Basic Groove Variationen Basic Groove Variations

Basic Groove Variationen
Basic Groove Variations
Die folgenden Variationen des Grundgrooves (siehe The New
Flute, S. 24) sollten zuerst ohne Flöte geübt werden. Spiele die
Variationen taktweise im Loop, mit dem Metronom auf den
Zählzeiten 2 und 4. Wähle ein Tempo, in dem dir die Übungen
leicht fallen. Es geht vor allem darum, diese so exakt wie ein
Uhrwerk ausführen zu können. Denke daran: Du imitierst eine
digitale Maschine – der Wow-Effekt des Beatboxens setzt erst
ein, wenn dein Groove rund läuft.
The following variations of the basic groove (see The New Flute,
p. 24) should be practised, at first, without the flute. Play the
variations looping each single bar. Use a metronome on beats 2
and 4. Your main goal is to execute the rhythm with clockwork
precision. Always remember: you are imitating a digital machine
– the mesmerizing effect of beatboxing will appear when your
beat is convincingly groovy.
4 Put
4
ze
kat
ze
P'
T'
K'
Click
Click
4
4
3
5
7
9
11
13
15
17
P'
T'
P'
T'
K'
P'
T'
K'
P'
T'
P' K'
P'
P'
T'
T'
K'
T'
T'
T'
P' K'
T'
P'
P'
P'
T'
P'
T'
P'
T'
P'
P'
P'
T'
P'
T'
K'
P'
P'
K'
T'
T'
K'
T'
P'
P' K'
P'
T'
P' K'
T'
P'
P'
P'
P'
P'
T'
T'
P'
P'
T'
K'
T'
P'
T'
K'
P'
P'
T' P'
K'
T' K'
T'
P'
K'
T'
P'
K'
P'
T' K'
T'
T'
T'
T' K'
K'
P'
P'
K'
P'
T'
P'
K'
T'
T'
T'
P'
P' K'
P' K'
P'
T'
T'
P'
P'
P'
T'
P'
P'
P'
T'
P'
T'
P'
T'
K'
P'
T'
P'
K'
T'
P'
T'
P'
T'
P' K'
T'
K'
P'
T'
P' K'
T'
P'
P'
T'
P' P' T' P' K' P' P' T' P' T' P' P' K' P' T' K'
P'
P' T'
P'
P' T'
P' P' T' P' K' P' P' T' P' T' P' P' K' P' P' T'
P'
T'
P'
P'
T'
T'
T'
P'
K'
P'
T'
K'
T' P'
T'
K'
Ke
T'
K'
P'
T' K'
P'
© Copyright 2015 by Universal Edition A.G., Wien | UE 36 619
Ke
T'
T'
P'
P'
K'
T'
K'
K'
T'
P'
P' P' K'
P'
T' K'
7
Level 1 – Bronze
Level 1 – Bronze
The T’ sound is quite similar to the regular flute tonguing. Start
by playing all notes assigned with a T’ as strongly articulated
accents. Later on change them into a clear hi-hat sound and add
more hiss, but without interrupting the melodic line.
Der T‘-Sound ist dem regulären Zungenstoß relativ ähnlich. Spiele
die mit T‘ bezeichneten Töne zu Beginn als stark artikulierte Akzente. Später sollte man ein klares Hi-Hat-Zischen hören können,
ohne dass die Melodielinie dadurch unterbrochen wird.
T’
Tilmann Dehnhard
(* 1968)
h = 72
4
4
5
9
13
17
21
25
29
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
© Copyright 2015 by Universal Edition A.G., Wien | UE 36 619
9
Level 3 – Gold
Level 3 – Gold
Verwende für repetitive Sechzehntel nach Belieben Doppelzunge.
For repetitive sixteenth-notes feel free to use double tonguing.
