CV Fricke 2012 - UC Berkeley History of Art Department

CURRICULUM VITAE
Personal data:
Dr. phil. Beate Fricke
✉
Art History
416 Doe Library
University of California, Berkeley
CA 94720 Berkeley
U.S:A.
@
[email protected]
☎
001-510-6430523
Academic Qualification:
1999-2004
doctoral dissertation “Götzendienst, Gabentausch und Bildkultur in Anbetracht
der Statue der hl. Fides von Conques. Überlegungen zu einer Genealogie der
Skulptur – Idolatry, gift exchange and image culture. The Statue of Sainte Foy
at Conques and the Revival of Sculpture in Christian Art” (summa cum laude)
1999
University of Karlsruhe: Magister Artium
1994
Enrollment Art History, German Literature and Philosophy at the Universities
of Karlsruhe, Heidelberg (Germany) and Basel (Switzerland)
1993
Mönchsee-Gymnasium, High-school diploma (Abitur)
Work Experience:
2012
Visiting professor, Department of History of Art, LMU Munich, Germany
2010
Visiting professor at the ECNU, Shanghai, China
2009 –
Assistant professor (tenure track) at the University of California, Berkeley
2004 – 2008
Teaching and research assistant (wissenschatliche Assistentin) at the
University of Zurich, Switzerland
2004
Lecturer at the John Cabot University, Rome
2001 – 2002
Pre-doctoral research scholar at the University of Trier, Germany, member
of the project: “The Concept of Jerusalem in European Medieval Culture”, in
collaboration with the Hebrew University Jerusalem), University of Trier
1999 – 2000
Pre-doctoral research assistant at the University of Trier, Germany
1
Awards and Grants:
2012
Hellman Family Faculty Fund Award for Assistant professors
2012
Visiting professor at the Department for History of Art, LMU, Munich
2012
Samuel H. Kress Travel Grant
2011 – 2012
Academic guest, Center for the History of Knowledge (ZGW), ETH
Zurich/University of Zurich
2011 – 2012
Post-doctoral research scholar, Swiss National Research Foundation (SNF),
Switzerland (130K)
2010
ICMA Travel Grant
2010
Strategic Working Group "Inflections. Inquiry of the Moments of Radical
Transformation" together with Prof. Dr. Alexei Yurchak (Anthropology),
Townsend Center for the Humanties (teaching load reductions for 7 faculty
members)
2008 – 2009
Post-doctoral research scholar, Swiss National Research Foundation (SNF),
Switzerland (130K)
2006
“Förderpreis Kunstwissenschaft 2006”, donated by the Alfred Richterich
Foundation/Verein der Kunsthistorikerinnen und Kunsthistoriker der Schweiz
(VKKS)
2004
Pre-doctoral research scholar of the Graduiertenkolleg “Bild – Körper –
Medium. Eine anthropologische Perspektive” lead by Beat Wyss and Hans
Belting, Hochschule für Gestaltung, Karlsruhe
2002 - 2003
Pre-doctoral research scholar of the Gerda-Henkel-Stiftung, Germany
2001 – 2002
Summer Institute in the Humanities Seminar, Venice International
University/Delmas Foundation, 700 – 1450: The Private and the Public in
Venice: Absorption, Integration and Reinvention
2
Publications:
MONOGRAPHS
1. Ecce fides. Die Statue in Conques, Götzendienst und Bildkultur im Westen, Paderborn 2007 (=
Diss. Universität Trier 2005) Selectd reviews by:
Bruno Reudenbach, in: Sehepunkte 8 (2008), Nr. 10 und Kunstform, 9.2008,10,
http://www.arthistoricum.net/index.php?id=276&ausgabe=2008_10&review_id=13672
Sabine Sander in: Theaterforschung 2008, http://www.theaterforschung.de/rezension.php4?ID=443
Carsten Juwig in: ArtHist / Rezensionen, 2008,10/06,
http://www.arthist.net/download/book/2008/081006Juwig.pdf
International Review of Biblical Studies, 54 (2007/2008), p. 480
Peter Hoffmann, in: Theologie und Philosophie 83/4 (2008), p. 617
Nicolas Bock, Reliques et reliquaires, entre matérialité et culture visuelle, in: Perspective 2 (2010/11), pp. 361-69
in preparation:
Fallen Idols, Risen saints. Relics, Image Culture and the Revival of Monumental Sculpture in
Medieval Art (translation of (1)), Turnhout: Brepols, 2014
under review:
Beautiful Genesis. Creation, Procreation and Mimesis in Late Medieval Art (compl. manuscript)
EDITOR OF A COLLECTION OF ARTICLES
together with Markus Klammer and Stefan Neuner: Bilder und Gemeinschaften. Studien zur
Konvergenz von Politik und Ästhetik in Kunst, Literatur und Theorie, München/Paderborn: Fink
2011 (= Eikones)
ARTICLES IN JOURNALS:
Jesus Wept! On the History of Anthropophagy in Christianity. A new reading of a miniature in the
Gospel book of Otto III, in: Res. Journal of Anthropology and Aesthetics 59/60 (2011), pp.
