Bach Cantata - Bethlehem Lutheran Church

Bach Cantata
Wir müssen durch viel Trübsal in das
Reich Gottes eingehen
Mar 3, 2013
Bach Cantata Series
100th Anniversary Celebration
Bethlehem Lutheran Church
Bach Cantata
Wir müssen durch viel Trübsal in das
Reich Gottes eingehen
Mar 3, 2013
Bach Cantata Series
100th Anniversary Celebration
Bethlehem Lutheran Church
Welcome!
We are excited that you are here with us today. The 2013 concert series
was made possible through a generous donation. 2013 is also year 101 for
Bethlehem Lutheran Church and so we are happy to serve our community
with the gift of music – a Lutheran tradition. Johann Sebastian Bach’s
church cantatas are perfect examples of this tradition.
40 days before Easter is the season of Lent in the church calendar. During
Lent, Christians take time to examine the health of their relationship with
God, and allow God to remove the rebellion in their hearts in order to enjoy
a reconciled relationship with him, made possible by his suffering for us
on the cross.
We chose Cantata 146 for the text and music that so beautifully expresses
Christ having to give up his God-life and spend three years on earth as
God-man, and suffer and die for our sins.
Rev. Fred Rink
Bethlehem Lutheran Church
Program order
Organ solo
Durch Adams Fall ist ganz verderbt
Is completely corrupted by Adam’s fall
Cantata
Wir müssen durch viel Trübsal in das Reich
Gottes eingehen
1. Sinfonia
2. Chorus
3. Alto Aria
4. Soprano Recitative
5. Soprano Aria
6. Tenor Recitative
7. Tenor & Bass Duet
8. Chorale
BWV 637
BWV 146
5 minute intermission
Bass solo
Ich habe genug
BWV 82: 1
Organ solo
Ich ruf zu dir, Herr Jesu Christ
BWV 639
I call to you Lord Jesus Christ
Kommst du nun, Jesu, von Himmel herunter
Will you now, Jesus, (come) down from Heaven
2013 concert season kick-off refreshments
BWV 650
in the Foyer
The story
The value of Bach’s sacred cantata text was first introduced to me in
1996 when I organized my first Bach canata with Dr. Melvin P. Unger, who
authored “Handbook to Bach’s Sacred Cantata Texts” . Since then, in
learning different cantatas, I’ve come to appreciate that Bach had a deep
understanding of biblical theology. He spent a large part of his life writing
church cantatas, and those cantatas follow the life of Jesus, his death and
resurrection, and the growth of the early church.
Helmuth Rilling, founder of many Bach festivals and academies
worldwide, wrote, “J. S. Bach’s church cantatas are the center of his
lifework. Really to know Bach, one must study his cantatas. To understand
the relation between their text and scripture—which in Bach’s time was
common knowledge—is of utmost importance.” In our Bach Cantata
series, we will attempt to provide the story behind the text, and the
corresponding scripture text.
In the story so far:
God first created the world, man and woman: “And the LORD God
commanded the man, saying, ‘You may surely eat of every tree of the
garden, but of the tree of the knowledge of good and evil you shall not eat,
for in the day that you eat of it you shall surely die.’” (Genesis 2:15) “Now
the serpent was more crafty than any other beast of the field that the
LORD God had made. He said to the woman, ‘Did God actually say, ‘You
shall not eat of any tree in the garden’?’” (Genesis 3:1)
Adam and Eve chose to listen to the serpent and disobeyed God by eating
a fruit from the tree of the knowledge of good and evil. When God was
walking in the garden in the cool of the day, Adam and Eve, realizing that
they were naked, hid themselves from the presence of God. This marked
the first instance of our separation from God, which continues to this day.
Although the punishment for disobedience was death, God, in His mercy,
provided a way out. He promised delivery by way of a ‘serpent crusher’
(His son, Jesus Christ) in a future generation: “The Lord God said to the
serpent... I will put enmity between you and the woman, and between your
offspring and her offspring;
he shall bruise your head,
and you shall bruise his heel.” (Genesis 3:15)
Fast forward to the last few weeks of Christ’s life on earth, where he starts
heading to Jerusalem and towards his final task...
From Jesus’ point of view, he knew exactly the type of death he would
face and the unbearable separation from God he would experience while
he lay dead for three days. From the disciples’ point of view, no one really
expected that the Messiah would suffer, they were expecting another great
warrior like King David. The music powerfully weaves in these themes, the
orchestra playing out the plan of God, and the organ solo assuming the
role of Jesus, God in the body of man.
