and Cannobbio/CH-IT
Kulturzentrum Kammgarn, ‚MIT HERTZ‘, cur. YACH, Schaffhausen/CH
Chamer Räume Kunst an Ort, , cur. Peter Bläuer, Cham/CH
1989
Viper 89, © with Muda Mathis, Lucerne/CH
Theaterhaus Gessnerallee, © with Muda Mathis, Zurich/CH
Basel, ‚We can‘t Art Bar’, © with Lorenz Hersberger, cur. Baschi Baumberger, Basel/CH
Kunsthalle Basel, ‚Basler Künstlerinnen und Künstler‘, Basel/CH
1988
Sevelen Rheinzeichen, Sevelen/CH
Kunsthalle St.Gallen, ‚UMBRUCH 1978-88‘, cur. Josef Felix Müller, St.Gallen/CH
Muba Basel, ‚Junge Schweizer Kunst‘, © with Muda Mathis, Basel/CH
SELECTED FILMS, AUDIOTAPES AND PERFORMANCES
2002
Audio CD: The Cake is in Flames, featuring Anders Guggisberg, 19 min 44
1995
Video: I’m A Victim Of This Song, 4 min 30
Videoinstallation: Fliegendes Zimmer, SBG Buchs SG
Performance: What’s Wild?, with Andreas Guggisberg, Closed Circuit with the public, Stedelijk Museum
Amsterdam
1994
Dumme Siech, Single-CD with LPR
I’M Not The Girl Who Misses Much, multiple, Ed. Uwe Kraus, Oktagon, Stuttgart, edition Serial, Zürich
1994, videostills, photos 50 x 35cm from monitor
Kaffemeer, Sculpure with Coffee automat and interactive monitor, SVB Basel
1993
Video: Blutclip , 3 min
Lob Ehre Ruhm Dank LP / CD (BOY) with LRP
1992
Video/Film: Pickelporno, 13 min .
Video:+ Alles Andere, © by Seefrauen (Co-autorin), 38 min
Video: Als der Bruder meiner Mutter geboren wurde, duftete es nach Birnenblüten vor dem
braungebrannten Sims, 3 min Audiotape: Hellgrüne Lyrik, 12 min, with LRP
Video: Kompilation videos 86-92 Pipilotti Rist, 62 min., edition Galerie Walcheturm
Performance: Snow is falling, with Mio Shirai, “Die geheimsten Träume unsrere Stars/Covergirls”, Rote
Fabrik, Zürich
1991
Video: Komm, Helvetia, 2 min
Performance: Jawohl, sie kann’s. Sie hat’s geschafft. with LPR, Galerie STAMPA, Basel
Performance: Die Lampe, with LRP, Kunsthaus Aarau
Performance: Das Haus im Kopf brennt, with LRP for the Werkbund, Sportstadion Basel
1990
Video: You Called Me Jacky, 4 min
Audiotape: Les Reines Prochaines, 40 min. with Les Reines Prochaines (LRP)
Jawohl, sie kann’s. Sie hat’s geschafft. LP / CD (BOY) and limit. sign. multiple with LRP
The Noise Downstairs, concept photography with catrin Freisager and Computergrafik
Performance: Seien Sie Flugdame, Prozession and open air performance with LRP, Basel
1989
Video: Die Tempodrosslerin saust, video with Muda Mathis, 14 min
Performance: Die Tempodrosslerin saust, with LRP, Kunsthalle St Gallen
1988-94
several performance-concerts with “Les Raines Prochaines”
1988
Video: Japsen, video with Muda Mathis, 12 min
Video: (Entlastungen) Pipilottis Fehler, 12 min short version 8 min
Performance: Das zornige Lamm, with LRP and others, Stückfärberei Basel
1987
Video: Sexy Sad I, 7 min
1986
Film: Das Gute, orginal S-8, 9 min
Film: I’M Not The Girl Who Misses Much, 5 min
Performance: Krebsdiagnose, Kunstsalon Basel
1984
Film: St.Marxer Friedhof, orginal S-8, 4 min
VIDEO DISTRIBUTION BY
Galerie STAMPA Basel; BdV - Bureau de video, Paris; ART METROPOL,
Toronto (CAN); MEDIENWERKSTATT, Wien (A); LVA , London video Access (GB)
VIDEO WORK SCREENINGS & BROADCASTS; LECTURES*
2005
“Ewa Lajer Burcharth on Bill Viola and Pipilotti Rist” Lambert Family Lecture, The Wexner Center for
the Arts, Lector Ewa Lajer Burcharth, April 7, 2005.
2004
MAXXI Museo nazionale delle arti del XXI secolo, ‚Pipilotti Rist‘, Lecture May 12, invited by Paolo
Colombo, Cristiana Perrella, Rome/IT*
San Francisco Art Institute, cur. Bill Berkenson, San Francisco CA/US*
Università della Svizzera Italiana, Accademia di Architettura di Mendrisio, invited by Bice Curiger,
Mendrisio/CH*
‘Ladyfest Trier‘, cur. Magda Schmukulla, Trier/IT
2003
Fotomuseum Winterthur, ‚Filmkiosk‘, Winterthur/CH
10th Biennale de l’Image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais,
Geneva/CH (To See How You See)
Wort und Bild Festival, Stein am Rhein/CH
183. Jahreskongress SANW Freiburg 03, ‚Aspekte der Kunst. Sieben Videos zum Thema‘, Freiburg/DE
Kunstmuseum Basel, invited by Bernhard Bürgi, Basel/CH*
Office for Contemporary Art Museum Construction, ‚Talk talk‘, invited by Juko Hasegawa,
Kanazawa/JP*
Swiss Federal Institute of Technology Zurich, ‚Seminarwoche Kunst und Architektur‘, Zurich/CH
Art Academy of Iceland, Reykjavik/IS*
Symposium Nordic House, Reykjavik/IS*
The 5th Women’s Film Festival in Seoul (WFFIS), Seoul/KR
UCLA Arts, Hammer Museum, Los AngelesCA/US*
Institut Français d’Istanbul, The Real McCoy, Festival Video et Art Contemporain, Le Vrai De Vrai“’,
Istanbul/TR
Scala, Frauen Filminitiative, Munich/DE
Centre Culturel Suisse, Mursollaici, Paris/FR
Gramacy Theater/MOMA NY, presentation of selected music videos by heros, with Barbara London,
New York NY/US*
2002
The Arizona State University Art Museum, Tempe AZ/US*
Shiseido Gallery, invited by Keiko Toyoda, Tokyo/JP*
CalArts, Los Angeles, CA/US*
UCLA North Campus, Los Angeles CA/US*
The Museum of Modern Art, Titus 1 Theater, ‚A selection from the Last Decade‘, New York NY
Le Parvis, Videokiosque 01, Avant-première‘, Pau/F
M.ART.A Herford, ‚Fliegen‘, Herford/DE
47. Internationale Musische Tagung, IMTA 2002, Werdenberg/CH
TVE, ‚Metropolis‘, Madrid/ES
2001
Centre choréogrphique national de Montpellier Languedoc-Roussillon, ‚Perceptions/Situations‘,
Montpellier/F
Tate Modern, London/GB*
Kunsthalle Wien, Eröffnung des Museumquartier-Areals, Vienna/AT
CS Frankfurt, ‚Ein Abend der modernen Kunst‘, J.-Ch. Ammann, Frankfurt/DE
Bayerischer Rundfunk, ‚Bildersturm. Die Kunst erobert den Cyberspace‘, Munich/DE