192-205
Zur Genealogie von Blutspuren. Blut als Metapher der Transformation auf dem
Feldbacher Altar (ca. 1450), in: L'Homme. Europäische Zeitschrift für Feministische
Geschichtswissenschaft, 21, 2 (2010), pp. 11-32 (volume on Das Blut, die Milch, der Samen
und die DNA, ed. by Caroline Arni and Edith Saurer)
Fingerzeig und Augenblick. Galileo Galileis Finger zwischen Fetisch und Tabu, in: Kommentieren,
ed. by Philip Arjouri, Jost Philipp Klenner und Cornelia Vismann, Zeitschrift für
Ideengeschichte III (2009), pp. 80-94
3
(accepted for publication)
Der Schmerzensmann von Albrecht Dürer. Blutspuren an der Grenze zwischen Leben und Tod im
15. Jahrhundert, in: Zeitschrift für Kunstgeschichte (2013)
Illuminating origins, representing effect. Tracing lines between natural and artificial life in Late
Medieval painting, in: Images at Work, ed. by Hannah Baader, Ittai Weinryb and Gerhard
W86th Journal (2013)
A liquid history. Blood and animation in late medieval art, in: Wet/Dry, ed. by
Francesco Pellizi and Christopher S. Wood, Res. Journal of Anthropology and Aesthetics
(2013)
Mother of pearl. Matter, meaning and the origins of allegory in spheres of things, in: GESTA (2012),
volume on Res et significatio: The Material Sense of Things in the Middle Ages, ed. by Aden
Kumler and Christopher Lakey
BOOKCHAPTERS AND ARTICLES IN COLLECTIONS:
Kommentare als Archiv. Relektüren der Genesis von Lucas Cranach und Martin Luther, in:
Gewalt der Archive, hg. von Burkhart Wolf und Thomas Weitin, Konstanz University Press
2012, pp. 315-344
Tracce di sangue e ‚finis corporis’. Intorno alla genesi della vita nel Quattrocento. Riflessioni
sull’uomo di dolori di Albrecht Dürer situato a Karlsruhe, in: Estremità e escrescenze del corpo.
Extremities and Excrescences of the Body, ed. by Agostino Paravicini-Bagliani, Micrologus 19
(2012), pp. 357-380
Reliquien und Reproduktion. Zur Präsentation der Passionsreliquien aus der Sainte-Chapelle
(Paris) im Reliquiario del Libretto um 1500 (Florenz), in: Reproduktion, Techniken und Ideen
von der Antike bis heute. Eine Einführung, ed. by Jörg Probst, Berlin 2011, pp. 34-55
Zeugen und Bezeugen. Vom Anfangen, Blicken und Enden. Zu Lot und seine Töchter von Joachim
Patinir, in: Zeugnis und Zeugenschaft. Perspektiven aus der Vormodernehg. von Heike Schlie
und Wolfgang Drews, München/Paderborn 2011, pp. 271-297
Absenz und Präsenz oder die Spur der Ameisen bei Joan Rosató. Überlegungen zum Beitrag
von Paulus zur Genese christlicher Bildkultur, in: Bilder und Gemeinschaften, hg. von
Beate Fricke, Markus Klammer und Stefan Neuner, Paderborn 2011, pp. 43-77
„Artificium divinum und cultus imaginum – Dürers Schmerzensmann und die Geschichte eines
Arguments von Johannes Damaszenus“, in: „Intellektualisierung und Mystifizierung
mittelalterlicher Kunst : "Kultbild": Revision eines Begriffs“, hg. von Rebecca Müller und
4
Martin Büchsel, Berlin 2010, pp. 183-206
Schatzgestalten. Diebesgut, Liebespfand und Fesselkünstler am Werk, in: Schatzkulturen im
Mittelalter. Diskurs, Praxis, Vorstellung, hg. von Lucas Burkart, Philippe Cordez, Pierre
Alain Mariaux, in: Micrologus library 17 (2009), pp. 265-282
Schaumgeburten. Zur Topologie der creatio ex nihilo bei Albrecht Dürer und ihre Vorgeschichte, in:
„Medio Mare. Zu einer Ikonologie des Meeres“, hg. von Hannah Baader und Gerhard Wolf,
Zürich 2009, pp. 33-58
„Visages démasqués – un nouveau type de reliquaire chez les Anjou“, in: „Le portrait
individuel. Réflexions autour d’une forme de représentation du XIIIe au XVe siècle, E.H.E.S.S.
