CV Fricke 2012 - UC Berkeley History of Art Department
Transcrição
CV Fricke 2012 - UC Berkeley History of Art Department
CURRICULUM VITAE Personal data: Dr. phil. Beate Fricke ✉ Art History 416 Doe Library University of California, Berkeley CA 94720 Berkeley U.S:A. @ [email protected] ☎ 001-510-6430523 Academic Qualification: 1999-2004 doctoral dissertation “Götzendienst, Gabentausch und Bildkultur in Anbetracht der Statue der hl. Fides von Conques. Überlegungen zu einer Genealogie der Skulptur – Idolatry, gift exchange and image culture. The Statue of Sainte Foy at Conques and the Revival of Sculpture in Christian Art” (summa cum laude) 1999 University of Karlsruhe: Magister Artium 1994 Enrollment Art History, German Literature and Philosophy at the Universities of Karlsruhe, Heidelberg (Germany) and Basel (Switzerland) 1993 Mönchsee-Gymnasium, High-school diploma (Abitur) Work Experience: 2012 Visiting professor, Department of History of Art, LMU Munich, Germany 2010 Visiting professor at the ECNU, Shanghai, China 2009 – Assistant professor (tenure track) at the University of California, Berkeley 2004 – 2008 Teaching and research assistant (wissenschatliche Assistentin) at the University of Zurich, Switzerland 2004 Lecturer at the John Cabot University, Rome 2001 – 2002 Pre-doctoral research scholar at the University of Trier, Germany, member of the project: “The Concept of Jerusalem in European Medieval Culture”, in collaboration with the Hebrew University Jerusalem), University of Trier 1999 – 2000 Pre-doctoral research assistant at the University of Trier, Germany 1 Awards and Grants: 2012 Hellman Family Faculty Fund Award for Assistant professors 2012 Visiting professor at the Department for History of Art, LMU, Munich 2012 Samuel H. Kress Travel Grant 2011 – 2012 Academic guest, Center for the History of Knowledge (ZGW), ETH Zurich/University of Zurich 2011 – 2012 Post-doctoral research scholar, Swiss National Research Foundation (SNF), Switzerland (130K) 2010 ICMA Travel Grant 2010 Strategic Working Group "Inflections. Inquiry of the Moments of Radical Transformation" together with Prof. Dr. Alexei Yurchak (Anthropology), Townsend Center for the Humanties (teaching load reductions for 7 faculty members) 2008 – 2009 Post-doctoral research scholar, Swiss National Research Foundation (SNF), Switzerland (130K) 2006 “Förderpreis Kunstwissenschaft 2006”, donated by the Alfred Richterich Foundation/Verein der Kunsthistorikerinnen und Kunsthistoriker der Schweiz (VKKS) 2004 Pre-doctoral research scholar of the Graduiertenkolleg “Bild – Körper – Medium. Eine anthropologische Perspektive” lead by Beat Wyss and Hans Belting, Hochschule für Gestaltung, Karlsruhe 2002 - 2003 Pre-doctoral research scholar of the Gerda-Henkel-Stiftung, Germany 2001 – 2002 Summer Institute in the Humanities Seminar, Venice International University/Delmas Foundation, 700 – 1450: The Private and the Public in Venice: Absorption, Integration and Reinvention 2 Publications: MONOGRAPHS 1. Ecce fides. Die Statue in Conques, Götzendienst und Bildkultur im Westen, Paderborn 2007 (= Diss. Universität Trier 2005) Selectd reviews by: Bruno Reudenbach, in: Sehepunkte 8 (2008), Nr. 10 und Kunstform, 9.2008,10, http://www.arthistoricum.net/index.php?id=276&ausgabe=2008_10&review_id=13672 Sabine Sander in: Theaterforschung 2008, http://www.theaterforschung.de/rezension.php4?ID=443 Carsten Juwig in: ArtHist / Rezensionen, 2008,10/06, http://www.arthist.net/download/book/2008/081006Juwig.pdf International Review of Biblical Studies, 54 (2007/2008), p. 