Jeunesse & Arts Plastiques, Une Sélection des Editions BDV, Brussels/B
Arte, ‚La Revue‘, Paris/F
Stedelijk Museum of Amsterdam, ‚Faces of Laughter. Female Strategies in Art‘, Amsterdam/NL*
Arte, ‚Heiliges Blut. Blutige Begierde‘, Cologne/DE
Kulturhallen Dampfzentrale, ‚V.I.D.‘, Berne/CH
BDV, Programme Vidéo by BDV, Paris/FR
Filmmmuseum Potsdam, ‚Filmland Schweiz. Frauen-Kurzfilmprogramm‘, Potsdam/DE
2000
Bundesministerium für Land- und Forstwirtschaft, Umwelt und Wasserwirtschaft, ‚Fest der Flüsse‘,
Vienna/A
Accademia di architettura di Mendrisio, Mendrisio*/IT
CCA Kitakyushu, Kitakyushu*/J
Netherlands Media Art Institute, Lowlands Festival, Amsterdam/NL
ICA, ‚Physical Vehicle‘ Performance Festival, London/GB
Eda, UCLA Dickson Hall, ‚Tenses: present‘, Los Angeles CA/US*
Kino im alten Wiehrebahnhof, ‚Körper-Sichten‘, Freiburg/DE
FRI –Art Kunsthalle Fribourg, ‚Message salon videoclub‘, Fribourg/CH
Centre Paqu’Art, ‚Au centre, l‘artiste’, Biel/Bienne/CH
Arte, ‚It‘s a she-thing’, Cologne/DE
Shedhalle, Rote Fabrik, ‚The Color of Friendship‘, Zurich/CH
VIPER, Basel/CH
Centre Culturel Suisse Paris, ‚Message salon videoclub‘, Paris/F
1999
Galeria d’Arte Moderna di Torino, Turin/IT
Art Gallery of Greater Victoria, ‚Performing Generations: Classic and Contemporary Performative
Video‘, Victoria/CAN
International Videoart Festival ‚Videoarchelogy‘, Sofia/BG
Pro Helvetia, Bucarest/BG
Artspace, ‚Soft and Hard-Beside Images‘, AUS
Metropolitan Museum of Contemporary Art, Tokyo/JP*
Public Art Fund, New York NY/US*
Winterthurer Musikfestwochen, Winterthur/CH
The Images Festival of Independent Film and Video, Toronto/CAN
MAMCO, Geneva/CH*
Kunstmuseum des Kantons Thurgau, ‚Experimentalfilm im Klostergarten. Land- und Leidenschaften‘,
Warth/CH
Art Gallery of Missisauga, ‚Performing Generations. Classic and Contemporary Video‘,
Mississauga/CAN
Medienkunst Festival, ‚Communication Front‘, Plovdiv/BG
Haus des Dokumentarfilms, ‚TABU. Erotischer Blick und dokumentarischer Film‘, Stuttgart/DE
Wacoal Art Center, ‚SPIRAL TV‘, Tokyo/J
International Film Festival Rotterdam, Rotterdam/NL
Moderna Museet, Stockholm/S
1998
Tate Gallery, London/GB*
Experimental Film Festival, Tirana/AL
Filmclub Xenix, ‚Auswahl Schweizerfilme in Dharamsala‘, Dharamsala/IND
Frauenmuseum Meran, Meran/IT
‘Austauschprogramm Videokunst Kanada-Schweiz‘, Montreal/Québec-City/CAN, Toronto/CAN
Art club berlin, ‚Grenzenlos. Berlin a Barcelona‘, Berlin/DE
Kunstmuseum Bern, Berne/CH
Impakt Festival, Utrecht/NL
Sveriges Television, Malmö/S
PODEWIL, Berlin/DE
11th Annual Dallas Video Festival, Dallas TX
Visibilità Zero, Rome/IT
Künstlerhauskino, ‚Identity I, Identitiy II‘, Vienna/AT
Witte de With Center for Contemporary Art, ‚Lowlands‘, Rotterdam/NL
‘Frankfurt IV: Grenzübertretung (Neue Schweizer Filme)‘, Frankfurt/DE
Video Art Festival Locarno, Locarno/CH
1997
A Scenic Detour through Commodity Culture Jan van Eyck Academy, Maastricht/NL
HdK Berlin, ‚Never Mind the nineties‘, Berlin/DE
Kunsthaus Zürich, ‚Sex und Traum‘, Zurich/CH
Downtown Arts Festival, ‚Moving Star‘, New York NY
National Museum of Women in the Art, ‚Women and the Art of Multimedia‘, Washington WA/US*
1 minute scéenario, printemps de cahors
Kulturkreis, Zollikon/CH*
Transit Oeuvres du Fonds national d’art contemporain, Paris/F
Lincoln Center, The Sixth New York Video Festival, New York
Transcontinent London Film Makers Co-op, London/GB
Art Club Berlin, Berlin/DESt. Gervais, ‚Collection d‘art vidéo Suisse’, Geneva/CH
Experimental Kino Xenix, Zurich/CH
Herzliya Museum of Art, ‚Three Video Stations: Pipilotti Rist, Yael Feldmann, Sylvie Fleury‘, Herzliya/IL
1. Filmfestival Zürich, Zurich/CH
Centre d‘art contemporain de Basse-Normandie, Hérouville-Saint-Clair France Cedex/F
Progetto Giovanni, Milan/IT
1996
Ambassade du Brésil, ‚Looking Awry‘, Paris/F
Fernsehen DRS, Zurich/CH
The Institute of Contemporary Art, ‚Inside the Visible‘, Boston MA
Museum für Gestaltung Zürich, ‚Hello World‘, Zurich/CH
Centre George Pompidou Paris et Artists Space NY
The winnipeg women’s international film & video festival, ‚revisions‘, Winnipeg/CAN
Kunstwerk Köln, ‚Joined‘, Cologne/DE
Landesgalerie Linz, Linz/AT
Monstrosities 1
Hackesche Höfe Berlin, 2, Berlin/DE
Förderkreis der Leipziger Galerier für Zeitgenössische Kunst, Leipzig/DE
Deutsche Film- & Fernsehakademie, Berlin/DE
Kino St.Gallen, Frauenfilmtage, ‚NouvELLES‘, St. Gallen/CH
Champ Libre, ‚Sous la Passerelle!, Montreal/CAN
ICA, ‚Fuzzy Logic‘, Boston MA
Fabrikken Christiania, ‚Escape Attempts‘, Copenhagen/DK
Feminale Köln (various selected shows from this), Cologne/DE
Surfing Systems, Kassel/DE
Auto reverse 2, Magazin, Grenoble/F
elbow room, Art Chicago IL/US
MCA, 3. Juli 96, Chicago IL/US*
‘Schichtwechsel über-setzen‘, Schaan
Museum of Modern Art, ‚Video Viewpoints‘, New York NY/US*
1995
FrauenWoche, ‚Chaotikum‘, Zug/CH
Soros Center Contemporary Arts, ‚New Media Logia‘, Moscow/RUS
8. Stuttgarter Filmwinter, Stuttgart/DE
Filmfest Bremen/DE
Swiss Institute, New York NY (Rhythm, Cuts and Pictures)
HTL Chur/CH*
Createher Productions (TV), Winnipeg/CAN
Musée des Beaux Arts, Lausanne/CH
Filmtage Zofingen, ‚Frauenwerkschau‘, Zofingen/CH
Kadertagung Schweizerische Nationalbank, Davos/CH*
‘Fra nord e sud, compositrice italiane e svizzere‘, Rome/CH
Linda Génereux Galery, ‚Art Metropol Money Talks...Art Walks‘, Toronto/CAN
Casino Knokke kine(kunst)’95, Knokke/B
Buchvernissage CUT/Filmpodium Zürich, ‚Film- und Videomacherinnen Schweiz‘, Zurich/CH