Paris, hg. von Dominic Olariu, Bern 2009
zusammen mit Tanja Klemm: „Conceptio – perceptio. Das Weimarer Blatt von Leonardo da Vinci“, in:
Modernisierung des Sehens, hg. von Kai-Uwe Hemken und Matthias Bruhns, Weimar 2008,
pp. 82-99
Spiegelwelten. Verrat und Verschwörung in L'année dernière à Marienbad von Alain Resnais, in:
Topologien der Bilder, hg. von Inge Hinterwaldner, Carsten Juwig, Tanja Klemm und Roland
Meyer, Paderborn 2008, 323-348
Iss von meinem Leib! Zur Geschichte des Vorwurfes der Anthropophagie im Christentum, in: per
imaginem. Bildlichkeit und Souveränität, hg. Von Anne von der Heiden, Zürich: Diaphanes
2006, pp. 59-78
Entlarvende Gesichter – Gedanken zur Genese der Kopfreliquiare in Italien, in: Fragment und
Integrität, hg. von Jeanette Kohl und Rebecca Müller, Berlin: Deutscher Kunstverlag 2007,
pp. 133-152
Fallen idols and risen saints: Western Attitudes towards the Worship of Images and the ‘Cultura
Veterum Deorum’, in: The Negated Image – Case studies of past iconoclasms, ed. by Anne
McClanan and Jeffrey Johnson, Ashgate 2005, pp. 67-59 (Chinese translation: Jiangsu Fine
Arts Publishing House, PRC, 2009, pp. 93-136)
(accepted for publication)
Maleremail. Ursprung und Funkensprung zwischen syrischem Emailglas und Lasurmalerei, in:
Interdependenzen. Künste und künstlerische Techniken 1430-1550, ed. by Magdalena
Bushart and Henrike Haug, Berlin 2013
Behemoth and double origins in Genesis, in: Synergies. Creating Art in Joined Cultures. Gerhard
Wolf zum 60. Geburtstag, ed. by Manuela de Giorgi, Annette Hoffmann and Nicola
5
Suthor, Berlin 2012
REVIEWS
Georges Didi-Huberman: Venus öffnen. Nacktheit, Traum, Grausamkeit, Berlin/Zürich: Diaphanes
2006, transl. by Mona Belkhodja and Marcus Coelen, Paris: Gallimard 1999, in: Historische
Anthropologie 15 (2007), pp. 145-147
Katherine Park: Secrets of Women. Gender, Generation and the Origins of Human Dissection, New
York: Zone Books 2006, in: Historische Anthropologie 16 (2007), pp. 433-435
CATALOGUE-/LEXIKA ENTRIES/DISCUSSIONS
Reliquien, in: Lexikon Kunstwissenschaft. Hundert Grundbegriffe, ed. by Stefan Jordan and Jürgen
Müller, Stuttgart 2011, pp. 287-290
Sainte Foy, in: Encyclopedia of Medieval Pilgrimage, ed. by Rita Tekippe, Brepols 2009
together with: Arno Schubbach, Matteo Burioni, Mladen Gladic, Markus Klammer, Stephane
Montavon, Stefan Neuner und Ralph Ubl, Ästhetische Teilhabe zwischen Politik und Polizei.
