Provisional programme - Gesellschaft für Fantastikforschung
Transcrição
Provisional programme - Gesellschaft für Fantastikforschung
PROVISIONAL PROGRAMME: EUROFAN: NEW DIRECTIONS OF THE EUROPEAN FANTASTIC AFTER THE COLD WAR SECOND ANNUAL CONFERENCE OF THE GESELLSCHAFT FÜR FANTASTIKFORSCHUNG (GFF) WITHIN THE FRAMEWORK OF SALZBURG ANNUAL CONFERENCES IN ENGLISH LITERATURE AND CULTURE SALZBURG, 29 SEPTEMBER – 1 OCTOBER 2011 THURSDAY 29 September 2011 08.3016.00 09.0012.30 13.0013.30 REGISTRATION (Churfürststraße 1; "Toskana-Trakt") WORKSHOP FOR TEACHERS: "Fantastic Stories: Castles, Ghosts, and Secrets from the Past" CONFERENCE OPENING 10.0012.00 TRACK 4: Young Researchers' Forum Alexandra Neagu (Romania): Night's monsters emersion into daylight in Euripide’s The Bacchae Attila Mócza (Hungary): The Gothic Effect in Peake's Presumption, or, the Fate of Frankenstein and Byron's Manfred Bridget Kies (Valparaiso): “Life as an Angel Condom”: Human Bodies as Vessels for Angels and Demons in the CW’s Supernatural Katharina Rein (Germany): The Proletarian Ghost – Freddy Krueger as Other 13.3014.30 14.3015.30 15.3016.00 16.0017.00 17.0018.00 19.00 KEYNOTE: ROGER LUCKHURST: "The Weird Rewired" KEYNOTE: MARK BOULD: "Spectres Are Haunting Europe" TEA BREAK KEYNOTE: EDWARD JAMES: "The New Space Opera, 1991-2011: the European contribution" KEYNOTE: FRANS MÄYRÄ: "The Global and Local in Fantastic New Media: The Case of Finland" RECEPTION FRIDAY 30 September 2011 TIME + SLOT S1 09.0010.30 10.3011.00 TRACK 1: TRACK 2: Shifts in Post-Cold-War Films and New Media Europe TRACK 3: Open Track TRACK 4: Young Researchers' Forum Laura Muth (Gießen): Begeistert oder im Labyrinth? – Die Nutzung fantastischer Elemente zur Darstellung von Traumverarbeitungs-prozessen bei Gewaltanwendung in Guillermo Del Toros Filmen The Devil’s Backbone und Pans Labyrinth Pascal Klenke (Gießen): Gut und Böse nach dem "Klassenfeind": Das Aufbrechen der klassischen Gut-Böse Opposition in der zeitgenössischen Phantastik Sarah Jenischewski (Germany): Gender in the “House of Night”series Kathryn Rountree (Auckland): The Role of the Fantastic in Contemporary European Paganisms Frauke Bode (Wuppertal): Trauma und Fantastik: El laberinto del fauno (2006) und La batalla del calentamiento (2006) Eva Mehrbrey (Regensburg): Die Sagenwelt mittelalterlicher Weltchroniken und ihre Rezeption en der phantastischen Literatur des 20. und 21. Jahrhunderts Johanna Hoessl (Austria): Vampires Agnieszka Jedrzejczyk (Middlesex): The New (Old) Warrior Hero: The Witcher by Andrzej Sapkowski Benjamin Moldenhauer (Bremen): Der uncoole Schmerz: Versuch, Philip Ridleys Heartless zu verstehen Peter Podrez (Erlangen): Unheimlich Lebendig: Haunted Houses im Film Malgorzata Drewniok (United Kingdom): The Witch, the Tabby Cat and the Undead: the Language of the D’Artigo Sisters from Yasmine Galenorn’s Sisters of the Moon series. Hanna Abdullah (London): Post-1989 Leipzig Painting Imagining an eastern collective consciousness TEA BREAK Simone Broders (Germany): The Heartbeat of Outsiders – Vampiric Otherness as Female Empowerment in P.C. and Kristen Cast's House of Night FRIDAY 30 September 2011 TIME + SLOT S2 11.0012.30 12.3013.30 TRACK 1: TRACK 2: Shifts in Post-Cold-War Films and New Media Europe TRACK 3: Open Track TRACK 4: Young Researchers' Forum Ludmilla Kostova (Veliko Turnovo): Vampires, Despots and Secret Policemen: Mapping the Parameters of the