480 Peter Hoffmann, in: Theologie und Philosophie 83/4 (2008), p. 617 Nicolas Bock, Reliques et reliquaires, entre matérialité et culture visuelle, in: Perspective 2 (2010/11), pp. 361-69 in preparation: Fallen Idols, Risen saints. Relics, Image Culture and the Revival of Monumental Sculpture in Medieval Art (translation of (1)), Turnhout: Brepols, 2014 under review: Beautiful Genesis. Creation, Procreation and Mimesis in Late Medieval Art (compl. manuscript) EDITOR OF A COLLECTION OF ARTICLES together with Markus Klammer and Stefan Neuner: Bilder und Gemeinschaften. Studien zur Konvergenz von Politik und Ästhetik in Kunst, Literatur und Theorie, München/Paderborn: Fink 2011 (= Eikones) ARTICLES IN JOURNALS: Jesus Wept! On the History of Anthropophagy in Christianity. A new reading of a miniature in the Gospel book of Otto III, in: Res. Journal of Anthropology and Aesthetics 59/60 (2011), pp. 192-205 Zur Genealogie von Blutspuren. Blut als Metapher der Transformation auf dem Feldbacher Altar (ca. 1450), in: L'Homme. Europäische Zeitschrift für Feministische Geschichtswissenschaft, 21, 2 (2010), pp. 11-32 (volume on Das Blut, die Milch, der Samen und die DNA, ed. by Caroline Arni and Edith Saurer) Fingerzeig und Augenblick. Galileo Galileis Finger zwischen Fetisch und Tabu, in: Kommentieren, ed. by Philip Arjouri, Jost Philipp Klenner und Cornelia Vismann, Zeitschrift für Ideengeschichte III (2009), pp. 80-94 3 (accepted for publication) Der Schmerzensmann von Albrecht Dürer. Blutspuren an der Grenze zwischen Leben und Tod im 15. Jahrhundert, in: Zeitschrift für Kunstgeschichte (2013) Illuminating origins, representing effect. Tracing lines between natural and artificial life in Late Medieval painting, in: Images at Work, ed. by Hannah Baader, Ittai Weinryb and Gerhard W86th Journal (2013) A liquid history. Blood and animation in late medieval art, in: Wet/Dry, ed. by Francesco Pellizi and Christopher S. Wood, Res. Journal of Anthropology and Aesthetics (2013) Mother of pearl. Matter, meaning and the origins of allegory in spheres of things, in: GESTA (2012), volume on Res et significatio: The Material Sense of Things in the Middle Ages, ed. by Aden Kumler and Christopher Lakey BOOKCHAPTERS AND ARTICLES IN COLLECTIONS: Kommentare als Archiv. Relektüren der Genesis von Lucas Cranach und Martin Luther, in: Gewalt der Archive, hg. von Burkhart Wolf und Thomas Weitin, Konstanz University Press 2012, pp. 315-344 Tracce di sangue e ‚finis corporis’. Intorno alla genesi della vita nel Quattrocento. Riflessioni sull’uomo di dolori di Albrecht Dürer situato a Karlsruhe, in: Estremità e escrescenze del corpo. Extremities and Excrescences of the Body, ed. by Agostino Paravicini-Bagliani, Micrologus 19 (2012), pp. 357-380 Reliquien und Reproduktion. Zur Präsentation der Passionsreliquien aus der Sainte-Chapelle (Paris) im Reliquiario del Libretto um 1500 (Florenz), in: Reproduktion, Techniken und Ideen von der Antike bis heute. Eine Einführung, ed. by Jörg Probst, Berlin 2011, pp. 34-55 Zeugen und Bezeugen. Vom Anfangen, Blicken und Enden. Zu Lot und seine Töchter von Joachim Patinir, in: Zeugnis und Zeugenschaft. Perspektiven aus der Vormodernehg. von Heike Schlie und Wolfgang Drews, München/Paderborn 2011, pp. 271-297 Absenz und Präsenz oder die Spur der Ameisen bei Joan Rosató. Überlegungen zum Beitrag von Paulus zur Genese christlicher Bildkultur, in: Bilder und Gemeinschaften, hg. von Beate Fricke, Markus Klammer und Stefan Neuner, Paderborn 2011, pp. 43-77 „Artificium divinum und cultus imaginum – Dürers Schmerzensmann