The “Handbook to Bach’s Sacred Cantata Texts” quotes Acts 14:22 as the
reference for this Cantata. Close examination of the text of song numbers
4, 5, 6, 7 and 8 reveals that the text is often written in the voice of Christ.
The suffering of Jesus and His glory is tied together. Unless He suffers
and dies for us, we cannot experience the reward of being rescued and
brought into a restored relationship with Him. Through the tribulation of
Christ, we can enter into the kingdom of God. And we too, must be willing
to put aside our own agendas and trust God to show us how He wants us
to live.
The story continues on April 21, with Cantata 4 and Easter Oratorio 249:
...And Christ, after conquering death, rose from the dead, ascended into
heaven, and sits at the right hand of God, while God puts His enemies
under His feet.
Hence, like many of King David’s Psalms, Bach ends the cantata with the
hope that we have if we accept Him and trust in Him – to look foward to
enjoying God’s glory when we see Him face to face.
Pauline Hale
Producer
Canata 146
1Sinfonia
Narrative: On the road to Jerusalem, after healing a blind man, Jesus
began to reveal to his disciples what is about to happen to him.
2Chorus
Wir müssen durch viel Trübsal in das Reich Gottes eingehen.
We must through much tribulation into the kingdom of God enter.
(enter into the kingdom of God)
Mark 8:31 And he began to teach them that the Son of Man must suffer
many things and be rejected by the elders and the chief priests
and the scribes and be killed, and after three days rise again.
3 Alto Aria
Ich will nach dem Himmel zu,
I would to – heaven (go)
Schnödes Sodom, ich und du Sind nunmehr geschieden.
Base
Sodom, I and thou are henceforth parted
Meines Bleibens ist nicht hier, Denn ich lebe doch bei dir Nimmermehr in
Frieden.
For I can indeed nevermore live in peace with thee.
Jude 1:7
just as Sodom and Gomorrah and the surrounding cities, which
likewise indulged in sexual immorality and pursued unnatural
desire, serve as an example by undergoing a punishment of
eternal fire.
1 John 2:15 Do not love the world or the things in the world. If anyone loves
the world, the love of the Father is not in him.
John 16:33 [Jesus said] I have said these things to you, that in me you may
have peace. In the world you will have tribulation. But take
heart; I have overcome the world.”
4 Soprano Recitative
Ach! wer doch schon im Himmel wär!
Ah, if only I were already in heaven
Wie dränget mich nicht die böse Welt!
How oppresses me not the evil world! (this evil world oppresses me in every way)
Mit Weinen steh ich auf, Mit Weinen leg ich mich zu Bette,
With weeping rise I up, with weeping lay I me to bed
Wie
trüglich wird mir nachgestellt!
How treacherously am I assailed!
Herr! merke, schaue drauf, Sie hassen mich, und ohne Schuld,
Lord! Mark, look upon it, they hate me and without cause,
Als wenn die Welt die Macht, Mich gar zu töten hätte;
As if he world (had) the might even to put me to death;
Und leb ich denn mit Seufzen und Geduld Verlassen und veracht’,
And even when I live with sighing and forbearance, forsaken and despised,
So hat sie noch an meinem Leide Die größte Freude.
Even in my suffering, the world takes the greatest pleasure.
Mein Gott, das fällt mir schwer.
My God, I find that hard!
Ach! wenn ich doch, Mein Jesu, heute noch Bei dir im Himmel wär!
Ah, if I only (were), my Jesus, today
with thee in heaven!
Isaiah 53:3
He was despised and rejected by men
Isaiah 53:4 Surely he has borne our griefs and carried our sorrows;
Isaiah 53:5
But he was pierced for our transgressions;
he was crushed for our iniquities;
upon him was the chastisement that brought us peace,
and with his wounds we are healed.
All we like sheep have gone astray;
we have turned—every one—to his own way;
and the LORD has laid on him the iniquity of us all.
5 Soprano Aria
Ich säe meine Zähren Mit bangem Herzen aus.
I sow my
tears with anxious heart
Jedoch mein Herzeleid Wird mir die Herrlichkeit
Nevertheless my heart’s grief will for me (turn to) glory
Am Tage der seligen Ernte gebären.
On the day of blessed harvest (to see all the fruits bear).
Psalm 125:5
Those who sow in tears shall reap with shouts of joy!
He who goes out weeping, bearing the seed for sowing,
shall come home with shouts of joy,
bringing his sheaves with him.