T’
q = 84
4
4
3
5
7
T'
Tilmann Dehnhard
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
9
T'
11
13
15
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
T'
© Copyright 2015 by Universal Edition A.G., Wien | UE 36 619
T'
T'
T'
T'
15
Level 4 – Platinum
Level 4 – Platinum
T’
q = 84
4
4
5
T'
T'
T'
9
T'
T'
T'
T'
T'
T'
T'
3
T'
T'
T'
T'
T'
T'
T'
T'
3
T'
T'
3
3
T'
T'
T'
T'
T'
3
T'
T'
2
4
T'
T'
T'
T'
T'
3
T'
( T')
T'
3
T'
T'
T'
T'
3
3
T'
T'
T'
T'
T'
rit. poco
T'
3
T'
T'
T'
T'
T'
T'
3
4
4
T'
T'
T'
3
3
T'
T'
T'
3
T'
K = iq e)
q = 126 (iiq
slower
T'
3
3
3
T'
T'
T'
3
3
24
T'
T'
T'
T'
T'
3
T'
T'
T'
3
3
18
T'
T'
3
30
T'
T'
T'
T'
17
27
T'
T'
T'
T'
15
21
T'
T'
12
19
T'
T'
T'
Tilmann Dehnhard
T'
3
© Copyright 2015 by Universal Edition A.G., Wien | UE 36 619
T'
3
T'
T'
T'
In bar 21 you may keep the low D ♭ key depressed for the whole
bar, also the low C key on the first beat of bar 22.
In Takt 21 kannst du die tiefe Des-Klappe den gesamten Takt lang
gedrückt halten, ebenso die tiefe C-Klappe in Takt 22 bis Zählzeit 2.
Concert Study 1 – Bronze
q = 111
4
4
K'
3
5
7
9
K'
K'
Sse Ge De Ge
Sse
Ge
P'
De
P'
Tilmann Dehnhard
Ge
K'
K'
K'
K'
Sse Ge De Ge
K'
Se
K'
K'
K'
K'
Ge De
P'
K'
K'
P'
P'
K'
Se
Ge De
13
15
17
22
P'
P'
P'
P'
T'
T'
K'
K'
T'
T'
T'
T'
K'
K'
K'
T'
T'
K'
^P'
3
3
11
P'
P'
T'
P'
T'
K'
P'
T'
K'
T'
P'
K'
P'
T'
T'
K'
T'
P'
P'
K'
T'
T'
K'
K'
P'
T'
P'
T'
T'
T'
P'
P'
K'
© Copyright 2015 by Universal Edition A.G., Wien | UE 36 619
K'
P'
T'
P'
K'
K'
P'
T'
Black or White
q = 120
4
4
3
P'
P'
P'
T'
Ps'
Ps'
T'
P'
Sse Ge De
K
T'
K
T'
P'
P'
Ps'
P'
Ps'
P'
P'
^T'
T'
P'
Michael Jackson
arr. Tilmann Dehnhard
Ps'
P'
Ps'
T'
P'
7
P'
9
11
P'
T'
Ps'
Ps'
Ps'
Ps'
K
P'
Ps'
P'
^T'
^Ps'
3
P'
P'
P'
Ps'
P'
P'
Ps'
P'
Ps'
P'
Ps'
P'
P'
P'
P'
Ps'
P'
P'
P'
Ps'
P'
Ps'
^T'
Ps'
P'
Ps'
^T'
Copyright © 1991 Mijac Music
This arrangement Copyright © 2015 Mijac Music
All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
International Copyright Secured All Rights Reserved. Reprinted by permission of Hal Leonard
32
T'
Sse Ge De
3
5
K
© Copyright 2015 by Universal Edition A.G., Wien | UE 36 619
P'
P'
Ps'
P'
Ps'
This old disco classic should not be played too fast. The riffs in
bars 7 to 10 must be sung very loudly, so the listener can hear
them well. Should you decide to play this piece without singing,
always play the notes that have beatbox syllables above them.
Bars 7 through 21 can be played an octave higher.
Spiele den alten Disco-Klassiker Billie Jean nicht zu schnell. Die
Riffs in den Takten 7 bis 10 müssen wirklich laut gesungen werden, damit sie gut hörbar sind. Solltest du das Stück ohne Gesang
spielen wollen: Spiele immer die Noten, über denen die BeatboxSilben stehen. Die Takte 7 bis 21 kannst du eine Oktave höher
spielen.