Cinéville Subsoil, Zurich/CH
Galerie Goetz, ‚Auktion für das Arbeitslosenkowithee‘, Basel/CH
Kurzfilmnacht, Uster/CH
Galleri Bie&Vadstrup, ‚Stay or Go‘, Frederiksberg/DK
Viper, Lucerne/CH
VideOst, Bürglen/CH
ZDF, Nova‘, Mainz/DE
3 sat
ZDF, ‚Oh Boy it’s a Girl‘, Mainz/DE
Arte
Zaal de Unie & Nederland Filmmuseum, ‚Naughty Girls‘, Rotterdam/NL
Kunstschule Hertsogen Bosch, ‚Vorführung‘, Hertsogen Bosch/NL*
reVisions women’s film & videofestivals, ‚True visions of nature‘, Winnipeg/CAN
Frauen-Film-Wochenende, Würzburg/DE
KHD Hallen Köln, ‚Oined. 4B - Cosmic Orgasm - the o vision‘, Cologne/DE
ETH Zürich, ‚Freestyle‘ [lecture with Jacqueline Burckhardt and Prof. Flora Ruchat ‚über meine
Freunde‘], Zürich/CH*
Peep Art, ‚Loveland‘, Bern/CH
Kunstkanaal Amsterdam/NL
Fondation Cartier pour l’art contemporain, ‚Show must go on‘, Paris/F
Stichting Bellissima, Amsterdam/NL
1994
Papi Luis Café, ‚european selection‘, New York NY
Filmfest, Kassel/DE
Film- und Videotage, Basel/CH
articule, Montreal/CAN
Fernsehen DRS, Zurich/CH
Videoausstellung, ‚Collège Marcel Duchamps‘, Chateauroux/F
Peep Art, Bern/CH
Swiss Art Institute, New York NY
Festival Silence elles tournent, Montreal/CAN
Palazzo delle Exposizioni, ‚No Man’s Land‘, Rome/IT
Steirischer Herbst ‘94, Graz/AT
Saint Gervais Gèneve, ‚Discours Amoureux‘, Geneva/CH
Filmkunsthaus Babylon, ‚Eine Reise durch die schweizer Filmlandschaft, ohne Heidi‘, Berlin/DE
Medienbiennale,’Minima Media’, Leipzig/DE
Programm der ENSBA (National Fine Arts school), Paris/F
Tram’ Video screenings, Lyon/F
International Video Festival, New York NY
DCA screening at confluences, Paris/F
Kunstkiosk HH, Hamburg/DE
Soros Center for Contemporary Arts, ‚New Media Logia‘, Moscow/RUS
Blickwechsel. Frauenstadtrundgang‘, Basel/CH
Schweiz. JournalistInnen Union‘, Berne/CH
Immagini, Trieste/IT
Feminale Köln, Cologne/DE (various selected shows from this)
visual, Kadertagung Rediffusion, Trogen/CH
Steirischer Herbst, ‚Club Dadada‘, Graz/AT
Institute of Contemporary Arts, Perth/ATUS
Contemporary Art Center, Moscow/RUS
Museum of Fine Arts, ‚Von einem Ort à l’autre, d’un lieu zum andern. Unabhängiges Video Schweiz‘
[Sampler 4], Ekatrinburg/RUS
Museum of Fine Arts, Novosibirsk/RUS
Kunstakademie Oslo/NO*
1993
Filmfestival Uppsala/S
Femme Totale, Dortmund/DE
Sinemafestival, Antwerp/NL
1er Mondial de la Video, Brussels/B
New Visions, Glasgow/GB
Festival int. du Jeune Cinéma, Montreal/CAN
Westfälischer Kunstverein Münster, Munster/DE
Westfälischer Kunstverein Herford, Herford/DE
Kunstraum Aarau, ‚Videokunst‘, Aarau/CH
Swiss Video in Bem Kino, Budapest/H
Carte Blanche der A BAO A QOU Paris at Electronic Art Intermix‘ New York NY
Carte Blanche der A BAO A QOU Paris at Musée d’Art Moderne Paris/F
Lichtmess, Hamburg/DE
Kunstraumschiff Stubnitz, Rostock/DE
YYZ, Toronto/CAN
articule gallery, Montreal/CAN
Lichtmess, Hamburg/DE
1992
Medienkunstfest, Osnabrück/DE
38. Westdeutsche Kurzfilmtage, Oberhausen/DE
Fernsehen DRS, Zurich/CH
Int. Filmfestival, Locarno/CH
4. Int. Video-Biennale Museo d’arte Moderno, Medellin/CO
Kunsthalle St.Gallen,’Tribute to...’, St. Gallen/CH
IV Bienal intern. de video MAMM, Museo de arte moderno de Medellin, Medellin/CO
New Visions, Glasgow/GB
Videoartfestival, Montbéliards/F
1991
Festival Berlin, ‚Perlen vor die Säue‘, Berlin/DE
Viper, Lucerne/CH
Stedelijk Museum Amsterdam, ‚Bergen aan Zee‘, Amsterdam/NL
4. SIV St. Gervais, Geneva/CH
Climage, Lausanne/CH
1990
F & F, Zurich/CH
Kunstmesse, Frankfurt/DE
Feminale, Köln (various selected shows from this), Cologne/DE
Solothurner Film- und Videotage (inc. various selected shows), Solothurn/CH
Fernsehen DRS, Zurich/CH
Sommeruni, Neuchlen-Anschwilen*/CH
Festival Int. de Film et Video de Femmes, Montreal/CAN
Videozart, Zurich/CH
Cinevideo, Karlsruhe/DE
Frauenfilmtage, Lucerne/CH
Rote Küsse, Vienna/AT*
WUK Wien, ‚Swiss Maid‘, Vienna/A
Video Suico Contemperano, Lisbon/P
Filmfest, Kassel/DE
Sound Basis Visual Art Festival, Warsaw/PL
Künstlerhaus, Stuttgart/DE
UNI Zürich, Zurich/CH*
Galerie PulsArt, Winterthur/CH
Blue Box, Bremen/DE
Keep it Simple!, Stadttheater Basel, Basle/CH
1989
Fernsehen 3SAT, Mainz/DE
Viper, Lucerne/CH
Solothurner Film- und Videotage (inc. various selected shows), Solothurn/CH
Fernsehen DRS, Zurich/CH
Film- und Videotage, Basel/CH
Kanzlei, ‚Musikvideos aus dem Grund‘, Zurich/CH
SfG, Berne/CH*
Bielefelder Avantgarde-Filmtage, Bielefeld/DE
Femmes Cathodiques, Paris/F
Trost & Liebe, Biel/CH*
Femme Totale, Dortmund/DE
Filmtage Osnabrück/DE
1988
34. Westdeutsche Kurzfilmtage, Oberhausen/DE
Film- und Videotage, Basel/CH
Solothurner Film- und Videotage (inc. various selected shows), Solothurn/CH
Fernsehen DRS, Zurich/CH
Kunsthalle Basel, ‚Kunst und Katastrophe‘, Basel/CH
Videa, Geneva/CH
VIA, Basel/CH
London Film Festival, London/GB
Feminale, Köln (various selected shows from this), Cologne/DE
Viper, Lucerne/CH
1987
Rote Fabrik, ‚Das andere Video und die neuen Medien‘, Zurich/CH
Fernsehen DRS, Zurich/CH
Film- und Videotage, Basel/CH
Museum für Gestaltung Basel/CH
Solothurner Film- und Videotage (incl. various selected shows), Solothurn/CH
*lecture
SELECTED BIBLIOGRAPHY
ARTIST PUBLICATIONS
2005
New Media in Art, new edition. Ed. Rush, Michael. London and New York: Thames & Hudson, world of
art, pp. 174-5.
Soll, Anne. Body Work. Videos and Video Insatalltion By Pipilotti Rist. Verlag Silke Schreiber 2005 (text
in German)
Soll, Anne. Pipilotti Rist: edited by the Friedrich Christian Flick Collection. Cologne: DuMont Literatur
und Kunst Verlag.