John 16:20
Truly, truly, I say to you, you will weep and lament,
but the world will rejoice. You will be sorrowful,
but your sorrow will turn into joy.
6 Tenor Recitative
Ich bin bereit, Mein Kreuz geduldig zu ertragen;
I am prepared, my crosss patiently to bear;
Ich weiß, daß alle meine Plagen Nicht wert der Herrlichkeit,
I know, that all my
torments are not worthly (to be compared with) the glory
Die Gott an den erwählten Scharen
Und auch an mir wird offenbaren.
which God will reveal to the chosen multitudes and also to me
Itzt wein ich, da das Weltgetümmel Bei meinem Jammer fröhlich scheint.
Now I weep, while the world appears to enjoy my misery.
Bald kommt die Zeit, Da sich mein Herz erfreut,
Soon comes the time
when
my heart will rejoice,
Und da die Welt einst ohne Tröster weint.
And when the world
without comforters will weep.
Wer mit dem Feinde ringt und schlägt,
He who with the foe wrestles and fights,
Dem wird die Krone beigelegt;
On him is the crown be placed;
Denn Gott trägt keinen nicht mit Händen in dem Himmel.
For God carries no one with (his) hands to heaven
(we can only go to heaven through the righteousness of Christ)
Isaiah 53:12
because he poured out his soul to death
and was numbered with the transgressors;
yet he bore the sin of many,
and makes intercession for the transgressors.
Matthew 16:24-27 Then Jesus told his disciples, “If anyone would come after
me, let him deny himself and take up his cross and follow me.
For whoever would save his life will lose it, but whoever loses his
life for my sake will find it. For what will it profit a man if he gains
the whole world and forfeits his soul? Or what shall a man give
in return for his soul? For the Son of Man is going to come with
his angels in the glory of his Father, and then he will repay each
person according to what he has done.
7 Tenor & Bass Duet
Wie will ich mich freuen, wie will ich mich laben,
How I will rejoice,
how I will indulge in comfort,
Wenn alle vergängliche Trübsal vorbei!
When all transient
affliction is past!
Da glänz ich wie Sterne
und leuchte wie Sonne,
Then glitter I (will) like (the) stars and shine like (the) sun
Da störet die himmlische selige Wonne
Then disturbs (that) heavenly blessed rapture
Kein Trauern, Heulen und Geschrei.
No
grieving, wailing and (no) crying.
Revelation 21:4 And I heard a loud voice from the throne saying, “Behold, fthe
dwelling place1 of God is with man. He will gdwell with them, and
they will be his people, and God himself will be with them as their
God. He will wipe away every tear from their eyes, and death shall
be no more, neither shall there be mourning, nor crying, nor pain
anymore, for the former things have passed away.”
8 Chorale
Lob und Dank sei dir gesungen Vater der Barmherzigkeit
praise and thanks be to you sung Father of
Mercy
Daß mir ist mein Werk gelungen Daß
du mich so hoch erfreut
That to me is my work succeeded That
you love me so delighted
Und vor Sünden mancher Art
And before sins of different kinds
So getreulich hast bewahrt
So faithfully have kept (you have faithfully kept me away from sins of different kinds)
Auch die Feind hinweggetrieben und ich unversehrt geblieben
Also, the enemy driven away
and I remained unharmed
Cantata 82
1 Bass Aria
Ich habe genug,
I have enough,
Ich habe den Heiland, das Hoffen der Frommen,
I have the Savior, the hope of the righteous,
Auf meine begierigen Arme genommen;
In my
eager
arms
taken (in my eager arms)
Ich habe genug!
I have enough
Ich hab ihn erblickt,
I have him seen
Mein Glaube hat Jesum ans Herze gedrückt;
My
faith has Jesus to-my heart pressed;
Nun wünsch ich, noch heute mit Freuden
Now wish I, yet today with joy
Von hinnen zu scheiden.
From here to depart (now I wish even today I can depart to heaven to enjoy God’s glory).
Many thanks to all who worked hard to make this happen!
Soloists
Organ
Soprano
Alto
Tenor
Bass
David Poon
Pauline Hale
Angela Larsen
Marlin Toftager
Peter Alexander
Orchestra
Violin 1
Violin 2
Viola
Cello
Bass
Flute
Oboe/oboe d’amore 1
Oboe/oboe d’amore 2
Angela Malmberg
Jenny Essers
Genevieve MacKay
Marina Hasselberg
Wilmer Fawcett
Soile Stratkauskas
Beth Orson
Marea Chernoff
Behind the scenes
Vocal coach
Rehearsal accompanist
Production coordinator
Producer
Frédérik Robert
Ed Norman
Wilmer Fawcett
Pauline Hale
Welcome!