und die Geschichte eines Arguments von Johannes Damaszenus“, in: „Intellektualisierung und Mystifizierung mittelalterlicher Kunst : "Kultbild": Revision eines Begriffs“, hg. von Rebecca Müller und 4 Martin Büchsel, Berlin 2010, pp. 183-206 Schatzgestalten. Diebesgut, Liebespfand und Fesselkünstler am Werk, in: Schatzkulturen im Mittelalter. Diskurs, Praxis, Vorstellung, hg. von Lucas Burkart, Philippe Cordez, Pierre Alain Mariaux, in: Micrologus library 17 (2009), pp. 265-282 Schaumgeburten. Zur Topologie der creatio ex nihilo bei Albrecht Dürer und ihre Vorgeschichte, in: „Medio Mare. Zu einer Ikonologie des Meeres“, hg. von Hannah Baader und Gerhard Wolf, Zürich 2009, pp. 33-58 „Visages démasqués – un nouveau type de reliquaire chez les Anjou“, in: „Le portrait individuel. Réflexions autour d’une forme de représentation du XIIIe au XVe siècle, E.H.E.S.S. Paris, hg. von Dominic Olariu, Bern 2009 zusammen mit Tanja Klemm: „Conceptio – perceptio. Das Weimarer Blatt von Leonardo da Vinci“, in: Modernisierung des Sehens, hg. von Kai-Uwe Hemken und Matthias Bruhns, Weimar 2008, pp. 82-99 Spiegelwelten. Verrat und Verschwörung in L'année dernière à Marienbad von Alain Resnais, in: Topologien der Bilder, hg. von Inge Hinterwaldner, Carsten Juwig, Tanja Klemm und Roland Meyer, Paderborn 2008, 323-348 Iss von meinem Leib! Zur Geschichte des Vorwurfes der Anthropophagie im Christentum, in: per imaginem. Bildlichkeit und Souveränität, hg. Von Anne von der Heiden, Zürich: Diaphanes 2006, pp. 59-78 Entlarvende Gesichter – Gedanken zur Genese der Kopfreliquiare in Italien, in: Fragment und Integrität, hg. von Jeanette Kohl und Rebecca Müller, Berlin: Deutscher Kunstverlag 2007, pp. 133-152 Fallen idols and risen saints: Western Attitudes towards the Worship of Images and the ‘Cultura Veterum Deorum’, in: The Negated Image – Case studies of past iconoclasms, ed. by Anne McClanan and Jeffrey Johnson, Ashgate 2005, pp. 67-59 (Chinese translation: Jiangsu Fine Arts Publishing House, PRC, 2009, pp. 93-136) (accepted for publication) Maleremail. Ursprung und Funkensprung zwischen syrischem Emailglas und Lasurmalerei, in: Interdependenzen. Künste und künstlerische Techniken 1430-1550, ed. by Magdalena Bushart and Henrike Haug, Berlin 2013 Behemoth and double origins in Genesis, in: Synergies. Creating Art in Joined Cultures. Gerhard Wolf zum 60. Geburtstag, ed. by Manuela de Giorgi, Annette Hoffmann and Nicola 5 Suthor, Berlin 2012 REVIEWS Georges Didi-Huberman: Venus öffnen. Nacktheit, Traum, Grausamkeit, Berlin/Zürich: Diaphanes 2006, transl. by Mona Belkhodja and Marcus Coelen, Paris: Gallimard 1999, in: Historische Anthropologie 15 (2007), pp. 145-147 Katherine Park: Secrets of Women. Gender, Generation and the Origins of Human Dissection, New York: Zone Books 2006, in: Historische Anthropologie 16 (2007), pp. 433-435 CATALOGUE-/LEXIKA ENTRIES/DISCUSSIONS Reliquien, in: Lexikon Kunstwissenschaft. Hundert Grundbegriffe, ed. by Stefan Jordan and Jürgen Müller, Stuttgart 2011, pp. 287-290 Sainte Foy, in: Encyclopedia of Medieval Pilgrimage, ed. by Rita Tekippe, Brepols 2009 together with: Arno Schubbach, Matteo Burioni, Mladen Gladic, Markus Klammer, Stephane Montavon, Stefan Neuner und Ralph Ubl, Ästhetische Teilhabe zwischen Politik und Polizei. Eine Gesprächsrunde über Jacques Rancières Schriften zur Kunsttheorie, in: 31. Das Magazin des Instituts für Theorie. Nr. 10/11, Dez. 2007: Paradoxien der Partizipation, pp. 9-20 Christus mit der Dornenkrone, Fra Angelico, catalogue entry no. 92 in: Ansichten Christi. Christusbilder