2001
Apricots Along the Street. Zurich-Berlin-New York: Museo National Centro de Arte Reina Sofia, Scalo
(exhibition catalogue)
Pipilotti Rist. Phaidon (texts by Hans Ulrich Obrist, Peggy Phelean, Elisabeth Bronfen, Anne Sexton,
Richard Brautigan, exhibition catalog)
1999
“Himalaya Pipilotti Rist Oktagon”, Kunsthalle Zurich & Musee d’Art Moderne de la Ville de Paris
1995
“Pipilotti Rist.” Picture Postmedia, Nr. 2, 1995
“Pipilotti Rist.” Picture- text- page. Max, 9/95, Hamburg: 1995, p.132-133
“Pipilotti Rist.” Text and pictures. Wild Walls, Stedelijk Museum Amsterdam, Catalogue nr. 792
1994
Dramendamen: Dramatikerinnen der Schweiz. Zürich: 1994 (pictures)
Rist, Pipilotti and Doswald, Christoph. “Pipilotti Rist, Pip-Up.” Berlin: neue bildende kunst, Nr. 5, 1994,
p. 38-41
Rist, Pipilotti. “Notizen aus dem Leben und dem elekronischen Leben – Jupe.” Berlin: below papers:
Girlisme, 1994, p. 342-343
Rist, Pipilotti. “Heldin des Alltags.” WoZ Nr. 32, 12.Aug. 1994, p.16
Rist, Pipilotti. “LCD-Projektoren sind wahre Prinzessinnen.” Zürich: Professional News von Sony, Nr. 4,
1994, p. 4-5
1993
Rist, Pipilotti. “Daumenkino.” (Insert) Zürich and New York: Parkett, Nr.37, 1993, p.110-126
Rist, Piplotti. “Vorwort.” Nam June Paik: Jardin Illuminé, Zürich: Galerie Hauser & Wirth, 1993
1992
Entwürfe für Literatur and Gesellschaft, Nr. 5, Zürich: Dez. 1992 (pictures)
1991
Freisager, Katrin, and Kalt,Jörg, and Rist,Piplotti. “...”,Zürich: AHA!, Nr.1,
Rist, Pipilotti. “Flüstern im Kissen ein bisschen Wissen.” Basel/Frankfurt a.M.: Cinema: Tonkörper,
Verlag Stroemfeld/Roter Stern, Bd 37, 1991, p. 54-69 (text and pictures)
Rist, Pipilotti. “(Carte Blanche).” Zürich: Fabrik Zeitung, Nr. 77, Nov. 1991, p. 6-7 (poetry and pictures)
Rist, Pipilotti. “Aus der Produktion von Pickelporno.” Wie es Ihr gefällt: Künste, Wissenschaft & alles
andere. Ed. Henke, Silvia, and Mohler,Sabina. Freiburg: Kore Verlag, 1991, p. 61-63
1990
Rist, Pipilotti. “Pipi im Tiwi.” Ein Wenig Meer. Basel: VIA, März 1990, p. 20 (text and pictures)
Rist, Pipilotti. “(Carte Blanche).” sans blague: magazin für schund and sühne. Zürich: Dez. 1990, p. 2425 (Text and pictures)
Rist, Pipilotti. “Débrouillez-vous pour brouiller vos images” Live (Mediator AG). Nr.2, 1990, p. 4-7 (text
and pictures)
1989
Pipilotti Rist (167 cm), “Titel”, in: Cinema: Film und die Künste, Bd. 35, Verlag Stroemfeld / Roter Stern,
Basel/Frankfurt a.M. 1989, p. 121-127 (text and pictures)
1987
Rist, Pipilotti. “Supermarktwohnzimmer” Schräg eingespiegelt: Eine Anthologie. Vienna: Wiener
Frauenverlag, 1987, p. 19 / 71
PRESS & EXHIBITION CATALOGUES
2006
Berwick, Carly. “Rist’s Picks on Disc,” ARTnews, March 2006, page 38.
Margolis, Janet. “Is It Real or Is It Ecstasy,” Art and Living, Issue 01, 2006, pp. 20-21.
Myers, Julian. Review of “Ecstasy” exhibition at LA MoCA, Los Angeles, frieze, Issue
96, January-February 2006. pp. 145-146.
“Pipilotti Rist: Contemporary Arts Museum, Houston, 14 October-14 January, 2007,”
The Art Newspaper, The Year Ahead 2006/ page 110.
pressPLAY: contemporary artists in conversation, London & New York: Phaidon Press Limited, pp.
258, 382, 392, 449-61, 688.
Rush, Michael. New Media in Art (new edition), New York & London: Thames &
Hudson world of art, pp. 78, 115, 169, 176, images 169, 174, 175.
Schwabsky, Barry. Review “London: Pipilotti Rist, Hauser & Wirth,” ARTFORUM, February 2006, No. 6,
pp.225-226.
2005
ART IN AMERICA, September 2005, cover.
Criqui. Jean-Pierre. “Hight Art. Jean-Pierre Criqui on Psychedelic Posters.” ARTFORUM, January
2005, No. 5, pp. 53-54
Gingeras, Allison M., “Stealing the Show.” ARTFORUM, Spetember 2005, pp. 256-268.
Grant, Daniel. “Rist Watch.” ARTNEWS, September 2005, p. 84
Grant, Daniel. “Prices Climb for Rist’s Intricate Video Installations.” ARTNEWSLETTER Vol. XXX, No.
24, July 19, 2005, pp.5-6.
Guardami- percezione del video. Siena: Palazzo delle Papesse centro arte contemporanea, 2005,
page 138-139
Hurwitz, Laurie. “The mesmerizing, sensual videos of Swiss artist Pipilotti Rist.” Art + Auction,
December 2005, pp. 44-48.
“In the frame.” The Art Newspaper, International Edition. p 2
Spagnesi, Lucia. “Nel Paradio snza Adamo di Pipilotti Rist.” ARTE, July 2005, pp. 68 – 73, cover.
Robertson, Jessica. “Art Reviews.” VELVETPARK, Winter Issue 2005, No. 8, pp. 44-45 (exhibition
review)
“What’s up.” The Art Newspaper, International Edition. p 13
Zinman, Greg. “Moving Images (feature article).” Artkrush.com, December, 2005.
2004
Decter, Joshua. "TV Crazy; Notes from an Unreformed Television Junkie." FLASH ART, March-April,
2003, p. 57-60.
Goetz, Ingrid, and Urbaschek, Stephan. “Fast Forward.” Media Art Sammlung Goetz.” pp.326-329
(exhibition catalogue)
“Goings on About Town.” art section, THE NEW YORKER, October 4, 2004 (exhbition review)
Kawahara, Hideki. “Pipilloti Rist. Shiseido Gallery. Tokyo.” TEMA CELESTE, Reviews section,
February 2003, p. 95
Kazanjian, Dodie. "Caught on Tape." Vogue, January, pp. 160-63, 184
Kempker, Birgit. “I am my own Foreign Pig.” Jestem Sweja Wtasna Obca Swinia, 2004 (exhibition
catalogue)
Landi, Ann. “Who Are the Great Women Artists?” ARTnews, March 2003, pp. 94-97.
Monument To Now. The Dakis Joannou Collection, DESTE Foundation for Contemporary Art 2004, pp.