We are excited that you are here with us today. The 2013 concert series
was made possible through a generous donation. 2013 is also year 101 for
Bethlehem Lutheran Church and so we are happy to serve our community
with the gift of music – a Lutheran tradition. Johann Sebastian Bach’s
church cantatas are perfect examples of this tradition.
40 days before Easter is the season of Lent in the church calendar. During
Lent, Christians take time to examine the health of their relationship with
God, and allow God to remove the rebellion in their hearts in order to enjoy
a reconciled relationship with him, made possible by his suffering for us
on the cross.
We chose Cantata 146 for the text and music that so beautifully expresses
Christ having to give up his God-life and spend three years on earth as
God-man, and suffer and die for our sins.
Rev. Fred Rink
Bethlehem Lutheran Church
Program order
Organ solo
Durch Adams Fall ist ganz verderbt
Is completely corrupted by Adam’s fall
Cantata
Wir müssen durch viel Trübsal in das Reich
Gottes eingehen
1. Sinfonia
2. Chorus
3. Alto Aria
4. Soprano Recitative
5. Soprano Aria
6. Tenor Recitative
7. Tenor & Bass Duet
8. Chorale
BWV 637
BWV 146
5 minute intermission
Bass solo
Ich habe genug
BWV 82: 1
Organ solo
Ich ruf zu dir, Herr Jesu Christ
BWV 639
I call to you Lord Jesus Christ
Kommst du nun, Jesu, von Himmel herunter
Will you now, Jesus, (come) down from Heaven
2013 concert season kick-off refreshments
BWV 650
in the Foyer
The story
The value of Bach’s sacred cantata text was first introduced to me in
1996 when I organized my first Bach canata with Dr. Melvin P. Unger, who
authored “Handbook to Bach’s Sacred Cantata Texts” . Since then, in
learning different cantatas, I’ve come to appreciate that Bach had a deep
understanding of biblical theology. He spent a large part of his life writing
church cantatas, and those cantatas follow the life of Jesus, his death and
resurrection, and the growth of the early church.
Helmuth Rilling, founder of many Bach festivals and academies
worldwide, wrote, “J. S. Bach’s church cantatas are the center of his
lifework. Really to know Bach, one must study his cantatas. To understand
the relation between their text and scripture—which in Bach’s time was
common knowledge—is of utmost importance.” In our Bach Cantata
series, we will attempt to provide the story behind the text, and the
corresponding scripture text.
In the story so far:
God first created the world, man and woman: “And the LORD God
commanded the man, saying, ‘You may surely eat of every tree of the
garden, but of the tree of the knowledge of good and evil you shall not eat,
for in the day that you eat of it you shall surely die.’” (Genesis 2:15) “Now
the serpent was more crafty than any other beast of the field that the
LORD God had made. He said to the woman, ‘Did God actually say, ‘You
shall not eat of any tree in the garden’?’” (Genesis 3:1)
Adam and Eve chose to listen to the serpent and disobeyed God by eating
a fruit from the tree of the knowledge of good and evil. When God was
walking in the garden in the cool of the day, Adam and Eve, realizing that
they were naked, hid themselves from the presence of God. This marked
the first instance of our separation from God, which continues to this day.
Although the punishment for disobedience was death, God, in His mercy,
provided a way out. He promised delivery by way of a ‘serpent crusher’
(His son, Jesus Christ) in a future generation: “The Lord God said to the
serpent... I will put enmity between you and the woman, and between your
offspring and her offspring;
he shall bruise your head,
and you shall bruise his heel.” (Genesis 3:15)
Fast forward to the last few weeks of Christ’s life on earth, where he starts
heading to Jerusalem and towards his final task...
From Jesus’ point of view, he knew exactly the type of death he would
face and the unbearable separation from God he would experience while
he lay dead for three days. From the disciples’ point of view, no one really
expected that the Messiah would suffer, they were expecting another great
warrior like King David. The music powerfully weaves in these themes, the
orchestra playing out the plan of God, and the organ solo assuming the
role of Jesus, God in the body of man.
The “Handbook to Bach’s Sacred Cantata Texts” quotes Acts 14:22 as the
reference for this Cantata. Close examination of the text of song numbers
4, 5, 6, 7 and 8 reveals that the text is often written in the voice of Christ.