Eine Gesprächsrunde über Jacques Rancières Schriften zur Kunsttheorie, in: 31. Das Magazin
des Instituts für Theorie. Nr. 10/11, Dez. 2007: Paradoxien der Partizipation, pp. 9-20
Christus mit der Dornenkrone, Fra Angelico, catalogue entry no. 92 in: Ansichten Christi.
Christusbilder von der Antike bis zum 20. Jahrhundert, ed. by Roland Krischel, Giovanni
Morello and Tobias Nagel, Köln 2005, p. 284.
On the self-portraits from Vvolvinius and Peter Parler, in: Selbstporträt, ed. by Valeska von
Rosen and Ulrich Pfisterer, Leipzig: Reclam 2005
catalogue entries on pictures of Christ in works by Dürer, Pisanello und Fra Angelico, in: Il
Volto de Christo, ed. by G. Morello and G. Wolf, Milano 2000
6
Invited Lectures:
15/05/2012
12/07/2011
05/03/2010
05/05/2009
03/25/2009
01/28/2009
02/08/2007
01/18/2007
12/13/2005
04/20/2005
04/13/2005
04/21/2004
07/12/2003
11/11/2002
“Zeigen, was vor dem Anfang war – Bilder der Schöpfung im Spätmittelalter”,
Department of History, University of Frankfurt, Germany
“Zeigen, was vor dem Anfang war – Bilder der Schöpfung im Spätmittelalter”,
Center for the History of Knowledge, ETH Zurich/University of Zurich,
Switzerland
“Doppelte Anfänge. Der Beitrag von Sapientia zur Schöpfung im
Hochmittelalter”, Department of History of Art, University of Zurich,
Switzerland
“Blutspuren an der Grenze zwischen Leben und Tod”, Department of History
of Art, Université de Genève, Switzerland
“Blutspuren an der Grenze zwischen Leben und Tod”, Department of History
of Art, University of Vienna, Austria
“Ein ganz besonderer Stoff. Sanguis und cruor in der Reliquienverehrung”
lecture series on Authentizität/Autorität, Center for Medieval Studies,
University of Cologn, Germany
“Schaumgeburten. Zur Geschichte der Genese von Ideen um 1500”, lecture
series, Center for the History of Knowledge, ETH Zurich/University of Zurich,
Switzerland
“Reliquiari dell'Alto Medioevo. Immagini, Uso e Liturgia”, Scuola di
Specializzazione in Storia dell‘arte, Università degli Studi di Udine, Italy
“Blutige Zeugen. Verführungen des Auges” lecture series “Wirkung und
Wahrnehmung”, Department of History of Art, University of Leipzig, Germany
“Entlarvende Gesichter. Gedanken zur Genese der Kopfreliquiare in Italien”,
Vormoderne-Kolloquium, Department of History, University of Basel,
Switzerland
“Aisthesis in Anbetracht der heiligen Fides von Conques”, Department of
History of Art, University of Basel, Switzerland
“Cranky Lady, playful child, awesome idol or triumphant empress? The
exchange of gifts and ‘images’ with Sainte Foy at Conques”, Northwestern
University, Chicago
„Sacer vultus und sacra imago – Sehen, Erblinden und Wahres Schauen
angesichts der Hl. Fides von Conques“, lecture series at the University of
Münster, Germany
„Gestürzte Götzen und lebende Heilige – Bildverehrung und die ‘Cultura
Veterum Deorum’ im Westen (6-9. Jh.)“, lecture series, Bibliotheca Hertziana,
Rome, Italy
Papers on conferences:
(forthcoming)
09/27-29/2012
“Crafts of blood and shapes of Life”, conference on “Beyond Representation: An
Interdisciplinary Approach to the Nature of Things”, IFA and Bard College,
New York, org. by Jas Elsner, Finbarr Barry Flood and Ittai Weinryb (invited
lecture)
7
04/18-20/2013
“At the treshold”, conference on “Being With ... Affinities—Attachments—
Assemblages,” Annual Conference of the IKKM Weimar (Internationales
Kolleg für Kulturtechnikforschung und Medienphilosophie) (invited lecture)
(given)
04/21/2012
02/24/2012
12/09/2011
11/07/2011
03/25/2011
02/25/2011
05/14/2010
02/11/2010
05/28/2009
10/12/2007
06/23/2007
06/01/2007
01/13/2007
11/25/2006
How sperm became an artist, conference on “Sacred bodily fluids in the Middle
Ages” organized by Julie Luxford and Kathryn Rudy, University of St.