337-339 (exhibition catalogue)
“Pass The Buck Continued.” ISSUE, No. 8, pp. 120-133
“Pipilotti Rist Herbstzeitlose.” FLAVORPILL, Issue # 222
Princenthal, Nancy. “Pipilotti Rist at Luhring Augustine.” ART IN AMERICA, November 2004, pp. 179180 (exhibition review)
Richard, Frances. “Pipilotti Rist. Luhring Augustine.” ARTFORUM, December 2004, pp. 192-193
(exhibition review)
Rosenberg, Karen. “Art.” NEW YORK, September 30, 2004, p. 89
Smith, Roberta. “Pipilotti Rist.” THE NEW YORK TIMES, Art in Review section, Friday October 1, 2004,
p. E31, (exhibition review)
Speers Mears, Emily. “Pipilotti Rist Luhring Augustine.” TIME OUT NEW YORK, September 23-30,
2004, p.64 (exhibition review)
Wei, Lilly. “Pipilotti Rist Luhring Augustine.” ARTNEWS, November 2004, pp. 151-152 (exhibition
review)
2003
Dunne, Aidan. “Summoning up other-worldly substances.” IRISH TIMES, July 11, 2003.
2002
“9e Biennale de L’image en Mouvement.” Art Press, January 2002
Art Unlimited. Basel, Switzerland: Art 33 Basel (exhibition catalogue)
Beatrice, Luca. “Form Follows Fiction.” FLASH ART, January-February 2002, p. 91
Biesenbach, Klaus, and London, Barbara, and Eamon Christopher. Video Acts. Single Channel Works
from the Collections of Pamela and Richard Kramlich and the New Art Trust. Published by P.S.1
Contemporary Art Center, pp. 264-269 (exhibition catalogue)
Fleury, Jean-Damien. “Le Son, Quinze Manieres de L’Utiliser. Image en Mouvement.” LA LIBERTE,
November 10 2002
Gioni, Massimiliano. “I know What you did last Summer. 2001 in retrospect. The show, the artists and
the events that kept us talking and thinking, about art in 2001: a portable chronology.” FLASH
ART, January-February 2002, No. 222, pp. 65-67
Griffin, Tim. “Time Warp Again .MoMa Queens locations makes the past seem futuristic.” TIME OUT
NEW YORK, No. 355, July 18-25, 2002, p. 77 (mentioned)
Grosenick, Uta, and Riemschneider, Burkhard. Art Now. 137 Artists at the Rise of the New Millennium.
Taschen, pp. 436-439
Laubard, Charlotte. “Retour sur Image.” culture section, INNER Eau/Transparence, p. 51, AugustSeptember 2002 (French magazine)
Life Death Love Hate Pleasure Pain. Selected Works from the Museum of Contemporary Art, Chicago,
Collection. The Museum of Contemporary Art, Chicago, pp. 267-268 (exhibition catalogue)
Parkett, No. 64, 2002, pp. 202-203
Ravenal, John B. Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the
History of Video Art. Virginia Museum of Fine Arts (exhibition catalogue)
Tempo. New York: The Museum of Modern Art, NY, Distributed Art Publishers Inc.(D.A.P.), p. 37 &
cover,
Princethal, Nancy. “Artist’s Book Beat”, Books in Review, ART ON PAPER, March-April 2002, pp. 9899
2002-2001
Form Follows Fiction, Castelo di Rivoli. Museo d’Arte Contemporanea, Fondatione CRT Cassa di
Risparmio di Torino, (illustrations), (exhibition catalogue)
“Television.” Kunst Sieht Fern. Kunsthalle, Vienna, Germany (exhibition catalogue)
2001
9e Biennale de l’Image en Mouvement 2001, MAMCO. Geneva, Switzerland: Centre pour l’image
contemporaine Saint-Geneve (exhibition catalogue)
A Super Subjective Pillow Case Next to A Mini Poster Organ. CCA Kitakyushu, Japan
Anton, Saul, “Media_City.” Frieze, March 2001, p. 101
Art Magazine (Korea), September
Bishop, Claire, “Interview with Pipilotti Rist.” Make Magazine, March-May 200, pp. 14-17
Catherine Hug, “Pipilotti Rist.” Reviews, Tema Celeste, Summer, p. 101
Grosenick, Uta. Art Now. Icons series, Taschen, pp. 142,143
Grosenick, Uta. Women Artists in the 20th and 21st Century. Tachen, pp. 456-461
Mahoney, Elisabeth, “Profile.” ArtReview, June 2001, P. 46
Marguerat, Florence. “Mise en Evidence d’un Systeme Sonore.” Le Courrier, November 3 2001
Magni, Elisabeth. Pipilloti’s Pickle Making Meaning From the Feminine Position. PAJ (A Journal of
Performance & Art). The John Hopkins Press, 1976-2001- Celebrating 25 Years, May 2001, No.
68, pp. 1-9
Meyer-Hermann, Eva. “The Oldest Possible Memory; Sammlung 1,“ Cologne: Oktagon
“Nieuw Werk Van Pipilotti Rist in het Centraal Museum De Ondeugende Dochter Van Nam June Paik.”
Kunstbeeld, No.7/8, pp. 24-27
Pipilotti Rist Show a Leg. Tramway (exhibition catalogue)
“Profile: Pipilotti Rist.“ ArtReview, June 2001, p. 44
Raczka, Robert. Pipilotti Rist: Luhring Augustine Gallery. Sculpture, January/February 2001
“Supermarkt im Wohnzinmmer oder Kochen in der Kirche.” Frame, May/June 2001, pp. 40-59
Wechsel-Strom. Sammlung Hauser Und Wirth / Teil 2 in the Locomotive St. Gallen, pp. 82-83
(exhibition catalogue)
2000
Allen, Jennifer, “Dans la peau de l’image”, Parachute, April, May, June, pp. 4-17
“Ask Dr. Hip.” U.S. News, May 22, 2000
“Art Afoot in Chelsea.” Where New York: May 2000, p. 22
“Blick auf der Hintern.” Der Spiegel, 2000
Conley, Kevin, “At the Galleries: Lady Video”, May 8, 2000, pp. 82-3
Conley, Kevin, “At the Galleries: Lady Video”, May 8, pp. 82-3
Dimova, Dessislava, “Locally Interested”, Flash Art, Vol. 33, No. 211, p. 61
Elms, Anthony, “Shelved”, New Art Examiner, April, pp. 6-13, 2000
Fisher, Jennifer, “Pipilotti Rist: Swept Away.” Canadian Art: Summer 2000, pp. 76-7
Gardner, James, “If You Like Cutting-Edge Work, It’s All in the Rist.” New York Post, Monday May 15,
2000
G., T., “Pipilotti @ Luhring Augustine.” Flash Art, Summer 2000, pg. 49
Gioni, Massimiliano, “The Beach: Utopia 2000”, Flash Art, Summer, Vol. XXXIII, pp. 65-66
Halle, Howard, “Rist Factor”, Time Out New York, p. 76, 2000
Halle, Howard, “Beautiful Dreamer,” Time Out New York, April 20-2, 2000, p. 61
Jane Harris, “Psychedelic, Baby: An Interview with Pipilotti Rist”, Art Journal, winter, pp. 68-79
Kimmelman, Michael, “Open My Glade”, The New York Times, April 2, p. E40
Lambrecht, Luk, “Over The Edges”, Flash Art, Summer, Vol. XXXIII, pp.109“Talk Show”, Von der Heydt
Museum, Wuppertal, and Haus der Kunst, Munich,exhibition catalogue
Lajer-Burcharth, Ewa, Artforum, September 2000, p. 172
Latimer, Joanne, “She’s not the Girl Who Misses Much,” The Globe and Mail, March 6.
Latimer, Joanne, “She’s not the Girl Who Misses Much,” The Globe and Mail, March 6.