von der Antike bis zum 20. Jahrhundert, ed. by Roland Krischel, Giovanni Morello and Tobias Nagel, Köln 2005, p. 284. On the self-portraits from Vvolvinius and Peter Parler, in: Selbstporträt, ed. by Valeska von Rosen and Ulrich Pfisterer, Leipzig: Reclam 2005 catalogue entries on pictures of Christ in works by Dürer, Pisanello und Fra Angelico, in: Il Volto de Christo, ed. by G. Morello and G. Wolf, Milano 2000 6 Invited Lectures: 15/05/2012 12/07/2011 05/03/2010 05/05/2009 03/25/2009 01/28/2009 02/08/2007 01/18/2007 12/13/2005 04/20/2005 04/13/2005 04/21/2004 07/12/2003 11/11/2002 “Zeigen, was vor dem Anfang war – Bilder der Schöpfung im Spätmittelalter”, Department of History, University of Frankfurt, Germany “Zeigen, was vor dem Anfang war – Bilder der Schöpfung im Spätmittelalter”, Center for the History of Knowledge, ETH Zurich/University of Zurich, Switzerland “Doppelte Anfänge. Der Beitrag von Sapientia zur Schöpfung im Hochmittelalter”, Department of History of Art, University of Zurich, Switzerland “Blutspuren an der Grenze zwischen Leben und Tod”, Department of History of Art, Université de Genève, Switzerland “Blutspuren an der Grenze zwischen Leben und Tod”, Department of History of Art, University of Vienna, Austria “Ein ganz besonderer Stoff. Sanguis und cruor in der Reliquienverehrung” lecture series on Authentizität/Autorität, Center for Medieval Studies, University of Cologn, Germany “Schaumgeburten. Zur Geschichte der Genese von Ideen um 1500”, lecture series, Center for the History of Knowledge, ETH Zurich/University of Zurich, Switzerland “Reliquiari dell'Alto Medioevo. Immagini, Uso e Liturgia”, Scuola di Specializzazione in Storia dell‘arte, Università degli Studi di Udine, Italy “Blutige Zeugen. Verführungen des Auges” lecture series “Wirkung und Wahrnehmung”, Department of History of Art, University of Leipzig, Germany “Entlarvende Gesichter. Gedanken zur Genese der Kopfreliquiare in Italien”, Vormoderne-Kolloquium, Department of History, University of Basel, Switzerland “Aisthesis in Anbetracht der heiligen Fides von Conques”, Department of History of Art, University of Basel, Switzerland “Cranky Lady, playful child, awesome idol or triumphant empress? The exchange of gifts and ‘images’ with Sainte Foy at Conques”, Northwestern University, Chicago „Sacer vultus und sacra imago – Sehen, Erblinden und Wahres Schauen angesichts der Hl. Fides von Conques“, lecture series at the University of Münster, Germany „Gestürzte Götzen und lebende Heilige – Bildverehrung und die ‘Cultura Veterum Deorum’ im Westen (6-9. Jh.)“, lecture series, Bibliotheca Hertziana, Rome, Italy Papers on conferences: (forthcoming) 09/27-29/2012 “Crafts of blood and shapes of Life”, conference on “Beyond Representation: An Interdisciplinary Approach to the Nature of Things”, IFA and Bard College, New York, org. by Jas Elsner, Finbarr Barry Flood and Ittai Weinryb (invited lecture) 7 04/18-20/2013 “At the treshold”, conference on “Being With ... Affinities—Attachments— Assemblages,” Annual Conference of the IKKM Weimar (Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie) (invited lecture) (given) 04/21/2012 02/24/2012 12/09/2011 11/07/2011 03/25/2011 02/25/2011 05/14/2010 02/11/2010 05/28/2009 10/12/2007 06/23/2007 06/01/2007 01/13/2007 11/25/2006 How sperm became an artist, conference on “Sacred bodily fluids in the Middle Ages” organized by Julie Luxford and Kathryn Rudy, University of St. Andrews, Edinburgh, Scotland Blood matters, Res/Significatio. The Material sense of Things in the Middle Ages, CAA