Andrews, Edinburgh, Scotland
Blood matters, Res/Significatio. The Material sense of Things in the Middle
Ages, CAA conference, L.A., U.S.A.
Malermail. Ursprung und Funkensprung, Conference on “Interdependenzen
der Künste. Künste und künstlerische Techniken 1430-1550”, organized by
Magdalena Bushart, TU Berlin, Germany
«C´est la copie collacionnee a vray original…» - Nachahmung und Alterität bei
der Entstehung des Maleremails, Conference on “Multiples in Pre-Modern Art”,
organized by Walter Cupperi and Ulrich Pfisterer, LMU Munich, Germany
“Bonaguidas Lignum Vitae”, Figura. Dynamiken der Zeichen und Zeiten im
Mittelalter, organized by Christian Kiening and Katharina Mertens Fleuy,
Deutsches Seminar, University of Zurich, Switzerland
“…Humanizing What Was Monstrous”? A Remark on the Reception and
Aesthetic of the Massacre of Innocents by Nicola and Giovanni Pisano,
Beautiful Martyrs: Aesthetics and Violence, organized by Susanna Elm and
Christopher Ocker, Graduate Theological Union/UC Berkeley
“Defining culture by its margins. The ‚massacre of the Innocents’ on the pulpits
of Pistoia and Pisa by Giovanni Pisano” panel: “Sculpture and the Medieval
City”, organized by Mark Rosen and Ittai Weinryb, 2010 International
Congress on Medieval Studies, Kalamazoo
“Lust for killing - defining culture by its margins. The ‚massacre of the
Innocents’ by Giovanni Pisano and Giusto de Menabuoi” panel: “Innovation,
Artistic Agency, and History: Centering the Italian” at the 98th Annual
Conference of CAA at Chicago, Illinois
“Tracce di sangue e 'finis corporis'. Intorno alla genesi della vita nel
Quattrocento” Micrologus-conference: “Finis corporis. Eccedenze,
protuberanze, estremitá dei corpi”, Lugano (invited lecture)
“Der eine Leib und die vielen Glieder. Altes Gesetz, fremde Bilder und neue
Formen der Gemeinschaftsbildung bei Paulus”, conference on “Netze,
Schwärme, Massen. Kollektive ohne Zentrum”, Universität Basel (invited
lecture)
“Artificium divinum und cultus imaginum - Dürers Schmerzensmann und die
Geschichte eines Arguments von Johannes Damaszenus”, conference on “Sinn
und Un-Sinn des Kultbildes. Die Intellektualisierung und die Mystifizierung
mittelalterlicher Kunst”, Universität Frankfurt (invited lecture)
“Augenzeugenschaft und Evidenz. Blickgefechte für und wider den Schein”,
conference on “Ostentation”, org. by Medienwandel – Medienwechsel –
Medienwissen. Historische Perspektiven, University of Zurich, Switzerland
“Artifex ingreditur in artificium suum”, annual conference Jahrestagung der «Zürcher
Mediävistik«, University of Zurich, Switzerland
“Augenzeugenschaft und Evidenz. Blickgefechte für und wider den Schein“, annual
8
11/16/2006
09/20/2006
06/17/2006
05/07/2005
12/08/2004
02/06/2004
11/23/2003
06/30/2002
03/10/2002
conference of Brackweder Arbeitskreis, Bremen, Germany
“Schatzgestalten. Diebesgut, Liebespfand und Fesselkünstler am Werk” conference
on “Schatzkulturen im Mittelalter. Diskurs, Praxis, Vorstellung”,
International Conference at the Universities of Basel & Neuchâtel, Switzerland
(invited lecture)
“Triumph der Idole. Cultus imaginum und die ‚Erfindung’ des Kultbildes in der
Frühen Neuzeit”, 46. Deutschen Historikertages, Konstanz, Germany
“Schaumgeburten”, “Medio Mare. Zu einer Ikonologie des Meeres”, Max-PlanckInstitute for History of Art (invited lecture)
“Aisthesis and Exstasy – The Miraculous Image of Ste. Foy at Conques”, 40th
International Congress for Medieval Studies, Kalamazoo, U.S.A.