Lubelski, Abraham, and Ricatto, Cosimo, “Pipilotti Rist, Sylvie Fleury, Sophie Calle and Shirin Neshat”,
NY ARTS Magazine, July/ August, Vol. 5, No. 7, pp. 28-229
Quinones, Paul, New Art Examiner, September 2000, pp. 59-60
Papa, Sania, “Biennale di Istanbul,” Tema Celeste, Vol. 17, No. 77, p. 106
Phillips, Christopher, “Report from Istanbul. Band of Outsiders”, Art in America, April, pp.70-75
Pedersen, Victoria, “Gallery Go ‘Round: Rebels with a Cause”, Paper Magazine, April, p. 169
Pedersen, Victoria, “Datebook: Pipilotti Rist,” Art & Auction, April 15, p. 74
“Pipilotti Rist in Times Square.” Art in America: June 2000, pp. 27-8
“Pipilotti Rist,” Bust, Winter 2000, p. 112
“Pipilotti Rist in Times Square”, inprocess, Volume 8, #3, Spring 2000, p.1
Politi, Giancarlo, ”Journey to the Center of the Periphery”, Flash Art, Vol. 33, No. 211, pp. 66-69
“Presumed Innocent, Contemporary Art and Childhood,” Musee d’Art Contemporain, Bordeaux
(exhibition catalogue).
Rush, Michael, “Pipilotti Rist at Luhring Augustine”, Art In America, September, p.143
Saltz, Jerry, “Swiss Bliss,” The Village Voice, April 25, p. 119
Stevens, Mark, “It’s All in the Rist”, New York, Vol. 33, No. 18, May 8, pp. 75-6
Stevens, Mark, “It’s All in the Rist”, New York, Vol. 33, No. 18, May 8, 2000, pp. 75-6
Suter, Martin, “Pipilotti schockiert New York City”, Sonntags Zeitung, April 9, pp. 65
“Talk Show”, Von der Heydt Museum, Wuppertal, and Haus der Kunst, Munich,exhibition catalogue
Turner, Grady T., “Globalism: Becoming Cosmospolitan,” Flash Art, Vol. 33, January-February,
pp. 53-54
“Video Installation Festival: Scopophilia”, The Contemporary Arts Center Newsletter, holiday, cover, pp.
6-9
Vogel, Carol, “Expanding Its Art, Too”, The New York Times, Friday, Apr. 2, p.E36
Vista Magazine, Vol. IV, No. 23, Summer, p. 16, illus. only
Warr, Tracey and Jones, Amelia (ed.), “The Artist’s Body”, Phaidon Press, pp. 153
“Wonderland”, St. Louis Art Museum, D.A.P. (Distributed Art Publishers), pp.90-95 (exhibition
catalogue)
Wilson-Goldie, Kaelen, “Peep Show Video”, Black Book Magazine, Spring, pp. 52-54
Zeitz, Lisa, “Chelsea, kaltes pochendes Herz der Kunst”, Frankfurter Allgemeine Zeitung, Samstag, 20,
Mai, Nr. 117/ Seite 55
1999
Attias, Laurie, “Pipilotti Rist,” Frieze, Issue 49, November/December, pp. 110-111
Antemen, Ahu and Vasif Kortun, “The Istanbul Fall: A Journey Through a Sensitive Megapolis,” pp. 8487
Attias, Laurie, “Pipilotti Rist,” Frieze, Issue 49, November/December, pp. 110-111
Antemen, Ahu and Vasif Kortun, “The Istanbul Fall: A Journey Through a Sensitive Megapolis,”
pp. 84-87
Collings, Matthew. “Loopy Pipi Back”, Modern Painters, Summer 1999, pp. 63-4
Gellatly, Andrew, and Heiser, Jorg, “Just Add Water”, Frieze, Issue 48, September/ October, pp. 66-71
“Global Art - Rheinland 2000”, Kunstmuseum Bonn, Zeitwenden-Rückblick und Ausblick, Bonn,
exhibition catalogue
“Global Art - Rheinland 2000”, Kunstmuseum Bonn, Zeitwenden-Rückblick und Ausblick, Bonn,
exhibition catalogue
Hillstrom, Laurie Collier and Hillstrom, Kevin, ed., “Contemporary Women Artists”, St. James Press, page 563-566
Hackett, Regina, “Artists Bloom in Bellevue”, Seattle Post-Intelligencer, February 6, p. C1
Im, Soyon, “Bittersweet blooms”, Seattle Weekly, February 18, p. 32
Janus, Elizabeth, Artforum, April, pp. 130-131
La Biennale di Venezia, 48 Esposizione Internazionale d’Arte, dapertutto, pp. 178-181, exhibition
catalogue
Lux, Harm. “Remake of the Weekend”, Flash Art, pp. 106-9
“Pipilotti Rist,” Arte Contemporary, Fall, Vol. 1, p. 32
“Pipilotti Rist,” Art Das Kunstmagazin, No. 12, December, pp. 60-61
“Pipilotti Rist,” Arte Contemporary, Fall, Vol. 1, p. 32
Riemschneider, Burkhard, and Grosenick, Uta (Ed.), “Art At The Turn Of The Millennium”, Taschen, pp. 426-429
Shiffler, Meg, “Pretty Flowers”, The Stranger, January 28-February 3
“Regarding Beauty: A View of the Late Twentieth Century”, Hirshhorn Museum and Sculpture Garden,
Haus der Kunst, Munich, exhibition catalogue
Schjeldahl, Peter, “Beauty Contest”, The New Yorker, November 1, pp. 108 - 110
Seabrook, John, “Nobrow Culture: Why It’s Become So Hard To Know What You Like”, The New Yorker, September
20, pp. 104-111
“Site Santa Fe,” Flash Art, May/June 1999, p. 52
“The Passion and the Waves” 6th International Istanbul Biennial, Istanbul, Turkey, exhibition catalogue
Thorson, Alice, “Chip off the New Block,” The Kansas City Star, November 28, pp. J-1, J-4
Walz, Cara, “Video at the Block,” Pitch Weekly, November 24-December 1, p. 28
1998
Attias, Laurie. “619KBB75”, Frieze, May, pp. 94-95
Alvarez, Adriana. “Most Peculiar, Mama”, revolver, June 22, p. 49
C International Contemporary Art, Issue #57, February- April, pp. 10-11
Cameron, Dan, “The New Melting Pot”, Flash Art, October, pp. 90-92
“Change of Scene XIV”, Flash Art, October, p.72
Cunningham, Daniel Mudie. Sydney Star Observer, June 11, p. 20
Dault, Gary Michael. “Chasing truth through the looking glass”, The Globe and Mail, June 6, C14
Erdmann Ziegler, Ulk. “Rist Factor, ART IN AMERICA, June 1998, pp. 80-83
“Fascination”, Summer 1998, Hugo Boss
“Global Vision Part III at Deste Foundation”, Flash Art, October, p. 63
Glueck, Grace. “Contemporary Work Intended to Provoke”, The New York Times, July 17, p. E33
Haye, Christian. “The Girl Who Fell To Earth”, Frieze, March/April, pp. 62-65
Herbstreuth, Peter, “Pipilotti Rist”, Flash Art, October, pp. 114-115
Herbstreuth, Peter,“Pipilotti Rist,” Flash Art, October 1998, p. 114
Hugo Boss Prize, Guggenheim Museum, New York, exhibition catalogue
Lux, Harm. “Pipilotti Rist”, Flash Art, Summer 1998, p.91
Lux, Harm, “Pipilotti Rist - [Flash Art XXXI Years Inside Art]”, Flash Art, Summer, p. 90
Myers, Terry R. “Grist for the Mill”, Art/Text, pp. 32-35
Mendelssohn, Joanna. “Nobody told me there’d be days like these”, The Australian, June 5, p. 16
Obrist, Hans-Ulrich, “Rist for the Mill”, Artforum, April 1998, p. 45
Pinto, Roberto, TemaCeleste, January-March, N 66 Page 72.
