Sociology of Music: Tendencies, Issues, Perspectives International
Transcrição
Sociology of Music: Tendencies, Issues, Perspectives International
Sociology of Music: Tendencies, Issues, Perspectives International Conference Lisbon, July 23-25 Programme Thursday, July 23th 8.30 – Reception / Accreditation 8.45 – Opening session 9.00 – 10.45 Pequeno auditório Moderator: Christian Kaden Antoine Hennion ( Paris ) – “Loving Music: from a Sociology of Culture to a Pragmatics of Taste” Tia DeNora (Exeter, UK) - “When music takes the lead” Richard Leppert (Minneapolis – Minnesota) - “Music, Aesthetics, and the Dialectics of Social Commitment” 10.45 – 11.15 – Coffee break 11.15 – 13.00 Pequeno auditório Moderator: Jin-Ah Kim Karsten Mackensen (Halle - Saale) - “Universal sociological theory and empirical theory building in a historical music sociology: agency, rationalization, and the reality of a musical cosmos in the early modern period” Pedro Boia (Porto,/ Exeter) – “Modernism, Postmodernism and Meaning in the Movement(s) of (re-)Interpretation of Early Music” Angelo Martingo (Braga) - “Contexts of modernity: identity and meaning in recent Portuguese compositional practice” Sala 2 Moderator: Carlos Sandroni Luís Melo Campos (Lisbon) – “Musicians and modes of relating to music” Iñigo Sánchez (Barcelona) – “From the Kitchen to the Living Room: Doing Ethnomusicology at home” Ana Brinca (Lisbon) – “Sound and Listening in the ‘KZ-Lager’: Auschwitz, Buchenwald, Ravensbrück” 13.00 – 14.30 – Lunch break 14.30 – 16.15 Pequeno auditório Moderator: Hansjakob Ziemer Daniel Koglin (Berlin) - “Semantic Spaces of Music-Facts or Artefacts?” Paula Gomes Ribeiro (Lisbon) - “The operatic construction of hyperreality: Paradigms of social representation in contemporary opera dramaturgy” Manuel Deniz Silva (Lisbon) - “Film music and sound as sociological objects” Sala 2 Moderator: Antoine Hennion Katrin Bicher (Berlin) – “Verein für musikalische Privataufführungen. Objectives, Structures, Protagonists” Mark Clague (Ann Arbor – Michigan) - “Towards a Sociality of Artistic Invention, or The Institution as Muse: Chicago’s Auditorium Association and the Creativity of Musical Organizations in the United States” José Júlio Lopes (Lisbon) – “The contemporary composer in his labyrinth. Archive. Memory. Reproduction. Reception. Institutions. Mediation. New technologies. Music in the world” 16.15 – 16.45 – Coffee break 16.45 – 18.30 Pequeno auditório Moderator: Tia DeNora Wolfgang Fuhrmann (Vienna) - “Toward a theory of socio-musical systems: reflections on Nicklas Luhmann’s challenge to music sociology” Hansjakob Ziemer (Berlin) - “Listening to Differences: The Stravinsky-ShoenbergDebate in the 1920s from the perspective of a Historical Anthropology of Music” António Pinho Vargas (Coimbra) - “European Music after 1945 as a restricted space of enunciation” Friday, July 24th 9.00 – 10.45 Pequeno auditório Moderator: Philip V. Bohlman Castelo Branco, Salwa ( Lisbon ) – “Discourse about Music, Cultural Politics and Nation-Building in 20th Century Portugal” Carlos Sandroni (Pernambuco) –- “Recent changes in Brazilian Northeastern traditional music: the case of Pernambuco” Peter J . Martin (Manchester) - “The record business and the internet: Dumbo meets the enemy within?” 10.45 – 11.15 – Coffee break 11.15 – 13.00 Pequeno auditório Moderator: Salwa Castelo-Branco Juan Manuel Pavía Calderón (Bogotá) – “Sociology of popular music in Colombia” Denise Milstein (New York) - “Repression, shifting and the life cycles of popular musical movements in Latin America” Pedro Russo Moreira (Lisbon) - “Radio and Music for workers: Broadcasting Policy in Portugal’s National Radio during the 40s” Sala 2 Moderator: Juan-Pablo González Michel Nicolau (Berlin / Campinas) - “The perception of the idea of diversity in the music industry” Paula Abreu (Coimbra) – “The phonographic industry and the recorded music market: A long misunderstanding” Pedro Nunes (Lisbon) – “Popular Music Journalism and criticism: in between gatekeeping of taste and cheeleading for an industry” 13.00 – 14.30 – Lunch break 14. 30 – 16.45 Pequeno auditório Moderator: Denise Milstein Mariano Muñoz-Hidalgo (Talca – Chile) - “Psychosociology of popular culture: marginal versus underground in popular music” José Juan Olvera Gudiño (Monterrey, Mexico) – “The day when Kumbia Kings came to the town. Negociations and struggles in musical cultures configuracion.” Luzia Rocha / Luís Sousa (Lisbon) – “Travelings and mutations of a work of art: uses and appropriations of Malhoa’s painting O Fado” Sala 2 Moderator: Bernd Hornung Diósnio Machado Neto (S. Paulo) – “The ‘viola’ and the veil: the ‘modinha’ song style in the redefinition process of the Brazilian XVIIIth century social criticism” Elisa Lessa (Braga) - “Feminine voices, masculine rules: Patriarchy and musical praxis in eighteenth century Portuguese convents” Maria José Artiaga (Lisboa) – intellectual milieu ” ”The reception of Verdi in 1870s Portuguese 16.15 – 16.45 – Coffee break 16.45 – 18.30 Pequeno auditório Moderator: Max Paddison Mário Vieira de Carvalho (Lisbon) - “Hope for Truth : An Inquiry into Adorno's conceptions of Art and Social Theory” João Pedro Cachopo (Lisbon) – “How political is music? An approach through Adorno and Rancière” Andreas Stascheit (Dortmund) – “Music in History of Social Thought” Saturday, July 25th 9.00 – 10.45 Pequeno auditório Moderator: Richard Leppert Philip V. Bohlman (Chicago) - “Sound, Silence and Society –The aesthetics of agency in a globalized sociology of music” Ruth Finnegan (Milton Keynes, UK) - “Music: an universal human medium?” Max Paddison (Durham, UK) – “Theoretical Issues in the Socio-Cultural Mediation of Music” 10.45 – 11. 15 Coffee break 11.15 – 13.00 Pequeno auditório Moderator: Peter J. Martin Juan-Pablo González (Santiago – Chile) - “Towards a social history of the present time: music, youth and the politics in Chile during the 1960s” Minghui Bi (Peking) – “ ‘Model Opera’: The Special Musical Phenomenon under the Special Social Shape” Morag Josephine Grant (Göttingen) - “Musicology, conflict studies and the human rights: lessons from the past, approaches for the future” 13.00 – 14.30 – Lunch break 14.30 – 16.15 Pequeno auditório Moderator: Mário Vieira de Carvalho Bernd Hornung (Marburg) - “Holism –The Core of Art and Aesthetics - An Information Theoretical Approach” Jin-Ah Kim (Berlin/Seoul) - “Cultural transfer and transculturality as a branch of research for music sociology and anthropology” Christian Kaden (Berlin) - “Schumann’s madness. Horizons of a Historical Anthropology of Music” 16.15 – 16.30 – Closing session 17.00 – Social programme Contacts | ©2008 CESEM