The suffering of Jesus and His glory is tied together. Unless He suffers
and dies for us, we cannot experience the reward of being rescued and
brought into a restored relationship with Him. Through the tribulation of
Christ, we can enter into the kingdom of God. And we too, must be willing
to put aside our own agendas and trust God to show us how He wants us
to live.
The story continues on April 21, with Cantata 4 and Easter Oratorio 249:
...And Christ, after conquering death, rose from the dead, ascended into
heaven, and sits at the right hand of God, while God puts His enemies
under His feet.
Hence, like many of King David’s Psalms, Bach ends the cantata with the
hope that we have if we accept Him and trust in Him – to look foward to
enjoying God’s glory when we see Him face to face.
Pauline Hale
Producer
Canata 146
1
Sinfonia
Narrative: On the road to Jerusalem, after healing a blind man, Jesus
began to reveal to his disciples what is about to happen to him.
2
Chorus
Wir müssen durch viel Trübsal in das Reich Gottes eingehen.
We must through much tribulation into the kingdom of God enter.
(enter into the kingdom of God)
Mark 8:31 And he began to teach them that the Son of Man must suffer
many things and be rejected by the elders and the chief priests
and the scribes and be killed, and after three days rise again.
3
Alto Aria
Ich will nach dem Himmel zu,
I would to – heaven (go)
Schnödes Sodom, ich und du Sind nunmehr geschieden.
Base
Sodom, I and thou are henceforth parted
Meines Bleibens ist nicht hier, Denn ich lebe doch bei dir Nimmermehr in
Frieden.
For I can indeed nevermore live in peace with thee.
Jude 1:7
just as Sodom and Gomorrah and the surrounding cities, which
likewise indulged in sexual immorality and pursued unnatural
desire, serve as an example by undergoing a punishment of
eternal fire.
1 John 2:15 Do not love the world or the things in the world. If anyone loves
the world, the love of the Father is not in him.
John 16:33 [Jesus said] I have said these things to you, that in me you may
have peace. In the world you will have tribulation. But take
heart; I have overcome the world.”
4
Soprano Recitative
Ach! wer doch schon im Himmel wär!
Ah, if only I were already in heaven
Wie dränget mich nicht die böse Welt!
How oppresses me not the evil world! (this evil world oppresses me in every way)
Mit Weinen steh ich auf, Mit Weinen leg ich mich zu Bette,
With weeping rise I up, with weeping lay I me to bed
Wie
trüglich wird mir nachgestellt!
How treacherously am I assailed!
Herr! merke, schaue drauf, Sie hassen mich, und ohne Schuld,
Lord! Mark, look upon it, they hate me and without cause,
Als wenn die Welt die Macht, Mich gar zu töten hätte;
As if he world (had) the might even to put me to death;
Und leb ich denn mit Seufzen und Geduld Verlassen und veracht’,
And even when I live with sighing and forbearance, forsaken and despised,
So hat sie noch an meinem Leide Die größte Freude.
Even in my suffering, the world takes the greatest pleasure.
Mein Gott, das fällt mir schwer.
My God, I find that hard!
Ach! wenn ich doch, Mein Jesu, heute noch Bei dir im Himmel wär!
Ah, if I only (were), my Jesus, today
with thee in heaven!
Isaiah 53:3
He was despised and rejected by men
Isaiah 53:4
Surely he has borne our griefs and carried our sorrows;
Isaiah 53:5
But he was pierced for our transgressions;
he was crushed for our iniquities;
upon him was the chastisement that brought us peace,
and with his wounds we are healed.
All we like sheep have gone astray;
we have turned—every one—to his own way;
and the LORD has laid on him the iniquity of us all.
5
Soprano Aria
Ich säe meine Zähren Mit bangem Herzen aus.
I sow my
tears with anxious heart
Jedoch mein Herzeleid Wird mir die Herrlichkeit
Nevertheless my heart’s grief will for me (turn to) glory
Am Tage der seligen Ernte gebären.
On the day of blessed harvest (to see all the fruits bear).
6
Psalm 125:5
Those who sow in tears shall reap with shouts of joy!
He who goes out weeping, bearing the seed for sowing,
shall come home with shouts of joy,
bringing his sheaves with him.
John 16:20
Truly, truly, I say to you, you will weep and lament,
but the world will rejoice. You will be sorrowful,
but your sorrow will turn into joy.