“Pipilotti Rist,” Flash Art, Summer 1998, p. 90
Plagens, Peter, “SOHO Hum”, Artforum, May, p. 50
“Quest for Significance”, The Weekend Austrailian, July 4-5, p. 23
Schjeldahl, Peter. “Bonjour Ristesse”, The Village Voice, August 11, p. 154
“Short-List for Hugo Boss Prize”, Flash Art, May-June 1998, p. 53
Smee, Sebastian. “The Whole World is Wild at Heart”, The Sydney Morning Herald, May 22-28, Metro
section pp. 4-5
Solomon,Deborah,“VisualPoetryintheSpiritofaRockVideo”,TheNewYorkTimes,17,May 1998,p.12
“Strange Days” The Art Gallery of New South Wales, Sydney, Austrailia, exhibition catalogue
“Summer Preview”, Artforum, January 1998, pg. 46
Tunnicliffe, Wayne. “Strange Days, The Guiness Contemporary Art Project”, Look, May, pp. 22-23
Wakefield, Neville, “Lets Go to the Videotape”, Art and Auction, October 19 - November 1, pp. 48-53
Weingarten, Susanne. “Ein Luftgeist Fallt Vom Stuhl”, DER SPIEGEL, No. 11, Nov., pp.204-206
1997
4e Biennale d”art contemporain de Lyon, exhibition catalogue.
Coles, Sadie. “Fragen an Pipilotti Rist von Pipilotti Rist,” Kunstalle Nurnberg “Ein Stuck Vom Himmel,”
katalog (engl./dt.), Nurnberg 1997, p. 90-95
Hannula, Mika. “Sweet and tender hooligan”, Siksi, No.1, Spring 1997, pp. 60-62
Kontova, Helena, “From Istanbul with Love and Beauty,” FLASH ART, Nov / Dec 1997, Vol. XXX, No.
197, pp. 47-55
“Kunst..Arbeit”, Aus der Sammlung Sudwest LB Catalogue, Herausgeber, Cantz Verlag und Autoren
Martinez, Rosa, “Istanbul Biennial,” FLASH ART, Nov / Dec 1997, Vol. XXX, No. 197, p.100
Rist, Pipilotti, “Jardin Illumine” (exerpt). Lacanian Ink, #12, Fall, pp. 78 -81, Cover.
Rian, Jeff. “Biennale De Lyon: The Other”, FLASH ART, October pp. 94-95
Saltz, Jerry, “Merry-Go-Round”, FLASH ART, October 1997, pp. 84-87
Sirmans, Franklin. “The Unbearable Lightness of Whiteness”, FLASH ART, Oct 1997, pp. 91-92
Smith, Roberta, “Another Venice Biennale Shuffles to Life”, The New York Times, June 16, B1,B4
Thea, Carolea, “ Venice Biennale 47th International Art Exhibition,” SCULPTURE, Vol. 16, No. 9,
pp.77-79
Vetrocq, Marcia E., “The 1997 Venice Biennale: A Space Odyssey”, Art in America, September, pp. 6677, 121
Vetrocq, Marcia E., “The 1997 Venice Biennale: A Space Odyssey”, Art in America, September 1997,
pp. 66-77, 121
Zwez, Anneliese. “Leben und Tid im Tanz der Liebe; The Social Life of Roses,” Neue Mitterland
Zeitung, 22 -1-97, p.7
Zwez, Anneliese. “Grossmut Begatte Mich; The Social Life of Roses,” Artis, No.2, p.65
1996
“Als Mädchen habe ich geträumt die Reinkarnation von John Lennon zu sein “ conversation with
Christoph Doswald, Kunstforum International, Bd. 135, Okt. 96 - Jan 97, S.206-212
Anderson, Laurie and Pipilotti Rist Meet Up in the Lobby of a Hotel in Berlin on September 9,
In: Parkett No. 48, 1996, pp. 114-119 (engl./dt.)
Babias, Marius. “Pipilotti Rist”, Freeze, Heft 27, März/Aprl 1996
Babias, Marius. ‘Risikofaktor Rist; Wenn Träume wie sterbende Fische zucken’. In: Parkett,
No. 48, 1996, pp. 100-107 (dt./engl.)
Binzegger, Lilli, Christan Käzig (photo), “Pipilottis Terrarium”, NZZ Folio, No. 1, Zürich 1996, S.62-63
Colombo, Paolo. “Shooting Divas”, Parkett No. 48, 1996, pp. 109-113 (dt./engl.)
Curriger, Bice. “Pipilotti Rist, Yoghurt on Skin - Velvet on TV”, Jahresbericht des Kunsthauses, Zürich,
1996
De Brugerolle, Marie. “Pipilotti Rist”, in: Documents sur l’art, No 8, 1996, S.23-25
Gerstner, Ulrich. ‘”...or Why I’m Never Sad”, Pipilotti Rist and Samir in Baden Baden. Neue Züricher
Zeitung, 29.11.1996, p. 45
Janus, Elisabeth. “Pipilotti Rist”, in: Artforum International, No.10, Summer 1996, pp. 100-101
Karcher, Eva. “Im Kopf war alles schon zu sehen”, Art, No. 2, Hamburg 1996, pp. 38-43
“Kunst..Arbeit”, Aus der Sammlung Sudwest LB Catalogue, Herausgeber, Cantz Verlag und Autoren
Molon, Dominic. “Last Splash”, Pipilotti Rist, Sip My Ocean, Museum of Contemporary Art, Chicago,
1996
Pantellini, Claudia. “Pipilotti Rist: hautnah und porentief”, in Quergängerin, Frauenrundgang Basel,
Basel 1996, pp. 36-43
Rautenberg, Hanno. “Rosenkrieg im Flimmerreich”, DIE ZEIT No. 49, 29.11.96
Spinelli, Claudia. “Shooting Divas. Ein Projekt von Pipilotti Rist”, Kunst-Bulletin, No. 9, Zürich 1996, pp.
24-27
Sprecher, Margrit. “Pipilotti Rist”, in: Geo Special, Nr. 2, April 1996, pp. 43-44
Spector, Nancy. ‘The Mechanics of Fluids’. In: Parkett, No. 48, 1996, pp. 83-91 (engl./dt.)
Tietenberg, Annette. “Ein typisches Fernsehkind; Video-Queen: Pipilotti Rist in der Kunsthalle BadenBaden. Frankfurter Allgemeine Zeitung, 19.12.1996
Ursprung, Philip, Pipilotti Rists Fliegendes Zimmer. In: Parkett Nr. 48, 1996, pp. 94-98 (dt./engl.)
Vetrocq, Marcia E., “The 1997 Venice Biennale: A Space Odyssey”, Art in America, September, pp. 6677, 121
Volkart, Yvonne. “Ich fühle total normal” / photos by Stefan Inlekofer, Annabelle, No. 2, Zürich 1996, pp.
56-61
1995
Babias, Marius. “Pipilotti Langstrumpf, Angewandte Frauenkultur”, Zitti, No. 22, Berlin 1995,
pp. 88-89
Cantieni, Benita, Katrin Freisager, Pipilotti Rist, “As the rose so is life”, Bolero, No. 6, Zürich 1995, pp.