PoliticalFantastic in post-1989 USAmerican Gothic Narratives about South Eastern Europe Lars Schmeink (Hamburg): Dawn of the Posthuman Mythopoesis, Mad Science and the End of the Human Friedhelm Schneidewind: Live-Rollenspiel (LARP): Krieg, Kampf – und doch ein Weg zur Toleranz? Wafa Mezghani (Tunisia): A woman of the night in Raja‟s Amari film “Red Satin”Wafa Mezghani Maria-Ana Tupan (Bucharest): Fantasy from East to West: A Generic Janus Joe Grixti (Auckland): The Intrigue of the Liminal: Fantastic Explorations of the Shadow Self Sonja Klimek (Fribourg): Phantastische Erzählspiele: Immersion und Metalepse im Fantasy-Rollenspiel David Corpuz (Phillippines): Visible Invisibility: The Comfort of the Closet and the Re-Appropriation of Gay Spaces in Philippine Independent Cinema Elena Croitoru (Galaţi): Fairy Tales in Translation Beatrix Hesse (Bamberg): A New Variation on the Alien Invasion Theme – Neill Blomkamp’s District 9 Robin Junicke (Bochum): Geschichte(n) spielen im Rollenspiel Aileen Pinkert (Germany): The "Otherness" in Bekmambetov's so-called vampire-films "The Night Watch" and "The Day Watch" LUNCH BÜCHERTISCHE FRIDAY 30 September 2011 TIME + SLOT S3 13.3014.30 TIME + SLOT S4 14.3015.30 TRACK 1: TRACK 2: Shifts in Post-Cold-War Films and New Media Europe TRACK 3: Open Track TRACK 4: Young Researchers' Forum Audrey Taylor (Middlesex): Daniel Illger (Berlin): The Architecture of Past: Die „Neue Welle“ des Patricia McKillip’s Ombria in frankophonen Horrorfilms Shadow as Built History Uwe Durst (Erlangen): Deformierte Geschichte Daniel Sander (USA): Narcos, Necros, and Homos: On Queer Geographies and Phenomenologies in Film Britta Madeleine Woitschig (Kiel): Millenium Studies 101: The Lisbeth Salander Saga Helmut W. Pesch (Köln): Der phantastische Thriller Die Entstehung des »Mystery«Genres nach dem Ende des Kalten Krieges Izmir Rexhepi (Kosovo): “Gay” friendly environment school TRACK 3: Open Track TRACK 4: Young Researchers' Forum Ingo Cornils (Leeds): The Matrix Preloaded: Rainer Werner Fassbinders Welt am Draht TRACK 1: TRACK 2: Shifts in Post-Cold-War Films and New Media Europe Fani Paraforou (München): Spielarten des Fantastischen: Die Legende vom Untier von Rhodos und ihr Wiederaufleben im Stadtraum der Gegenwart Maria Oikonomou (Wien): Sexy Beasts. Über Anormales und Irreales in einer kleinen Literatur Christian Knöppler (Mainz): The Unexploded Bombs of the Cold War: Global Threats and Solutions in Warren Ellis’ Global Frequency and The Authority Shima Imshir (Turkey): Reality Hidden Within: The Representation of Gender and Politics in Women Writers’ Gothic Literature Tim Lanzendörfer (Mainz): Mark Millar’s Superman: Red Son. European-American Perspectives of the Post-Cold War Superhero Maria Fischhoff (USA): “I’m Not a Fag, I’m a Werewolf”: Teen Wolf and 1980s Masculinity 15.3016.00 16.0017.00 TEA BREAK 17.3018.30 KEYNOTE: BRIAN STABLEFORD: "The Misdiagnosis of Madness in Science and Science Fiction" HAUS DER NATUR BREAK 18.3019.30 19.3021.00 LESUNG: MARKUS ORTHS ATELIER GESPRÄCH MIT MARKUS ORTHS im Rahmen der Ausstellung "Rollenspiele" im MUSEUM DER MODERNE SATURDAY 09.0010.00 10.0011.00 TIME + SLOT S5 11.3013.00 1 October 2011 KEYNOTE: MARLEEN S. BARR: "The Hills Are Alive With Fantastic Cultural Infrastructure: How THE SOUND OF MUSIC Portrays An Alternative Universe Salzburg and Reflects Post Cold War Trans-national Social Dialogue between Austria and the United States" SALZBURG MUSEUM – BEHIND THE SCENES TRACK 1: TRACK 2: Shifts in Post-Cold-War Films and New Media Europe TRACK 3: Open Track TRACK 4: Young Researchers' Forum Seiji Hattori (Gießen): Zur ‚imaginären Geographie‘ bei Thomas Stangls Der einzige Ort. Stefan Rabitsch (Klagenfurt): “Hornblower in space” Star Trekkin’ the theme of ‘Britannia, rule the waves!’ across acontinuum of histories and science fiction texts Leonard Dworschak (Wien): Barbaric, Backward, and Belligerent: residual Eastern European evil in post-1989 U.S.American and British cinema Holger Nielen (Bonn): Metaphysische Problemstellungen im Werk von Philip K. Dick Martina Kress (Austria): "Undead: Yes - Unperson: No" Vampires, werewolves, zombies and other undead who just want to have a good life in Terry Pratchett's Discworld Sabine Planka (Germany): Vampires in detective novels for children N.N. Christine Lötscher (Zürich): Das Buch wird Fleisch: Die Auferstehung der Buchstaben in der deutschsprachigen Gegenwartsfantastik für Jugendliche Johannes Pause (Trier): „Zeit ist ein Netz aus feinen Knoten.“ Strategien und Funktionen des Phantastischen im Werk von Helmut Krausser und Daniel Kehlmann Stefanie Kreuzer (Hannover): Konstellationen einer Postmodernen Phantastik Stefanie Giebert (Reutlingen): Mit dem Rollator ins Raumschiff? Altersbilder in Science Fiction und Fantasy Bea Klüsener (Germany): Vampires as Criminal Others in the 19th-Century British Novel Natahsa Sharpe (USA): Becoming Woman, Becoming Windigo 13.0014.00 LUNCH TIME + SLOT TRACK 1: TRACK 2: Shifts in Post-Cold-War Films and New Media Europe SESSI ON 6 14.0015.30 BÜCHERTISCHE TRACK 3: Open Track TRACK 4: Young Researchers' Forum Katharina Nigl (Austria): Creatures of the Night - a new tourist resource? Julia Gatermann (Hamburg): Recalling Identity – Cultural Heritage in Margaret Atwood’s Postapocalyptic Dystopia Oryx and Crake Inken Frost (Viadrina): „New Who“ und das 21. Jahrhundert – der Doktor nach dem (Kalten) Krieg Ralph Pordzik: Writing the Cold War: Crisis and Conflict in British Utopian and Science Fiction Poetry of the 1950s and 60s Anya Heise von der Lippe (Berlin): Re-framing the post-feminist freak show: Nights at the Circus reloaded Henning Kasbohm (Hamburg): Das Purgatorium vor dem Pub Räume und Medien des Phantastischen in „Life On Mars“ und „Ashes To Ashes“ Iveta Leitane: The interplay between Jewish theology, cognitive sciences, and political reflection in Jewish science fiction after WWII René Schallegger (Klagenfurt): Kostoula Kaloudi (University of Peloponnese): Flamboyance –The birth of A filmic ghost place French Fantasy during the early 1990s Silke Walther (Karlsruhe): Re-imagined communities in contemporary Holocaust exhibitions Vito Tigiani (Italy): Furry Angst, Sexy Fangs and a Ghost Thrown in the Middle: Exploring the World of Being Human Eva-Maria Kubin (Austria): Creatures of the Mind or from Another World? Fantastic Characters between Otherworldliness and Insanity in Contemporary British and Irish Drama Christa Agnes Tuczay (Austria): The medieval revenant, protovampire Bahadır Sürelli (Turkey): Strange Creatures in Ottoman/Turkish Literature 15.3016.00 BREAK 16.0016.30 16.3017.00 17.0019.00 PRÄSENTATION HANS RICHARD BRITTNACHER: Phantastik: Ein interdisziplinäres Handbuch 20.0021.00 GHOST EXPERIENCE FESTUNG HOHENSALZBURG BÜCHERTISCHE WINDING UP OF THE CONFERENCE MITGLIEDERVERSAMMLUNG DER GFF BÜCHERTISCHE