“Entlarvende Gesichter. Gedanken zur Genese der Kopfreliquiare in Italien”,
conference on “Fragment und Integrität”, Max-Planck-Institute for History of
Art, Florence, Italy (invited lecture)
“Unmasking the Holy Face and Confronting the Sacred. The Invention of a
new Type of Head Reliquary under the Angevins” conference on “Le portrait
individuel. Réflexions autour d’une forme de représentation du XIIIe au XVe
siècle”, E.H.E.S.S. Paris, France (invited lecture)
“Dame excentrique, enfant terrible, idole terrifiant ou impératrice en triomphe ?
Les images de la Sainte-Foy de Conques“, conference on “L’image de la femme
au moyen-age“ in Issoire, France
“Raging horses and the divine doge – Venetian borrowings from imperial
representation”, Venice International University, Italy
“Fides and Idolatry – Western Concepts of the Image and the ‘Cultura Veterum
Deorum’” Vagantes – conference, Cambridge, Harvard University
Organization of conferences, panels on conferences and lecture series
spring 2014
“Medieval Art History after the Interdisciplinary Turn”, together with Cecily
Hilsdale panel on “Objects, Agents and Efficacy”, conference committee lead by
Aden Kumler and Danielle Joyner, University of Notre Dame, U.S.A.
3rd-6th march 2013 “Distinct gazes. The invention of the audience”, panel on the conference
“Abrahams Erbe – Konkurrenz, Konflikt, Koexistenz im Mittelalter”, 15.
Symposium des Mediävistenverbandes, Heidelberg, Germany
06/2012
Workshop organized together with Urte Krass, “Die Erfindung des Betrachters
in der Kunst der Antike, der byzantinischen, der islamischen und der
westeuropäischen Kunst des Spätmittelalters”, LMU Munich, Center for
Advanced Studies, Germany
02/2011
Workshop organized together with Susanna Elm and Christopher Ocker,
“Beautiful Martyrs. Aesthetics and Violence”, GTU/UC Berkeley
9
2006-2007
Lecture series organized together with Stefan Neuner: “Das Volk, das fehlt?“,
contributions by Susanne Lüdemann, Claudia Blümle, Eva Horn, Oliver
Marchart, Juliane Rebentisch, Albrecht Koschorke, Ralph Ubl, Gesa Ziemer,
Markus Klammer, Stéphane Montavon, Catharina Kahane, Eva Kernbauer,
Bernhard Siegert and Helmut Lethen
2005/2006
Lecture series “Deutungshoheiten“ with contributions by Peter Geimer, Ursula
von Keitz, Valentin Groebner, Hans Belting, Hannah Baader, Anne von der
Heiden and Max Bergengruen
Memberships
(current)
2012 –
Berkeley Center for the Study of Religion
2012 -
Membership Committee, International Center for Medieval Art
2010 -
Science & Technology Studies Center, Berkeley
2009 -
Program in Medieval Studies, UC Berkeley
(past)
2011 - 2012
Academic Guest, Center for the History of Knowledge (ZGW), ETH
Zurich/University of Zurich, Switzerland
2007-2009
Gewalt der Archive, DFG-Netzwerk unter der Leitung von Thomas Weitin
und Burkhart Wolf
2003-2007
Graduiertenkolleg „Bild – Körper – Medium. Eine anthropologische
Perspektive“ unter der Leitung von Prof. Dr. Beat Wyss und Prof. Dr. Hans
Belting an der Hochschule für Gestaltung Karlsruhe
10
Teaching Experience:
2012 (spring)
Modifying the Bible in Jewish, Christian and Islamic Art, seminar together with
Prof. Avinoam Shalem, Ludwig Maximilians Universität, Munich, Germany
2010 (fall)
HA 200 Proseminar, Methods and History of Art History, Graduate Seminar,
Department of History of Art, University of California, Berkeley
2010 (spring)
Cult images, relics and reliquaries. An Introduction to Medieval Art, Upper
division lecture course, Department of History of Art, University of California,
Berkeley
Procreation, alchemy and the divine Artist, Graduate Seminar, Department of
History of Art, University of California, Berkeley
2009 (fall)