87-92 (photo essay)
Cunéo, Anne. “Pipilotti Rist is not the girl who misses much”, Voir, No. 113, Montreux 1995,
pp. 14-16
Cut, Film- and Videomacherinnen Schweiz, von den Anfängen bis 1994: Eine Bestandesaufnahme,
Blöchlinger, Schneider e.a.(Hrs), Basel / Frankfurt am Main, Stroemfeld, 1995, pp. 128, 247-249
Hays, K. Michael. “Het ontstaan van ideologische gladheid”, in: de Architect, Amsterdam, December
1995, pp. 24-27 (Bilder) Künstler-Videos, Entwicklung and Bedeutung. Die Sammlung der
Videobänder des Kunsthauses Zürich, Hrsg. Ursula Pucchi-Petri, Zürich, pp. 158 ff., 211, 268
Karcher, Eva. “Narziss und Fegefeuer”, Art, No. 6, Hamburg 1995, S.72-80
“Interview mit Pipilotti Rist”, Monokel, Schüler-Magazin der Kantonsschule Sargans, No. 95, Sommer
1995, pp. 25-26
Jaunin, Françoise. “Pipilotti Rist: contes et légendes de la vie postmoderne”, 24 Heures, 4.5.1995
Lösel, Anja. “Verwirrspiel mit den Sinnen”, in: Stern, nr 50, Hamburg 1995, pp. 154-159
Mack, Gerhard. “Sankt Gallen und Graz: Pipilotti Rist im Kunstmuseum und im Johanneum,KunstBulletin, No. 1-2, Zürich 1995, pp. 42-43
Puntigam, Reinhard. “Pipilotti Rist, Not the girl who misses much”, (Blimp), Zeitschrift für Film,No 32,
Graz, Fall 1995, pp. 38-43
1994
Cantieni, Benita. “Gute Frauen: Pipilotti Rist”, Bolero, Zürich 1994
D’Ajeta, Ester De Miro. “Dalla deformazione all’emozione, il mondo vivido e sonoro di Pipilotti Rist”,
“No Man’s Land: Nomadismo tra le Culture in Svizzera”, Palazzo delle Esposizioni, 11.3. 20.4.1994, Roma, 1994, p. 32
Doswald, Christoph. “Ich halbiere bewusst die Welt, Pipilotti Rist im Gespräch mit Christoph Doswald”,
Be Magazin, No. 1, Künstlerhaus Bethanien, Berlin, pp. 91-96 (dt./engl.)
Doswald, Christoph. “Pipilotti Rist, Pip-Up”, in: neue bildende kunst, No. 5, Berlin 1994, pp. 3
Geerling, Let. “Uit het handtasje: Over de metamorfose van de videokunst”, Metropolis M, No. 1,
Amsterdam Feb.1994, pp. 30-31
Graber, Hedy. “Sinnliche Welten/Die Videos von Pipilotti Rist”, Eva Hohenberger, Karin Jurschick (Hg.),
Blaue Wunder-Neue Filme & Videos von Frauen 84-94, Hamburg 1994, S.210-226
“Interview with Pipilotti Rist” (Bootleg), Gwarrrt, No. 5, Stuttgart 1994 Isler, Vera. “Face to Face:
Portraits of artists”, Basel 1994 (S. 33: photo)
Lovgreen, Helle Nohrmann. “Soster af teknikken”, Kultur uden graenser, HostRapport, Kopenhagen
1994, pp. 97-106
Lux, Harm. “Pipilotti Rist: Nirwana im Rosengarten”, in: Metropolis M, No. 1, Amsterdam Feb. 1994,
pp. 36-37
Zwez, Annelise. “Pipilotti Rist: Das Wissen am Gefühl Abzwacken”, Artis, Dez. 1993 / Jan. 1994, Bern
1993, pp. 22-25
1993
Frei, Karin, Betty Stocker, “Pipilotti Rist”, “A la recherche du temps présent”, Kunsthaus Glarus, 24.4. 13.6.1993, Basel 1993, S.56-60
Jolles, Claudia. “Pipilotti Rist: Galerie Stampa, Basel”, in: Artforum, Nr. 3, New York 1993
Kempker, Birgit. “Blut ist im Schuh”, BAZ-Magazin, No. 24, April
Lux, Harm. “Pipilotti Rist”, in: Flash Art, Nr. 171, Summer 1993, p. 92
Lux, Harm. “Pipilotti Rist”, in: “M. Shirai, J. Bollande, p. Gertsch, M. Huber, P. Rist”, Shedhalle Zürich,
29.11.1992 - 17.1.1993, Zürich 1993
Macrì, Teresa. “video di Frontiera: Pipilotti Rist”, Virus, Nr. 481, Milano 1993, p. 45
Morkowska, Marysia. “Pipilotti Rist: Die Frau and die videomenschmaschine”, Cimal Arte International,
Bd. 39-40, Valencia 1993, S. 52-53 (sp./ dt.)
Mack, Gerhard. “Die Bilder im Kopf beim Schmusen”, in: Turicum, August/September 1993, pp. 47-56
(pictures censored!)
Schawalder, Nicki. “Zauberleuchten der Schwester des Stroms”, Werdenberger & Obertoggenburger,
5.5.1993
Tobler, Konrad. “Augenzwinkern des genauen Anarchismus”, Der Bund, 21.7.1993
1992
Conti, Viana. “Per quattro mesi all’anno la Svizzera è un paese in bianco e nero”, Frammenti Interfacce
Intervalli: Paradigmi della Frammentazione nell’Arte Svizzera, a cura di Viana Conti, Museo d’arte
contemporanea di Villa Croce, 8.4 - 28.6 1992, Genova 1992, S.85- 101
Graber, Hedy. “Leibesbrief von Pipilotti Rist”, “Simone Berger, Pipilotti Rist, Francis Traunig”,
Kunsthalle Palazzo Liestal, 18.9 - 30.10.1992, Liestal 1992, pp. 19-28 (dt./ franz.)
Kalt, Jörg. “Schwester des Stroms” / photos Katrin Freisager, Das Magazin, Nr. 7, February,
pp. 12-15
Maurer, Simon. “Ich will sehen wie Du siehst: Zu Weihnachten ein Interview mit Pipilotti Rist”,
Züri-Tip, No. 53, 24.12.1992, pp. 30-33
Reich, Anne. “Pipilotti Rist: Der Reiz des Unsauberen - Ein Interview”, Kunst-Bulletin, No.12, Dez.
1992, pp. 16-25
Zydek, Franziska. “Sie verzaubert die Flimmerkiste”, Freundin, No.7, 4.1992 (freundin, Schweiz)
1991
Blickensdorfer, Christian. “Pipilotti Rist”, Hangar 21, Nr.3, Winterthur 1991, p. 10
“Gespräch zwischen Anna Winteler und Pipilotti Rist”, Chamer Räume Kunst an Ort: Gespräche,
Interviews, Texte, Forum Junge Kunst, Cham 1991, pp. 128-136
Thomas Lehmann, “Pickel, Porno und Zitronen”, Proz, Basel März. 91
1990
Lerch, Liliane. “Rist & Mathis: Künstlerfrauenpaare“, Kunstforum. International, Bd 107, pp.193-197
1989
Arn, Danielle. “Pipilotti Rist, 21.6.1962, Basel“, in: Du, Nr. 2, Zürich, p. 31
Baker, Kenneth. “Some say Pipilotti Rist’s video works are too close to MTV. That won’t stop her from
crossing boundaries,” SAN FRANCISCO CHRONICLE, Datebook section, Thursay March, 4,
2004, pp. E1- E2
Burton, Johanna. “Public Display of Affection,” V MAGAZINE, No. 29, Summer 2004
“FLOP Recent Projects of the Public Art Fund,”, MERREL, p.21, pp. 214-217
Hug, Catherine. “Swiss Focus. Discourse Unrestricted,” FLASH ART, May/June 2004, pp. 119-120
Helfand, Glen. Pipilotti Rist. San Francisco Museum of Modern Art,” ARTFORUM, Summer 2004, No.
10, pp. 253-254 (exhibition review)
Pollack, Barbara. “Art Basel. Roland Augustine,” ART & AUCTION, June 2004, p. 72
Saltz, Jerry. “Blotto, Meet Buzzed,” VILLAGE VOICE, May 19-May 25, 2004, p. C. 89
Schwabsky, Barry. “Plastic Surgery,” ARTREVIEW, July/August 2004, pp. 76-79
“State of Play,” published by Serpentine Gallery, London, pp. 44-47 (exhibition catalogue)