conference, L.A., U.S.A. Malermail. Ursprung und Funkensprung, Conference on “Interdependenzen der Künste. Künste und künstlerische Techniken 1430-1550”, organized by Magdalena Bushart, TU Berlin, Germany «C´est la copie collacionnee a vray original…» - Nachahmung und Alterität bei der Entstehung des Maleremails, Conference on “Multiples in Pre-Modern Art”, organized by Walter Cupperi and Ulrich Pfisterer, LMU Munich, Germany “Bonaguidas Lignum Vitae”, Figura. Dynamiken der Zeichen und Zeiten im Mittelalter, organized by Christian Kiening and Katharina Mertens Fleuy, Deutsches Seminar, University of Zurich, Switzerland “…Humanizing What Was Monstrous”? A Remark on the Reception and Aesthetic of the Massacre of Innocents by Nicola and Giovanni Pisano, Beautiful Martyrs: Aesthetics and Violence, organized by Susanna Elm and Christopher Ocker, Graduate Theological Union/UC Berkeley “Defining culture by its margins. The ‚massacre of the Innocents’ on the pulpits of Pistoia and Pisa by Giovanni Pisano” panel: “Sculpture and the Medieval City”, organized by Mark Rosen and Ittai Weinryb, 2010 International Congress on Medieval Studies, Kalamazoo “Lust for killing - defining culture by its margins. The ‚massacre of the Innocents’ by Giovanni Pisano and Giusto de Menabuoi” panel: “Innovation, Artistic Agency, and History: Centering the Italian” at the 98th Annual Conference of CAA at Chicago, Illinois “Tracce di sangue e 'finis corporis'. Intorno alla genesi della vita nel Quattrocento” Micrologus-conference: “Finis corporis. Eccedenze, protuberanze, estremitá dei corpi”, Lugano (invited lecture) “Der eine Leib und die vielen Glieder. Altes Gesetz, fremde Bilder und neue Formen der Gemeinschaftsbildung bei Paulus”, conference on “Netze, Schwärme, Massen. Kollektive ohne Zentrum”, Universität Basel (invited lecture) “Artificium divinum und cultus imaginum - Dürers Schmerzensmann und die Geschichte eines Arguments von Johannes Damaszenus”, conference on “Sinn und Un-Sinn des Kultbildes. Die Intellektualisierung und die Mystifizierung mittelalterlicher Kunst”, Universität Frankfurt (invited lecture) “Augenzeugenschaft und Evidenz. Blickgefechte für und wider den Schein”, conference on “Ostentation”, org. by Medienwandel – Medienwechsel – Medienwissen. Historische Perspektiven, University of Zurich, Switzerland “Artifex ingreditur in artificium suum”, annual conference Jahrestagung der «Zürcher Mediävistik«, University of Zurich, Switzerland “Augenzeugenschaft und Evidenz. Blickgefechte für und wider den Schein“, annual 8 11/16/2006 09/20/2006 06/17/2006 05/07/2005 12/08/2004 02/06/2004 11/23/2003 06/30/2002 03/10/2002 conference of Brackweder Arbeitskreis, Bremen, Germany “Schatzgestalten. Diebesgut, Liebespfand und Fesselkünstler am Werk” conference on “Schatzkulturen im Mittelalter. Diskurs, Praxis, Vorstellung”, International Conference at the Universities of Basel & Neuchâtel, Switzerland (invited lecture) “Triumph der Idole. Cultus imaginum und die ‚Erfindung’ des Kultbildes in der Frühen Neuzeit”, 46. Deutschen Historikertages, Konstanz, Germany “Schaumgeburten”, “Medio Mare. Zu einer Ikonologie des Meeres”, Max-PlanckInstitute for History of Art (invited lecture) “Aisthesis and Exstasy – The Miraculous Image of Ste. Foy at Conques”, 40th International Congress for Medieval Studies, Kalamazoo, U.S.A. “Entlarvende Gesichter. Gedanken zur Genese der Kopfreliquiare in Italien”, conference on “Fragment und Integrität”, Max-Planck-Institute for History of Art, Florence, Italy (invited lecture) “Unmasking the Holy Face and