Beginnings in Medieval Art and Present Theory, Upperdivision seminar,
Department of History of Art, University of California, Berkeley
2009
Verrat im Garten, Proseminar, Department of Art History, University of
Switzerland
Study excursion to Istanbul, together with Prof. Claussen and Prof. Ursprung,
Department of Art History, University of Zurich, Switzerland
2007 – 2008
“Mosaics in Rome”, together with Prof. Claussen, Department of Art History,
University of Zurich, Switzerland
“Dreams and Visions. From Hildegard of Bingen up to Solaris”, together with
Prof. Claussen, Department of Art History, University of Zurich, Switzerland
2007
“Introduction into the study of Art History”, Department of Art History,
University of Zurich, Switzerland
“Painting and book illumination in 15th century: Jan van Eyck, Jean Fouquet,
Barthelmy d’Eyck, together with Prof. Claussen, Department of Art History,
University of Zurich, Switzerland
Art of the Normans and Staufer at South Italy, together with Prof. Claussen,
Department of Art History, University of Zurich, Switzerland
2006 – 2007
“Introduction into the study of Art History”, Department of Art History,
University of Zurich, Switzerland
“Introduction into the iconography of medieval art: Apocalypse, Parousia and
Last Judgement”, together with Prof. Claussen, Department of Art History,
11
University of Zurich, Switzerland
“Icon and portrait”, together with Prof. Claussen, Department of Art History,
University of Zurich, Switzerland
2006
“Allegory in Literature and Art” together with Prof. Claussen and Prof. Michel,
Department of German Literature, University of Zurich, Switzerland
“Holbein”, together with Prof. Claussen, Department of Art History,
University of Zurich, Switzerland
2005-2006
“Relics of Christ – The Body of Christ”, together with Dr. Burkart,
Department of History, University of Basel, Switzerland
“Manipulation and Authorship”
Department of History, University of Lucerne, Switzerland
2005
“Relic, reliquary and cult image. Modes of hiding and presenting in the Middle
Ages”, Department of Art History, University of Zurich, Switzerland
2004 – 2005
“Musterbücher” and Villard deHonnecourt, together with Cornelius Claussen,
University of Zurich, Switzerland
2004
“Early Christian and Byzantine Art”, John Cabot University, Rome, Italy
2001 – 2002
“Dream and Vision in Medieval Art”
Department of Art History, University of Trier, Germany
1998 – 1999
“Death - From the Middle Ages until the Twentieth Century in
European History, Philosophy, Art and Literature”,
Department of Philosophy, University of Karlsruhe
12
Service
2012
NEH Fellowship Committee
2012
Committee Member for Qualifying Exams (5), chair of Qualifying exams (1)
2010 -
Member of the Editorial Board of Representations
2010-11
German Exam
2010
Graduate Advisor (fall)
Second Reader of Honors thesis
Second and Third Reader for Qualifying Papers
Graduate Students
(completed)
Karl Whittington, PhD UC Berkeley, 2008-2010
Current:
Andrew Sears, PhD-candidate UC Berkeley, Department of History of Art, (chair), 2012 –
Alice Goff, PhD-candidate UC Berkeley, History Department, 2010 –
Matthew Culler, PhD candidate UC Berkeley, Department of History of Art, 2010 –
Andrew Griebeler, PhD candidate, UC Berkeley, Department of History of Art, (co-chair), 2010 –
Erik Eschjede, PhD candidate, UC Berkeley, Department of Scandinavian Studies, 2010 –
Sandra Sardjono, PhD candidate, UC Berkeley, Department of History of Art, 2010 –
Yueni Zhong, PhD candidate, UC Berkeley, Department of History of Art, 2009 –
Erin Zion, PhD candidate, Graduate Theological Union, Berkeley, 2010 –
Heidi Thimann, PhD candidate, Graduate Theological Union, Berkeley, 2010 –
13