Vienna`s Shooting Girls

Vienna’s Shooting Girls
Vienna’s Shooting Girls - Jewish
Women Photographers from Vienna
phers provides a representative
insight into the history of Austrian
photography in the first decades
of the twentieth century. Dora
Kallmus (d’Ora), Trude Fleischmann, Alice Schalek, Edith Tudor
Hart and many others shaped not
only studio photography but also
reportage and fine art photography. The portraits in particular
give an idea of the cultural life
© JMW/Sonja Bachmayer
B
efore 1938 an unusually
large number of photo studios in Vienna were run by
Jewish women, who were also
outstanding photographers. The
Jewish Museum Vienna explores
the underlying causes and makes
a great period in the history of Viennese Jewish women accessible
again. The selection of works by
forty Jewish women photogra-
2
in the First Republic. The photos
and biographies of the photographers reflect the image of modern women in the first half of the
twentieth century. The exhibition
follows the path of the photographers into exile and recalls the arbitrary end of this era for Vienna
but also its continuation in other
countries and continents.
Curator: Andrea Winklbauer
Steffi Brandl, The writer Ilse Siebert sleeping,
Berlin c. 1928
Atelier D´Ora, Niddy Impekoven, 1923
Grete Kolliner, Manon Chaufour und
Otto Werberg dressed as cacti, c. 1928
Edith Glogau, Ida (Idy) Kohn, Hakoah swimmer,
Austrian backstroke champion in 1928
3
k.k. Hof-Atelier Adèle (Adele Perlmutter): Bertha von Suttner, c. 1870
4
Edith Barakovich: La Jana, c. 1930
5
Friedl Dicker-Brandeis: The bourgeoisie becomes fascist, c. 1932
6
Lisette Model: Teenage Love, New York, 1942
7
Martha Fein: Egon Schiele on his deathbed, 1918
8
Edith Tudor Hart: Street musician, Vienna c. 1929
9
Lilly Joss Reich: Locals and emigrants, Casablanca c. 1940
10
Ylla: Painted elephant, India 1955
Cécile Machlup: The event for us, (Zeppelin), 1929
11
FACT SHEET
EXHIBITION CONTENTS
Artifacts:
Version 1.) Approximately 300 Photos (200 originals and 100 reproductions)
Exhibitionrights EUR 20.000
Version 2.) Approximately 300 Photos (only reproductions)
Exhibitionrights EUR 10.000
Graphic, films and architecture:
No elements are provided, has to be done by the lender
Additional materials
Press materials
(including a selection of high resolution images and the template of a news release)
Size of the venue:
Approximately 400 square meters, 250 running meters
Security
Museum security required, including surveillance while open to the public
Rental fee / Booking period
EUR 10.000 + round trip shipping for a 4 month period (negotiable),
plus cost of design reconfiguration, installation and de-installation,
roundtrip airfare and three nights hotel for Jewish Museum Vienna curator
Insurance
To be insured by host venue
Past exhibition venues
Jewish Museum Vienna (October 23, 2012 to March 3, 2013)
For further information, please contact:
Ida Salamon
E-Mail: [email protected]
Tel: +43 1 535 04 31 127
JEWISH MUSEUM VIENNA - www.jmw.at - JÜDISCHES MUSEUM WIEN
12
Presseclippings




             
            



















           
          



13
Presseclippings



         
            


           

             








          








           
           
          



14