Confronting the Sacred. The Invention of a new Type of Head Reliquary under the Angevins” conference on “Le portrait individuel. Réflexions autour d’une forme de représentation du XIIIe au XVe siècle”, E.H.E.S.S. Paris, France (invited lecture) “Dame excentrique, enfant terrible, idole terrifiant ou impératrice en triomphe ? Les images de la Sainte-Foy de Conques“, conference on “L’image de la femme au moyen-age“ in Issoire, France “Raging horses and the divine doge – Venetian borrowings from imperial representation”, Venice International University, Italy “Fides and Idolatry – Western Concepts of the Image and the ‘Cultura Veterum Deorum’” Vagantes – conference, Cambridge, Harvard University Organization of conferences, panels on conferences and lecture series spring 2014 “Medieval Art History after the Interdisciplinary Turn”, together with Cecily Hilsdale panel on “Objects, Agents and Efficacy”, conference committee lead by Aden Kumler and Danielle Joyner, University of Notre Dame, U.S.A. 3rd-6th march 2013 “Distinct gazes. The invention of the audience”, panel on the conference “Abrahams Erbe – Konkurrenz, Konflikt, Koexistenz im Mittelalter”, 15. Symposium des Mediävistenverbandes, Heidelberg, Germany 06/2012 Workshop organized together with Urte Krass, “Die Erfindung des Betrachters in der Kunst der Antike, der byzantinischen, der islamischen und der westeuropäischen Kunst des Spätmittelalters”, LMU Munich, Center for Advanced Studies, Germany 02/2011 Workshop organized together with Susanna Elm and Christopher Ocker, “Beautiful Martyrs. Aesthetics and Violence”, GTU/UC Berkeley 9 2006-2007 Lecture series organized together with Stefan Neuner: “Das Volk, das fehlt?“, contributions by Susanne Lüdemann, Claudia Blümle, Eva Horn, Oliver Marchart, Juliane Rebentisch, Albrecht Koschorke, Ralph Ubl, Gesa Ziemer, Markus Klammer, Stéphane Montavon, Catharina Kahane, Eva Kernbauer, Bernhard Siegert and Helmut Lethen 2005/2006 Lecture series “Deutungshoheiten“ with contributions by Peter Geimer, Ursula von Keitz, Valentin Groebner, Hans Belting, Hannah Baader, Anne von der Heiden and Max Bergengruen Memberships (current) 2012 – Berkeley Center for the Study of Religion 2012 - Membership Committee, International Center for Medieval Art 2010 - Science & Technology Studies Center, Berkeley 2009 - Program in Medieval Studies, UC Berkeley (past) 2011 - 2012 Academic Guest, Center for the History of Knowledge (ZGW), ETH Zurich/University of Zurich, Switzerland 2007-2009 Gewalt der Archive, DFG-Netzwerk unter der Leitung von Thomas Weitin und Burkhart Wolf 2003-2007 Graduiertenkolleg „Bild – Körper – Medium. Eine anthropologische Perspektive“ unter der Leitung von Prof. Dr. Beat Wyss und Prof. Dr. Hans Belting an der Hochschule für Gestaltung Karlsruhe 10 Teaching Experience: 2012 (spring) Modifying the Bible in Jewish, Christian and Islamic Art, seminar together with Prof. Avinoam Shalem, Ludwig Maximilians Universität, Munich, Germany 2010 (fall) HA 200 Proseminar, Methods and History of Art History, Graduate Seminar, Department of History of Art, University of California, Berkeley 2010 (spring) Cult images, relics and reliquaries. An Introduction to Medieval Art, Upper division lecture course, Department of History of Art, University of California, Berkeley Procreation, alchemy and the divine Artist, Graduate Seminar, Department of History of Art, University of California, Berkeley 2009 (fall) Beginnings in Medieval Art and Present Theory, Upperdivision seminar, Department of History of Art, University of California, Berkeley 