Billie Jean
Michael Jackson
arr. Tilmann Dehnhard
q = 111
4
4
Play
3
P'
Ps'
P'
Ps'
P'
5
P'
Ps'
P'
Ps'
P'
7
Sing
P' T' Ps' T' P' T' Ps' T'
11
Ps'
Se
P' T' Ps' T' P' T' Ps' T'
Ge
P'
Ps'
De
3
Ps'
P' T' Ps' T' P' T' Ps' T'
P'
P'
^T'
P'
Play
P'
Ps'
P'
Ps'
P'
Ps' Se Ge De P'
Ps'
P'
Ps'
P'
Ps'
P'
Ps'
P'
Ps'
3
15
P' T' Ps' T' P' T' Ps'
P' T' Ps'
T' P' T' Ps'
P'
T'
T' Ps' T' P' T' Ps' T'
Copyright © 1982 Mijac Music
This arrangement Copyright © 2015 Mijac Music
All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
International Copyright Secured All Rights Reserved. Reprinted by permission of Hal Leonard Corporation
34
© Copyright 2015 by Universal Edition A.G., Wien | UE 36 619
P'
Ps' T' P' T' Ps' T'
Flute-beatboxing is the most impressive when the listener is
already familiar with the melodies. Therefore I have selected
some well-known classics and arranged them for beatbox flute.
Your creativity is needed here: you can repeat, combine and omit
segments at your own will. For presenting them as performance
pieces, you can start with a few bars of beatboxing and bring in
the melody later on. Or, you can play the melody alone first and
add a beatbox groove later on.
Flutebeatboxing wirkt besonders beeindruckend, wenn das
Publikum die Melodien bereits kennt. Deshalb habe ich ein paar
bekannte klassische Melodien zusammengestellt, die sich zum
Beatboxen eignen. Hier ist deine Kreativität gefragt: Die folgenden Melodieabschnitte können nach Belieben wiederholt,
neu kombiniert und ausgelassen werden. Als Vorspiel kannst du
mit ein paar Takten Beatboxing beginnen oder die Melodie erst
ohne, danach mit dem Beatbox-Groove spielen.
Beatbox Classics
arr. Tilmann Dehnhard
E. Grieg, In der Höhle des Bergkönigs
4
4
5
P'
K'
P'
P'
K'
K'
P'
P'
K'
P'
P'
P' K'
K'
P'
P'
P' K' SeGeDeGe
P'
K'
P' P'
K'
L. v. Beethoven, Für Elise
4
4
4
8
11
2
4
P'
3
4
P'
P'
P'
K'
4
4
K'
P' Se Ge De P' K'
P'
K'
P'
P' Se GeDe
P'
K'
P'
P' Se Ge De P' K'
K'
P' Se Ge De
K'
K'
P'
P'
4
4
K'
K'
P'
K'
P'
K'
P'
J. S. Bach, Bourrée
4
4
4
36
P'
K'
P'
K'
K'
P'
P'
K'
K'
P'
P'
K'
© Copyright 2015 by Universal Edition A.G., Wien | UE 36 619
K'
P'
K'
Inhalt • Contents
VORWORT
PREFACE
.........................................................................................................
3
...............................................................................................................
5
BASIC GROOVE VARIATIONEN • BASIC GROOVE VARIATIONS
.....................................
7
.....................................................
8
.................................................................................................
9
9
10
11
SECHZEHNTEL HI-HAT • SIXTEENTH-NOTE HI-HAT
LEVEL 1 – BRONZE
T’
P’
K’
.....................................................................................................................
...................................................................................................................
....................................................................................................................
LEVEL 2 – SILVER
T’
P’
K’
...................................................................................................................
...................................................................................................................
LEVEL 3 – GOLD
T’
P’
K’
.................................................................................................
...................................................................................................................
..................................................................................................
...................................................................................................................
...................................................................................................................
....................................................................................................................
LEVEL 4 – PLATINUM
............................................................................................
T’ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
P’ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
K’ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
P & K’ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONCERT STUDIES
...............................................................................................
Concert Study 1 – Bronze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Concert Study 2 – Silver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Concert Study 3 – Gold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Concert Study 4 – Platinum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
JOHANN SEBASTIAN BACH, BADINERIE
GEORGE GERSHWIN, SUMMERTIME
15
15
16
17
18
18
19
20
21
22
22
24
26
28
.................................................................
30
......................................................................
31
MICHAEL JACKSON, BLACK OR WHITE
...................................................................
32
...........................................................................
34
.............................................................................................
36
MICHAEL JACKSON, BILLIE JEAN
BEATBOX CLASSICS
12
12
13
14