Tenor Recitative
Ich bin bereit, Mein Kreuz geduldig zu ertragen;
I am prepared, my crosss patiently to bear;
Ich weiß, daß alle meine Plagen Nicht wert der Herrlichkeit,
I know, that all my
torments are not worthly (to be compared with) the glory
Die Gott an den erwählten Scharen
Und auch an mir wird offenbaren.
which God will reveal to the chosen multitudes and also to me
Itzt wein ich, da das Weltgetümmel Bei meinem Jammer fröhlich scheint.
Now I weep, while the world appears to enjoy my misery.
Bald kommt die Zeit, Da sich mein Herz erfreut,
Soon comes the time
when
my heart will rejoice,
Und da die Welt einst ohne Tröster weint.
And when the world
without comforters will weep.
Wer mit dem Feinde ringt und schlägt,
He who with the foe wrestles and fights,
Dem wird die Krone beigelegt;
On him is the crown be placed;
Denn Gott trägt keinen nicht mit Händen in dem Himmel.
For God carries no one with (his) hands to heaven
(we can only go to heaven through the righteousness of Christ)
Isaiah 53:12
because he poured out his soul to death
and was numbered with the transgressors;
yet he bore the sin of many,
and makes intercession for the transgressors.
Matthew 16:24-27 Then Jesus told his disciples, “If anyone would come after
me, let him deny himself and take up his cross and follow me.
For whoever would save his life will lose it, but whoever loses his
life for my sake will find it. For what will it profit a man if he gains
the whole world and forfeits his soul? Or what shall a man give
in return for his soul? For the Son of Man is going to come with
his angels in the glory of his Father, and then he will repay each
person according to what he has done.
7
Tenor & Bass Duet
Wie will ich mich freuen, wie will ich mich laben,
How I will rejoice,
how I will indulge in comfort,
Wenn alle vergängliche Trübsal vorbei!
When all transient
affliction is past!
Da glänz ich wie Sterne
und leuchte wie Sonne,
Then glitter I (will) like (the) stars and shine like (the) sun
Da störet die himmlische selige Wonne
Then disturbs (that) heavenly blessed rapture
Kein Trauern, Heulen und Geschrei.
No
grieving, wailing and (no) crying.
Revelation 21:4 And I heard a loud voice from the throne saying, “Behold, fthe
dwelling place1 of God is with man. He will gdwell with them, and
they will be his people, and God himself will be with them as their
God. He will wipe away every tear from their eyes, and death shall
be no more, neither shall there be mourning, nor crying, nor pain
anymore, for the former things have passed away.”
8 Chorale
Lob und Dank sei dir gesungen Vater der Barmherzigkeit
praise and thanks be to you sung Father of
Mercy
Daß mir ist mein Werk gelungen Daß
du mich so hoch erfreut
That to me is my work succeeded That
you love me so delighted
Und vor Sünden mancher Art
And before sins of different kinds
So getreulich hast bewahrt
So faithfully have kept (you have faithfully kept me away from sins of different kinds)
Auch die Feind hinweggetrieben und ich unversehrt geblieben
Also, the enemy driven away
and I remained unharmed
Cantata 82
1 Bass Aria
Ich habe genug,
I have enough,
Ich habe den Heiland, das Hoffen der Frommen,
I have the Savior, the hope of the righteous,
Auf meine begierigen Arme genommen;
In my
eager
arms
taken (in my eager arms)
Ich habe genug!
I have enough
Ich hab ihn erblickt,
I have him seen
Mein Glaube hat Jesum ans Herze gedrückt;
My
faith has Jesus to-my heart pressed;
Nun wünsch ich, noch heute mit Freuden
Now wish I, yet today with joy
Von hinnen zu scheiden.
From here to depart (now I wish even today I can depart to heaven to enjoy God’s glory).
Many thanks to all who worked hard to make this happen!
Soloists
Organ
Soprano
Alto
Tenor
Bass
David Poon
Pauline Hale
Angela Larsen
Marlin Toftager
Peter Alexander
Orchestra
Violin 1
Violin 2
Viola
Cello
Bass
Flute
Oboe/oboe d’amore 1
Oboe/oboe d’amore 2
Angela Malmberg
Jenny Essers
Genevieve MacKay
Marina Hasselberg
Wilmer Fawcett
Soile Stratkauskas
Beth Orson
Marea Chernoff
Behind the scenes
Vocal coach
Rehearsal accompanist
Production coordinator
Producer
Frédérik Robert
Ed Norman
Wilmer Fawcett
Pauline Hale