2009 Verrat im Garten, Proseminar, Department of Art History, University of Switzerland Study excursion to Istanbul, together with Prof. Claussen and Prof. Ursprung, Department of Art History, University of Zurich, Switzerland 2007 – 2008 “Mosaics in Rome”, together with Prof. Claussen, Department of Art History, University of Zurich, Switzerland “Dreams and Visions. From Hildegard of Bingen up to Solaris”, together with Prof. Claussen, Department of Art History, University of Zurich, Switzerland 2007 “Introduction into the study of Art History”, Department of Art History, University of Zurich, Switzerland “Painting and book illumination in 15th century: Jan van Eyck, Jean Fouquet, Barthelmy d’Eyck, together with Prof. Claussen, Department of Art History, University of Zurich, Switzerland Art of the Normans and Staufer at South Italy, together with Prof. Claussen, Department of Art History, University of Zurich, Switzerland 2006 – 2007 “Introduction into the study of Art History”, Department of Art History, University of Zurich, Switzerland “Introduction into the iconography of medieval art: Apocalypse, Parousia and Last Judgement”, together with Prof. Claussen, Department of Art History, 11 University of Zurich, Switzerland “Icon and portrait”, together with Prof. Claussen, Department of Art History, University of Zurich, Switzerland 2006 “Allegory in Literature and Art” together with Prof. Claussen and Prof. Michel, Department of German Literature, University of Zurich, Switzerland “Holbein”, together with Prof. Claussen, Department of Art History, University of Zurich, Switzerland 2005-2006 “Relics of Christ – The Body of Christ”, together with Dr. Burkart, Department of History, University of Basel, Switzerland “Manipulation and Authorship” Department of History, University of Lucerne, Switzerland 2005 “Relic, reliquary and cult image. Modes of hiding and presenting in the Middle Ages”, Department of Art History, University of Zurich, Switzerland 2004 – 2005 “Musterbücher” and Villard deHonnecourt, together with Cornelius Claussen, University of Zurich, Switzerland 2004 “Early Christian and Byzantine Art”, John Cabot University, Rome, Italy 2001 – 2002 “Dream and Vision in Medieval Art” Department of Art History, University of Trier, Germany 1998 – 1999 “Death - From the Middle Ages until the Twentieth Century in European History, Philosophy, Art and Literature”, Department of Philosophy, University of Karlsruhe 12 Service 2012 NEH Fellowship Committee 2012 Committee Member for Qualifying Exams (5), chair of Qualifying exams (1) 2010 - Member of the Editorial Board of Representations 2010-11 German Exam 2010 Graduate Advisor (fall) Second Reader of Honors thesis Second and Third Reader for Qualifying Papers Graduate Students (completed) Karl Whittington, PhD UC Berkeley, 2008-2010 Current: Andrew Sears, PhD-candidate UC Berkeley, Department of History of Art, (chair), 2012 – Alice Goff, PhD-candidate UC Berkeley, History Department, 2010 – Matthew Culler, PhD candidate UC Berkeley, Department of History of Art, 2010 – Andrew Griebeler, PhD candidate, UC Berkeley, Department of History of Art, (co-chair), 2010 – Erik Eschjede, PhD candidate, UC Berkeley, Department of Scandinavian Studies, 2010 – Sandra Sardjono, PhD candidate, UC Berkeley, Department of History of Art, 2010 – Yueni Zhong, PhD candidate, UC Berkeley, Department of History of Art, 2009 – Erin Zion, PhD candidate, Graduate Theological Union, Berkeley, 2010 – Heidi Thimann, PhD candidate, Graduate Theological Union, Berkeley, 2010 – 13